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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 151 232 it is the complementary color RGB 191 104 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 151 232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 64 151 232 shade: RGB 69 151 227, RGB 86 169 246, RGB 103 187 255, RGB 120 205 255 and RGB 137 223 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 151 232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 64 151 232 shade: RGB 64 151 232, RGB 47 133 213, RGB 30 115 194, RGB 13 97 175 and RGB 0 79 156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 64 151 232 shade: RGB 63 150 232, RGB 63 105 232, RGB 66 63 232, RGB 112 63 232 and RGB 158 63 232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 64 151 232 shade: RGB 63 150 232, RGB 63 105 232 and RGB 63 63 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 64 151 232 shade matches the following richer shades: RGB 63 150 232 and RGB 45 151 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 64 151 232 shade: RGB 63 150 232, RGB 80 150 215, RGB 97 149 197, RGB 115 149 180 and RGB 132 148 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 64 151 232 shade: RGB 63 232 221, RGB 63 198 232, RGB 63 153 232, RGB 63 108 232 and RGB 63 63 232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 64 151 232 shade: RGB 22 109 190, RGB 26 130 227, RGB 63 150 232, RGB 100 170 236 and RGB 137 191 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 64 151 232 shade: RGB 64 151 232, RGB 176 63 232 and RGB 221 232 63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 64 151 232 shade: RGB 64 151 232, RGB 232 63 153 and RGB 153 232 63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 64 151 232 shade: RGB 64 151 232, RGB 176 63 232, RGB 232 142 63 and RGB 119 232 63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 64 151 232 shade: RGB 64 151 232, RGB 226 63 232, RGB 232 142 63 and RGB 68 232 63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 35 / 0 / 9

HEX #4097E8

RGB 64 151 232

HSL 208.93, 0.79%, 0.58%

LAB 60.83, 0.54, -48.38

 

Complementary color

CMYK 0 / 46 / 88 / 25

HEX #BF6817

RGB 191 104 23

HSL 28.93, 0.79%, 0.42%

LAB 52.99, 29.64, 55.54

 

CMYK 70 / 33 / 0 / 11

HEX #4597E3

RGB 69 151 227

HSL 208.86, 0.74%, 0.58%

LAB 60.73, -0.5, -45.75

 

CMYK 65 / 31 / 0 / 4

HEX #56A9F6

RGB 86 169 246

HSL 208.88, 0.9%, 0.65%

LAB 67.28, -1.76, -45.83

 

CMYK 60 / 27 / 0 / 0

HEX #67BBFF

RGB 103 187 255

HSL 206.84, 1%, 0.7%

LAB 73.31, -5.92, -41.21

 

CMYK 53 / 20 / 0 / 0

HEX #78CDFF

RGB 120 205 255

HSL 202.22, 1%, 0.74%

LAB 78.97, -12.21, -32.39

 

CMYK 46 / 13 / 0 / 0

HEX #89DFFF

RGB 137 223 255

HSL 196.27, 1%, 0.77%

LAB 84.65, -17.78, -23.65

 

CMYK 72 / 35 / 0 / 9

HEX #4097E8

RGB 64 151 232

HSL 208.93, 0.79%, 0.58%

LAB 60.83, 0.54, -48.38

 

CMYK 78 / 38 / 0 / 16

HEX #2F85D5

RGB 47 133 213

HSL 208.92, 0.66%, 0.51%

LAB 54.22, 2.3, -48.27

 

CMYK 85 / 41 / 0 / 24

HEX #1E73C2

RGB 30 115 194

HSL 208.9, 0.73%, 0.44%

LAB 47.54, 4.51, -48.12

 

CMYK 93 / 45 / 0 / 31

HEX #0D61AF

RGB 13 97 175

HSL 208.89, 0.86%, 0.37%

LAB 40.78, 7.31, -47.89

 

CMYK 100 / 49 / 0 / 39

HEX #004F9C

RGB 0 79 156

HSL 209.62, 1%, 0.31%

LAB 33.97, 10.79, -47.55

 

CMYK 73 / 35 / 0 / 9

HEX #3F96E8

RGB 63 150 232

HSL 209.11, 0.79%, 0.58%

LAB 60.51, 0.99, -48.88

 

CMYK 73 / 55 / 0 / 9

HEX #3F69E8

RGB 63 105 232

HSL 225.09, 0.79%, 0.58%

LAB 48.24, 28.53, -68.56

 

CMYK 72 / 73 / 0 / 9

HEX #423FE8

RGB 66 63 232

HSL 241.07, 0.79%, 0.58%

LAB 38.79, 54.05, -84.02

 

CMYK 52 / 73 / 0 / 9

HEX #703FE8

RGB 112 63 232

HSL 257.4, 0.79%, 0.58%

LAB 42.5, 59.54, -77.79

 

CMYK 32 / 73 / 0 / 9

HEX #9E3FE8

RGB 158 63 232

HSL 273.73, 0.79%, 0.58%

LAB 47.82, 67.03, -68.89

 

CMYK 73 / 35 / 0 / 9

HEX #3F96E8

RGB 63 150 232

HSL 209.11, 0.79%, 0.58%

LAB 60.51, 0.99, -48.88

 

CMYK 73 / 55 / 0 / 9

HEX #3F69E8

RGB 63 105 232

HSL 225.09, 0.79%, 0.58%

LAB 48.24, 28.53, -68.56

 

CMYK 73 / 73 / 0 / 9

HEX #3F3FE8

RGB 63 63 232

HSL 240, 0.79%, 0.58%

LAB 38.62, 53.79, -84.32

 

CMYK 73 / 35 / 0 / 9

HEX #3F96E8

RGB 63 150 232

HSL 209.11, 0.79%, 0.58%

LAB 60.51, 0.99, -48.88

 

CMYK 82 / 39 / 0 / 2

HEX #2D97F9

RGB 45 151 249

HSL 208.82, 0.94%, 0.58%

LAB 61.25, 4.6, -57.1

 

CMYK 73 / 35 / 0 / 9

HEX #3F96E8

RGB 63 150 232

HSL 209.11, 0.79%, 0.58%

LAB 60.51, 0.99, -48.88

 

CMYK 63 / 30 / 0 / 16

HEX #5096D7

RGB 80 150 215

HSL 208.89, 0.63%, 0.58%

LAB 60.27, -2.19, -39.77

 

CMYK 51 / 24 / 0 / 23

HEX #6195C5

RGB 97 149 197

HSL 208.8, 0.46%, 0.58%

LAB 59.95, -3.82, -30.13

 

CMYK 36 / 17 / 0 / 29

HEX #7395B4

RGB 115 149 180

HSL 208.62, 0.3%, 0.58%

LAB 60.28, -3.98, -19.95

 

CMYK 19 / 9 / 0 / 36

HEX #8494A3

RGB 132 148 163

HSL 209.03, 0.14%, 0.58%

LAB 60.54, -2.39, -9.81

 

CMYK 73 / 0 / 5 / 9

HEX #3FE8DD

RGB 63 232 221

HSL 176.09, 0.79%, 0.58%

LAB 83.96, -44.2, -6.94

 

CMYK 73 / 15 / 0 / 9

HEX #3FC6E8

RGB 63 198 232

HSL 192.07, 0.79%, 0.58%

LAB 74.36, -25.04, -27.29

 

CMYK 73 / 34 / 0 / 9

HEX #3F99E8

RGB 63 153 232

HSL 208.05, 0.79%, 0.58%

LAB 61.36, -0.75, -47.53

 

CMYK 73 / 53 / 0 / 9

HEX #3F6CE8

RGB 63 108 232

HSL 224.02, 0.79%, 0.58%

LAB 49.02, 26.65, -67.3

 

CMYK 73 / 73 / 0 / 9

HEX #3F3FE8

RGB 63 63 232

HSL 240, 0.79%, 0.58%

LAB 38.62, 53.79, -84.32

 

CMYK 88 / 43 / 0 / 25

HEX #166DBE

RGB 22 109 190

HSL 208.93, 0.79%, 0.42%

LAB 45.39, 6.13, -49.25

 

CMYK 89 / 43 / 0 / 11

HEX #1A82E3

RGB 26 130 227

HSL 208.96, 0.79%, 0.5%

LAB 53.74, 7.66, -56.93

 

CMYK 73 / 35 / 0 / 9

HEX #3F96E8

RGB 63 150 232

HSL 209.11, 0.79%, 0.58%

LAB 60.51, 0.99, -48.88

 

CMYK 58 / 28 / 0 / 7

HEX #64AAEC

RGB 100 170 236

HSL 209.12, 0.78%, 0.66%

LAB 67.66, -3.01, -39.74

 

CMYK 43 / 21 / 0 / 5

HEX #89BFF1

RGB 137 191 241

HSL 208.85, 0.79%, 0.74%

LAB 75.41, -4.81, -30.31

 

CMYK 72 / 35 / 0 / 9

HEX #4097E8

RGB 64 151 232

HSL 208.93, 0.79%, 0.58%

LAB 60.83, 0.54, -48.38

 

CMYK 24 / 73 / 0 / 9

HEX #B03FE8

RGB 176 63 232

HSL 280.12, 0.79%, 0.58%

LAB 50.23, 70.32, -64.87

 

CMYK 5 / 0 / 73 / 9

HEX #DDE83F

RGB 221 232 63

HSL 63.91, 0.79%, 0.58%

LAB 88.66, -23.22, 75.48

 

CMYK 72 / 35 / 0 / 9

HEX #4097E8

RGB 64 151 232

HSL 208.93, 0.79%, 0.58%

LAB 60.83, 0.54, -48.38

 

CMYK 0 / 73 / 34 / 9

HEX #E83F99

RGB 232 63 153

HSL 328.05, 0.79%, 0.58%

LAB 55.08, 70.8, -11

 

CMYK 34 / 0 / 73 / 9

HEX #99E83F

RGB 153 232 63

HSL 88.05, 0.79%, 0.58%

LAB 84.4, -49.26, 69.91

 

CMYK 72 / 35 / 0 / 9

HEX #4097E8

RGB 64 151 232

HSL 208.93, 0.79%, 0.58%

LAB 60.83, 0.54, -48.38

 

CMYK 24 / 73 / 0 / 9

HEX #B03FE8

RGB 176 63 232

HSL 280.12, 0.79%, 0.58%

LAB 50.23, 70.32, -64.87

 

CMYK 0 / 39 / 73 / 9

HEX #E88E3F

RGB 232 142 63

HSL 28.05, 0.79%, 0.58%

LAB 67.17, 27.84, 54.68

 

CMYK 49 / 0 / 73 / 9

HEX #77E83F

RGB 119 232 63

HSL 100.12, 0.79%, 0.58%

LAB 82.91, -60.07, 67.94

 

CMYK 72 / 35 / 0 / 9

HEX #4097E8

RGB 64 151 232

HSL 208.93, 0.79%, 0.58%

LAB 60.83, 0.54, -48.38

 

CMYK 3 / 73 / 0 / 9

HEX #E23FE8

RGB 226 63 232

HSL 297.87, 0.79%, 0.58%

LAB 57.61, 80.09, -52.62

 

CMYK 0 / 39 / 73 / 9

HEX #E88E3F

RGB 232 142 63

HSL 28.05, 0.79%, 0.58%

LAB 67.17, 27.84, 54.68

 

CMYK 71 / 0 / 73 / 9

HEX #44E83F

RGB 68 232 63

HSL 118.22, 0.79%, 0.58%

LAB 81.46, -71.74, 66

 

Description

Color code: RGB 64 151 232 | qconv.com Color code: RGB 64 151 232 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 151 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 151 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 35 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 35% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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