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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 68 93 150 it is the complementary color RGB 187 162 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 68 93 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 68 93 150 shade: RGB 73 93 145, RGB 90 111 164, RGB 107 129 183, RGB 124 147 202 and RGB 141 165 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 68 93 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 68 93 150 shade: RGB 68 93 150, RGB 51 75 131, RGB 34 57 112, RGB 17 39 93 and RGB 0 21 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 68 93 150 shade: RGB 67 93 151, RGB 67 70 151, RGB 87 67 151, RGB 109 67 151 and RGB 132 67 151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 68 93 150 shade: RGB 67 93 151, RGB 67 70 151 and RGB 67 67 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 68 93 150 shade matches the following richer shades: RGB 67 93 151, RGB 50 86 169, RGB 32 79 186 and RGB 14 72 204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 68 93 150 shade: RGB 67 93 151, RGB 85 100 133, RGB 103 107 115, RGB 121 114 98 and RGB 138 121 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 68 93 150 shade: RGB 67 138 151, RGB 67 116 151, RGB 67 94 151, RGB 67 72 151 and RGB 86 67 151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 68 93 150 shade: RGB 42 58 94, RGB 55 75 122, RGB 67 93 151, RGB 82 111 177 and RGB 111 135 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 68 93 150 shade: RGB 68 93 150, RGB 141 67 151 and RGB 127 151 67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 68 93 150 shade: RGB 68 93 150, RGB 151 67 94 and RGB 94 151 67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 68 93 150 shade: RGB 68 93 150, RGB 141 67 151, RGB 151 124 67 and RGB 77 151 67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 68 93 150 shade: RGB 68 93 150, RGB 151 67 136, RGB 151 124 67 and RGB 67 151 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 38 / 0 / 41

HEX #445D96

RGB 68 93 150

HSL 221.71, 0.38%, 0.43%

LAB 40.01, 8.01, -34.15

 

Complementary color

CMYK 0 / 13 / 44 / 27

HEX #BBA269

RGB 187 162 105

HSL 41.71, 0.38%, 0.57%

LAB 67.59, 1.32, 32.97

 

CMYK 50 / 36 / 0 / 43

HEX #495D91

RGB 73 93 145

HSL 223.33, 0.33%, 0.43%

LAB 40.06, 7.59, -31.04

 

CMYK 45 / 32 / 0 / 36

HEX #5A6FA4

RGB 90 111 164

HSL 222.97, 0.29%, 0.5%

LAB 47.27, 6.8, -30.96

 

CMYK 42 / 30 / 0 / 28

HEX #6B81B7

RGB 107 129 183

HSL 222.63, 0.35%, 0.57%

LAB 54.29, 6.17, -30.94

 

CMYK 39 / 27 / 0 / 21

HEX #7C93CA

RGB 124 147 202

HSL 222.31, 0.42%, 0.64%

LAB 61.15, 5.64, -30.96

 

CMYK 36 / 25 / 0 / 13

HEX #8DA5DD

RGB 141 165 221

HSL 222, 0.54%, 0.71%

LAB 67.87, 5.19, -31.02

 

CMYK 55 / 38 / 0 / 41

HEX #445D96

RGB 68 93 150

HSL 221.71, 0.38%, 0.43%

LAB 40.01, 8.01, -34.15

 

CMYK 61 / 43 / 0 / 49

HEX #334B83

RGB 51 75 131

HSL 222, 0.44%, 0.36%

LAB 32.65, 9.25, -34.33

 

CMYK 70 / 49 / 0 / 56

HEX #223970

RGB 34 57 112

HSL 222.31, 0.53%, 0.29%

LAB 25.06, 10.94, -34.56

 

CMYK 82 / 58 / 0 / 64

HEX #11275D

RGB 17 39 93

HSL 222.63, 0.69%, 0.22%

LAB 17.28, 13.39, -34.8

 

CMYK 100 / 72 / 0 / 71

HEX #00154A

RGB 0 21 74

HSL 222.97, 1%, 0.15%

LAB 9.24, 16.72, -35.03

 

CMYK 56 / 38 / 0 / 41

HEX #435D97

RGB 67 93 151

HSL 221.43, 0.39%, 0.43%

LAB 40.01, 8.12, -34.76

 

CMYK 56 / 54 / 0 / 41

HEX #434697

RGB 67 70 151

HSL 237.86, 0.39%, 0.43%

LAB 33.58, 23.05, -45.02

 

CMYK 42 / 56 / 0 / 41

HEX #574397

RGB 87 67 151

HSL 254.29, 0.39%, 0.43%

LAB 34.55, 29.58, -43.37

 

CMYK 28 / 56 / 0 / 41

HEX #6D4397

RGB 109 67 151

HSL 270, 0.39%, 0.43%

LAB 36.93, 35.28, -39.43

 

CMYK 13 / 56 / 0 / 41

HEX #844397

RGB 132 67 151

HSL 286.43, 0.39%, 0.43%

LAB 39.84, 41.63, -34.63

 

CMYK 56 / 38 / 0 / 41

HEX #435D97

RGB 67 93 151

HSL 221.43, 0.39%, 0.43%

LAB 40.01, 8.12, -34.76

 

CMYK 56 / 54 / 0 / 41

HEX #434697

RGB 67 70 151

HSL 237.86, 0.39%, 0.43%

LAB 33.58, 23.05, -45.02

 

CMYK 56 / 56 / 0 / 41

HEX #434397

RGB 67 67 151

HSL 240, 0.39%, 0.43%

LAB 32.79, 25, -46.29

 

CMYK 56 / 38 / 0 / 41

HEX #435D97

RGB 67 93 151

HSL 221.43, 0.39%, 0.43%

LAB 40.01, 8.12, -34.76

 

CMYK 70 / 49 / 0 / 34

HEX #3256A9

RGB 50 86 169

HSL 221.85, 0.54%, 0.43%

LAB 38.2, 15.86, -48.45

 

CMYK 83 / 58 / 0 / 27

HEX #204FBA

RGB 32 79 186

HSL 221.69, 0.71%, 0.43%

LAB 36.83, 24.9, -60.75

 

CMYK 93 / 65 / 0 / 20

HEX #0E48CC

RGB 14 72 204

HSL 221.68, 0.87%, 0.43%

LAB 36.15, 35.42, -72.37

 

CMYK 56 / 38 / 0 / 41

HEX #435D97

RGB 67 93 151

HSL 221.43, 0.39%, 0.43%

LAB 40.01, 8.12, -34.76

 

CMYK 36 / 25 / 0 / 48

HEX #556485

RGB 85 100 133

HSL 221.25, 0.22%, 0.43%

LAB 42.37, 2.94, -20.16

 

CMYK 10 / 7 / 0 / 55

HEX #676B73

RGB 103 107 115

HSL 220, 0.06%, 0.43%

LAB 45.13, 0.21, -4.99

 

CMYK 0 / 6 / 19 / 53

HEX #797262

RGB 121 114 98

HSL 41.74, 0.11%, 0.43%

LAB 48.24, -0.19, 9.85

 

CMYK 0 / 12 / 42 / 46

HEX #8A7950

RGB 138 121 80

HSL 42.41, 0.27%, 0.43%

LAB 51.45, 0.43, 24.88

 

CMYK 56 / 9 / 0 / 41

HEX #438A97

RGB 67 138 151

HSL 189.29, 0.39%, 0.43%

LAB 53.6, -18.37, -13.72

 

CMYK 56 / 23 / 0 / 41

HEX #437497

RGB 67 116 151

HSL 205, 0.39%, 0.43%

LAB 46.87, -6.01, -24.03

 

CMYK 56 / 38 / 0 / 41

HEX #435E97

RGB 67 94 151

HSL 220.71, 0.39%, 0.43%

LAB 40.3, 7.48, -34.3

 

CMYK 56 / 52 / 0 / 41

HEX #434897

RGB 67 72 151

HSL 236.43, 0.39%, 0.43%

LAB 34.11, 21.74, -44.17

 

CMYK 43 / 56 / 0 / 41

HEX #564397

RGB 86 67 151

HSL 253.57, 0.39%, 0.43%

LAB 34.45, 29.34, -43.54

 

CMYK 55 / 38 / 0 / 63

HEX #2A3A5E

RGB 42 58 94

HSL 221.54, 0.38%, 0.27%

LAB 24.72, 5.2, -23.46

 

CMYK 55 / 39 / 0 / 52

HEX #374B7A

RGB 55 75 122

HSL 222.09, 0.38%, 0.35%

LAB 32.37, 6.97, -29.17

 

CMYK 56 / 38 / 0 / 41

HEX #435D97

RGB 67 93 151

HSL 221.43, 0.39%, 0.43%

LAB 40.01, 8.12, -34.76

 

CMYK 54 / 37 / 0 / 31

HEX #526FB1

RGB 82 111 177

HSL 221.68, 0.38%, 0.51%

LAB 47.41, 8.93, -38.36

 

CMYK 42 / 29 / 0 / 25

HEX #6F87BE

RGB 111 135 190

HSL 221.77, 0.38%, 0.59%

LAB 56.51, 5.72, -31.45

 

CMYK 55 / 38 / 0 / 41

HEX #445D96

RGB 68 93 150

HSL 221.71, 0.38%, 0.43%

LAB 40.01, 8.01, -34.15

 

CMYK 7 / 56 / 0 / 41

HEX #8D4397

RGB 141 67 151

HSL 292.86, 0.39%, 0.43%

LAB 41.07, 44.16, -32.6

 

CMYK 16 / 0 / 56 / 41

HEX #7F9743

RGB 127 151 67

HSL 77.14, 0.39%, 0.43%

LAB 59.02, -21.9, 40.85

 

CMYK 55 / 38 / 0 / 41

HEX #445D96

RGB 68 93 150

HSL 221.71, 0.38%, 0.43%

LAB 40.01, 8.01, -34.15

 

CMYK 0 / 56 / 38 / 41

HEX #97435E

RGB 151 67 94

HSL 340.71, 0.39%, 0.43%

LAB 40.25, 38.1, 1.34

 

CMYK 38 / 0 / 56 / 41

HEX #5E9743

RGB 94 151 67

HSL 100.71, 0.39%, 0.43%

LAB 57, -34.61, 37.97

 

CMYK 55 / 38 / 0 / 41

HEX #445D96

RGB 68 93 150

HSL 221.71, 0.38%, 0.43%

LAB 40.01, 8.01, -34.15

 

CMYK 7 / 56 / 0 / 41

HEX #8D4397

RGB 141 67 151

HSL 292.86, 0.39%, 0.43%

LAB 41.07, 44.16, -32.6

 

CMYK 0 / 18 / 56 / 41

HEX #977C43

RGB 151 124 67

HSL 40.71, 0.39%, 0.43%

LAB 53.38, 3.12, 34.71

 

CMYK 49 / 0 / 56 / 41

HEX #4D9743

RGB 77 151 67

HSL 112.86, 0.39%, 0.43%

LAB 56.2, -40.18, 36.83

 

CMYK 55 / 38 / 0 / 41

HEX #445D96

RGB 68 93 150

HSL 221.71, 0.38%, 0.43%

LAB 40.01, 8.01, -34.15

 

CMYK 0 / 56 / 10 / 41

HEX #974388

RGB 151 67 136

HSL 310.71, 0.39%, 0.43%

LAB 41.8, 44.31, -22.27

 

CMYK 0 / 18 / 56 / 41

HEX #977C43

RGB 151 124 67

HSL 40.71, 0.39%, 0.43%

LAB 53.38, 3.12, 34.71

 

CMYK 56 / 0 / 45 / 41

HEX #439753

RGB 67 151 83

HSL 131.43, 0.39%, 0.43%

LAB 56.04, -40.66, 28.26

 

Description

Color code: RGB 68 93 150 | qconv.com Color code: RGB 68 93 150 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 93 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 93 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 38 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 38% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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