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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 65 155 220 it is the complementary color RGB 190 100 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 65 155 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 65 155 220 shade: RGB 70 155 215, RGB 87 173 234, RGB 104 191 253, RGB 121 209 255 and RGB 138 227 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 65 155 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 65 155 220 shade: RGB 65 155 220, RGB 48 137 201, RGB 31 119 182, RGB 14 101 163 and RGB 0 83 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 65 155 220 shade: RGB 65 155 220, RGB 65 113 220, RGB 65 71 220, RGB 100 65 220 and RGB 142 65 220

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 65 155 220 shade: RGB 65 155 220, RGB 65 113 220, RGB 65 71 220 and RGB 65 65 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 65 155 220 shade matches the following richer shades: RGB 65 155 220 and RGB 47 158 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 65 155 220 shade: RGB 65 155 220, RGB 83 152 202, RGB 101 149 183, RGB 119 146 165 and RGB 137 143 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 65 155 220 shade: RGB 65 220 202, RGB 65 196 220, RGB 65 155 220, RGB 65 114 220 and RGB 65 73 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 65 155 220 shade: RGB 31 112 171, RGB 37 135 206, RGB 65 155 220, RGB 100 173 226 and RGB 135 191 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 65 155 220 shade: RGB 65 155 220, RGB 160 65 220 and RGB 217 220 65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 65 155 220 shade: RGB 65 155 220, RGB 220 65 155 and RGB 155 220 65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 65 155 220 shade: RGB 65 155 220, RGB 160 65 220, RGB 220 129 65 and RGB 124 220 65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 65 155 220 shade: RGB 65 155 220, RGB 207 65 220, RGB 220 129 65 and RGB 78 220 65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 30 / 0 / 14

HEX #419BDC

RGB 65 155 220

HSL 205.16, 0.69%, 0.56%

LAB 61.42, -5.77, -40.78

 

Complementary color

CMYK 0 / 47 / 82 / 25

HEX #BE6423

RGB 190 100 35

HSL 25.16, 0.69%, 0.44%

LAB 52.04, 31.68, 50.22

 

CMYK 67 / 28 / 0 / 16

HEX #469BD7

RGB 70 155 215

HSL 204.83, 0.64%, 0.56%

LAB 61.35, -6.72, -38.1

 

CMYK 63 / 26 / 0 / 8

HEX #57ADEA

RGB 87 173 234

HSL 204.9, 0.78%, 0.63%

LAB 67.91, -7.72, -38.29

 

CMYK 59 / 25 / 0 / 1

HEX #68BFFD

RGB 104 191 253

HSL 204.97, 0.97%, 0.7%

LAB 74.38, -8.52, -38.48

 

CMYK 53 / 18 / 0 / 0

HEX #79D1FF

RGB 121 209 255

HSL 200.6, 1%, 0.74%

LAB 80.12, -14.09, -30.63

 

CMYK 46 / 11 / 0 / 0

HEX #8AE3FF

RGB 138 227 255

HSL 194.36, 1%, 0.77%

LAB 85.79, -19.57, -21.91

 

CMYK 70 / 30 / 0 / 14

HEX #419BDC

RGB 65 155 220

HSL 205.16, 0.69%, 0.56%

LAB 61.42, -5.77, -40.78

 

CMYK 76 / 32 / 0 / 21

HEX #3089C9

RGB 48 137 201

HSL 205.1, 0.61%, 0.49%

LAB 54.8, -4.31, -40.57

 

CMYK 83 / 35 / 0 / 29

HEX #1F77B6

RGB 31 119 182

HSL 205.03, 0.71%, 0.42%

LAB 48.09, -2.44, -40.32

 

CMYK 91 / 38 / 0 / 36

HEX #0E65A3

RGB 14 101 163

HSL 204.97, 0.84%, 0.35%

LAB 41.29, -0.02, -40

 

CMYK 100 / 42 / 0 / 44

HEX #005390

RGB 0 83 144

HSL 205.42, 1%, 0.28%

LAB 34.4, 3.05, -39.59

 

CMYK 70 / 30 / 0 / 14

HEX #419BDC

RGB 65 155 220

HSL 205.16, 0.69%, 0.56%

LAB 61.42, -5.77, -40.78

 

CMYK 70 / 49 / 0 / 14

HEX #4171DC

RGB 65 113 220

HSL 221.42, 0.69%, 0.56%

LAB 49.62, 19.45, -59.56

 

CMYK 70 / 68 / 0 / 14

HEX #4147DC

RGB 65 71 220

HSL 237.68, 0.69%, 0.56%

LAB 39.24, 45.55, -76.45

 

CMYK 55 / 70 / 0 / 14

HEX #6441DC

RGB 100 65 220

HSL 253.55, 0.69%, 0.56%

LAB 40.67, 53.46, -74.01

 

CMYK 35 / 70 / 0 / 14

HEX #8E41DC

RGB 142 65 220

HSL 269.81, 0.69%, 0.56%

LAB 45.22, 60.55, -66.39

 

CMYK 70 / 30 / 0 / 14

HEX #419BDC

RGB 65 155 220

HSL 205.16, 0.69%, 0.56%

LAB 61.42, -5.77, -40.78

 

CMYK 70 / 49 / 0 / 14

HEX #4171DC

RGB 65 113 220

HSL 221.42, 0.69%, 0.56%

LAB 49.62, 19.45, -59.56

 

CMYK 70 / 68 / 0 / 14

HEX #4147DC

RGB 65 71 220

HSL 237.68, 0.69%, 0.56%

LAB 39.24, 45.55, -76.45

 

CMYK 70 / 70 / 0 / 14

HEX #4141DC

RGB 65 65 220

HSL 240, 0.69%, 0.56%

LAB 37.97, 49.02, -78.53

 

CMYK 70 / 30 / 0 / 14

HEX #419BDC

RGB 65 155 220

HSL 205.16, 0.69%, 0.56%

LAB 61.42, -5.77, -40.78

 

CMYK 80 / 34 / 0 / 7

HEX #2F9EEE

RGB 47 158 238

HSL 205.13, 0.85%, 0.56%

LAB 62.7, -3.28, -48.75

 

CMYK 70 / 30 / 0 / 14

HEX #419BDC

RGB 65 155 220

HSL 205.16, 0.69%, 0.56%

LAB 61.42, -5.77, -40.78

 

CMYK 59 / 25 / 0 / 21

HEX #5398CA

RGB 83 152 202

HSL 205.21, 0.53%, 0.56%

LAB 60.39, -6.98, -32.3

 

CMYK 45 / 19 / 0 / 28

HEX #6595B7

RGB 101 149 183

HSL 204.88, 0.36%, 0.56%

LAB 59.6, -6.95, -22.76

 

CMYK 28 / 12 / 0 / 35

HEX #7792A5

RGB 119 146 165

HSL 204.78, 0.2%, 0.56%

LAB 59.16, -4.97, -13.12

 

CMYK 7 / 3 / 0 / 42

HEX #898F93

RGB 137 143 147

HSL 204, 0.04%, 0.56%

LAB 59.04, -1.36, -2.88

 

CMYK 70 / 0 / 8 / 14

HEX #41DCCA

RGB 65 220 202

HSL 173.03, 0.69%, 0.56%

LAB 79.94, -43.79, -2.79

 

CMYK 70 / 11 / 0 / 14

HEX #41C4DC

RGB 65 196 220

HSL 189.29, 0.69%, 0.56%

LAB 73.4, -27.5, -22.27

 

CMYK 70 / 30 / 0 / 14

HEX #419BDC

RGB 65 155 220

HSL 205.16, 0.69%, 0.56%

LAB 61.42, -5.77, -40.78

 

CMYK 70 / 48 / 0 / 14

HEX #4172DC

RGB 65 114 220

HSL 221.03, 0.69%, 0.56%

LAB 49.89, 18.82, -59.12

 

CMYK 70 / 67 / 0 / 14

HEX #4149DC

RGB 65 73 220

HSL 236.9, 0.69%, 0.56%

LAB 39.67, 44.37, -75.73

 

CMYK 82 / 35 / 0 / 33

HEX #1F70AB

RGB 31 112 171

HSL 205.29, 0.69%, 0.4%

LAB 45.39, -2.38, -38.19

 

CMYK 82 / 34 / 0 / 19

HEX #2587CE

RGB 37 135 206

HSL 205.21, 0.7%, 0.48%

LAB 54.21, -2.47, -44.34

 

CMYK 70 / 30 / 0 / 14

HEX #419BDC

RGB 65 155 220

HSL 205.16, 0.69%, 0.56%

LAB 61.42, -5.77, -40.78

 

CMYK 56 / 23 / 0 / 11

HEX #64ADE2

RGB 100 173 226

HSL 205.24, 0.68%, 0.64%

LAB 68.09, -7.76, -33.61

 

CMYK 42 / 18 / 0 / 9

HEX #87BFE9

RGB 135 191 233

HSL 205.71, 0.69%, 0.72%

LAB 75.01, -7.47, -26.61

 

CMYK 70 / 30 / 0 / 14

HEX #419BDC

RGB 65 155 220

HSL 205.16, 0.69%, 0.56%

LAB 61.42, -5.77, -40.78

 

CMYK 27 / 70 / 0 / 14

HEX #A041DC

RGB 160 65 220

HSL 276.77, 0.69%, 0.56%

LAB 47.52, 63.98, -62.54

 

CMYK 1 / 0 / 70 / 14

HEX #D9DC41

RGB 217 220 65

HSL 61.16, 0.69%, 0.56%

LAB 85.16, -18.96, 71.36

 

CMYK 70 / 30 / 0 / 14

HEX #419BDC

RGB 65 155 220

HSL 205.16, 0.69%, 0.56%

LAB 61.42, -5.77, -40.78

 

CMYK 0 / 70 / 30 / 14

HEX #DC419B

RGB 220 65 155

HSL 325.16, 0.69%, 0.56%

LAB 53.34, 67.24, -15.01

 

CMYK 30 / 0 / 70 / 14

HEX #9BDC41

RGB 155 220 65

HSL 85.16, 0.69%, 0.56%

LAB 81.04, -43.36, 65.91

 

CMYK 70 / 30 / 0 / 14

HEX #419BDC

RGB 65 155 220

HSL 205.16, 0.69%, 0.56%

LAB 61.42, -5.77, -40.78

 

CMYK 27 / 70 / 0 / 14

HEX #A041DC

RGB 160 65 220

HSL 276.77, 0.69%, 0.56%

LAB 47.52, 63.98, -62.54

 

CMYK 0 / 41 / 70 / 14

HEX #DC8141

RGB 220 129 65

HSL 24.77, 0.69%, 0.56%

LAB 62.76, 29.9, 48.6

 

CMYK 44 / 0 / 70 / 14

HEX #7CDC41

RGB 124 220 65

HSL 97.16, 0.69%, 0.56%

LAB 79.53, -53.87, 63.9

 

CMYK 70 / 30 / 0 / 14

HEX #419BDC

RGB 65 155 220

HSL 205.16, 0.69%, 0.56%

LAB 61.42, -5.77, -40.78

 

CMYK 6 / 70 / 0 / 14

HEX #CF41DC

RGB 207 65 220

HSL 294.97, 0.69%, 0.56%

LAB 54.25, 73.56, -51.37

 

CMYK 0 / 41 / 70 / 14

HEX #DC8141

RGB 220 129 65

HSL 24.77, 0.69%, 0.56%

LAB 62.76, 29.9, 48.6

 

CMYK 65 / 0 / 70 / 14

HEX #4EDC41

RGB 78 220 65

HSL 114.97, 0.69%, 0.56%

LAB 77.99, -65.86, 61.82

 

Description

Color code: RGB 65 155 220 | qconv.com Color code: RGB 65 155 220 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 155 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 155 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 30 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 30% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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