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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 65 204 198 it is the complementary color RGB 190 51 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 65 204 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 65 204 198 shade: RGB 70 204 193, RGB 87 222 212, RGB 104 240 231, RGB 121 255 250 and RGB 138 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 65 204 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 65 204 198 shade: RGB 65 204 198, RGB 48 186 179, RGB 31 168 160, RGB 14 150 141 and RGB 0 132 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 65 204 198 shade: RGB 65 204 198, RGB 65 204 161, RGB 65 204 123, RGB 65 204 86 and RGB 82 204 65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 65 204 198 shade: RGB 65 204 198, RGB 65 173 204, RGB 65 135 204, RGB 65 98 204 and RGB 65 65 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 65 204 198 shade matches the following richer shades: RGB 65 204 198, RGB 46 224 216 and RGB 26 243 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 65 204 198 shade: RGB 65 204 198, RGB 85 185 180, RGB 104 165 163, RGB 123 146 145 and RGB 143 127 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 65 204 198 shade: RGB 65 204 123, RGB 65 204 160, RGB 65 204 197, RGB 65 174 204 and RGB 65 137 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 65 204 198 shade: RGB 39 148 143, RGB 48 180 175, RGB 65 204 198, RGB 98 213 208 and RGB 130 221 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 65 204 198 shade: RGB 65 204 198, RGB 86 65 204 and RGB 204 142 65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 65 204 198 shade: RGB 65 204 198, RGB 197 65 204 and RGB 204 197 65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 65 204 198 shade: RGB 65 204 198, RGB 86 65 204, RGB 204 65 72 and RGB 183 204 65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 65 204 198 shade: RGB 65 204 198, RGB 128 65 204, RGB 204 65 72 and RGB 142 204 65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 3 / 20

HEX #41CCC6

RGB 65 204 198

HSL 177.41, 0.58%, 0.53%

LAB 75.07, -37.72, -7.84

 

Complementary color

CMYK 0 / 73 / 70 / 25

HEX #BE3339

RGB 190 51 57

HSL 357.41, 0.58%, 0.47%

LAB 43.67, 55.1, 29.96

 

CMYK 66 / 0 / 5 / 20

HEX #46CCC1

RGB 70 204 193

HSL 175.07, 0.57%, 0.54%

LAB 75.04, -38.36, -5.17

 

CMYK 61 / 0 / 5 / 13

HEX #57DED4

RGB 87 222 212

HSL 175.56, 0.67%, 0.61%

LAB 81.3, -38.77, -6.05

 

CMYK 57 / 0 / 4 / 6

HEX #68F0E7

RGB 104 240 231

HSL 176.03, 0.82%, 0.67%

LAB 87.5, -39.05, -6.86

 

CMYK 53 / 0 / 2 / 0

HEX #79FFFA

RGB 121 255 250

HSL 177.76, 1%, 0.74%

LAB 92.79, -37.87, -8.86

 

CMYK 46 / 0 / 0 / 0

HEX #8AFFFF

RGB 138 255 255

HSL 180, 1%, 0.77%

LAB 93.51, -33.13, -10.31

 

CMYK 68 / 0 / 3 / 20

HEX #41CCC6

RGB 65 204 198

HSL 177.41, 0.58%, 0.53%

LAB 75.07, -37.72, -7.84

 

CMYK 74 / 0 / 4 / 27

HEX #30BAB3

RGB 48 186 179

HSL 176.96, 0.59%, 0.46%

LAB 68.75, -36.97, -6.89

 

CMYK 82 / 0 / 5 / 34

HEX #1FA8A0

RGB 31 168 160

HSL 176.5, 0.69%, 0.39%

LAB 62.37, -35.94, -5.83

 

CMYK 91 / 0 / 6 / 41

HEX #0E968D

RGB 14 150 141

HSL 176.03, 0.83%, 0.32%

LAB 55.92, -34.51, -4.63

 

CMYK 100 / 0 / 8 / 48

HEX #00847A

RGB 0 132 122

HSL 175.45, 1%, 0.26%

LAB 49.38, -32.65, -3.28

 

CMYK 68 / 0 / 3 / 20

HEX #41CCC6

RGB 65 204 198

HSL 177.41, 0.58%, 0.53%

LAB 75.07, -37.72, -7.84

 

CMYK 68 / 0 / 21 / 20

HEX #41CCA1

RGB 65 204 161

HSL 161.44, 0.58%, 0.53%

LAB 74.11, -47.22, 10.74

 

CMYK 68 / 0 / 40 / 20

HEX #41CC7B

RGB 65 204 123

HSL 145.04, 0.58%, 0.53%

LAB 73.38, -55.15, 29.82

 

CMYK 68 / 0 / 58 / 20

HEX #41CC56

RGB 65 204 86

HSL 129.06, 0.58%, 0.53%

LAB 72.88, -60.82, 47.38

 

CMYK 60 / 0 / 68 / 20

HEX #52CC41

RGB 82 204 65

HSL 112.66, 0.58%, 0.53%

LAB 73.13, -59.49, 56.77

 

CMYK 68 / 0 / 3 / 20

HEX #41CCC6

RGB 65 204 198

HSL 177.41, 0.58%, 0.53%

LAB 75.07, -37.72, -7.84

 

CMYK 68 / 15 / 0 / 20

HEX #41ADCC

RGB 65 173 204

HSL 193.38, 0.58%, 0.53%

LAB 66.04, -20.82, -24.75

 

CMYK 68 / 34 / 0 / 20

HEX #4187CC

RGB 65 135 204

HSL 209.78, 0.58%, 0.53%

LAB 54.88, 0.29, -42.11

 

CMYK 68 / 52 / 0 / 20

HEX #4162CC

RGB 65 98 204

HSL 225.76, 0.58%, 0.53%

LAB 44.55, 23.19, -58.62

 

CMYK 68 / 68 / 0 / 20

HEX #4141CC

RGB 65 65 204

HSL 240, 0.58%, 0.53%

LAB 36.49, 43.78, -71.75

 

CMYK 68 / 0 / 3 / 20

HEX #41CCC6

RGB 65 204 198

HSL 177.41, 0.58%, 0.53%

LAB 75.07, -37.72, -7.84

 

CMYK 79 / 0 / 4 / 12

HEX #2EE0D8

RGB 46 224 216

HSL 177.3, 0.74%, 0.53%

LAB 81.21, -43.76, -8.4

 

CMYK 89 / 0 / 4 / 5

HEX #1AF3EA

RGB 26 243 234

HSL 177.51, 0.9%, 0.53%

LAB 87.12, -48.2, -9.13

 

CMYK 68 / 0 / 3 / 20

HEX #41CCC6

RGB 65 204 198

HSL 177.41, 0.58%, 0.53%

LAB 75.07, -37.72, -7.84

 

CMYK 54 / 0 / 3 / 27

HEX #55B9B4

RGB 85 185 180

HSL 177, 0.42%, 0.53%

LAB 69.42, -30.28, -6.35

 

CMYK 37 / 0 / 1 / 35

HEX #68A5A3

RGB 104 165 163

HSL 178.03, 0.25%, 0.53%

LAB 63.75, -20.12, -5.21

 

CMYK 16 / 0 / 1 / 43

HEX #7B9291

RGB 123 146 145

HSL 177.39, 0.1%, 0.53%

LAB 58.8, -8.34, -2.21

 

CMYK 0 / 11 / 11 / 44

HEX #8F7F7F

RGB 143 127 127

HSL 0, 0.07%, 0.53%

LAB 54.61, 6.1, 2.22

 

CMYK 68 / 0 / 40 / 20

HEX #41CC7B

RGB 65 204 123

HSL 145.04, 0.58%, 0.53%

LAB 73.38, -55.15, 29.82

 

CMYK 68 / 0 / 22 / 20

HEX #41CCA0

RGB 65 204 160

HSL 161.01, 0.58%, 0.53%

LAB 74.09, -47.45, 11.25

 

CMYK 68 / 0 / 3 / 20

HEX #41CCC5

RGB 65 204 197

HSL 176.98, 0.58%, 0.53%

LAB 75.04, -37.99, -7.34

 

CMYK 68 / 15 / 0 / 20

HEX #41AECC

RGB 65 174 204

HSL 192.95, 0.58%, 0.53%

LAB 66.33, -21.34, -24.3

 

CMYK 68 / 33 / 0 / 20

HEX #4189CC

RGB 65 137 204

HSL 208.92, 0.58%, 0.53%

LAB 55.46, -0.89, -41.2

 

CMYK 74 / 0 / 3 / 42

HEX #27948F

RGB 39 148 143

HSL 177.25, 0.58%, 0.37%

LAB 55.68, -30.69, -6.09

 

CMYK 73 / 0 / 3 / 29

HEX #30B4AF

RGB 48 180 175

HSL 177.73, 0.58%, 0.45%

LAB 66.8, -35.35, -7.58

 

CMYK 68 / 0 / 3 / 20

HEX #41CCC6

RGB 65 204 198

HSL 177.41, 0.58%, 0.53%

LAB 75.07, -37.72, -7.84

 

CMYK 54 / 0 / 2 / 16

HEX #62D5D0

RGB 98 213 208

HSL 177.39, 0.58%, 0.61%

LAB 78.89, -33.64, -7.45

 

CMYK 41 / 0 / 1 / 13

HEX #82DDDA

RGB 130 221 218

HSL 178.02, 0.57%, 0.69%

LAB 82.66, -27.86, -7.07

 

CMYK 68 / 0 / 3 / 20

HEX #41CCC6

RGB 65 204 198

HSL 177.41, 0.58%, 0.53%

LAB 75.07, -37.72, -7.84

 

CMYK 58 / 68 / 0 / 20

HEX #5641CC

RGB 86 65 204

HSL 249.06, 0.58%, 0.53%

LAB 38.05, 46.64, -69.12

 

CMYK 0 / 30 / 68 / 20

HEX #CC8E41

RGB 204 142 65

HSL 33.24, 0.58%, 0.53%

LAB 63.81, 16.18, 49.16

 

CMYK 68 / 0 / 3 / 20

HEX #41CCC6

RGB 65 204 198

HSL 177.41, 0.58%, 0.53%

LAB 75.07, -37.72, -7.84

 

CMYK 3 / 68 / 0 / 20

HEX #C541CC

RGB 197 65 204

HSL 296.98, 0.58%, 0.53%

LAB 51.85, 68.69, -46.16

 

CMYK 0 / 3 / 68 / 20

HEX #CCC541

RGB 204 197 65

HSL 56.98, 0.58%, 0.53%

LAB 77.96, -12.96, 63.92

 

CMYK 68 / 0 / 3 / 20

HEX #41CCC6

RGB 65 204 198

HSL 177.41, 0.58%, 0.53%

LAB 75.07, -37.72, -7.84

 

CMYK 58 / 68 / 0 / 20

HEX #5641CC

RGB 86 65 204

HSL 249.06, 0.58%, 0.53%

LAB 38.05, 46.64, -69.12

 

CMYK 0 / 68 / 65 / 20

HEX #CC4148

RGB 204 65 72

HSL 356.98, 0.58%, 0.53%

LAB 48.37, 55.09, 27.37

 

CMYK 10 / 0 / 68 / 20

HEX #B7CC41

RGB 183 204 65

HSL 69.06, 0.58%, 0.53%

LAB 78.25, -25.18, 63.67

 

CMYK 68 / 0 / 3 / 20

HEX #41CCC6

RGB 65 204 198

HSL 177.41, 0.58%, 0.53%

LAB 75.07, -37.72, -7.84

 

CMYK 37 / 68 / 0 / 20

HEX #8041CC

RGB 128 65 204

HSL 267.19, 0.58%, 0.53%

LAB 42.35, 54.03, -61.93

 

CMYK 0 / 68 / 65 / 20

HEX #CC4148

RGB 204 65 72

HSL 356.98, 0.58%, 0.53%

LAB 48.37, 55.09, 27.37

 

CMYK 30 / 0 / 68 / 20

HEX #8ECC41

RGB 142 204 65

HSL 86.76, 0.58%, 0.53%

LAB 75.65, -41.14, 60.18

 

Description

Color code: RGB 65 204 198 | qconv.com Color code: RGB 65 204 198 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 204 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 204 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 3 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 3% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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