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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 65 135 127 it is the complementary color RGB 190 120 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 65 135 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 65 135 127 shade: RGB 70 135 122, RGB 87 153 141, RGB 104 171 160, RGB 121 189 179 and RGB 138 207 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 65 135 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 65 135 127 shade: RGB 65 135 127, RGB 48 117 108, RGB 31 99 89, RGB 14 81 70 and RGB 0 63 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 65 135 127 shade: RGB 64 134 126, RGB 64 134 107, RGB 64 134 88, RGB 64 134 69 and RGB 78 134 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 65 135 127 shade: RGB 64 134 126, RGB 64 123 134, RGB 64 104 134, RGB 64 85 134 and RGB 64 67 134

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 65 135 127 shade matches the following richer shades: RGB 64 134 126, RGB 48 150 138, RGB 32 166 151, RGB 16 182 163 and RGB 0 198 175

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 65 135 127 shade: RGB 64 134 126, RGB 80 118 113, RGB 96 102 101, RGB 112 85 89 and RGB 129 69 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 65 135 127 shade: RGB 64 134 89, RGB 64 134 107, RGB 64 134 126, RGB 64 123 134 and RGB 64 105 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 65 135 127 shade: RGB 37 78 73, RGB 51 106 100, RGB 64 134 126, RGB 78 162 152 and RGB 100 180 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 65 135 127 shade: RGB 65 135 127, RGB 70 64 134 and RGB 134 98 64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 65 135 127 shade: RGB 65 135 127, RGB 126 64 134 and RGB 134 126 64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 65 135 127 shade: RGB 65 135 127, RGB 70 64 134, RGB 134 64 72 and RGB 128 134 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 65 135 127 shade: RGB 65 135 127, RGB 91 64 134, RGB 134 64 72 and RGB 107 134 64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 6 / 47

HEX #41877F

RGB 65 135 127

HSL 173.14, 0.35%, 0.39%

LAB 51.82, -24.09, -2.46

 

Complementary color

CMYK 0 / 37 / 33 / 25

HEX #BE7880

RGB 190 120 128

HSL 353.14, 0.35%, 0.61%

LAB 57.98, 28.41, 7.16

 

CMYK 48 / 0 / 10 / 47

HEX #46877A

RGB 70 135 122

HSL 168, 0.32%, 0.4%

LAB 51.88, -24.17, 0.56

 

CMYK 43 / 0 / 8 / 40

HEX #57998D

RGB 87 153 141

HSL 169.09, 0.28%, 0.47%

LAB 58.73, -24.06, -0.28

 

CMYK 39 / 0 / 6 / 33

HEX #68ABA0

RGB 104 171 160

HSL 170.15, 0.29%, 0.54%

LAB 65.44, -23.92, -1.05

 

CMYK 36 / 0 / 5 / 26

HEX #79BDB3

RGB 121 189 179

HSL 171.18, 0.34%, 0.61%

LAB 72.04, -23.77, -1.77

 

CMYK 33 / 0 / 4 / 19

HEX #8ACFC6

RGB 138 207 198

HSL 172.17, 0.42%, 0.68%

LAB 78.52, -23.63, -2.45

 

CMYK 52 / 0 / 6 / 47

HEX #41877F

RGB 65 135 127

HSL 173.14, 0.35%, 0.39%

LAB 51.82, -24.09, -2.46

 

CMYK 59 / 0 / 8 / 54

HEX #30756C

RGB 48 117 108

HSL 172.17, 0.42%, 0.32%

LAB 44.85, -24, -1.57

 

CMYK 69 / 0 / 10 / 61

HEX #1F6359

RGB 31 99 89

HSL 171.18, 0.52%, 0.25%

LAB 37.73, -23.71, -0.54

 

CMYK 83 / 0 / 14 / 68

HEX #0E5146

RGB 14 81 70

HSL 170.15, 0.71%, 0.19%

LAB 30.45, -23.04, 0.69

 

CMYK 100 / 0 / 19 / 75

HEX #003F33

RGB 0 63 51

HSL 168.57, 1%, 0.12%

LAB 22.98, -21.83, 2.2

 

CMYK 52 / 0 / 6 / 47

HEX #40867E

RGB 64 134 126

HSL 173.14, 0.35%, 0.39%

LAB 51.44, -24.09, -2.45

 

CMYK 52 / 0 / 20 / 47

HEX #40866B

RGB 64 134 107

HSL 156.86, 0.35%, 0.39%

LAB 50.92, -28.92, 7.87

 

CMYK 52 / 0 / 34 / 47

HEX #408658

RGB 64 134 88

HSL 140.57, 0.35%, 0.39%

LAB 50.51, -33.06, 18.2

 

CMYK 52 / 0 / 49 / 47

HEX #408645

RGB 64 134 69

HSL 124.29, 0.35%, 0.39%

LAB 50.18, -36.44, 28.3

 

CMYK 42 / 0 / 52 / 47

HEX #4E8640

RGB 78 134 64

HSL 108, 0.35%, 0.39%

LAB 50.73, -32.75, 31.78

 

CMYK 52 / 0 / 6 / 47

HEX #40867E

RGB 64 134 126

HSL 173.14, 0.35%, 0.39%

LAB 51.44, -24.09, -2.45

 

CMYK 52 / 8 / 0 / 47

HEX #407B86

RGB 64 123 134

HSL 189.43, 0.35%, 0.39%

LAB 48.23, -15.98, -11.92

 

CMYK 52 / 22 / 0 / 47

HEX #406886

RGB 64 104 134

HSL 205.71, 0.35%, 0.39%

LAB 42.33, -5.06, -20.93

 

CMYK 52 / 37 / 0 / 47

HEX #405586

RGB 64 85 134

HSL 222, 0.35%, 0.39%

LAB 36.57, 6.78, -29.91

 

CMYK 52 / 50 / 0 / 47

HEX #404386

RGB 64 67 134

HSL 237.43, 0.35%, 0.39%

LAB 31.41, 18.59, -38.11

 

CMYK 52 / 0 / 6 / 47

HEX #40867E

RGB 64 134 126

HSL 173.14, 0.35%, 0.39%

LAB 51.44, -24.09, -2.45

 

CMYK 68 / 0 / 8 / 41

HEX #30968A

RGB 48 150 138

HSL 172.94, 0.52%, 0.39%

LAB 56.36, -31.79, -2.19

 

CMYK 81 / 0 / 9 / 35

HEX #20A697

RGB 32 166 151

HSL 173.28, 0.68%, 0.39%

LAB 61.49, -37.53, -2.06

 

CMYK 91 / 0 / 10 / 29

HEX #10B6A3

RGB 16 182 163

HSL 173.13, 0.84%, 0.39%

LAB 66.68, -42.33, -1.16

 

CMYK 100 / 0 / 12 / 22

HEX #00C6AF

RGB 0 198 175

HSL 173.03, 1%, 0.39%

LAB 71.88, -46.38, -0.14

 

CMYK 52 / 0 / 6 / 47

HEX #40867E

RGB 64 134 126

HSL 173.14, 0.35%, 0.39%

LAB 51.44, -24.09, -2.45

 

CMYK 32 / 0 / 4 / 54

HEX #507671

RGB 80 118 113

HSL 172.11, 0.19%, 0.39%

LAB 46.78, -14.55, -1.54

 

CMYK 6 / 0 / 1 / 60

HEX #606665

RGB 96 102 101

HSL 170, 0.03%, 0.39%

LAB 42.66, -2.53, -0.24

 

CMYK 0 / 24 / 21 / 56

HEX #705559

RGB 112 85 89

HSL 351.11, 0.14%, 0.39%

LAB 39.01, 11.86, 2

 

CMYK 0 / 47 / 41 / 49

HEX #81454C

RGB 129 69 76

HSL 353, 0.3%, 0.39%

LAB 36.83, 26.47, 7.31

 

CMYK 52 / 0 / 34 / 47

HEX #408659

RGB 64 134 89

HSL 141.43, 0.35%, 0.39%

LAB 50.52, -32.86, 17.66

 

CMYK 52 / 0 / 20 / 47

HEX #40866B

RGB 64 134 107

HSL 156.86, 0.35%, 0.39%

LAB 50.92, -28.92, 7.87

 

CMYK 52 / 0 / 6 / 47

HEX #40867E

RGB 64 134 126

HSL 173.14, 0.35%, 0.39%

LAB 51.44, -24.09, -2.45

 

CMYK 52 / 8 / 0 / 47

HEX #407B86

RGB 64 123 134

HSL 189.43, 0.35%, 0.39%

LAB 48.23, -15.98, -11.92

 

CMYK 52 / 22 / 0 / 47

HEX #406986

RGB 64 105 134

HSL 204.86, 0.35%, 0.39%

LAB 42.63, -5.66, -20.46

 

CMYK 53 / 0 / 6 / 69

HEX #254E49

RGB 37 78 73

HSL 172.68, 0.36%, 0.23%

LAB 30.21, -15.8, -1.48

 

CMYK 52 / 0 / 6 / 58

HEX #336A64

RGB 51 106 100

HSL 173.45, 0.35%, 0.31%

LAB 41.11, -19.79, -2.23

 

CMYK 52 / 0 / 6 / 47

HEX #40867E

RGB 64 134 126

HSL 173.14, 0.35%, 0.39%

LAB 51.44, -24.09, -2.45

 

CMYK 52 / 0 / 6 / 36

HEX #4EA298

RGB 78 162 152

HSL 172.86, 0.35%, 0.47%

LAB 61.42, -27.97, -2.6

 

CMYK 44 / 0 / 5 / 29

HEX #64B4AB

RGB 100 180 171

HSL 173.25, 0.35%, 0.55%

LAB 68.24, -26.76, -3.07

 

CMYK 52 / 0 / 6 / 47

HEX #41877F

RGB 65 135 127

HSL 173.14, 0.35%, 0.39%

LAB 51.82, -24.09, -2.46

 

CMYK 48 / 52 / 0 / 47

HEX #464086

RGB 70 64 134

HSL 245.14, 0.35%, 0.39%

LAB 31.09, 22.03, -38.59

 

CMYK 0 / 27 / 52 / 47

HEX #866240

RGB 134 98 64

HSL 29.14, 0.35%, 0.39%

LAB 44.48, 10.25, 24.97

 

CMYK 52 / 0 / 6 / 47

HEX #41877F

RGB 65 135 127

HSL 173.14, 0.35%, 0.39%

LAB 51.82, -24.09, -2.46

 

CMYK 6 / 52 / 0 / 47

HEX #7E4086

RGB 126 64 134

HSL 293.14, 0.35%, 0.39%

LAB 37.52, 37.93, -27.98

 

CMYK 0 / 6 / 52 / 47

HEX #867E40

RGB 134 126 64

HSL 53.14, 0.35%, 0.39%

LAB 52.24, -5.86, 34.52

 

CMYK 52 / 0 / 6 / 47

HEX #41877F

RGB 65 135 127

HSL 173.14, 0.35%, 0.39%

LAB 51.82, -24.09, -2.46

 

CMYK 48 / 52 / 0 / 47

HEX #464086

RGB 70 64 134

HSL 245.14, 0.35%, 0.39%

LAB 31.09, 22.03, -38.59

 

CMYK 0 / 52 / 46 / 47

HEX #864048

RGB 134 64 72

HSL 353.14, 0.35%, 0.39%

LAB 36.37, 30.78, 9.31

 

CMYK 4 / 0 / 52 / 47

HEX #808640

RGB 128 134 64

HSL 65.14, 0.35%, 0.39%

LAB 54.04, -12.89, 36.53

 

CMYK 52 / 0 / 6 / 47

HEX #41877F

RGB 65 135 127

HSL 173.14, 0.35%, 0.39%

LAB 51.82, -24.09, -2.46

 

CMYK 32 / 52 / 0 / 47

HEX #5B4086

RGB 91 64 134

HSL 263.14, 0.35%, 0.39%

LAB 33.16, 27.63, -35.16

 

CMYK 0 / 52 / 46 / 47

HEX #864048

RGB 134 64 72

HSL 353.14, 0.35%, 0.39%

LAB 36.37, 30.78, 9.31

 

CMYK 20 / 0 / 52 / 47

HEX #6B8640

RGB 107 134 64

HSL 83.14, 0.35%, 0.39%

LAB 52.45, -21.79, 34.25

 

Description

Color code: RGB 65 135 127 | qconv.com Color code: RGB 65 135 127 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 135 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 135 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 6 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 6% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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