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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 65 121 80 it is the complementary color RGB 190 134 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 65 121 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 65 121 80 shade: RGB 70 121 75, RGB 87 139 94, RGB 104 157 113, RGB 121 175 132 and RGB 138 193 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 65 121 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 65 121 80 shade: RGB 65 121 80, RGB 48 103 61, RGB 31 85 42, RGB 14 67 23 and RGB 0 49 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 65 121 80 shade: RGB 64 119 79, RGB 64 119 64, RGB 79 119 64, RGB 94 119 64 and RGB 108 119 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 65 121 80 shade: RGB 64 119 79, RGB 64 119 93, RGB 64 119 108, RGB 64 115 119 and RGB 64 100 119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 65 121 80 shade matches the following richer shades: RGB 64 119 79, RGB 49 134 72, RGB 34 149 65, RGB 19 163 58 and RGB 4 178 51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 65 121 80 shade: RGB 64 119 79, RGB 79 104 85, RGB 93 89 92, RGB 108 74 99 and RGB 123 59 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 65 121 80 shade: RGB 78 119 64, RGB 64 119 64, RGB 64 119 78, RGB 64 119 93 and RGB 64 119 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 65 121 80 shade: RGB 35 65 43, RGB 49 92 61, RGB 64 119 79, RGB 78 146 96 and RGB 96 169 116

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 65 121 80 shade: RGB 65 121 80, RGB 64 93 119 and RGB 119 64 71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 65 121 80 shade: RGB 65 121 80, RGB 78 64 119 and RGB 119 78 64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 65 121 80 shade: RGB 65 121 80, RGB 64 93 119, RGB 119 64 104 and RGB 119 89 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 65 121 80 shade: RGB 65 121 80, RGB 64 77 119, RGB 119 64 104 and RGB 119 106 64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 34 / 53

HEX #417950

RGB 65 121 80

HSL 136.07, 0.3%, 0.36%

LAB 46.15, -28.23, 16.9

 

Complementary color

CMYK 0 / 29 / 8 / 25

HEX #BE86AF

RGB 190 134 175

HSL 316.07, 0.3%, 0.64%

LAB 62.59, 27.98, -13.02

 

CMYK 42 / 0 / 38 / 53

HEX #46794B

RGB 70 121 75

HSL 125.88, 0.27%, 0.37%

LAB 46.29, -27.57, 20

 

CMYK 37 / 0 / 32 / 45

HEX #578B5E

RGB 87 139 94

HSL 128.08, 0.23%, 0.44%

LAB 53.28, -27.3, 18.74

 

CMYK 34 / 0 / 28 / 38

HEX #689D71

RGB 104 157 113

HSL 130.19, 0.21%, 0.51%

LAB 60.11, -27.02, 17.57

 

CMYK 31 / 0 / 25 / 31

HEX #79AF84

RGB 121 175 132

HSL 132.22, 0.25%, 0.58%

LAB 66.82, -26.75, 16.5

 

CMYK 28 / 0 / 22 / 24

HEX #8AC197

RGB 138 193 151

HSL 134.18, 0.31%, 0.65%

LAB 73.4, -26.5, 15.51

 

CMYK 46 / 0 / 34 / 53

HEX #417950

RGB 65 121 80

HSL 136.07, 0.3%, 0.36%

LAB 46.15, -28.23, 16.9

 

CMYK 53 / 0 / 41 / 60

HEX #30673D

RGB 48 103 61

HSL 134.18, 0.36%, 0.3%

LAB 39.01, -28.42, 18.28

 

CMYK 64 / 0 / 51 / 67

HEX #1F552A

RGB 31 85 42

HSL 132.22, 0.47%, 0.23%

LAB 31.71, -28.42, 19.83

 

CMYK 79 / 0 / 66 / 74

HEX #0E4317

RGB 14 67 23

HSL 130.19, 0.65%, 0.16%

LAB 24.22, -27.86, 21.49

 

CMYK 100 / 0 / 92 / 81

HEX #003104

RGB 0 49 4

HSL 124.9, 1%, 0.1%

LAB 16.53, -26.43, 21.61

 

CMYK 46 / 0 / 34 / 53

HEX #40774F

RGB 64 119 79

HSL 136.36, 0.3%, 0.36%

LAB 45.43, -27.76, 16.49

 

CMYK 46 / 0 / 46 / 53

HEX #407740

RGB 64 119 64

HSL 120, 0.3%, 0.36%

LAB 45.16, -30.46, 24.67

 

CMYK 34 / 0 / 46 / 53

HEX #4F7740

RGB 79 119 64

HSL 103.64, 0.3%, 0.36%

LAB 45.94, -25.22, 25.83

 

CMYK 21 / 0 / 46 / 53

HEX #5E7740

RGB 94 119 64

HSL 87.27, 0.3%, 0.36%

LAB 46.9, -19.33, 27.24

 

CMYK 9 / 0 / 46 / 53

HEX #6C7740

RGB 108 119 64

HSL 72, 0.3%, 0.36%

LAB 47.95, -13.43, 28.78

 

CMYK 46 / 0 / 34 / 53

HEX #40774F

RGB 64 119 79

HSL 136.36, 0.3%, 0.36%

LAB 45.43, -27.76, 16.49

 

CMYK 46 / 0 / 22 / 53

HEX #40775D

RGB 64 119 93

HSL 151.64, 0.3%, 0.36%

LAB 45.74, -24.77, 8.72

 

CMYK 46 / 0 / 9 / 53

HEX #40776C

RGB 64 119 108

HSL 168, 0.3%, 0.36%

LAB 46.13, -21.1, 0.39

 

CMYK 46 / 3 / 0 / 53

HEX #407377

RGB 64 115 119

HSL 184.36, 0.3%, 0.36%

LAB 45.2, -15.95, -7.56

 

CMYK 46 / 16 / 0 / 53

HEX #406477

RGB 64 100 119

HSL 200.73, 0.3%, 0.36%

LAB 40.47, -7.35, -14.7

 

CMYK 46 / 0 / 34 / 53

HEX #40774F

RGB 64 119 79

HSL 136.36, 0.3%, 0.36%

LAB 45.43, -27.76, 16.49

 

CMYK 63 / 0 / 46 / 47

HEX #318648

RGB 49 134 72

HSL 136.24, 0.46%, 0.36%

LAB 49.7, -39.83, 25.96

 

CMYK 77 / 0 / 56 / 42

HEX #229541

RGB 34 149 65

HSL 136.17, 0.63%, 0.36%

LAB 54.26, -49.5, 35.19

 

CMYK 88 / 0 / 64 / 36

HEX #13A33A

RGB 19 163 58

HSL 136.25, 0.79%, 0.36%

LAB 58.64, -56.85, 43.55

 

CMYK 98 / 0 / 71 / 30

HEX #04B233

RGB 4 178 51

HSL 136.21, 0.96%, 0.36%

LAB 63.43, -63.06, 51.62

 

CMYK 46 / 0 / 34 / 53

HEX #40774F

RGB 64 119 79

HSL 136.36, 0.3%, 0.36%

LAB 45.43, -27.76, 16.49

 

CMYK 24 / 0 / 18 / 59

HEX #4F6855

RGB 79 104 85

HSL 134.4, 0.14%, 0.36%

LAB 41.56, -13.54, 7.72

 

CMYK 0 / 4 / 1 / 64

HEX #5D595C

RGB 93 89 92

HSL 315, 0.02%, 0.36%

LAB 38.28, 2.23, -1.16

 

CMYK 0 / 31 / 8 / 58

HEX #6C4A63

RGB 108 74 99

HSL 315.88, 0.19%, 0.36%

LAB 35.96, 18.85, -8.81

 

CMYK 0 / 52 / 14 / 52

HEX #7B3B6A

RGB 123 59 106

HSL 315.94, 0.35%, 0.36%

LAB 34.76, 34.34, -14.86

 

CMYK 34 / 0 / 46 / 53

HEX #4E7740

RGB 78 119 64

HSL 104.73, 0.3%, 0.36%

LAB 45.88, -25.59, 25.75

 

CMYK 46 / 0 / 46 / 53

HEX #407740

RGB 64 119 64

HSL 120, 0.3%, 0.36%

LAB 45.16, -30.46, 24.67

 

CMYK 46 / 0 / 34 / 53

HEX #40774E

RGB 64 119 78

HSL 135.27, 0.3%, 0.36%

LAB 45.41, -27.96, 17.04

 

CMYK 46 / 0 / 22 / 53

HEX #40775D

RGB 64 119 93

HSL 151.64, 0.3%, 0.36%

LAB 45.74, -24.77, 8.72

 

CMYK 46 / 0 / 9 / 53

HEX #40776C

RGB 64 119 108

HSL 168, 0.3%, 0.36%

LAB 46.13, -21.1, 0.39

 

CMYK 46 / 0 / 34 / 75

HEX #23412B

RGB 35 65 43

HSL 136, 0.3%, 0.2%

LAB 24.68, -16.98, 10.01

 

CMYK 47 / 0 / 34 / 64

HEX #315C3D

RGB 49 92 61

HSL 136.74, 0.3%, 0.28%

LAB 35.29, -22.7, 13.31

 

CMYK 46 / 0 / 34 / 53

HEX #40774F

RGB 64 119 79

HSL 136.36, 0.3%, 0.36%

LAB 45.43, -27.76, 16.49

 

CMYK 47 / 0 / 34 / 43

HEX #4E9260

RGB 78 146 96

HSL 135.88, 0.3%, 0.44%

LAB 55.09, -33.08, 20

 

CMYK 43 / 0 / 31 / 34

HEX #60A974

RGB 96 169 116

HSL 136.44, 0.3%, 0.52%

LAB 63.44, -34.68, 20.41

 

CMYK 46 / 0 / 34 / 53

HEX #417950

RGB 65 121 80

HSL 136.07, 0.3%, 0.36%

LAB 46.15, -28.23, 16.9

 

CMYK 46 / 22 / 0 / 53

HEX #405D77

RGB 64 93 119

HSL 208.36, 0.3%, 0.36%

LAB 38.29, -3.12, -18.04

 

CMYK 0 / 46 / 40 / 53

HEX #774047

RGB 119 64 71

HSL 352.36, 0.3%, 0.36%

LAB 34.07, 24.67, 6.38

 

CMYK 46 / 0 / 34 / 53

HEX #417950

RGB 65 121 80

HSL 136.07, 0.3%, 0.36%

LAB 46.15, -28.23, 16.9

 

CMYK 34 / 46 / 0 / 53

HEX #4E4077

RGB 78 64 119

HSL 255.27, 0.3%, 0.36%

LAB 30.92, 19.62, -29.46

 

CMYK 0 / 34 / 46 / 53

HEX #774E40

RGB 119 78 64

HSL 15.27, 0.3%, 0.36%

LAB 37.37, 15.49, 15.34

 

CMYK 46 / 0 / 34 / 53

HEX #417950

RGB 65 121 80

HSL 136.07, 0.3%, 0.36%

LAB 46.15, -28.23, 16.9

 

CMYK 46 / 22 / 0 / 53

HEX #405D77

RGB 64 93 119

HSL 208.36, 0.3%, 0.36%

LAB 38.29, -3.12, -18.04

 

CMYK 0 / 46 / 13 / 53

HEX #774068

RGB 119 64 104

HSL 316.36, 0.3%, 0.36%

LAB 35.18, 29.81, -13.01

 

CMYK 0 / 25 / 46 / 53

HEX #775940

RGB 119 89 64

HSL 27.27, 0.3%, 0.36%

LAB 40.31, 8.86, 19.24

 

CMYK 46 / 0 / 34 / 53

HEX #417950

RGB 65 121 80

HSL 136.07, 0.3%, 0.36%

LAB 46.15, -28.23, 16.9

 

CMYK 46 / 35 / 0 / 53

HEX #404D77

RGB 64 77 119

HSL 225.82, 0.3%, 0.36%

LAB 33.41, 7.03, -25.61

 

CMYK 0 / 46 / 13 / 53

HEX #774068

RGB 119 64 104

HSL 316.36, 0.3%, 0.36%

LAB 35.18, 29.81, -13.01

 

CMYK 0 / 11 / 46 / 53

HEX #776A40

RGB 119 106 64

HSL 45.82, 0.3%, 0.36%

LAB 45.08, -1.21, 25.39

 

Description

Color code: RGB 65 121 80 | qconv.com Color code: RGB 65 121 80 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 121 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 121 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 34 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 34% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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