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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 174 118 it is the complementary color RGB 191 81 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 174 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 64 174 118 shade: RGB 69 174 113, RGB 86 192 132, RGB 103 210 151, RGB 120 228 170 and RGB 137 246 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 174 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 64 174 118 shade: RGB 64 174 118, RGB 47 156 99, RGB 30 138 80, RGB 13 120 61 and RGB 0 102 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 64 174 118 shade: RGB 64 174 118, RGB 64 174 89, RGB 70 174 64, RGB 99 174 64 and RGB 129 174 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 64 174 118 shade: RGB 64 174 118, RGB 64 174 148, RGB 64 171 174, RGB 64 141 174 and RGB 64 112 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 64 174 118 shade matches the following richer shades: RGB 64 174 118, RGB 45 194 118, RGB 25 213 118 and RGB 6 233 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 64 174 118 shade: RGB 64 174 118, RGB 84 155 119, RGB 103 136 119, RGB 122 116 119 and RGB 142 97 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 64 174 118 shade: RGB 70 174 64, RGB 64 174 88, RGB 64 174 118, RGB 64 174 147 and RGB 64 173 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 64 174 118 shade: RGB 42 114 77, RGB 53 144 98, RGB 64 174 118, RGB 87 193 139 and RGB 117 204 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 64 174 118 shade: RGB 64 174 118, RGB 64 99 174 and RGB 174 73 64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 64 174 118 shade: RGB 64 174 118, RGB 118 64 174 and RGB 174 118 64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 64 174 118 shade: RGB 64 174 118, RGB 64 99 174, RGB 174 64 121 and RGB 174 140 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 64 174 118 shade: RGB 64 174 118, RGB 64 66 174, RGB 174 64 121 and RGB 174 173 64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 32 / 32

HEX #40AE76

RGB 64 174 118

HSL 149.45, 0.46%, 0.47%

LAB 63.89, -44.41, 19.74

 

Complementary color

CMYK 0 / 58 / 28 / 25

HEX #BF5189

RGB 191 81 137

HSL 329.45, 0.46%, 0.53%

LAB 50.41, 50.12, -9.2

 

CMYK 60 / 0 / 35 / 32

HEX #45AE71

RGB 69 174 113

HSL 145.14, 0.43%, 0.48%

LAB 63.94, -44.38, 22.54

 

CMYK 55 / 0 / 31 / 25

HEX #56C084

RGB 86 192 132

HSL 146.04, 0.46%, 0.55%

LAB 70.42, -44.4, 21.22

 

CMYK 51 / 0 / 28 / 18

HEX #67D297

RGB 103 210 151

HSL 146.92, 0.54%, 0.61%

LAB 76.81, -44.31, 20

 

CMYK 47 / 0 / 25 / 11

HEX #78E4AA

RGB 120 228 170

HSL 147.78, 0.67%, 0.68%

LAB 83.12, -44.15, 18.87

 

CMYK 44 / 0 / 23 / 4

HEX #89F6BD

RGB 137 246 189

HSL 148.62, 0.86%, 0.75%

LAB 89.35, -43.95, 17.81

 

CMYK 63 / 0 / 32 / 32

HEX #40AE76

RGB 64 174 118

HSL 149.45, 0.46%, 0.47%

LAB 63.89, -44.41, 19.74

 

CMYK 70 / 0 / 37 / 39

HEX #2F9C63

RGB 47 156 99

HSL 148.62, 0.54%, 0.4%

LAB 57.35, -44.09, 21.19

 

CMYK 78 / 0 / 42 / 46

HEX #1E8A50

RGB 30 138 80

HSL 147.78, 0.64%, 0.33%

LAB 50.72, -43.42, 22.81

 

CMYK 89 / 0 / 49 / 53

HEX #0D783D

RGB 13 120 61

HSL 146.92, 0.8%, 0.26%

LAB 44.02, -42.15, 24.6

 

CMYK 100 / 0 / 59 / 60

HEX #00662A

RGB 0 102 42

HSL 144.71, 1%, 0.2%

LAB 37.24, -40.06, 26.53

 

CMYK 63 / 0 / 32 / 32

HEX #40AE76

RGB 64 174 118

HSL 149.45, 0.46%, 0.47%

LAB 63.89, -44.41, 19.74

 

CMYK 63 / 0 / 49 / 32

HEX #40AE59

RGB 64 174 89

HSL 133.64, 0.46%, 0.47%

LAB 63.41, -49.66, 34.46

 

CMYK 60 / 0 / 63 / 32

HEX #46AE40

RGB 70 174 64

HSL 116.73, 0.46%, 0.47%

LAB 63.3, -51.58, 46.37

 

CMYK 43 / 0 / 63 / 32

HEX #63AE40

RGB 99 174 64

HSL 100.91, 0.46%, 0.47%

LAB 64.4, -43.29, 47.91

 

CMYK 26 / 0 / 63 / 32

HEX #81AE40

RGB 129 174 64

HSL 84.55, 0.46%, 0.47%

LAB 65.99, -32.55, 50.11

 

CMYK 63 / 0 / 32 / 32

HEX #40AE76

RGB 64 174 118

HSL 149.45, 0.46%, 0.47%

LAB 63.89, -44.41, 19.74

 

CMYK 63 / 0 / 15 / 32

HEX #40AE94

RGB 64 174 148

HSL 165.82, 0.46%, 0.47%

LAB 64.56, -37.52, 4.17

 

CMYK 63 / 2 / 0 / 32

HEX #40ABAE

RGB 64 171 174

HSL 181.64, 0.46%, 0.47%

LAB 64.38, -29.05, -10.59

 

CMYK 63 / 19 / 0 / 32

HEX #408DAE

RGB 64 141 174

HSL 198, 0.46%, 0.47%

LAB 55.27, -13.43, -24.42

 

CMYK 63 / 36 / 0 / 32

HEX #4070AE

RGB 64 112 174

HSL 213.82, 0.46%, 0.47%

LAB 46.62, 3.52, -37.92

 

CMYK 63 / 0 / 32 / 32

HEX #40AE76

RGB 64 174 118

HSL 149.45, 0.46%, 0.47%

LAB 63.89, -44.41, 19.74

 

CMYK 77 / 0 / 39 / 24

HEX #2DC276

RGB 45 194 118

HSL 149.4, 0.62%, 0.47%

LAB 69.79, -55.32, 27.6

 

CMYK 88 / 0 / 45 / 16

HEX #19D576

RGB 25 213 118

HSL 149.68, 0.79%, 0.47%

LAB 75.52, -63.9, 35.04

 

CMYK 97 / 0 / 50 / 9

HEX #06E975

RGB 6 233 117

HSL 149.34, 0.95%, 0.47%

LAB 81.62, -71.41, 43.25

 

CMYK 63 / 0 / 32 / 32

HEX #40AE76

RGB 64 174 118

HSL 149.45, 0.46%, 0.47%

LAB 63.89, -44.41, 19.74

 

CMYK 46 / 0 / 23 / 39

HEX #549B77

RGB 84 155 119

HSL 149.58, 0.3%, 0.47%

LAB 58.66, -30.96, 12.05

 

CMYK 24 / 0 / 13 / 47

HEX #678877

RGB 103 136 119

HSL 149.09, 0.14%, 0.47%

LAB 53.84, -15.36, 5.36

 

CMYK 0 / 5 / 2 / 52

HEX #7A7477

RGB 122 116 119

HSL 330, 0.03%, 0.47%

LAB 49.45, 2.89, -0.83

 

CMYK 0 / 32 / 15 / 44

HEX #8E6178

RGB 142 97 120

HSL 329.33, 0.19%, 0.47%

LAB 46.52, 21.94, -5.51

 

CMYK 60 / 0 / 63 / 32

HEX #46AE40

RGB 70 174 64

HSL 116.73, 0.46%, 0.47%

LAB 63.3, -51.58, 46.37

 

CMYK 63 / 0 / 49 / 32

HEX #40AE58

RGB 64 174 88

HSL 133.09, 0.46%, 0.47%

LAB 63.4, -49.82, 34.95

 

CMYK 63 / 0 / 32 / 32

HEX #40AE76

RGB 64 174 118

HSL 149.45, 0.46%, 0.47%

LAB 63.89, -44.41, 19.74

 

CMYK 63 / 0 / 16 / 32

HEX #40AE93

RGB 64 174 147

HSL 165.27, 0.46%, 0.47%

LAB 64.54, -37.77, 4.68

 

CMYK 63 / 1 / 0 / 32

HEX #40ADAE

RGB 64 173 174

HSL 180.55, 0.46%, 0.47%

LAB 64.99, -30.03, -9.68

 

CMYK 63 / 0 / 32 / 55

HEX #2A724D

RGB 42 114 77

HSL 149.17, 0.46%, 0.31%

LAB 42.86, -31.76, 14.02

 

CMYK 63 / 0 / 32 / 44

HEX #359062

RGB 53 144 98

HSL 149.67, 0.46%, 0.39%

LAB 53.58, -38.12, 16.67

 

CMYK 63 / 0 / 32 / 32

HEX #40AE76

RGB 64 174 118

HSL 149.45, 0.46%, 0.47%

LAB 63.89, -44.41, 19.74

 

CMYK 55 / 0 / 28 / 24

HEX #57C18B

RGB 87 193 139

HSL 149.43, 0.46%, 0.55%

LAB 70.89, -43.19, 18.13

 

CMYK 43 / 0 / 22 / 20

HEX #75CCA0

RGB 117 204 160

HSL 149.66, 0.46%, 0.63%

LAB 75.76, -36.22, 13.85

 

CMYK 63 / 0 / 32 / 32

HEX #40AE76

RGB 64 174 118

HSL 149.45, 0.46%, 0.47%

LAB 63.89, -44.41, 19.74

 

CMYK 63 / 43 / 0 / 32

HEX #4063AE

RGB 64 99 174

HSL 220.91, 0.46%, 0.47%

LAB 42.87, 11.67, -43.88

 

CMYK 0 / 58 / 63 / 32

HEX #AE4940

RGB 174 73 64

HSL 4.91, 0.46%, 0.47%

LAB 44.42, 40.68, 26.08

 

CMYK 63 / 0 / 32 / 32

HEX #40AE76

RGB 64 174 118

HSL 149.45, 0.46%, 0.47%

LAB 63.89, -44.41, 19.74

 

CMYK 32 / 63 / 0 / 32

HEX #7640AE

RGB 118 64 174

HSL 269.45, 0.46%, 0.47%

LAB 38.85, 44.97, -50.07

 

CMYK 0 / 32 / 63 / 32

HEX #AE7640

RGB 174 118 64

HSL 29.45, 0.46%, 0.47%

LAB 54.37, 16.43, 38.09

 

CMYK 63 / 0 / 32 / 32

HEX #40AE76

RGB 64 174 118

HSL 149.45, 0.46%, 0.47%

LAB 63.89, -44.41, 19.74

 

CMYK 63 / 43 / 0 / 32

HEX #4063AE

RGB 64 99 174

HSL 220.91, 0.46%, 0.47%

LAB 42.87, 11.67, -43.88

 

CMYK 0 / 63 / 30 / 32

HEX #AE4079

RGB 174 64 121

HSL 328.91, 0.46%, 0.47%

LAB 44.3, 50.49, -8.97

 

CMYK 0 / 20 / 63 / 32

HEX #AE8C40

RGB 174 140 64

HSL 41.45, 0.46%, 0.47%

LAB 60, 4.14, 44.51

 

CMYK 63 / 0 / 32 / 32

HEX #40AE76

RGB 64 174 118

HSL 149.45, 0.46%, 0.47%

LAB 63.89, -44.41, 19.74

 

CMYK 63 / 62 / 0 / 32

HEX #4042AE

RGB 64 66 174

HSL 238.91, 0.46%, 0.47%

LAB 34.07, 32.92, -58.07

 

CMYK 0 / 63 / 30 / 32

HEX #AE4079

RGB 174 64 121

HSL 328.91, 0.46%, 0.47%

LAB 44.3, 50.49, -8.97

 

CMYK 0 / 1 / 63 / 32

HEX #AEAD40

RGB 174 173 64

HSL 59.45, 0.46%, 0.47%

LAB 68.94, -13.53, 54.23

 

Description

Color code: RGB 64 174 118 | qconv.com Color code: RGB 64 174 118 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 174 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 174 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 32 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 32% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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