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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 65 121 143 it is the complementary color RGB 190 134 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 65 121 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 65 121 143 shade: RGB 70 121 138, RGB 87 139 157, RGB 104 157 176, RGB 121 175 195 and RGB 138 193 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 65 121 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 65 121 143 shade: RGB 65 121 143, RGB 48 103 124, RGB 31 85 105, RGB 14 67 86 and RGB 0 49 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 65 121 143 shade: RGB 64 121 144, RGB 64 100 144, RGB 64 79 144, RGB 72 64 144 and RGB 93 64 144

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 65 121 143 shade: RGB 64 121 144, RGB 64 100 144, RGB 64 79 144 and RGB 64 64 144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 65 121 143 shade matches the following richer shades: RGB 64 121 144, RGB 47 129 161, RGB 30 136 178 and RGB 14 143 195

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 65 121 143 shade: RGB 64 121 144, RGB 81 114 127, RGB 98 107 110, RGB 115 99 93 and RGB 132 92 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 65 121 143 shade: RGB 64 144 123, RGB 64 144 144, RGB 64 123 144, RGB 64 101 144 and RGB 64 80 144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 65 121 143 shade: RGB 39 73 87, RGB 52 97 115, RGB 64 121 144, RGB 77 145 172 and RGB 104 163 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 65 121 143 shade: RGB 65 121 143, RGB 101 64 144 and RGB 144 133 64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 65 121 143 shade: RGB 65 121 143, RGB 144 64 123 and RGB 123 144 64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 65 121 143 shade: RGB 65 121 143, RGB 101 64 144, RGB 144 86 64 and RGB 107 144 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 65 121 143 shade: RGB 65 121 143, RGB 125 64 144, RGB 144 86 64 and RGB 83 144 64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 15 / 0 / 44

HEX #41798F

RGB 65 121 143

HSL 196.92, 0.38%, 0.41%

LAB 47.98, -11.89, -17.6

 

Complementary color

CMYK 0 / 29 / 41 / 25

HEX #BE8670

RGB 190 134 112

HSL 16.92, 0.38%, 0.59%

LAB 60.93, 18.71, 20.41

 

CMYK 49 / 12 / 0 / 46

HEX #46798A

RGB 70 121 138

HSL 195, 0.33%, 0.41%

LAB 48.02, -12.21, -14.57

 

CMYK 45 / 11 / 0 / 38

HEX #578B9D

RGB 87 139 157

HSL 195.43, 0.29%, 0.48%

LAB 55, -12.39, -15

 

CMYK 41 / 11 / 0 / 31

HEX #689DB0

RGB 104 157 176

HSL 195.83, 0.31%, 0.55%

LAB 61.82, -12.52, -15.41

 

CMYK 38 / 10 / 0 / 24

HEX #79AFC3

RGB 121 175 195

HSL 196.22, 0.38%, 0.62%

LAB 68.51, -12.6, -15.81

 

CMYK 36 / 10 / 0 / 16

HEX #8AC1D6

RGB 138 193 214

HSL 196.58, 0.48%, 0.69%

LAB 75.08, -12.67, -16.21

 

CMYK 55 / 15 / 0 / 44

HEX #41798F

RGB 65 121 143

HSL 196.92, 0.38%, 0.41%

LAB 47.98, -11.89, -17.6

 

CMYK 61 / 17 / 0 / 51

HEX #30677C

RGB 48 103 124

HSL 196.58, 0.44%, 0.34%

LAB 40.87, -11.42, -17.19

 

CMYK 70 / 19 / 0 / 59

HEX #1F5569

RGB 31 85 105

HSL 196.22, 0.54%, 0.27%

LAB 33.58, -10.68, -16.74

 

CMYK 84 / 22 / 0 / 66

HEX #0E4356

RGB 14 67 86

HSL 195.83, 0.72%, 0.2%

LAB 26.1, -9.47, -16.19

 

CMYK 100 / 27 / 0 / 74

HEX #003143

RGB 0 49 67

HSL 196.12, 1%, 0.13%

LAB 18.37, -7.6, -15.56

 

CMYK 56 / 16 / 0 / 44

HEX #407990

RGB 64 121 144

HSL 197.25, 0.38%, 0.41%

LAB 47.98, -11.81, -18.2

 

CMYK 56 / 31 / 0 / 44

HEX #406490

RGB 64 100 144

HSL 213, 0.38%, 0.41%

LAB 41.56, 0.66, -28.13

 

CMYK 56 / 45 / 0 / 44

HEX #404F90

RGB 64 79 144

HSL 228.75, 0.38%, 0.41%

LAB 35.39, 14.09, -37.88

 

CMYK 50 / 56 / 0 / 44

HEX #484090

RGB 72 64 144

HSL 246, 0.38%, 0.41%

LAB 31.94, 25.73, -43.38

 

CMYK 35 / 56 / 0 / 44

HEX #5D4090

RGB 93 64 144

HSL 261.75, 0.38%, 0.41%

LAB 34, 30.94, -39.96

 

CMYK 56 / 16 / 0 / 44

HEX #407990

RGB 64 121 144

HSL 197.25, 0.38%, 0.41%

LAB 47.98, -11.81, -18.2

 

CMYK 56 / 31 / 0 / 44

HEX #406490

RGB 64 100 144

HSL 213, 0.38%, 0.41%

LAB 41.56, 0.66, -28.13

 

CMYK 56 / 45 / 0 / 44

HEX #404F90

RGB 64 79 144

HSL 228.75, 0.38%, 0.41%

LAB 35.39, 14.09, -37.88

 

CMYK 56 / 56 / 0 / 44

HEX #404090

RGB 64 64 144

HSL 240, 0.38%, 0.41%

LAB 31.28, 23.96, -44.47

 

CMYK 56 / 16 / 0 / 44

HEX #407990

RGB 64 121 144

HSL 197.25, 0.38%, 0.41%

LAB 47.98, -11.81, -18.2

 

CMYK 71 / 20 / 0 / 37

HEX #2F81A1

RGB 47 129 161

HSL 196.84, 0.55%, 0.41%

LAB 50.54, -13.92, -24.26

 

CMYK 83 / 24 / 0 / 30

HEX #1E88B2

RGB 30 136 178

HSL 197.03, 0.71%, 0.41%

LAB 53.06, -13.89, -30.21

 

CMYK 93 / 27 / 0 / 24

HEX #0E8FC3

RGB 14 143 195

HSL 197.24, 0.87%, 0.41%

LAB 55.76, -12.66, -35.7

 

CMYK 56 / 16 / 0 / 44

HEX #407990

RGB 64 121 144

HSL 197.25, 0.38%, 0.41%

LAB 47.98, -11.81, -18.2

 

CMYK 36 / 10 / 0 / 50

HEX #51727F

RGB 81 114 127

HSL 196.96, 0.22%, 0.41%

LAB 46.06, -8.32, -10.95

 

CMYK 11 / 3 / 0 / 57

HEX #626B6E

RGB 98 107 110

HSL 195, 0.06%, 0.41%

LAB 44.57, -2.75, -2.86

 

CMYK 0 / 14 / 19 / 55

HEX #73635D

RGB 115 99 93

HSL 16.36, 0.11%, 0.41%

LAB 43.3, 5.33, 5.76

 

CMYK 0 / 30 / 42 / 48

HEX #845C4C

RGB 132 92 76

HSL 17.14, 0.27%, 0.41%

LAB 42.89, 14.25, 15.75

 

CMYK 56 / 0 / 15 / 44

HEX #40907B

RGB 64 144 123

HSL 164.25, 0.38%, 0.41%

LAB 54.52, -29.84, 3.78

 

CMYK 56 / 0 / 0 / 44

HEX #409090

RGB 64 144 144

HSL 180, 0.38%, 0.41%

LAB 55.12, -24.19, -7.42

 

CMYK 56 / 15 / 0 / 44

HEX #407B90

RGB 64 123 144

HSL 195.75, 0.38%, 0.41%

LAB 48.6, -12.93, -17.26

 

CMYK 56 / 30 / 0 / 44

HEX #406590

RGB 64 101 144

HSL 212.25, 0.38%, 0.41%

LAB 41.86, 0.04, -27.66

 

CMYK 56 / 44 / 0 / 44

HEX #405090

RGB 64 80 144

HSL 228, 0.38%, 0.41%

LAB 35.68, 13.43, -37.42

 

CMYK 55 / 16 / 0 / 66

HEX #274957

RGB 39 73 87

HSL 197.5, 0.38%, 0.25%

LAB 29.12, -7.89, -12.12

 

CMYK 55 / 16 / 0 / 55

HEX #346173

RGB 52 97 115

HSL 197.14, 0.38%, 0.33%

LAB 38.76, -9.94, -14.92

 

CMYK 56 / 16 / 0 / 44

HEX #407990

RGB 64 121 144

HSL 197.25, 0.38%, 0.41%

LAB 47.98, -11.81, -18.2

 

CMYK 55 / 16 / 0 / 33

HEX #4D91AC

RGB 77 145 172

HSL 197.05, 0.38%, 0.49%

LAB 56.89, -13.67, -20.76

 

CMYK 44 / 13 / 0 / 27

HEX #68A3BB

RGB 104 163 187

HSL 197.35, 0.38%, 0.57%

LAB 63.94, -12.76, -18.37

 

CMYK 55 / 15 / 0 / 44

HEX #41798F

RGB 65 121 143

HSL 196.92, 0.38%, 0.41%

LAB 47.98, -11.89, -17.6

 

CMYK 30 / 56 / 0 / 44

HEX #654090

RGB 101 64 144

HSL 267.75, 0.38%, 0.41%

LAB 34.9, 33.07, -38.47

 

CMYK 0 / 8 / 56 / 44

HEX #908540

RGB 144 133 64

HSL 51.75, 0.38%, 0.41%

LAB 55.15, -5.3, 38.19

 

CMYK 55 / 15 / 0 / 44

HEX #41798F

RGB 65 121 143

HSL 196.92, 0.38%, 0.41%

LAB 47.98, -11.89, -17.6

 

CMYK 0 / 56 / 15 / 44

HEX #90407B

RGB 144 64 123

HSL 315.75, 0.38%, 0.41%

LAB 39.62, 41.46, -17.74

 

CMYK 15 / 0 / 56 / 44

HEX #7B9040

RGB 123 144 64

HSL 75.75, 0.38%, 0.41%

LAB 56.61, -20.29, 39.45

 

CMYK 55 / 15 / 0 / 44

HEX #41798F

RGB 65 121 143

HSL 196.92, 0.38%, 0.41%

LAB 47.98, -11.89, -17.6

 

CMYK 30 / 56 / 0 / 44

HEX #654090

RGB 101 64 144

HSL 267.75, 0.38%, 0.41%

LAB 34.9, 33.07, -38.47

 

CMYK 0 / 40 / 56 / 44

HEX #905640

RGB 144 86 64

HSL 16.5, 0.38%, 0.41%

LAB 42.7, 21.66, 22.95

 

CMYK 26 / 0 / 56 / 44

HEX #6B9040

RGB 107 144 64

HSL 87.75, 0.38%, 0.41%

LAB 55.53, -26.8, 37.9

 

CMYK 55 / 15 / 0 / 44

HEX #41798F

RGB 65 121 143

HSL 196.92, 0.38%, 0.41%

LAB 47.98, -11.89, -17.6

 

CMYK 13 / 56 / 0 / 44

HEX #7D4090

RGB 125 64 144

HSL 285.75, 0.38%, 0.41%

LAB 37.91, 39.75, -33.49

 

CMYK 0 / 40 / 56 / 44

HEX #905640

RGB 144 86 64

HSL 16.5, 0.38%, 0.41%

LAB 42.7, 21.66, 22.95

 

CMYK 42 / 0 / 56 / 44

HEX #539040

RGB 83 144 64

HSL 105.75, 0.38%, 0.41%

LAB 54.19, -35.59, 36

 

Description

Color code: RGB 65 121 143 | qconv.com Color code: RGB 65 121 143 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 121 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 121 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 15 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 15% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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