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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 155 113 it is the complementary color RGB 191 100 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 155 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 64 155 113 shade: RGB 69 155 108, RGB 86 173 127, RGB 103 191 146, RGB 120 209 165 and RGB 137 227 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 155 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 64 155 113 shade: RGB 64 155 113, RGB 47 137 94, RGB 30 119 75, RGB 13 101 56 and RGB 0 83 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 64 155 113 shade: RGB 63 155 113, RGB 63 155 88, RGB 63 155 63, RGB 88 155 63 and RGB 113 155 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 64 155 113 shade: RGB 63 155 113, RGB 63 155 138, RGB 63 148 155, RGB 63 123 155 and RGB 63 98 155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 64 155 113 shade matches the following richer shades: RGB 63 155 113, RGB 45 173 114, RGB 28 191 115 and RGB 10 208 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 64 155 113 shade: RGB 63 155 113, RGB 81 137 111, RGB 99 120 110, RGB 116 102 109 and RGB 134 84 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 64 155 113 shade: RGB 63 155 63, RGB 63 155 88, RGB 63 155 112, RGB 63 155 137 and RGB 63 149 155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 64 155 113 shade: RGB 39 97 70, RGB 51 126 91, RGB 63 155 113, RGB 77 182 134 and RGB 107 194 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 64 155 113 shade: RGB 64 155 113, RGB 63 88 155 and RGB 155 75 63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 64 155 113 shade: RGB 64 155 113, RGB 112 63 155 and RGB 155 112 63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 64 155 113 shade: RGB 64 155 113, RGB 63 88 155, RGB 155 63 106 and RGB 155 131 63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 64 155 113 shade: RGB 64 155 113, RGB 66 63 155, RGB 155 63 106 and RGB 152 155 63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 27 / 39

HEX #409B71

RGB 64 155 113

HSL 152.31, 0.42%, 0.43%

LAB 57.78, -37.3, 14.08

 

Complementary color

CMYK 0 / 48 / 26 / 25

HEX #BF648E

RGB 191 100 142

HSL 332.31, 0.42%, 0.57%

LAB 54.18, 41.4, -6.54

 

CMYK 55 / 0 / 30 / 39

HEX #459B6C

RGB 69 155 108

HSL 147.21, 0.38%, 0.44%

LAB 57.84, -37.2, 16.98

 

CMYK 50 / 0 / 27 / 32

HEX #56AD7F

RGB 86 173 127

HSL 148.28, 0.35%, 0.51%

LAB 64.48, -37.09, 15.75

 

CMYK 46 / 0 / 24 / 25

HEX #67BF92

RGB 103 191 146

HSL 149.32, 0.41%, 0.58%

LAB 71.02, -36.9, 14.63

 

CMYK 43 / 0 / 21 / 18

HEX #78D1A5

RGB 120 209 165

HSL 150.34, 0.49%, 0.65%

LAB 77.47, -36.68, 13.59

 

CMYK 40 / 0 / 19 / 11

HEX #89E3B8

RGB 137 227 184

HSL 151.33, 0.62%, 0.71%

LAB 83.82, -36.45, 12.63

 

CMYK 59 / 0 / 27 / 39

HEX #409B71

RGB 64 155 113

HSL 152.31, 0.42%, 0.43%

LAB 57.78, -37.3, 14.08

 

CMYK 66 / 0 / 31 / 46

HEX #2F895E

RGB 47 137 94

HSL 151.33, 0.49%, 0.36%

LAB 51.04, -37.18, 15.43

 

CMYK 75 / 0 / 37 / 53

HEX #1E774B

RGB 30 119 75

HSL 150.34, 0.6%, 0.29%

LAB 44.2, -36.75, 16.96

 

CMYK 87 / 0 / 45 / 60

HEX #0D6538

RGB 13 101 56

HSL 149.32, 0.77%, 0.22%

LAB 37.26, -35.78, 18.72

 

CMYK 100 / 0 / 55 / 67

HEX #005325

RGB 0 83 37

HSL 146.75, 1%, 0.16%

LAB 30.21, -33.98, 20.71

 

CMYK 59 / 0 / 27 / 39

HEX #3F9B71

RGB 63 155 113

HSL 152.61, 0.42%, 0.43%

LAB 57.74, -37.52, 14.03

 

CMYK 59 / 0 / 43 / 39

HEX #3F9B58

RGB 63 155 88

HSL 136.3, 0.42%, 0.43%

LAB 57.27, -42.47, 27.15

 

CMYK 59 / 0 / 59 / 39

HEX #3F9B3F

RGB 63 155 63

HSL 120, 0.42%, 0.43%

LAB 56.94, -46.19, 39.52

 

CMYK 43 / 0 / 59 / 39

HEX #589B3F

RGB 88 155 63

HSL 103.7, 0.42%, 0.43%

LAB 57.92, -38.89, 40.91

 

CMYK 27 / 0 / 59 / 39

HEX #719B3F

RGB 113 155 63

HSL 87.39, 0.42%, 0.43%

LAB 59.26, -29.87, 42.8

 

CMYK 59 / 0 / 27 / 39

HEX #3F9B71

RGB 63 155 113

HSL 152.61, 0.42%, 0.43%

LAB 57.74, -37.52, 14.03

 

CMYK 59 / 0 / 11 / 39

HEX #3F9B8A

RGB 63 155 138

HSL 168.91, 0.42%, 0.43%

LAB 58.35, -31.46, 0.77

 

CMYK 59 / 5 / 0 / 39

HEX #3F949B

RGB 63 148 155

HSL 184.57, 0.42%, 0.43%

LAB 56.69, -23.25, -11.4

 

CMYK 59 / 21 / 0 / 39

HEX #3F7B9B

RGB 63 123 155

HSL 200.87, 0.42%, 0.43%

LAB 48.99, -9.65, -23.11

 

CMYK 59 / 37 / 0 / 39

HEX #3F629B

RGB 63 98 155

HSL 217.17, 0.42%, 0.43%

LAB 41.47, 5.43, -34.86

 

CMYK 59 / 0 / 27 / 39

HEX #3F9B71

RGB 63 155 113

HSL 152.61, 0.42%, 0.43%

LAB 57.74, -37.52, 14.03

 

CMYK 74 / 0 / 34 / 32

HEX #2DAD72

RGB 45 173 114

HSL 152.34, 0.59%, 0.43%

LAB 63.06, -48.1, 20.71

 

CMYK 85 / 0 / 40 / 25

HEX #1CBF73

RGB 28 191 115

HSL 152.02, 0.74%, 0.43%

LAB 68.57, -56.57, 27.51

 

CMYK 95 / 0 / 44 / 18

HEX #0AD075

RGB 10 208 117

HSL 152.42, 0.91%, 0.43%

LAB 73.84, -63.13, 33.37

 

CMYK 59 / 0 / 27 / 39

HEX #3F9B71

RGB 63 155 113

HSL 152.61, 0.42%, 0.43%

LAB 57.74, -37.52, 14.03

 

CMYK 41 / 0 / 19 / 46

HEX #51896F

RGB 81 137 111

HSL 152.14, 0.26%, 0.43%

LAB 52.72, -24.75, 8.21

 

CMYK 18 / 0 / 8 / 53

HEX #63786E

RGB 99 120 110

HSL 151.43, 0.1%, 0.43%

LAB 48.53, -9.88, 2.93

 

CMYK 0 / 12 / 6 / 55

HEX #74666D

RGB 116 102 109

HSL 330, 0.06%, 0.43%

LAB 44.69, 6.89, -1.9

 

CMYK 0 / 37 / 20 / 47

HEX #86546B

RGB 134 84 107

HSL 332.4, 0.23%, 0.43%

LAB 41.95, 24.28, -4.49

 

CMYK 59 / 0 / 59 / 39

HEX #3F9B3F

RGB 63 155 63

HSL 120, 0.42%, 0.43%

LAB 56.94, -46.19, 39.52

 

CMYK 59 / 0 / 43 / 39

HEX #3F9B58

RGB 63 155 88

HSL 136.3, 0.42%, 0.43%

LAB 57.27, -42.47, 27.15

 

CMYK 59 / 0 / 28 / 39

HEX #3F9B70

RGB 63 155 112

HSL 151.96, 0.42%, 0.43%

LAB 57.72, -37.74, 14.56

 

CMYK 59 / 0 / 12 / 39

HEX #3F9B89

RGB 63 155 137

HSL 168.26, 0.42%, 0.43%

LAB 58.33, -31.72, 1.3

 

CMYK 59 / 4 / 0 / 39

HEX #3F959B

RGB 63 149 155

HSL 183.91, 0.42%, 0.43%

LAB 57, -23.76, -10.93

 

CMYK 60 / 0 / 28 / 62

HEX #276146

RGB 39 97 70

HSL 152.07, 0.43%, 0.27%

LAB 36.79, -26.07, 9.82

 

CMYK 60 / 0 / 28 / 51

HEX #337E5B

RGB 51 126 91

HSL 152, 0.42%, 0.35%

LAB 47.47, -32.04, 12.24

 

CMYK 59 / 0 / 27 / 39

HEX #3F9B71

RGB 63 155 113

HSL 152.61, 0.42%, 0.43%

LAB 57.74, -37.52, 14.03

 

CMYK 58 / 0 / 26 / 29

HEX #4DB686

RGB 77 182 134

HSL 152.57, 0.42%, 0.51%

LAB 67.09, -41.73, 15.51

 

CMYK 45 / 0 / 21 / 24

HEX #6BC29A

RGB 107 194 154

HSL 152.41, 0.42%, 0.59%

LAB 72.26, -35.55, 12.06

 

CMYK 59 / 0 / 27 / 39

HEX #409B71

RGB 64 155 113

HSL 152.31, 0.42%, 0.43%

LAB 57.78, -37.3, 14.08

 

CMYK 59 / 43 / 0 / 39

HEX #3F589B

RGB 63 88 155

HSL 223.7, 0.42%, 0.43%

LAB 38.56, 11.83, -39.48

 

CMYK 0 / 52 / 59 / 39

HEX #9B4B3F

RGB 155 75 63

HSL 7.83, 0.42%, 0.43%

LAB 41.78, 32.27, 22.7

 

CMYK 59 / 0 / 27 / 39

HEX #409B71

RGB 64 155 113

HSL 152.31, 0.42%, 0.43%

LAB 57.78, -37.3, 14.08

 

CMYK 28 / 59 / 0 / 39

HEX #703F9B

RGB 112 63 155

HSL 271.96, 0.42%, 0.43%

LAB 36.68, 39.33, -42.23

 

CMYK 0 / 28 / 59 / 39

HEX #9B703F

RGB 155 112 63

HSL 31.96, 0.42%, 0.43%

LAB 50.59, 11.41, 33.6

 

CMYK 59 / 0 / 27 / 39

HEX #409B71

RGB 64 155 113

HSL 152.31, 0.42%, 0.43%

LAB 57.78, -37.3, 14.08

 

CMYK 59 / 43 / 0 / 39

HEX #3F589B

RGB 63 88 155

HSL 223.7, 0.42%, 0.43%

LAB 38.56, 11.83, -39.48

 

CMYK 0 / 59 / 32 / 39

HEX #9B3F6A

RGB 155 63 106

HSL 331.96, 0.42%, 0.43%

LAB 40.51, 42.98, -5.68

 

CMYK 0 / 15 / 59 / 39

HEX #9B833F

RGB 155 131 63

HSL 44.35, 0.42%, 0.43%

LAB 55.64, 0.63, 39.54

 

CMYK 59 / 0 / 27 / 39

HEX #409B71

RGB 64 155 113

HSL 152.31, 0.42%, 0.43%

LAB 57.78, -37.3, 14.08

 

CMYK 57 / 59 / 0 / 39

HEX #423F9B

RGB 66 63 155

HSL 241.96, 0.42%, 0.43%

LAB 31.99, 28.73, -50.03

 

CMYK 0 / 59 / 32 / 39

HEX #9B3F6A

RGB 155 63 106

HSL 331.96, 0.42%, 0.43%

LAB 40.51, 42.98, -5.68

 

CMYK 2 / 0 / 59 / 39

HEX #989B3F

RGB 152 155 63

HSL 61.96, 0.42%, 0.43%

LAB 62.06, -13.72, 46.71

 

Description

Color code: RGB 64 155 113 | qconv.com Color code: RGB 64 155 113 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 155 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 155 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 27 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 27% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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