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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 66 236 119 it is the complementary color RGB 189 19 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 66 236 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 66 236 119 shade: RGB 71 236 114, RGB 88 254 133, RGB 105 255 152, RGB 122 255 171 and RGB 139 255 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 66 236 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 66 236 119 shade: RGB 66 236 119, RGB 49 218 100, RGB 32 200 81, RGB 15 182 62 and RGB 0 164 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 66 236 119 shade: RGB 64 236 118, RGB 64 236 71, RGB 103 236 64, RGB 149 236 64 and RGB 196 236 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 66 236 119 shade: RGB 64 236 118, RGB 64 236 164, RGB 64 236 210, RGB 64 215 236 and RGB 64 169 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 66 236 119 shade matches the following richer shades: RGB 64 236 118 and RGB 47 253 111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 66 236 119 shade: RGB 64 236 118, RGB 81 219 124, RGB 98 202 130, RGB 115 185 137 and RGB 132 168 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 66 236 119 shade: RGB 104 236 64, RGB 64 236 70, RGB 64 236 116, RGB 64 236 161 and RGB 64 236 207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 66 236 119 shade: RGB 19 198 75, RGB 27 232 91, RGB 64 236 118, RGB 102 239 145 and RGB 139 243 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 66 236 119 shade: RGB 66 236 119, RGB 64 150 236 and RGB 236 64 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 66 236 119 shade: RGB 66 236 119, RGB 116 64 236 and RGB 236 116 64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 66 236 119 shade: RGB 66 236 119, RGB 64 150 236, RGB 236 64 184 and RGB 236 150 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 66 236 119 shade: RGB 66 236 119, RGB 64 99 236, RGB 236 64 184 and RGB 236 201 64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 50 / 7

HEX #42EC77

RGB 66 236 119

HSL 138.71, 0.82%, 0.59%

LAB 83.17, -67.13, 44.35

 

Complementary color

CMYK 0 / 90 / 28 / 26

HEX #BD1388

RGB 189 19 136

HSL 318.71, 0.82%, 0.41%

LAB 42.86, 69.47, -20.1

 

CMYK 70 / 0 / 52 / 7

HEX #47EC72

RGB 71 236 114

HSL 135.64, 0.81%, 0.6%

LAB 83.2, -67.07, 46.78

 

CMYK 65 / 0 / 48 / 0

HEX #58FE85

RGB 88 254 133

HSL 136.27, 0.99%, 0.67%

LAB 89.23, -67.67, 45.35

 

CMYK 59 / 0 / 40 / 0

HEX #69FF98

RGB 105 255 152

HSL 138.8, 1%, 0.71%

LAB 90.22, -61.77, 37.52

 

CMYK 52 / 0 / 33 / 0

HEX #7AFFAB

RGB 122 255 171

HSL 142.11, 1%, 0.74%

LAB 91.05, -54.77, 29.25

 

CMYK 45 / 0 / 25 / 0

HEX #8BFFBE

RGB 139 255 190

HSL 146.38, 1%, 0.77%

LAB 92.01, -47.14, 21.02

 

CMYK 72 / 0 / 50 / 7

HEX #42EC77

RGB 66 236 119

HSL 138.71, 0.82%, 0.59%

LAB 83.17, -67.13, 44.35

 

CMYK 78 / 0 / 54 / 15

HEX #31DA64

RGB 49 218 100

HSL 138.11, 0.7%, 0.52%

LAB 77.11, -66.14, 45.85

 

CMYK 84 / 0 / 60 / 22

HEX #20C851

RGB 32 200 81

HSL 137.5, 0.72%, 0.45%

LAB 71.02, -64.69, 47.35

 

CMYK 92 / 0 / 66 / 29

HEX #0FB63E

RGB 15 182 62

HSL 136.89, 0.85%, 0.39%

LAB 64.89, -62.62, 48.74

 

CMYK 100 / 0 / 74 / 36

HEX #00A42B

RGB 0 164 43

HSL 135.73, 1%, 0.32%

LAB 58.72, -59.83, 49.78

 

CMYK 73 / 0 / 50 / 7

HEX #40EC76

RGB 64 236 118

HSL 138.84, 0.82%, 0.59%

LAB 83.12, -67.57, 44.76

 

CMYK 73 / 0 / 70 / 7

HEX #40EC47

RGB 64 236 71

HSL 122.44, 0.82%, 0.59%

LAB 82.67, -72.99, 64.38

 

CMYK 56 / 0 / 73 / 7

HEX #67EC40

RGB 103 236 64

HSL 106.4, 0.82%, 0.59%

LAB 83.57, -65.71, 68.07

 

CMYK 37 / 0 / 73 / 7

HEX #95EC40

RGB 149 236 64

HSL 90.35, 0.82%, 0.59%

LAB 85.38, -52.2, 70.47

 

CMYK 17 / 0 / 73 / 7

HEX #C4EC40

RGB 196 236 64

HSL 73.95, 0.82%, 0.59%

LAB 88.02, -35.03, 73.94

 

CMYK 73 / 0 / 50 / 7

HEX #40EC76

RGB 64 236 118

HSL 138.84, 0.82%, 0.59%

LAB 83.12, -67.57, 44.76

 

CMYK 73 / 0 / 31 / 7

HEX #40ECA4

RGB 64 236 164

HSL 154.88, 0.82%, 0.59%

LAB 83.84, -59.41, 22.74

 

CMYK 73 / 0 / 11 / 7

HEX #40ECD2

RGB 64 236 210

HSL 170.93, 0.82%, 0.59%

LAB 84.86, -48.71, 0.18

 

CMYK 73 / 9 / 0 / 7

HEX #40D7EC

RGB 64 215 236

HSL 187.33, 0.82%, 0.59%

LAB 79.47, -32.02, -21.64

 

CMYK 73 / 28 / 0 / 7

HEX #40A9EC

RGB 64 169 236

HSL 203.37, 0.82%, 0.59%

LAB 66.15, -8.3, -42.19

 

CMYK 73 / 0 / 50 / 7

HEX #40EC76

RGB 64 236 118

HSL 138.84, 0.82%, 0.59%

LAB 83.12, -67.57, 44.76

 

CMYK 81 / 0 / 56 / 1

HEX #2FFD6F

RGB 47 253 111

HSL 138.64, 0.98%, 0.59%

LAB 87.97, -76.07, 53.81

 

CMYK 73 / 0 / 50 / 7

HEX #40EC76

RGB 64 236 118

HSL 138.84, 0.82%, 0.59%

LAB 83.12, -67.57, 44.76

 

CMYK 63 / 0 / 43 / 14

HEX #51DB7C

RGB 81 219 124

HSL 138.7, 0.66%, 0.59%

LAB 78.38, -57.68, 35.91

 

CMYK 51 / 0 / 36 / 21

HEX #62CA82

RGB 98 202 130

HSL 138.46, 0.5%, 0.59%

LAB 73.84, -46.09, 26.96

 

CMYK 38 / 0 / 26 / 27

HEX #73B989

RGB 115 185 137

HSL 138.86, 0.33%, 0.59%

LAB 69.58, -32.51, 17.56

 

CMYK 21 / 0 / 15 / 34

HEX #84A88F

RGB 132 168 143

HSL 138.33, 0.17%, 0.59%

LAB 65.67, -17.44, 8.92

 

CMYK 56 / 0 / 73 / 7

HEX #68EC40

RGB 104 236 64

HSL 106.05, 0.82%, 0.59%

LAB 83.6, -65.46, 68.12

 

CMYK 73 / 0 / 70 / 7

HEX #40EC46

RGB 64 236 70

HSL 122.09, 0.82%, 0.59%

LAB 82.66, -73.07, 64.74

 

CMYK 73 / 0 / 51 / 7

HEX #40EC74

RGB 64 236 116

HSL 138.14, 0.82%, 0.59%

LAB 83.09, -67.86, 45.67

 

CMYK 73 / 0 / 32 / 7

HEX #40ECA1

RGB 64 236 161

HSL 153.84, 0.82%, 0.59%

LAB 83.79, -60.02, 24.21

 

CMYK 73 / 0 / 12 / 7

HEX #40ECCF

RGB 64 236 207

HSL 169.88, 0.82%, 0.59%

LAB 84.78, -49.48, 1.64

 

CMYK 90 / 0 / 62 / 22

HEX #13C64B

RGB 19 198 75

HSL 138.77, 0.82%, 0.43%

LAB 70.2, -65.81, 49.06

 

CMYK 88 / 0 / 61 / 9

HEX #1BE85B

RGB 27 232 91

HSL 138.73, 0.82%, 0.51%

LAB 81.13, -73.75, 54.57

 

CMYK 73 / 0 / 50 / 7

HEX #40EC76

RGB 64 236 118

HSL 138.84, 0.82%, 0.59%

LAB 83.12, -67.57, 44.76

 

CMYK 57 / 0 / 39 / 6

HEX #66EF91

RGB 102 239 145

HSL 138.83, 0.81%, 0.67%

LAB 85.3, -57.46, 34.52

 

CMYK 43 / 0 / 29 / 5

HEX #8BF3AC

RGB 139 243 172

HSL 139.04, 0.81%, 0.75%

LAB 88.24, -45.3, 25.02

 

CMYK 72 / 0 / 50 / 7

HEX #42EC77

RGB 66 236 119

HSL 138.71, 0.82%, 0.59%

LAB 83.17, -67.13, 44.35

 

CMYK 73 / 36 / 0 / 7

HEX #4096EC

RGB 64 150 236

HSL 210, 0.82%, 0.59%

LAB 60.75, 2.53, -50.72

 

CMYK 0 / 73 / 66 / 7

HEX #EC4051

RGB 236 64 81

HSL 354.07, 0.82%, 0.59%

LAB 54.13, 65.78, 30.52

 

CMYK 72 / 0 / 50 / 7

HEX #42EC77

RGB 66 236 119

HSL 138.71, 0.82%, 0.59%

LAB 83.17, -67.13, 44.35

 

CMYK 51 / 73 / 0 / 7

HEX #7440EC

RGB 116 64 236

HSL 258.14, 0.82%, 0.59%

LAB 43.41, 60.71, -78.54

 

CMYK 0 / 51 / 73 / 7

HEX #EC7440

RGB 236 116 64

HSL 18.14, 0.82%, 0.59%

LAB 62.25, 42.84, 49.19

 

CMYK 72 / 0 / 50 / 7

HEX #42EC77

RGB 66 236 119

HSL 138.71, 0.82%, 0.59%

LAB 83.17, -67.13, 44.35

 

CMYK 73 / 36 / 0 / 7

HEX #4096EC

RGB 64 150 236

HSL 210, 0.82%, 0.59%

LAB 60.75, 2.53, -50.72

 

CMYK 0 / 73 / 22 / 7

HEX #EC40B8

RGB 236 64 184

HSL 318.14, 0.82%, 0.59%

LAB 57.04, 75.11, -26.07

 

CMYK 0 / 36 / 73 / 7

HEX #EC9640

RGB 236 150 64

HSL 30, 0.82%, 0.59%

LAB 69.48, 25.31, 56.76

 

CMYK 72 / 0 / 50 / 7

HEX #42EC77

RGB 66 236 119

HSL 138.71, 0.82%, 0.59%

LAB 83.17, -67.13, 44.35

 

CMYK 73 / 58 / 0 / 7

HEX #4063EC

RGB 64 99 236

HSL 227.79, 0.82%, 0.59%

LAB 47.07, 33.83, -72.72

 

CMYK 0 / 73 / 22 / 7

HEX #EC40B8

RGB 236 64 184

HSL 318.14, 0.82%, 0.59%

LAB 57.04, 75.11, -26.07

 

CMYK 0 / 15 / 73 / 7

HEX #ECC940

RGB 236 201 64

HSL 47.79, 0.82%, 0.59%

LAB 81.83, -1.49, 69.05

 

Description

Color code: RGB 66 236 119 | qconv.com Color code: RGB 66 236 119 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 236 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 236 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 50 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 50% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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