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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 66 97 157 it is the complementary color RGB 189 158 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 66 97 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 66 97 157 shade: RGB 71 97 152, RGB 88 115 171, RGB 105 133 190, RGB 122 151 209 and RGB 139 169 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 66 97 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 66 97 157 shade: RGB 66 97 157, RGB 49 79 138, RGB 32 61 119, RGB 15 43 100 and RGB 0 25 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 66 97 157 shade: RGB 66 97 158, RGB 66 72 158, RGB 84 66 158, RGB 109 66 158 and RGB 134 66 158

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 66 97 157 shade: RGB 66 97 158, RGB 66 72 158 and RGB 66 66 158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 66 97 157 shade matches the following richer shades: RGB 66 97 158, RGB 48 91 176, RGB 29 85 194 and RGB 11 80 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 66 97 157 shade: RGB 66 97 158, RGB 84 103 140, RGB 102 109 121, RGB 120 114 103 and RGB 138 120 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 66 97 157 shade: RGB 66 147 158, RGB 66 122 158, RGB 66 98 158, RGB 66 73 158 and RGB 83 66 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 66 97 157 shade: RGB 41 61 100, RGB 54 79 129, RGB 66 97 158, RGB 82 116 182 and RGB 111 140 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 66 97 157 shade: RGB 66 97 157, RGB 144 66 158 and RGB 135 158 66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 66 97 157 shade: RGB 66 97 157, RGB 158 66 98 and RGB 98 158 66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 66 97 157 shade: RGB 66 97 157, RGB 144 66 158, RGB 158 126 66 and RGB 79 158 66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 66 97 157 shade: RGB 66 97 157, RGB 158 66 144, RGB 158 126 66 and RGB 66 158 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 38 / 0 / 38

HEX #42619D

RGB 66 97 157

HSL 219.56, 0.41%, 0.44%

LAB 41.44, 7.4, -36.09

 

Complementary color

CMYK 0 / 16 / 48 / 26

HEX #BD9E62

RGB 189 158 98

HSL 39.56, 0.41%, 0.56%

LAB 66.64, 3.61, 35.49

 

CMYK 53 / 36 / 0 / 40

HEX #476198

RGB 71 97 152

HSL 220.74, 0.36%, 0.44%

LAB 41.46, 6.86, -33.05

 

CMYK 49 / 33 / 0 / 33

HEX #5873AB

RGB 88 115 171

HSL 220.48, 0.33%, 0.51%

LAB 48.61, 6, -32.96

 

CMYK 45 / 30 / 0 / 25

HEX #6985BE

RGB 105 133 190

HSL 220.24, 0.4%, 0.58%

LAB 55.58, 5.32, -32.93

 

CMYK 42 / 28 / 0 / 18

HEX #7A97D1

RGB 122 151 209

HSL 220, 0.49%, 0.65%

LAB 62.4, 4.76, -32.94

 

CMYK 39 / 26 / 0 / 11

HEX #8BA9E4

RGB 139 169 228

HSL 219.78, 0.62%, 0.72%

LAB 69.09, 4.28, -32.99

 

CMYK 58 / 38 / 0 / 38

HEX #42619D

RGB 66 97 157

HSL 219.56, 0.41%, 0.44%

LAB 41.44, 7.4, -36.09

 

CMYK 64 / 43 / 0 / 46

HEX #314F8A

RGB 49 79 138

HSL 219.78, 0.48%, 0.37%

LAB 34.15, 8.75, -36.25

 

CMYK 73 / 49 / 0 / 53

HEX #203D77

RGB 32 61 119

HSL 220, 0.58%, 0.3%

LAB 26.67, 10.58, -36.44

 

CMYK 85 / 57 / 0 / 61

HEX #0F2B64

RGB 15 43 100

HSL 220.24, 0.74%, 0.23%

LAB 19.01, 13.21, -36.61

 

CMYK 100 / 69 / 0 / 68

HEX #001951

RGB 0 25 81

HSL 221.48, 1%, 0.16%

LAB 11.2, 16.84, -36.65

 

CMYK 58 / 39 / 0 / 38

HEX #42619E

RGB 66 97 158

HSL 219.78, 0.41%, 0.44%

LAB 41.49, 7.75, -36.6

 

CMYK 58 / 54 / 0 / 38

HEX #42489E

RGB 66 72 158

HSL 236.09, 0.41%, 0.44%

LAB 34.52, 23.93, -47.75

 

CMYK 47 / 58 / 0 / 38

HEX #54429E

RGB 84 66 158

HSL 251.74, 0.41%, 0.44%

LAB 34.5, 31.6, -47.71

 

CMYK 31 / 58 / 0 / 38

HEX #6D429E

RGB 109 66 158

HSL 268.04, 0.41%, 0.44%

LAB 37.14, 37.64, -43.31

 

CMYK 15 / 58 / 0 / 38

HEX #86429E

RGB 134 66 158

HSL 284.35, 0.41%, 0.44%

LAB 40.3, 44.2, -38.09

 

CMYK 58 / 39 / 0 / 38

HEX #42619E

RGB 66 97 158

HSL 219.78, 0.41%, 0.44%

LAB 41.49, 7.75, -36.6

 

CMYK 58 / 54 / 0 / 38

HEX #42489E

RGB 66 72 158

HSL 236.09, 0.41%, 0.44%

LAB 34.52, 23.93, -47.75

 

CMYK 58 / 58 / 0 / 38

HEX #42429E

RGB 66 66 158

HSL 240, 0.41%, 0.44%

LAB 32.97, 27.82, -50.26

 

CMYK 58 / 39 / 0 / 38

HEX #42619E

RGB 66 97 158

HSL 219.78, 0.41%, 0.44%

LAB 41.49, 7.75, -36.6

 

CMYK 73 / 48 / 0 / 31

HEX #305BB0

RGB 48 91 176

HSL 219.84, 0.57%, 0.44%

LAB 39.99, 14.93, -49.71

 

CMYK 85 / 56 / 0 / 24

HEX #1D55C2

RGB 29 85 194

HSL 219.64, 0.74%, 0.44%

LAB 38.99, 23.8, -61.9

 

CMYK 95 / 62 / 0 / 17

HEX #0B50D4

RGB 11 80 212

HSL 219.4, 0.9%, 0.44%

LAB 38.83, 33.19, -72.59

 

CMYK 58 / 39 / 0 / 38

HEX #42619E

RGB 66 97 158

HSL 219.78, 0.41%, 0.44%

LAB 41.49, 7.75, -36.6

 

CMYK 40 / 26 / 0 / 45

HEX #54678C

RGB 84 103 140

HSL 219.64, 0.25%, 0.44%

LAB 43.48, 2.83, -22.66

 

CMYK 16 / 10 / 0 / 53

HEX #666D79

RGB 102 109 121

HSL 217.89, 0.09%, 0.44%

LAB 45.83, 0.04, -7.57

 

CMYK 0 / 5 / 14 / 53

HEX #787267

RGB 120 114 103

HSL 38.82, 0.08%, 0.44%

LAB 48.27, 0.27, 6.92

 

CMYK 0 / 13 / 38 / 46

HEX #8A7855

RGB 138 120 85

HSL 39.62, 0.24%, 0.44%

LAB 51.26, 1.61, 21.8

 

CMYK 58 / 7 / 0 / 38

HEX #42939E

RGB 66 147 158

HSL 187.17, 0.41%, 0.44%

LAB 56.58, -21.25, -13.26

 

CMYK 58 / 23 / 0 / 38

HEX #427A9E

RGB 66 122 158

HSL 203.48, 0.41%, 0.44%

LAB 48.94, -7.47, -24.94

 

CMYK 58 / 38 / 0 / 38

HEX #42629E

RGB 66 98 158

HSL 219.13, 0.41%, 0.44%

LAB 41.79, 7.12, -36.13

 

CMYK 58 / 54 / 0 / 38

HEX #42499E

RGB 66 73 158

HSL 235.43, 0.41%, 0.44%

LAB 34.79, 23.28, -47.32

 

CMYK 47 / 58 / 0 / 38

HEX #53429E

RGB 83 66 158

HSL 251.09, 0.41%, 0.44%

LAB 34.4, 31.37, -47.87

 

CMYK 59 / 39 / 0 / 61

HEX #293D64

RGB 41 61 100

HSL 219.66, 0.42%, 0.28%

LAB 25.95, 5.07, -25.42

 

CMYK 58 / 39 / 0 / 49

HEX #364F81

RGB 54 79 129

HSL 220, 0.41%, 0.36%

LAB 33.9, 6.55, -31.09

 

CMYK 58 / 39 / 0 / 38

HEX #42619E

RGB 66 97 158

HSL 219.78, 0.41%, 0.44%

LAB 41.49, 7.75, -36.6

 

CMYK 55 / 36 / 0 / 29

HEX #5274B6

RGB 82 116 182

HSL 219.6, 0.41%, 0.52%

LAB 49.08, 7.49, -38.62

 

CMYK 43 / 28 / 0 / 24

HEX #6F8CC3

RGB 111 140 195

HSL 219.29, 0.41%, 0.6%

LAB 58.11, 4.24, -31.8

 

CMYK 58 / 38 / 0 / 38

HEX #42619D

RGB 66 97 157

HSL 219.56, 0.41%, 0.44%

LAB 41.44, 7.4, -36.09

 

CMYK 9 / 58 / 0 / 38

HEX #90429E

RGB 144 66 158

HSL 290.87, 0.41%, 0.44%

LAB 41.68, 46.89, -35.82

 

CMYK 15 / 0 / 58 / 38

HEX #879E42

RGB 135 158 66

HSL 75, 0.41%, 0.44%

LAB 61.65, -22.22, 44.49

 

CMYK 58 / 38 / 0 / 38

HEX #42619D

RGB 66 97 157

HSL 219.56, 0.41%, 0.44%

LAB 41.44, 7.4, -36.09

 

CMYK 0 / 58 / 38 / 38

HEX #9E4262

RGB 158 66 98

HSL 339.13, 0.41%, 0.44%

LAB 41.29, 41.53, 0.5

 

CMYK 38 / 0 / 58 / 38

HEX #629E42

RGB 98 158 66

HSL 99.13, 0.41%, 0.44%

LAB 59.38, -36.49, 41.3

 

CMYK 58 / 38 / 0 / 38

HEX #42619D

RGB 66 97 157

HSL 219.56, 0.41%, 0.44%

LAB 41.44, 7.4, -36.09

 

CMYK 9 / 58 / 0 / 38

HEX #90429E

RGB 144 66 158

HSL 290.87, 0.41%, 0.44%

LAB 41.68, 46.89, -35.82

 

CMYK 0 / 20 / 58 / 38

HEX #9E7E42

RGB 158 126 66

HSL 39.13, 0.41%, 0.44%

LAB 54.64, 5.02, 36.91

 

CMYK 50 / 0 / 58 / 38

HEX #4F9E42

RGB 79 158 66

HSL 111.52, 0.41%, 0.44%

LAB 58.52, -42.64, 40.07

 

CMYK 58 / 38 / 0 / 38

HEX #42619D

RGB 66 97 157

HSL 219.56, 0.41%, 0.44%

LAB 41.44, 7.4, -36.09

 

CMYK 0 / 58 / 9 / 38

HEX #9E4290

RGB 158 66 144

HSL 309.13, 0.41%, 0.44%

LAB 43.03, 48.22, -25.13

 

CMYK 0 / 20 / 58 / 38

HEX #9E7E42

RGB 158 126 66

HSL 39.13, 0.41%, 0.44%

LAB 54.64, 5.02, 36.91

 

CMYK 58 / 0 / 50 / 38

HEX #429E4F

RGB 66 158 79

HSL 128.48, 0.41%, 0.44%

LAB 58.2, -44.43, 33.09

 

Description

Color code: RGB 66 97 157 | qconv.com Color code: RGB 66 97 157 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 97 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 97 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 38 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 38% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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