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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 66 179 199 it is the complementary color RGB 189 76 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 66 179 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 66 179 199 shade: RGB 71 179 194, RGB 88 197 213, RGB 105 215 232, RGB 122 233 251 and RGB 139 251 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 66 179 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 66 179 199 shade: RGB 66 179 199, RGB 49 161 180, RGB 32 143 161, RGB 15 125 142 and RGB 0 107 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 66 179 199 shade: RGB 66 178 198, RGB 66 143 198, RGB 66 107 198, RGB 66 71 198 and RGB 96 66 198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 66 179 199 shade: RGB 66 178 198, RGB 66 143 198, RGB 66 107 198, RGB 66 71 198 and RGB 66 66 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 66 179 199 shade matches the following richer shades: RGB 66 178 198, RGB 46 192 218 and RGB 26 206 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 66 179 199 shade: RGB 66 178 198, RGB 86 164 178, RGB 106 151 159, RGB 125 137 139 and RGB 145 123 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 66 179 199 shade: RGB 66 198 148, RGB 66 198 183, RGB 66 178 198, RGB 66 143 198 and RGB 66 108 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 66 179 199 shade: RGB 42 125 140, RGB 51 154 172, RGB 66 178 198, RGB 98 191 208 and RGB 130 204 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 66 179 199 shade: RGB 66 179 199, RGB 112 66 198 and RGB 198 165 66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 66 179 199 shade: RGB 66 179 199, RGB 198 66 178 and RGB 178 198 66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 66 179 199 shade: RGB 66 179 199, RGB 112 66 198, RGB 198 86 66 and RGB 152 198 66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 66 179 199 shade: RGB 66 179 199, RGB 152 66 198, RGB 198 86 66 and RGB 112 198 66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 10 / 0 / 22

HEX #42B3C7

RGB 66 179 199

HSL 189.02, 0.54%, 0.52%

LAB 67.67, -25.29, -19.5

 

Complementary color

CMYK 0 / 60 / 70 / 26

HEX #BD4C38

RGB 189 76 56

HSL 9.02, 0.54%, 0.48%

LAB 47.33, 44.3, 34.8

 

CMYK 63 / 8 / 0 / 24

HEX #47B3C2

RGB 71 179 194

HSL 187.32, 0.5%, 0.52%

LAB 67.63, -25.99, -16.78

 

CMYK 59 / 8 / 0 / 16

HEX #58C5D5

RGB 88 197 213

HSL 187.68, 0.6%, 0.59%

LAB 74.07, -26.46, -17.4

 

CMYK 55 / 7 / 0 / 9

HEX #69D7E8

RGB 105 215 232

HSL 188.03, 0.73%, 0.66%

LAB 80.42, -26.8, -17.96

 

CMYK 51 / 7 / 0 / 2

HEX #7AE9FB

RGB 122 233 251

HSL 188.37, 0.94%, 0.73%

LAB 86.69, -27.05, -18.5

 

CMYK 45 / 2 / 0 / 0

HEX #8BFBFF

RGB 139 251 255

HSL 182.07, 1%, 0.77%

LAB 92.44, -31.03, -11.9

 

CMYK 67 / 10 / 0 / 22

HEX #42B3C7

RGB 66 179 199

HSL 189.02, 0.54%, 0.52%

LAB 67.67, -25.29, -19.5

 

CMYK 73 / 11 / 0 / 29

HEX #31A1B4

RGB 49 161 180

HSL 188.7, 0.57%, 0.45%

LAB 61.17, -24.46, -18.84

 

CMYK 80 / 11 / 0 / 37

HEX #208FA1

RGB 32 143 161

HSL 188.37, 0.67%, 0.38%

LAB 54.58, -23.34, -18.1

 

CMYK 89 / 12 / 0 / 44

HEX #0F7D8E

RGB 15 125 142

HSL 188.03, 0.81%, 0.31%

LAB 47.91, -21.78, -17.25

 

CMYK 100 / 13 / 0 / 52

HEX #006B7B

RGB 0 107 123

HSL 187.8, 1%, 0.24%

LAB 41.13, -19.77, -16.28

 

CMYK 67 / 10 / 0 / 22

HEX #42B2C6

RGB 66 178 198

HSL 189.09, 0.54%, 0.52%

LAB 67.33, -25.09, -19.45

 

CMYK 67 / 28 / 0 / 22

HEX #428FC6

RGB 66 143 198

HSL 205, 0.54%, 0.52%

LAB 56.96, -6.27, -35.45

 

CMYK 67 / 46 / 0 / 22

HEX #426BC6

RGB 66 107 198

HSL 221.36, 0.54%, 0.52%

LAB 46.65, 15.49, -51.78

 

CMYK 67 / 64 / 0 / 22

HEX #4247C6

RGB 66 71 198

HSL 237.73, 0.54%, 0.52%

LAB 37.38, 38.28, -66.8

 

CMYK 52 / 67 / 0 / 22

HEX #6042C6

RGB 96 66 198

HSL 253.64, 0.54%, 0.52%

LAB 38.66, 45.93, -64.61

 

CMYK 67 / 10 / 0 / 22

HEX #42B2C6

RGB 66 178 198

HSL 189.09, 0.54%, 0.52%

LAB 67.33, -25.09, -19.45

 

CMYK 67 / 28 / 0 / 22

HEX #428FC6

RGB 66 143 198

HSL 205, 0.54%, 0.52%

LAB 56.96, -6.27, -35.45

 

CMYK 67 / 46 / 0 / 22

HEX #426BC6

RGB 66 107 198

HSL 221.36, 0.54%, 0.52%

LAB 46.65, 15.49, -51.78

 

CMYK 67 / 64 / 0 / 22

HEX #4247C6

RGB 66 71 198

HSL 237.73, 0.54%, 0.52%

LAB 37.38, 38.28, -66.8

 

CMYK 67 / 67 / 0 / 22

HEX #4242C6

RGB 66 66 198

HSL 240, 0.54%, 0.52%

LAB 36.24, 41.32, -68.67

 

CMYK 67 / 10 / 0 / 22

HEX #42B2C6

RGB 66 178 198

HSL 189.09, 0.54%, 0.52%

LAB 67.33, -25.09, -19.45

 

CMYK 79 / 12 / 0 / 15

HEX #2EC0DA

RGB 46 192 218

HSL 189.07, 0.7%, 0.52%

LAB 71.79, -28.28, -23.67

 

CMYK 89 / 13 / 0 / 7

HEX #1ACEEE

RGB 26 206 238

HSL 189.06, 0.86%, 0.52%

LAB 76.4, -30.15, -27.45

 

CMYK 67 / 10 / 0 / 22

HEX #42B2C6

RGB 66 178 198

HSL 189.09, 0.54%, 0.52%

LAB 67.33, -25.09, -19.45

 

CMYK 52 / 8 / 0 / 30

HEX #56A4B2

RGB 86 164 178

HSL 189.13, 0.37%, 0.52%

LAB 63.13, -20.08, -14.63

 

CMYK 33 / 5 / 0 / 38

HEX #6A979F

RGB 106 151 159

HSL 189.06, 0.22%, 0.52%

LAB 59.62, -13.15, -9.09

 

CMYK 10 / 1 / 0 / 45

HEX #7D898B

RGB 125 137 139

HSL 188.57, 0.06%, 0.52%

LAB 56.2, -3.93, -2.57

 

CMYK 0 / 15 / 18 / 43

HEX #917B77

RGB 145 123 119

HSL 9.23, 0.11%, 0.52%

LAB 53.51, 7.79, 5.33

 

CMYK 67 / 0 / 25 / 22

HEX #42C694

RGB 66 198 148

HSL 157.27, 0.54%, 0.52%

LAB 72.02, -47.54, 14.77

 

CMYK 67 / 0 / 8 / 22

HEX #42C6B7

RGB 66 198 183

HSL 173.18, 0.54%, 0.52%

LAB 72.87, -38.93, -2.95

 

CMYK 67 / 10 / 0 / 22

HEX #42B2C6

RGB 66 178 198

HSL 189.09, 0.54%, 0.52%

LAB 67.33, -25.09, -19.45

 

CMYK 67 / 28 / 0 / 22

HEX #428FC6

RGB 66 143 198

HSL 205, 0.54%, 0.52%

LAB 56.96, -6.27, -35.45

 

CMYK 67 / 45 / 0 / 22

HEX #426CC6

RGB 66 108 198

HSL 220.91, 0.54%, 0.52%

LAB 46.92, 14.86, -51.34

 

CMYK 70 / 11 / 0 / 45

HEX #2A7D8C

RGB 42 125 140

HSL 189.18, 0.54%, 0.36%

LAB 48.33, -19.51, -15.38

 

CMYK 70 / 10 / 0 / 33

HEX #339AAC

RGB 51 154 172

HSL 188.93, 0.54%, 0.44%

LAB 58.78, -23.14, -17.94

 

CMYK 67 / 10 / 0 / 22

HEX #42B2C6

RGB 66 178 198

HSL 189.09, 0.54%, 0.52%

LAB 67.33, -25.09, -19.45

 

CMYK 53 / 8 / 0 / 18

HEX #62BFD0

RGB 98 191 208

HSL 189.27, 0.54%, 0.6%

LAB 72.5, -22.92, -17.01

 

CMYK 40 / 6 / 0 / 15

HEX #82CCD9

RGB 130 204 217

HSL 188.97, 0.53%, 0.68%

LAB 77.84, -19.69, -13.71

 

CMYK 67 / 10 / 0 / 22

HEX #42B3C7

RGB 66 179 199

HSL 189.02, 0.54%, 0.52%

LAB 67.67, -25.29, -19.5

 

CMYK 43 / 67 / 0 / 22

HEX #7042C6

RGB 112 66 198

HSL 260.91, 0.54%, 0.52%

LAB 40.28, 48.87, -61.9

 

CMYK 0 / 17 / 67 / 22

HEX #C6A542

RGB 198 165 66

HSL 45, 0.54%, 0.52%

LAB 68.97, 1.19, 54.06

 

CMYK 67 / 10 / 0 / 22

HEX #42B3C7

RGB 66 179 199

HSL 189.02, 0.54%, 0.52%

LAB 67.67, -25.29, -19.5

 

CMYK 0 / 67 / 10 / 22

HEX #C642B2

RGB 198 66 178

HSL 309.09, 0.54%, 0.52%

LAB 50.82, 64.36, -32.71

 

CMYK 10 / 0 / 67 / 22

HEX #B2C642

RGB 178 198 66

HSL 69.09, 0.54%, 0.52%

LAB 76.22, -24.26, 61.11

 

CMYK 67 / 10 / 0 / 22

HEX #42B3C7

RGB 66 179 199

HSL 189.02, 0.54%, 0.52%

LAB 67.67, -25.29, -19.5

 

CMYK 43 / 67 / 0 / 22

HEX #7042C6

RGB 112 66 198

HSL 260.91, 0.54%, 0.52%

LAB 40.28, 48.87, -61.9

 

CMYK 0 / 57 / 67 / 22

HEX #C65642

RGB 198 86 66

HSL 9.09, 0.54%, 0.52%

LAB 50.75, 43.38, 33.55

 

CMYK 23 / 0 / 67 / 22

HEX #98C642

RGB 152 198 66

HSL 80.91, 0.54%, 0.52%

LAB 74.48, -34.63, 58.76

 

CMYK 67 / 10 / 0 / 22

HEX #42B3C7

RGB 66 179 199

HSL 189.02, 0.54%, 0.52%

LAB 67.67, -25.29, -19.5

 

CMYK 23 / 67 / 0 / 22

HEX #9842C6

RGB 152 66 198

HSL 279.09, 0.54%, 0.52%

LAB 45.15, 57.17, -53.78

 

CMYK 0 / 57 / 67 / 22

HEX #C65642

RGB 198 86 66

HSL 9.09, 0.54%, 0.52%

LAB 50.75, 43.38, 33.55

 

CMYK 43 / 0 / 67 / 22

HEX #70C642

RGB 112 198 66

HSL 99.09, 0.54%, 0.52%

LAB 72.38, -48.81, 55.9

 

Description

Color code: RGB 66 179 199 | qconv.com Color code: RGB 66 179 199 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 179 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 179 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 10 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 10% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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