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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 68 129 181 it is the complementary color RGB 187 126 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 68 129 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 68 129 181 shade: RGB 73 129 176, RGB 90 147 195, RGB 107 165 214, RGB 124 183 233 and RGB 141 201 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 68 129 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 68 129 181 shade: RGB 68 129 181, RGB 51 111 162, RGB 34 93 143, RGB 17 75 124 and RGB 0 57 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 68 129 181 shade: RGB 68 129 181, RGB 68 99 181, RGB 68 68 181, RGB 98 68 181 and RGB 129 68 181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 68 129 181 shade: RGB 68 129 181, RGB 68 99 181, RGB 68 68 181 and RGB 68 68 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 68 129 181 shade matches the following richer shades: RGB 68 129 181, RGB 48 131 201, RGB 28 132 221 and RGB 8 134 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 68 129 181 shade: RGB 68 129 181, RGB 88 127 160, RGB 109 126 140, RGB 129 124 120 and RGB 149 122 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 68 129 181 shade: RGB 68 181 171, RGB 68 160 181, RGB 68 130 181, RGB 68 100 181 and RGB 68 70 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 68 129 181 shade: RGB 46 86 121, RGB 57 108 151, RGB 68 129 181, RGB 96 149 194 and RGB 126 169 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 68 129 181 shade: RGB 68 129 181, RGB 141 68 181 and RGB 175 181 68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 68 129 181 shade: RGB 68 129 181, RGB 181 68 130 and RGB 130 181 68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 68 129 181 shade: RGB 68 129 181, RGB 141 68 181, RGB 181 119 68 and RGB 108 181 68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 68 129 181 shade: RGB 68 129 181, RGB 175 68 181, RGB 181 119 68 and RGB 74 181 68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 29 / 0 / 29

HEX #4481B5

RGB 68 129 181

HSL 207.61, 0.45%, 0.49%

LAB 52.14, -3.54, -33.3

 

Complementary color

CMYK 0 / 33 / 60 / 27

HEX #BB7E4A

RGB 187 126 74

HSL 27.61, 0.45%, 0.51%

LAB 58.02, 18.29, 37.52

 

CMYK 59 / 27 / 0 / 31

HEX #4981B0

RGB 73 129 176

HSL 207.38, 0.41%, 0.49%

LAB 52.12, -4.2, -30.43

 

CMYK 54 / 25 / 0 / 24

HEX #5A93C3

RGB 90 147 195

HSL 207.43, 0.47%, 0.56%

LAB 58.96, -4.88, -30.57

 

CMYK 50 / 23 / 0 / 16

HEX #6BA5D6

RGB 107 165 214

HSL 207.48, 0.57%, 0.63%

LAB 65.66, -5.41, -30.73

 

CMYK 47 / 21 / 0 / 9

HEX #7CB7E9

RGB 124 183 233

HSL 207.52, 0.71%, 0.7%

LAB 72.25, -5.85, -30.9

 

CMYK 44 / 20 / 0 / 1

HEX #8DC9FC

RGB 141 201 252

HSL 207.57, 0.95%, 0.77%

LAB 78.73, -6.21, -31.08

 

CMYK 62 / 29 / 0 / 29

HEX #4481B5

RGB 68 129 181

HSL 207.61, 0.45%, 0.49%

LAB 52.14, -3.54, -33.3

 

CMYK 69 / 31 / 0 / 36

HEX #336FA2

RGB 51 111 162

HSL 207.57, 0.52%, 0.42%

LAB 45.19, -2.43, -33.17

 

CMYK 76 / 35 / 0 / 44

HEX #225D8F

RGB 34 93 143

HSL 207.52, 0.62%, 0.35%

LAB 38.11, -0.95, -33.04

 

CMYK 86 / 40 / 0 / 51

HEX #114B7C

RGB 17 75 124

HSL 207.48, 0.76%, 0.28%

LAB 30.89, 1.13, -32.85

 

CMYK 100 / 46 / 0 / 59

HEX #003969

RGB 0 57 105

HSL 207.43, 1%, 0.21%

LAB 23.49, 3.88, -32.65

 

CMYK 62 / 29 / 0 / 29

HEX #4481B5

RGB 68 129 181

HSL 207.61, 0.45%, 0.49%

LAB 52.14, -3.54, -33.3

 

CMYK 62 / 45 / 0 / 29

HEX #4463B5

RGB 68 99 181

HSL 223.54, 0.45%, 0.49%

LAB 43.49, 14.89, -46.98

 

CMYK 62 / 62 / 0 / 29

HEX #4444B5

RGB 68 68 181

HSL 240, 0.45%, 0.49%

LAB 35.4, 34.68, -60.05

 

CMYK 46 / 62 / 0 / 29

HEX #6244B5

RGB 98 68 181

HSL 255.93, 0.45%, 0.49%

LAB 37.96, 40.25, -55.77

 

CMYK 29 / 62 / 0 / 29

HEX #8144B5

RGB 129 68 181

HSL 272.39, 0.45%, 0.49%

LAB 41.43, 47.14, -49.99

 

CMYK 62 / 29 / 0 / 29

HEX #4481B5

RGB 68 129 181

HSL 207.61, 0.45%, 0.49%

LAB 52.14, -3.54, -33.3

 

CMYK 62 / 45 / 0 / 29

HEX #4463B5

RGB 68 99 181

HSL 223.54, 0.45%, 0.49%

LAB 43.49, 14.89, -46.98

 

CMYK 62 / 62 / 0 / 29

HEX #4444B5

RGB 68 68 181

HSL 240, 0.45%, 0.49%

LAB 35.4, 34.68, -60.05

 

CMYK 62 / 62 / 0 / 29

HEX #4444B5

RGB 68 68 181

HSL 240, 0.45%, 0.49%

LAB 35.4, 34.68, -60.05

 

CMYK 62 / 29 / 0 / 29

HEX #4481B5

RGB 68 129 181

HSL 207.61, 0.45%, 0.49%

LAB 52.14, -3.54, -33.3

 

CMYK 76 / 35 / 0 / 21

HEX #3083C9

RGB 48 131 201

HSL 207.45, 0.61%, 0.49%

LAB 53.03, -0.78, -43.36

 

CMYK 87 / 40 / 0 / 13

HEX #1C84DD

RGB 28 132 221

HSL 207.67, 0.78%, 0.49%

LAB 54, 4.27, -53.16

 

CMYK 97 / 44 / 0 / 5

HEX #0886F1

RGB 8 134 241

HSL 207.55, 0.94%, 0.49%

LAB 55.54, 9.88, -61.86

 

CMYK 62 / 29 / 0 / 29

HEX #4481B5

RGB 68 129 181

HSL 207.61, 0.45%, 0.49%

LAB 52.14, -3.54, -33.3

 

CMYK 45 / 21 / 0 / 37

HEX #587FA0

RGB 88 127 160

HSL 207.5, 0.29%, 0.49%

LAB 51.6, -4.47, -21.91

 

CMYK 22 / 10 / 0 / 45

HEX #6D7E8C

RGB 109 126 140

HSL 207.1, 0.12%, 0.49%

LAB 51.91, -2.95, -9.65

 

CMYK 0 / 4 / 7 / 49

HEX #817C78

RGB 129 124 120

HSL 26.67, 0.04%, 0.49%

LAB 52.33, 1.13, 2.85

 

CMYK 0 / 18 / 33 / 42

HEX #957A64

RGB 149 122 100

HSL 26.94, 0.2%, 0.49%

LAB 53.2, 7.11, 15.99

 

CMYK 62 / 0 / 6 / 29

HEX #44B5AB

RGB 68 181 171

HSL 174.69, 0.45%, 0.49%

LAB 67.44, -34.01, -4.37

 

CMYK 62 / 12 / 0 / 29

HEX #44A0B5

RGB 68 160 181

HSL 191.15, 0.45%, 0.49%

LAB 61.4, -20.72, -19

 

CMYK 62 / 28 / 0 / 29

HEX #4482B5

RGB 68 130 181

HSL 207.08, 0.45%, 0.49%

LAB 52.43, -4.12, -32.83

 

CMYK 62 / 45 / 0 / 29

HEX #4464B5

RGB 68 100 181

HSL 223.01, 0.45%, 0.49%

LAB 43.77, 14.25, -46.53

 

CMYK 62 / 61 / 0 / 29

HEX #4446B5

RGB 68 70 181

HSL 238.94, 0.45%, 0.49%

LAB 35.88, 33.43, -59.27

 

CMYK 62 / 29 / 0 / 53

HEX #2E5679

RGB 46 86 121

HSL 208, 0.45%, 0.33%

LAB 35.24, -2.59, -24.08

 

CMYK 62 / 28 / 0 / 41

HEX #396C97

RGB 57 108 151

HSL 207.45, 0.45%, 0.41%

LAB 43.99, -3.38, -28.54

 

CMYK 62 / 29 / 0 / 29

HEX #4481B5

RGB 68 129 181

HSL 207.61, 0.45%, 0.49%

LAB 52.14, -3.54, -33.3

 

CMYK 51 / 23 / 0 / 24

HEX #6095C2

RGB 96 149 194

HSL 207.55, 0.45%, 0.57%

LAB 59.78, -4.95, -28.71

 

CMYK 39 / 18 / 0 / 19

HEX #7EA9CE

RGB 126 169 206

HSL 207.75, 0.45%, 0.65%

LAB 67.48, -5.11, -23.43

 

CMYK 62 / 29 / 0 / 29

HEX #4481B5

RGB 68 129 181

HSL 207.61, 0.45%, 0.49%

LAB 52.14, -3.54, -33.3

 

CMYK 22 / 62 / 0 / 29

HEX #8D44B5

RGB 141 68 181

HSL 278.76, 0.45%, 0.49%

LAB 42.96, 49.99, -47.45

 

CMYK 3 / 0 / 62 / 29

HEX #AFB544

RGB 175 181 68

HSL 63.19, 0.45%, 0.49%

LAB 71.27, -16.94, 55.03

 

CMYK 62 / 29 / 0 / 29

HEX #4481B5

RGB 68 129 181

HSL 207.61, 0.45%, 0.49%

LAB 52.14, -3.54, -33.3

 

CMYK 0 / 62 / 28 / 29

HEX #B54482

RGB 181 68 130

HSL 327.08, 0.45%, 0.49%

LAB 46.4, 52.02, -11.17

 

CMYK 28 / 0 / 62 / 29

HEX #82B544

RGB 130 181 68

HSL 87.08, 0.45%, 0.49%

LAB 68.18, -35.07, 50.78

 

CMYK 62 / 29 / 0 / 29

HEX #4481B5

RGB 68 129 181

HSL 207.61, 0.45%, 0.49%

LAB 52.14, -3.54, -33.3

 

CMYK 22 / 62 / 0 / 29

HEX #8D44B5

RGB 141 68 181

HSL 278.76, 0.45%, 0.49%

LAB 42.96, 49.99, -47.45

 

CMYK 0 / 34 / 62 / 29

HEX #B57744

RGB 181 119 68

HSL 27.08, 0.45%, 0.49%

LAB 55.52, 19.18, 37.54

 

CMYK 40 / 0 / 62 / 29

HEX #6CB544

RGB 108 181 68

HSL 98.76, 0.45%, 0.49%

LAB 67.02, -42.89, 49.17

 

CMYK 62 / 29 / 0 / 29

HEX #4481B5

RGB 68 129 181

HSL 207.61, 0.45%, 0.49%

LAB 52.14, -3.54, -33.3

 

CMYK 3 / 62 / 0 / 29

HEX #AF44B5

RGB 175 68 181

HSL 296.81, 0.45%, 0.49%

LAB 47.73, 58.33, -39.57

 

CMYK 0 / 34 / 62 / 29

HEX #B57744

RGB 181 119 68

HSL 27.08, 0.45%, 0.49%

LAB 55.52, 19.18, 37.54

 

CMYK 59 / 0 / 62 / 29

HEX #4AB544

RGB 74 181 68

HSL 116.81, 0.45%, 0.49%

LAB 65.69, -52.78, 47.31

 

Description

Color code: RGB 68 129 181 | qconv.com Color code: RGB 68 129 181 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 129 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 129 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 29 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 29% 0% 29% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

41% - Get a flat
Link: http://getaflat.ru

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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