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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 66 82 43 it is the complementary color RGB 189 173 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 66 82 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 66 82 43 shade: RGB 71 82 38, RGB 88 100 57, RGB 105 118 76, RGB 122 136 95 and RGB 139 154 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 66 82 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 66 82 43 shade: RGB 66 82 43, RGB 49 64 24, RGB 32 46 5, RGB 15 28 0 and RGB 0 10 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 66 82 43 shade: RGB 67 83 43, RGB 77 83 43, RGB 83 78 43, RGB 83 67 43 and RGB 83 57 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 66 82 43 shade: RGB 67 83 43, RGB 56 83 43, RGB 45 83 43, RGB 43 83 52 and RGB 43 83 63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 66 82 43 shade matches the following richer shades: RGB 67 83 43, RGB 69 93 33, RGB 70 104 23, RGB 72 114 13 and RGB 74 124 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 66 82 43 shade: RGB 67 83 43, RGB 65 73 54, RGB 63 62 64, RGB 61 52 74 and RGB 59 42 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 66 82 43 shade: RGB 83 78 43, RGB 78 83 43, RGB 67 83 43, RGB 57 83 43 and RGB 46 83 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 66 82 43 shade: RGB 23 29 15, RGB 45 56 29, RGB 67 83 43, RGB 89 110 58 and RGB 110 137 72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 66 82 43 shade: RGB 66 82 43, RGB 43 83 67 and RGB 83 43 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 66 82 43 shade: RGB 66 82 43, RGB 43 67 83 and RGB 83 43 67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 66 82 43 shade: RGB 66 82 43, RGB 43 83 67, RGB 59 43 83 and RGB 83 43 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 66 82 43 shade: RGB 66 82 43, RGB 43 83 79, RGB 59 43 83 and RGB 83 43 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 48 / 68

HEX #42522B

RGB 66 82 43

HSL 84.62, 0.31%, 0.25%

LAB 32.63, -13.89, 20.82

 

Complementary color

CMYK 11 / 18 / 0 / 17

HEX #BDADD4

RGB 189 173 212

HSL 264.62, 0.31%, 0.75%

LAB 73.19, 13.2, -17.63

 

CMYK 13 / 0 / 54 / 68

HEX #475226

RGB 71 82 38

HSL 75, 0.37%, 0.24%

LAB 32.95, -12.28, 24.19

 

CMYK 12 / 0 / 43 / 61

HEX #586439

RGB 88 100 57

HSL 76.74, 0.27%, 0.31%

LAB 40.38, -12.47, 22.85

 

CMYK 11 / 0 / 36 / 54

HEX #69764C

RGB 105 118 76

HSL 78.57, 0.22%, 0.38%

LAB 47.6, -12.57, 21.57

 

CMYK 10 / 0 / 30 / 47

HEX #7A885F

RGB 122 136 95

HSL 80.49, 0.18%, 0.45%

LAB 54.63, -12.62, 20.38

 

CMYK 10 / 0 / 26 / 40

HEX #8B9A72

RGB 139 154 114

HSL 82.5, 0.17%, 0.53%

LAB 61.49, -12.64, 19.27

 

CMYK 20 / 0 / 48 / 68

HEX #42522B

RGB 66 82 43

HSL 84.62, 0.31%, 0.25%

LAB 32.63, -13.89, 20.82

 

CMYK 23 / 0 / 63 / 75

HEX #314018

RGB 49 64 24

HSL 82.5, 0.45%, 0.17%

LAB 24.91, -13.79, 22.18

 

CMYK 30 / 0 / 89 / 82

HEX #202E05

RGB 32 46 5

HSL 80.49, 0.8%, 0.1%

LAB 16.85, -13.47, 21.94

 

CMYK 46 / 0 / 100 / 89

HEX #0F1C00

RGB 15 28 0

HSL 87.86, 1%, 0.05%

LAB 8.41, -11.18, 12.39

 

CMYK 100 / 0 / 100 / 96

HEX #000A00

RGB 0 10 0

HSL 120, 1%, 0.02%

LAB 1.96, -4.01, 2.86

 

CMYK 19 / 0 / 48 / 67

HEX #43532B

RGB 67 83 43

HSL 84, 0.32%, 0.25%

LAB 33.04, -14.02, 21.35

 

CMYK 7 / 0 / 48 / 67

HEX #4D532B

RGB 77 83 43

HSL 69, 0.32%, 0.25%

LAB 33.85, -9.48, 22.54

 

CMYK 0 / 6 / 48 / 67

HEX #534E2B

RGB 83 78 43

HSL 52.5, 0.32%, 0.25%

LAB 32.84, -3.67, 21.4

 

CMYK 0 / 19 / 48 / 67

HEX #53432B

RGB 83 67 43

HSL 36, 0.32%, 0.25%

LAB 29.48, 3.16, 17.14

 

CMYK 0 / 31 / 48 / 67

HEX #53392B

RGB 83 57 43

HSL 21, 0.32%, 0.25%

LAB 26.56, 9.54, 13.31

 

CMYK 19 / 0 / 48 / 67

HEX #43532B

RGB 67 83 43

HSL 84, 0.32%, 0.25%

LAB 33.04, -14.02, 21.35

 

CMYK 33 / 0 / 48 / 67

HEX #38532B

RGB 56 83 43

HSL 100.5, 0.32%, 0.25%

LAB 32.26, -18.7, 20.21

 

CMYK 46 / 0 / 48 / 67

HEX #2D532B

RGB 45 83 43

HSL 117, 0.32%, 0.25%

LAB 31.62, -22.9, 19.26

 

CMYK 48 / 0 / 37 / 67

HEX #2B5334

RGB 43 83 52

HSL 133.5, 0.32%, 0.25%

LAB 31.69, -21.91, 13.89

 

CMYK 48 / 0 / 24 / 67

HEX #2B533F

RGB 43 83 63

HSL 150, 0.32%, 0.25%

LAB 31.94, -19.46, 7.39

 

CMYK 19 / 0 / 48 / 67

HEX #43532B

RGB 67 83 43

HSL 84, 0.32%, 0.25%

LAB 33.04, -14.02, 21.35

 

CMYK 26 / 0 / 65 / 64

HEX #455D21

RGB 69 93 33

HSL 84, 0.48%, 0.25%

LAB 36.37, -19.79, 30.81

 

CMYK 33 / 0 / 78 / 59

HEX #466817

RGB 70 104 23

HSL 85.19, 0.64%, 0.25%

LAB 40.02, -25.78, 39.13

 

CMYK 37 / 0 / 89 / 55

HEX #48720D

RGB 72 114 13

HSL 84.95, 0.8%, 0.25%

LAB 43.42, -30.25, 45.5

 

CMYK 40 / 0 / 98 / 51

HEX #4A7C02

RGB 74 124 2

HSL 84.59, 0.97%, 0.25%

LAB 46.81, -34.36, 50.76

 

CMYK 19 / 0 / 48 / 67

HEX #43532B

RGB 67 83 43

HSL 84, 0.32%, 0.25%

LAB 33.04, -14.02, 21.35

 

CMYK 11 / 0 / 26 / 71

HEX #414936

RGB 65 73 54

HSL 85.26, 0.15%, 0.25%

LAB 29.8, -7.26, 10.32

 

CMYK 2 / 3 / 0 / 75

HEX #3F3E40

RGB 63 62 64

HSL 270, 0.02%, 0.25%

LAB 26.37, 0.88, -1.08

 

CMYK 18 / 30 / 0 / 71

HEX #3D344A

RGB 61 52 74

HSL 264.55, 0.17%, 0.25%

LAB 23.48, 9.2, -12.08

 

CMYK 31 / 51 / 0 / 67

HEX #3B2A55

RGB 59 42 85

HSL 263.72, 0.34%, 0.25%

LAB 20.99, 18.34, -23.33

 

CMYK 0 / 6 / 48 / 67

HEX #534E2B

RGB 83 78 43

HSL 52.5, 0.32%, 0.25%

LAB 32.84, -3.67, 21.4

 

CMYK 6 / 0 / 48 / 67

HEX #4E532B

RGB 78 83 43

HSL 67.5, 0.32%, 0.25%

LAB 33.94, -9.02, 22.67

 

CMYK 19 / 0 / 48 / 67

HEX #43532B

RGB 67 83 43

HSL 84, 0.32%, 0.25%

LAB 33.04, -14.02, 21.35

 

CMYK 31 / 0 / 48 / 67

HEX #39532B

RGB 57 83 43

HSL 99, 0.32%, 0.25%

LAB 32.33, -18.29, 20.3

 

CMYK 45 / 0 / 48 / 67

HEX #2E532B

RGB 46 83 43

HSL 115.5, 0.32%, 0.25%

LAB 31.67, -22.54, 19.34

 

CMYK 21 / 0 / 48 / 89

HEX #171D0F

RGB 23 29 15

HSL 85.71, 0.32%, 0.09%

LAB 9.76, -6.09, 8.01

 

CMYK 20 / 0 / 48 / 78

HEX #2D381D

RGB 45 56 29

HSL 84.44, 0.32%, 0.17%

LAB 21.85, -10.26, 15.38

 

CMYK 19 / 0 / 48 / 67

HEX #43532B

RGB 67 83 43

HSL 84, 0.32%, 0.25%

LAB 33.04, -14.02, 21.35

 

CMYK 19 / 0 / 47 / 57

HEX #596E3A

RGB 89 110 58

HSL 84.23, 0.31%, 0.33%

LAB 43.63, -17.41, 26.39

 

CMYK 20 / 0 / 47 / 46

HEX #6E8948

RGB 110 137 72

HSL 84.92, 0.31%, 0.41%

LAB 53.68, -21.16, 31.61

 

CMYK 20 / 0 / 48 / 68

HEX #42522B

RGB 66 82 43

HSL 84.62, 0.31%, 0.25%

LAB 32.63, -13.89, 20.82

 

CMYK 48 / 0 / 19 / 67

HEX #2B5343

RGB 43 83 67

HSL 156, 0.32%, 0.25%

LAB 32.05, -18.47, 5.02

 

CMYK 0 / 48 / 0 / 67

HEX #532B53

RGB 83 43 83

HSL 300, 0.32%, 0.25%

LAB 24.29, 25.32, -16.59

 

CMYK 20 / 0 / 48 / 68

HEX #42522B

RGB 66 82 43

HSL 84.62, 0.31%, 0.25%

LAB 32.63, -13.89, 20.82

 

CMYK 48 / 19 / 0 / 67

HEX #2B4353

RGB 43 67 83

HSL 204, 0.32%, 0.25%

LAB 27.16, -4.31, -12.5

 

CMYK 0 / 48 / 19 / 67

HEX #532B43

RGB 83 43 67

HSL 324, 0.32%, 0.25%

LAB 23.58, 22.14, -6.97

 

CMYK 20 / 0 / 48 / 68

HEX #42522B

RGB 66 82 43

HSL 84.62, 0.31%, 0.25%

LAB 32.63, -13.89, 20.82

 

CMYK 48 / 0 / 19 / 67

HEX #2B5343

RGB 43 83 67

HSL 156, 0.32%, 0.25%

LAB 32.05, -18.47, 5.02

 

CMYK 29 / 48 / 0 / 67

HEX #3B2B53

RGB 59 43 83

HSL 264, 0.32%, 0.25%

LAB 21.14, 17.09, -21.76

 

CMYK 0 / 48 / 29 / 67

HEX #532B3B

RGB 83 43 59

HSL 336, 0.32%, 0.25%

LAB 23.28, 20.76, -1.99

 

CMYK 20 / 0 / 48 / 68

HEX #42522B

RGB 66 82 43

HSL 84.62, 0.31%, 0.25%

LAB 32.63, -13.89, 20.82

 

CMYK 48 / 0 / 5 / 67

HEX #2B534F

RGB 43 83 79

HSL 174, 0.32%, 0.25%

LAB 32.4, -15.22, -2.06

 

CMYK 29 / 48 / 0 / 67

HEX #3B2B53

RGB 59 43 83

HSL 264, 0.32%, 0.25%

LAB 21.14, 17.09, -21.76

 

CMYK 0 / 48 / 43 / 67

HEX #532B2F

RGB 83 43 47

HSL 354, 0.32%, 0.25%

LAB 22.9, 18.96, 5.63

 

Description

Color code: RGB 66 82 43 | qconv.com Color code: RGB 66 82 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 82 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 82 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 48 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 48% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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