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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 158 85 it is the complementary color RGB 191 97 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 158 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 64 158 85 shade: RGB 69 158 80, RGB 86 176 99, RGB 103 194 118, RGB 120 212 137 and RGB 137 230 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 158 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 64 158 85 shade: RGB 64 158 85, RGB 47 140 66, RGB 30 122 47, RGB 13 104 28 and RGB 0 86 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 64 158 85 shade: RGB 65 159 86, RGB 69 159 65, RGB 94 159 65, RGB 120 159 65 and RGB 145 159 65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 64 158 85 shade: RGB 65 159 86, RGB 65 159 111, RGB 65 159 136, RGB 65 156 159 and RGB 65 130 159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 64 158 85 shade matches the following richer shades: RGB 65 159 86, RGB 46 177 76, RGB 28 195 66 and RGB 10 213 55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 64 158 85 shade: RGB 65 159 86, RGB 83 141 96, RGB 101 123 106, RGB 119 104 116 and RGB 137 86 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 64 158 85 shade: RGB 94 159 65, RGB 69 159 65, RGB 65 159 85, RGB 65 159 110 and RGB 65 159 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 64 158 85 shade: RGB 41 100 54, RGB 53 130 70, RGB 65 159 86, RGB 81 184 104 and RGB 110 196 129

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 64 158 85 shade: RGB 64 158 85, RGB 65 120 159 and RGB 159 65 82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 64 158 85 shade: RGB 64 158 85, RGB 85 65 159 and RGB 159 85 65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 64 158 85 shade: RGB 64 158 85, RGB 65 120 159, RGB 159 65 138 and RGB 159 104 65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 64 158 85 shade: RGB 64 158 85, RGB 65 91 159, RGB 159 65 138 and RGB 159 132 65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 46 / 38

HEX #409E55

RGB 64 158 85

HSL 133.4, 0.42%, 0.44%

LAB 58.23, -43.97, 29.98

 

Complementary color

CMYK 0 / 49 / 11 / 25

HEX #BF61AA

RGB 191 97 170

HSL 313.4, 0.42%, 0.56%

LAB 54.58, 47.24, -22.3

 

CMYK 56 / 0 / 49 / 38

HEX #459E50

RGB 69 158 80

HSL 127.42, 0.39%, 0.45%

LAB 58.32, -43.52, 32.74

 

CMYK 51 / 0 / 44 / 31

HEX #56B063

RGB 86 176 99

HSL 128.67, 0.36%, 0.51%

LAB 64.91, -43.54, 31.35

 

CMYK 47 / 0 / 39 / 24

HEX #67C276

RGB 103 194 118

HSL 129.89, 0.43%, 0.58%

LAB 71.4, -43.43, 30.03

 

CMYK 43 / 0 / 35 / 17

HEX #78D489

RGB 120 212 137

HSL 131.09, 0.52%, 0.65%

LAB 77.81, -43.24, 28.78

 

CMYK 40 / 0 / 32 / 10

HEX #89E69C

RGB 137 230 156

HSL 132.26, 0.65%, 0.72%

LAB 84.13, -43.01, 27.61

 

CMYK 59 / 0 / 46 / 38

HEX #409E55

RGB 64 158 85

HSL 133.4, 0.42%, 0.44%

LAB 58.23, -43.97, 29.98

 

CMYK 66 / 0 / 53 / 45

HEX #2F8C42

RGB 47 140 66

HSL 132.26, 0.5%, 0.37%

LAB 51.56, -43.66, 31.48

 

CMYK 75 / 0 / 61 / 52

HEX #1E7A2F

RGB 30 122 47

HSL 131.09, 0.61%, 0.3%

LAB 44.8, -42.88, 32.99

 

CMYK 88 / 0 / 73 / 59

HEX #0D681C

RGB 13 104 28

HSL 129.89, 0.78%, 0.23%

LAB 37.97, -41.29, 34.29

 

CMYK 100 / 0 / 90 / 66

HEX #005609

RGB 0 86 9

HSL 126.28, 1%, 0.17%

LAB 31.06, -38.45, 34.63

 

CMYK 59 / 0 / 46 / 38

HEX #419F56

RGB 65 159 86

HSL 133.4, 0.42%, 0.44%

LAB 58.59, -43.98, 29.93

 

CMYK 57 / 0 / 59 / 38

HEX #459F41

RGB 69 159 65

HSL 117.45, 0.42%, 0.44%

LAB 58.46, -45.97, 40.38

 

CMYK 41 / 0 / 59 / 38

HEX #5E9F41

RGB 94 159 65

HSL 101.49, 0.42%, 0.44%

LAB 59.49, -38.41, 41.84

 

CMYK 25 / 0 / 59 / 38

HEX #789F41

RGB 120 159 65

HSL 84.89, 0.42%, 0.44%

LAB 60.93, -28.86, 43.88

 

CMYK 9 / 0 / 59 / 38

HEX #919F41

RGB 145 159 65

HSL 68.94, 0.42%, 0.44%

LAB 62.67, -18.63, 46.31

 

CMYK 59 / 0 / 46 / 38

HEX #419F56

RGB 65 159 86

HSL 133.4, 0.42%, 0.44%

LAB 58.59, -43.98, 29.93

 

CMYK 59 / 0 / 30 / 38

HEX #419F6F

RGB 65 159 111

HSL 149.36, 0.42%, 0.44%

LAB 59.04, -39.27, 16.94

 

CMYK 59 / 0 / 14 / 38

HEX #419F88

RGB 65 159 136

HSL 165.32, 0.42%, 0.44%

LAB 59.61, -33.46, 3.74

 

CMYK 59 / 2 / 0 / 38

HEX #419C9F

RGB 65 156 159

HSL 181.91, 0.42%, 0.44%

LAB 59.35, -25.76, -9.68

 

CMYK 59 / 18 / 0 / 38

HEX #41829F

RGB 65 130 159

HSL 198.51, 0.42%, 0.44%

LAB 51.37, -11.93, -21.77

 

CMYK 59 / 0 / 46 / 38

HEX #419F56

RGB 65 159 86

HSL 133.4, 0.42%, 0.44%

LAB 58.59, -43.98, 29.93

 

CMYK 74 / 0 / 57 / 31

HEX #2EB14C

RGB 46 177 76

HSL 133.74, 0.59%, 0.44%

LAB 63.79, -55.99, 41.25

 

CMYK 86 / 0 / 66 / 24

HEX #1CC342

RGB 28 195 66

HSL 133.65, 0.75%, 0.44%

LAB 69.23, -65.23, 51.86

 

CMYK 95 / 0 / 74 / 16

HEX #0AD537

RGB 10 213 55

HSL 133.3, 0.91%, 0.44%

LAB 74.78, -72.61, 61.79

 

CMYK 59 / 0 / 46 / 38

HEX #419F56

RGB 65 159 86

HSL 133.4, 0.42%, 0.44%

LAB 58.59, -43.98, 29.93

 

CMYK 41 / 0 / 32 / 45

HEX #538D60

RGB 83 141 96

HSL 133.45, 0.26%, 0.44%

LAB 53.74, -29.2, 18.21

 

CMYK 18 / 0 / 14 / 52

HEX #657B6A

RGB 101 123 106

HSL 133.64, 0.1%, 0.44%

LAB 49.46, -11.66, 6.65

 

CMYK 0 / 13 / 3 / 53

HEX #776874

RGB 119 104 116

HSL 312, 0.07%, 0.44%

LAB 45.75, 8.24, -4.52

 

CMYK 0 / 37 / 8 / 46

HEX #89567E

RGB 137 86 126

HSL 312.94, 0.23%, 0.44%

LAB 43.48, 27.59, -13.78

 

CMYK 41 / 0 / 59 / 38

HEX #5E9F41

RGB 94 159 65

HSL 101.49, 0.42%, 0.44%

LAB 59.49, -38.41, 41.84

 

CMYK 57 / 0 / 59 / 38

HEX #459F41

RGB 69 159 65

HSL 117.45, 0.42%, 0.44%

LAB 58.46, -45.97, 40.38

 

CMYK 59 / 0 / 47 / 38

HEX #419F55

RGB 65 159 85

HSL 132.77, 0.42%, 0.44%

LAB 58.58, -44.14, 30.43

 

CMYK 59 / 0 / 31 / 38

HEX #419F6E

RGB 65 159 110

HSL 148.72, 0.42%, 0.44%

LAB 59.02, -39.48, 17.47

 

CMYK 59 / 0 / 15 / 38

HEX #419F87

RGB 65 159 135

HSL 164.68, 0.42%, 0.44%

LAB 59.59, -33.71, 4.27

 

CMYK 59 / 0 / 46 / 61

HEX #296436

RGB 41 100 54

HSL 133.22, 0.42%, 0.28%

LAB 37.58, -30.33, 20.43

 

CMYK 59 / 0 / 46 / 49

HEX #358246

RGB 53 130 70

HSL 133.25, 0.42%, 0.36%

LAB 48.47, -37.53, 25.5

 

CMYK 59 / 0 / 46 / 38

HEX #419F56

RGB 65 159 86

HSL 133.4, 0.42%, 0.44%

LAB 58.59, -43.98, 29.93

 

CMYK 56 / 0 / 43 / 28

HEX #51B868

RGB 81 184 104

HSL 133.4, 0.42%, 0.52%

LAB 67.3, -47.32, 31.8

 

CMYK 44 / 0 / 34 / 23

HEX #6EC481

RGB 110 196 129

HSL 133.26, 0.42%, 0.6%

LAB 72.48, -40.45, 25.76

 

CMYK 59 / 0 / 46 / 38

HEX #409E55

RGB 64 158 85

HSL 133.4, 0.42%, 0.44%

LAB 58.23, -43.97, 29.98

 

CMYK 59 / 25 / 0 / 38

HEX #41789F

RGB 65 120 159

HSL 204.89, 0.42%, 0.44%

LAB 48.34, -6.18, -26.46

 

CMYK 0 / 59 / 48 / 38

HEX #9F4152

RGB 159 65 82

HSL 349.15, 0.42%, 0.44%

LAB 40.83, 40.62, 9.85

 

CMYK 59 / 0 / 46 / 38

HEX #409E55

RGB 64 158 85

HSL 133.4, 0.42%, 0.44%

LAB 58.23, -43.97, 29.98

 

CMYK 47 / 59 / 0 / 38

HEX #55419F

RGB 85 65 159

HSL 252.77, 0.42%, 0.44%

LAB 34.43, 32.74, -48.42

 

CMYK 0 / 47 / 59 / 38

HEX #9F5541

RGB 159 85 65

HSL 12.77, 0.42%, 0.44%

LAB 44.59, 28.61, 25.21

 

CMYK 59 / 0 / 46 / 38

HEX #409E55

RGB 64 158 85

HSL 133.4, 0.42%, 0.44%

LAB 58.23, -43.97, 29.98

 

CMYK 59 / 25 / 0 / 38

HEX #41789F

RGB 65 120 159

HSL 204.89, 0.42%, 0.44%

LAB 48.34, -6.18, -26.46

 

CMYK 0 / 59 / 13 / 38

HEX #9F418A

RGB 159 65 138

HSL 313.4, 0.42%, 0.44%

LAB 42.74, 47.99, -21.93

 

CMYK 0 / 35 / 59 / 38

HEX #9F6841

RGB 159 104 65

HSL 24.89, 0.42%, 0.44%

LAB 49.07, 17.91, 30.78

 

CMYK 59 / 0 / 46 / 38

HEX #409E55

RGB 64 158 85

HSL 133.4, 0.42%, 0.44%

LAB 58.23, -43.97, 29.98

 

CMYK 59 / 43 / 0 / 38

HEX #415B9F

RGB 65 91 159

HSL 223.4, 0.42%, 0.44%

LAB 39.76, 11.71, -39.94

 

CMYK 0 / 59 / 13 / 38

HEX #9F418A

RGB 159 65 138

HSL 313.4, 0.42%, 0.44%

LAB 42.74, 47.99, -21.93

 

CMYK 0 / 17 / 59 / 38

HEX #9F8441

RGB 159 132 65

HSL 42.77, 0.42%, 0.44%

LAB 56.34, 2.01, 39.44

 

Description

Color code: RGB 64 158 85 | qconv.com Color code: RGB 64 158 85 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 158 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 158 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 46 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 46% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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