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Color name
RGB 68 53 142

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 68 53 142 it is the complementary color RGB 187 202 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 68 53 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 68 53 142 shade: RGB 73 53 137, RGB 90 71 156, RGB 107 89 175, RGB 124 107 194 and RGB 141 125 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 68 53 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 68 53 142 shade: RGB 68 53 142, RGB 51 35 123, RGB 34 17 104, RGB 17 0 85 and RGB 0 0 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 68 53 142 shade: RGB 67 52 141, RGB 91 52 141, RGB 115 52 141, RGB 139 52 141 and RGB 141 52 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 68 53 142 shade: RGB 67 52 141 and RGB 52 52 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 68 53 142 shade matches the following richer shades: RGB 67 52 141, RGB 56 36 157, RGB 46 20 172 and RGB 36 5 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 68 53 142 shade: RGB 67 52 141, RGB 77 68 125, RGB 88 83 110, RGB 98 99 94 and RGB 108 115 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 68 53 142 shade: RGB 52 85 141, RGB 52 61 141, RGB 67 52 141, RGB 90 52 141 and RGB 114 52 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 68 53 142 shade: RGB 38 30 81, RGB 53 41 111, RGB 67 52 141, RGB 81 63 171 and RGB 102 84 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 68 53 142 shade: RGB 68 53 142, RGB 141 52 108 and RGB 73 141 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 68 53 142 shade: RGB 68 53 142, RGB 141 67 52 and RGB 52 141 67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 68 53 142 shade: RGB 68 53 142, RGB 141 52 108, RGB 126 141 52 and RGB 52 141 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 68 53 142 shade: RGB 68 53 142, RGB 141 52 82, RGB 126 141 52 and RGB 52 141 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 63 / 0 / 44

HEX #44358E

RGB 68 53 142

HSL 250.11, 0.46%, 0.38%

LAB 28.72, 31.2, -47.37

 

Complementary color

CMYK 7 / 0 / 44 / 21

HEX #BBCA71

RGB 187 202 113

HSL 70.11, 0.46%, 0.62%

LAB 78.46, -18.63, 42.56

 

CMYK 47 / 61 / 0 / 46

HEX #493589

RGB 73 53 137

HSL 254.29, 0.44%, 0.37%

LAB 28.82, 30.72, -44.09

 

CMYK 42 / 54 / 0 / 39

HEX #5A479C

RGB 90 71 156

HSL 253.41, 0.37%, 0.45%

LAB 36.14, 29.33, -43.83

 

CMYK 39 / 49 / 0 / 31

HEX #6B59AF

RGB 107 89 175

HSL 252.56, 0.35%, 0.52%

LAB 43.31, 28.12, -43.59

 

CMYK 36 / 45 / 0 / 24

HEX #7C6BC2

RGB 124 107 194

HSL 251.72, 0.42%, 0.59%

LAB 50.33, 27.06, -43.38

 

CMYK 34 / 41 / 0 / 16

HEX #8D7DD5

RGB 141 125 213

HSL 250.91, 0.51%, 0.66%

LAB 57.21, 26.13, -43.22

 

CMYK 52 / 63 / 0 / 44

HEX #44358E

RGB 68 53 142

HSL 250.11, 0.46%, 0.38%

LAB 28.72, 31.2, -47.37

 

CMYK 59 / 72 / 0 / 52

HEX #33237B

RGB 51 35 123

HSL 250.91, 0.56%, 0.31%

LAB 21.34, 32.92, -47.56

 

CMYK 67 / 84 / 0 / 59

HEX #221168

RGB 34 17 104

HSL 251.72, 0.72%, 0.24%

LAB 14.06, 34.5, -47.29

 

CMYK 80 / 100 / 0 / 67

HEX #110055

RGB 17 0 85

HSL 252, 1%, 0.17%

LAB 7, 35.86, -46.3

 

CMYK 100 / 100 / 0 / 74

HEX #000042

RGB 0 0 66

HSL 240, 1%, 0.13%

LAB 3.55, 24.67, -38.75

 

CMYK 52 / 63 / 0 / 45

HEX #43348D

RGB 67 52 141

HSL 250.11, 0.46%, 0.38%

LAB 28.31, 31.3, -47.43

 

CMYK 35 / 63 / 0 / 45

HEX #5B348D

RGB 91 52 141

HSL 266.29, 0.46%, 0.38%

LAB 30.89, 36.67, -43.13

 

CMYK 18 / 63 / 0 / 45

HEX #73348D

RGB 115 52 141

HSL 282.47, 0.46%, 0.38%

LAB 34.03, 42.66, -37.91

 

CMYK 1 / 63 / 0 / 45

HEX #8B348D

RGB 139 52 141

HSL 298.65, 0.46%, 0.38%

LAB 37.6, 48.9, -32.01

 

CMYK 0 / 63 / 16 / 45

HEX #8D3477

RGB 141 52 119

HSL 314.83, 0.46%, 0.38%

LAB 36.84, 45.67, -19.59

 

CMYK 52 / 63 / 0 / 45

HEX #43348D

RGB 67 52 141

HSL 250.11, 0.46%, 0.38%

LAB 28.31, 31.3, -47.43

 

CMYK 63 / 63 / 0 / 45

HEX #34348D

RGB 52 52 141

HSL 240, 0.46%, 0.38%

LAB 27.04, 28.47, -49.54

 

CMYK 52 / 63 / 0 / 45

HEX #43348D

RGB 67 52 141

HSL 250.11, 0.46%, 0.38%

LAB 28.31, 31.3, -47.43

 

CMYK 64 / 77 / 0 / 38

HEX #38249D

RGB 56 36 157

HSL 249.92, 0.63%, 0.38%

LAB 25.37, 43.92, -62.1

 

CMYK 73 / 88 / 0 / 33

HEX #2E14AC

RGB 46 20 172

HSL 250.26, 0.79%, 0.38%

LAB 23.87, 54.55, -73.72

 

CMYK 81 / 97 / 0 / 26

HEX #2405BC

RGB 36 5 188

HSL 250.16, 0.95%, 0.38%

LAB 24.05, 62.31, -83.01

 

CMYK 52 / 63 / 0 / 45

HEX #43348D

RGB 67 52 141

HSL 250.11, 0.46%, 0.38%

LAB 28.31, 31.3, -47.43

 

CMYK 38 / 46 / 0 / 51

HEX #4D447D

RGB 77 68 125

HSL 249.47, 0.3%, 0.38%

LAB 32.24, 18.51, -31.13

 

CMYK 20 / 25 / 0 / 57

HEX #58536E

RGB 88 83 110

HSL 251.11, 0.14%, 0.38%

LAB 36.72, 8.27, -14.73

 

CMYK 1 / 0 / 5 / 61

HEX #62635E

RGB 98 99 94

HSL 72, 0.03%, 0.38%

LAB 41.73, -1.41, 2.7

 

CMYK 6 / 0 / 32 / 55

HEX #6C734E

RGB 108 115 78

HSL 71.35, 0.19%, 0.38%

LAB 46.97, -9.34, 19.64

 

CMYK 63 / 40 / 0 / 45

HEX #34558D

RGB 52 85 141

HSL 217.75, 0.46%, 0.38%

LAB 36.27, 6.51, -34.69

 

CMYK 63 / 57 / 0 / 45

HEX #343D8D

RGB 52 61 141

HSL 233.93, 0.46%, 0.38%

LAB 29.39, 22.5, -45.73

 

CMYK 52 / 63 / 0 / 45

HEX #43348D

RGB 67 52 141

HSL 250.11, 0.46%, 0.38%

LAB 28.31, 31.3, -47.43

 

CMYK 36 / 63 / 0 / 45

HEX #5A348D

RGB 90 52 141

HSL 265.62, 0.46%, 0.38%

LAB 30.77, 36.43, -43.33

 

CMYK 19 / 63 / 0 / 45

HEX #72348D

RGB 114 52 141

HSL 281.8, 0.46%, 0.38%

LAB 33.89, 42.4, -38.14

 

CMYK 53 / 63 / 0 / 68

HEX #261E51

RGB 38 30 81

HSL 249.41, 0.46%, 0.22%

LAB 15.14, 19.25, -30.12

 

CMYK 52 / 63 / 0 / 56

HEX #35296F

RGB 53 41 111

HSL 250.29, 0.46%, 0.3%

LAB 21.91, 25.56, -38.94

 

CMYK 52 / 63 / 0 / 45

HEX #43348D

RGB 67 52 141

HSL 250.11, 0.46%, 0.38%

LAB 28.31, 31.3, -47.43

 

CMYK 53 / 63 / 0 / 33

HEX #513FAB

RGB 81 63 171

HSL 250, 0.46%, 0.46%

LAB 34.49, 36.8, -55.54

 

CMYK 47 / 56 / 0 / 25

HEX #6654BF

RGB 102 84 191

HSL 250.09, 0.46%, 0.54%

LAB 42.65, 34.6, -54.03

 

CMYK 52 / 63 / 0 / 44

HEX #44358E

RGB 68 53 142

HSL 250.11, 0.46%, 0.38%

LAB 28.72, 31.2, -47.37

 

CMYK 0 / 63 / 23 / 45

HEX #8D346C

RGB 141 52 108

HSL 322.25, 0.46%, 0.38%

LAB 36.37, 43.99, -13.41

 

CMYK 48 / 0 / 63 / 45

HEX #498D34

RGB 73 141 52

HSL 105.84, 0.46%, 0.38%

LAB 52.64, -38.94, 39.9

 

CMYK 52 / 63 / 0 / 44

HEX #44358E

RGB 68 53 142

HSL 250.11, 0.46%, 0.38%

LAB 28.72, 31.2, -47.37

 

CMYK 0 / 52 / 63 / 45

HEX #8D4334

RGB 141 67 52

HSL 10.11, 0.46%, 0.38%

LAB 37.71, 30.1, 23.72

 

CMYK 63 / 0 / 52 / 45

HEX #348D43

RGB 52 141 67

HSL 130.11, 0.46%, 0.38%

LAB 52.05, -42.79, 31.59

 

CMYK 52 / 63 / 0 / 44

HEX #44358E

RGB 68 53 142

HSL 250.11, 0.46%, 0.38%

LAB 28.72, 31.2, -47.37

 

CMYK 0 / 63 / 23 / 45

HEX #8D346C

RGB 141 52 108

HSL 322.25, 0.46%, 0.38%

LAB 36.37, 43.99, -13.41

 

CMYK 11 / 0 / 63 / 45

HEX #7E8D34

RGB 126 141 52

HSL 70.11, 0.46%, 0.38%

LAB 55.82, -18.51, 44.32

 

CMYK 63 / 0 / 40 / 45

HEX #348D55

RGB 52 141 85

HSL 142.25, 0.46%, 0.38%

LAB 52.33, -39.69, 22.25

 

CMYK 52 / 63 / 0 / 44

HEX #44358E

RGB 68 53 142

HSL 250.11, 0.46%, 0.38%

LAB 28.72, 31.2, -47.37

 

CMYK 0 / 63 / 42 / 45

HEX #8D3452

RGB 141 52 82

HSL 339.78, 0.46%, 0.38%

LAB 35.46, 40.6, 1.78

 

CMYK 11 / 0 / 63 / 45

HEX #7E8D34

RGB 126 141 52

HSL 70.11, 0.46%, 0.38%

LAB 55.82, -18.51, 44.32

 

CMYK 63 / 0 / 21 / 45

HEX #348D6F

RGB 52 141 111

HSL 159.78, 0.46%, 0.38%

LAB 52.87, -33.99, 8.27

 

Description

Color code: RGB 68 53 142 | qconv.com Color code: RGB 68 53 142 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 53 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 53 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 63 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 63% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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