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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 65 150 153 it is the complementary color RGB 190 105 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 65 150 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 65 150 153 shade: RGB 70 150 148, RGB 87 168 167, RGB 104 186 186, RGB 121 204 205 and RGB 138 222 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 65 150 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 65 150 153 shade: RGB 65 150 153, RGB 48 132 134, RGB 31 114 115, RGB 14 96 96 and RGB 0 78 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 65 150 153 shade: RGB 65 150 153, RGB 65 126 153, RGB 65 103 153, RGB 65 79 153 and RGB 75 65 153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 65 150 153 shade: RGB 65 150 153, RGB 65 126 153, RGB 65 103 153, RGB 65 79 153 and RGB 65 65 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 65 150 153 shade matches the following richer shades: RGB 65 150 153, RGB 48 167 171, RGB 30 183 188 and RGB 12 200 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 65 150 153 shade: RGB 65 150 153, RGB 83 133 135, RGB 101 117 118, RGB 119 100 100 and RGB 136 84 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 65 150 153 shade: RGB 65 153 109, RGB 65 153 133, RGB 65 150 153, RGB 65 127 153 and RGB 65 103 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 65 150 153 shade: RGB 41 93 95, RGB 53 122 124, RGB 65 150 153, RGB 80 176 180 and RGB 109 189 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 65 150 153 shade: RGB 65 150 153, RGB 86 65 153 and RGB 153 121 65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 65 150 153 shade: RGB 65 150 153, RGB 153 65 150 and RGB 150 153 65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 65 150 153 shade: RGB 65 150 153, RGB 86 65 153, RGB 153 68 65 and RGB 133 153 65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 65 150 153 shade: RGB 65 150 153, RGB 112 65 153, RGB 153 68 65 and RGB 106 153 65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 2 / 0 / 40

HEX #419699

RGB 65 150 153

HSL 182.05, 0.4%, 0.43%

LAB 57.31, -24.46, -9.32

 

Complementary color

CMYK 0 / 45 / 46 / 25

HEX #BE6966

RGB 190 105 102

HSL 2.05, 0.4%, 0.57%

LAB 54.04, 33.5, 16.76

 

CMYK 53 / 0 / 1 / 41

HEX #469694

RGB 70 150 148

HSL 178.5, 0.36%, 0.43%

LAB 57.32, -24.83, -6.42

 

CMYK 48 / 0 / 1 / 34

HEX #57A8A7

RGB 87 168 167

HSL 179.26, 0.32%, 0.5%

LAB 64.02, -24.93, -7.14

 

CMYK 44 / 0 / 0 / 27

HEX #68BABA

RGB 104 186 186

HSL 180, 0.37%, 0.57%

LAB 70.6, -24.96, -7.81

 

CMYK 41 / 0 / 0 / 20

HEX #79CCCD

RGB 121 204 205

HSL 180.71, 0.46%, 0.64%

LAB 77.08, -24.95, -8.44

 

CMYK 38 / 1 / 0 / 12

HEX #8ADEE0

RGB 138 222 224

HSL 181.4, 0.58%, 0.71%

LAB 83.46, -24.91, -9.03

 

CMYK 58 / 2 / 0 / 40

HEX #419699

RGB 65 150 153

HSL 182.05, 0.4%, 0.43%

LAB 57.31, -24.46, -9.32

 

CMYK 64 / 1 / 0 / 47

HEX #308486

RGB 48 132 134

HSL 181.4, 0.47%, 0.36%

LAB 50.51, -24.07, -8.55

 

CMYK 73 / 1 / 0 / 55

HEX #1F7273

RGB 31 114 115

HSL 180.71, 0.58%, 0.29%

LAB 43.6, -23.43, -7.67

 

CMYK 85 / 0 / 0 / 62

HEX #0E6060

RGB 14 96 96

HSL 180, 0.75%, 0.22%

LAB 36.56, -22.35, -6.63

 

CMYK 100 / 0 / 1 / 69

HEX #004E4D

RGB 0 78 77

HSL 179.23, 1%, 0.15%

LAB 29.37, -20.74, -5.4

 

CMYK 58 / 2 / 0 / 40

HEX #419699

RGB 65 150 153

HSL 182.05, 0.4%, 0.43%

LAB 57.31, -24.46, -9.32

 

CMYK 58 / 18 / 0 / 40

HEX #417E99

RGB 65 126 153

HSL 198.41, 0.4%, 0.43%

LAB 49.91, -11.58, -20.52

 

CMYK 58 / 33 / 0 / 40

HEX #416799

RGB 65 103 153

HSL 214.09, 0.4%, 0.43%

LAB 42.95, 2.06, -31.33

 

CMYK 58 / 48 / 0 / 40

HEX #414F99

RGB 65 79 153

HSL 230.45, 0.4%, 0.43%

LAB 36.01, 17.42, -42.33

 

CMYK 51 / 58 / 0 / 40

HEX #4B4199

RGB 75 65 153

HSL 246.82, 0.4%, 0.43%

LAB 33.08, 28.66, -47.01

 

CMYK 58 / 2 / 0 / 40

HEX #419699

RGB 65 150 153

HSL 182.05, 0.4%, 0.43%

LAB 57.31, -24.46, -9.32

 

CMYK 58 / 18 / 0 / 40

HEX #417E99

RGB 65 126 153

HSL 198.41, 0.4%, 0.43%

LAB 49.91, -11.58, -20.52

 

CMYK 58 / 33 / 0 / 40

HEX #416799

RGB 65 103 153

HSL 214.09, 0.4%, 0.43%

LAB 42.95, 2.06, -31.33

 

CMYK 58 / 48 / 0 / 40

HEX #414F99

RGB 65 79 153

HSL 230.45, 0.4%, 0.43%

LAB 36.01, 17.42, -42.33

 

CMYK 58 / 58 / 0 / 40

HEX #414199

RGB 65 65 153

HSL 240, 0.4%, 0.43%

LAB 32.27, 26.57, -48.37

 

CMYK 58 / 2 / 0 / 40

HEX #419699

RGB 65 150 153

HSL 182.05, 0.4%, 0.43%

LAB 57.31, -24.46, -9.32

 

CMYK 72 / 2 / 0 / 33

HEX #30A7AB

RGB 48 167 171

HSL 181.95, 0.56%, 0.43%

LAB 62.68, -30.35, -11.5

 

CMYK 84 / 3 / 0 / 26

HEX #1EB7BC

RGB 30 183 188

HSL 181.9, 0.72%, 0.43%

LAB 67.85, -34.61, -13.21

 

CMYK 94 / 3 / 0 / 19

HEX #0CC8CE

RGB 12 200 206

HSL 181.86, 0.89%, 0.43%

LAB 73.44, -37.89, -14.67

 

CMYK 58 / 2 / 0 / 40

HEX #419699

RGB 65 150 153

HSL 182.05, 0.4%, 0.43%

LAB 57.31, -24.46, -9.32

 

CMYK 39 / 1 / 0 / 47

HEX #538587

RGB 83 133 135

HSL 182.31, 0.24%, 0.43%

LAB 52.25, -16.21, -6.4

 

CMYK 14 / 1 / 0 / 54

HEX #657576

RGB 101 117 118

HSL 183.53, 0.08%, 0.43%

LAB 48, -5.69, -2.56

 

CMYK 0 / 16 / 16 / 53

HEX #776464

RGB 119 100 100

HSL 0, 0.09%, 0.43%

LAB 44.17, 7.6, 2.83

 

CMYK 0 / 38 / 40 / 47

HEX #885452

RGB 136 84 82

HSL 2.22, 0.25%, 0.43%

LAB 41.51, 21.4, 10.28

 

CMYK 58 / 0 / 29 / 40

HEX #41996D

RGB 65 153 109

HSL 150, 0.4%, 0.43%

LAB 57.09, -37.05, 15.37

 

CMYK 58 / 0 / 13 / 40

HEX #419985

RGB 65 153 133

HSL 166.36, 0.4%, 0.43%

LAB 57.66, -31.39, 2.61

 

CMYK 58 / 2 / 0 / 40

HEX #419699

RGB 65 150 153

HSL 182.05, 0.4%, 0.43%

LAB 57.31, -24.46, -9.32

 

CMYK 58 / 17 / 0 / 40

HEX #417F99

RGB 65 127 153

HSL 197.73, 0.4%, 0.43%

LAB 50.22, -12.14, -20.05

 

CMYK 58 / 33 / 0 / 40

HEX #416799

RGB 65 103 153

HSL 214.09, 0.4%, 0.43%

LAB 42.95, 2.06, -31.33

 

CMYK 57 / 2 / 0 / 63

HEX #295D5F

RGB 41 93 95

HSL 182.22, 0.4%, 0.27%

LAB 36.23, -16.59, -6.44

 

CMYK 57 / 2 / 0 / 51

HEX #357A7C

RGB 53 122 124

HSL 181.69, 0.4%, 0.35%

LAB 47.15, -20.89, -7.67

 

CMYK 58 / 2 / 0 / 40

HEX #419699

RGB 65 150 153

HSL 182.05, 0.4%, 0.43%

LAB 57.31, -24.46, -9.32

 

CMYK 56 / 2 / 0 / 29

HEX #50B0B4

RGB 80 176 180

HSL 182.4, 0.4%, 0.51%

LAB 66.56, -26.88, -10.62

 

CMYK 43 / 2 / 0 / 25

HEX #6DBDC0

RGB 109 189 192

HSL 182.17, 0.4%, 0.59%

LAB 71.86, -23.71, -9.2

 

CMYK 58 / 2 / 0 / 40

HEX #419699

RGB 65 150 153

HSL 182.05, 0.4%, 0.43%

LAB 57.31, -24.46, -9.32

 

CMYK 44 / 58 / 0 / 40

HEX #564199

RGB 86 65 153

HSL 254.32, 0.4%, 0.43%

LAB 34.11, 31.17, -45.31

 

CMYK 0 / 21 / 58 / 40

HEX #997941

RGB 153 121 65

HSL 38.18, 0.4%, 0.43%

LAB 52.76, 5.54, 35.07

 

CMYK 58 / 2 / 0 / 40

HEX #419699

RGB 65 150 153

HSL 182.05, 0.4%, 0.43%

LAB 57.31, -24.46, -9.32

 

CMYK 0 / 58 / 2 / 40

HEX #994196

RGB 153 65 150

HSL 302.05, 0.4%, 0.43%

LAB 42.39, 48.32, -29.8

 

CMYK 2 / 0 / 58 / 40

HEX #969941

RGB 150 153 65

HSL 62.05, 0.4%, 0.43%

LAB 61.35, -13.37, 44.94

 

CMYK 58 / 2 / 0 / 40

HEX #419699

RGB 65 150 153

HSL 182.05, 0.4%, 0.43%

LAB 57.31, -24.46, -9.32

 

CMYK 44 / 58 / 0 / 40

HEX #564199

RGB 86 65 153

HSL 254.32, 0.4%, 0.43%

LAB 34.11, 31.17, -45.31

 

CMYK 0 / 56 / 58 / 40

HEX #994441

RGB 153 68 65

HSL 2.05, 0.4%, 0.43%

LAB 40.06, 35.34, 19.19

 

CMYK 13 / 0 / 58 / 40

HEX #859941

RGB 133 153 65

HSL 73.64, 0.4%, 0.43%

LAB 60.02, -20.61, 43.08

 

CMYK 58 / 2 / 0 / 40

HEX #419699

RGB 65 150 153

HSL 182.05, 0.4%, 0.43%

LAB 57.31, -24.46, -9.32

 

CMYK 27 / 58 / 0 / 40

HEX #704199

RGB 112 65 153

HSL 272.05, 0.4%, 0.43%

LAB 36.98, 37.72, -40.54

 

CMYK 0 / 56 / 58 / 40

HEX #994441

RGB 153 68 65

HSL 2.05, 0.4%, 0.43%

LAB 40.06, 35.34, 19.19

 

CMYK 31 / 0 / 58 / 40

HEX #6A9941

RGB 106 153 65

HSL 92.05, 0.4%, 0.43%

LAB 58.25, -31.39, 40.58

 

Description

Color code: RGB 65 150 153 | qconv.com Color code: RGB 65 150 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 150 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 150 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 2 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 2% 0% 40% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

44% - Smith: Handcrafted d...
Link: http://www.justsmith.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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