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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 147 236 it is the complementary color RGB 191 108 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 147 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 64 147 236 shade: RGB 69 147 231, RGB 86 165 250, RGB 103 183 255, RGB 120 201 255 and RGB 137 219 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 147 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 64 147 236 shade: RGB 64 147 236, RGB 47 129 217, RGB 30 111 198, RGB 13 93 179 and RGB 0 75 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 64 147 236 shade: RGB 64 147 236, RGB 64 101 236, RGB 74 64 236, RGB 120 64 236 and RGB 166 64 236

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 64 147 236 shade: RGB 64 147 236, RGB 64 101 236 and RGB 64 64 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 64 147 236 shade matches the following richer shades: RGB 64 147 236 and RGB 47 146 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 64 147 236 shade: RGB 64 147 236, RGB 81 148 219, RGB 98 148 202, RGB 115 149 185 and RGB 132 149 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 64 147 236 shade: RGB 64 236 233, RGB 64 193 236, RGB 64 147 236, RGB 64 101 236 and RGB 73 64 236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 64 147 236 shade: RGB 19 106 198, RGB 27 126 232, RGB 64 147 236, RGB 102 168 239 and RGB 139 189 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 64 147 236 shade: RGB 64 147 236, RGB 187 64 236 and RGB 216 236 64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 64 147 236 shade: RGB 64 147 236, RGB 236 64 147 and RGB 147 236 64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 64 147 236 shade: RGB 64 147 236, RGB 187 64 236, RGB 236 153 64 and RGB 113 236 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 64 147 236 shade: RGB 64 147 236, RGB 236 64 233, RGB 236 153 64 and RGB 64 236 67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 38 / 0 / 7

HEX #4093EC

RGB 64 147 236

HSL 211.05, 0.82%, 0.59%

LAB 59.9, 4.29, -52.06

 

Complementary color

CMYK 0 / 43 / 90 / 25

HEX #BF6C13

RGB 191 108 19

HSL 31.05, 0.82%, 0.41%

LAB 53.87, 27.4, 57.4

 

CMYK 70 / 36 / 0 / 9

HEX #4593E7

RGB 69 147 231

HSL 211.11, 0.77%, 0.59%

LAB 59.8, 3.22, -49.44

 

CMYK 66 / 34 / 0 / 2

HEX #56A5FA

RGB 86 165 250

HSL 211.1, 0.94%, 0.66%

LAB 66.36, 1.83, -49.47

 

CMYK 60 / 28 / 0 / 0

HEX #67B7FF

RGB 103 183 255

HSL 208.42, 1%, 0.7%

LAB 72.21, -3.72, -42.94

 

CMYK 53 / 21 / 0 / 0

HEX #78C9FF

RGB 120 201 255

HSL 204, 1%, 0.74%

LAB 77.87, -10.1, -34.09

 

CMYK 46 / 14 / 0 / 0

HEX #89DBFF

RGB 137 219 255

HSL 198.31, 1%, 0.77%

LAB 83.55, -15.74, -25.31

 

CMYK 73 / 38 / 0 / 7

HEX #4093EC

RGB 64 147 236

HSL 211.05, 0.82%, 0.59%

LAB 59.9, 4.29, -52.06

 

CMYK 78 / 41 / 0 / 15

HEX #2F81D9

RGB 47 129 217

HSL 211.06, 0.69%, 0.52%

LAB 53.29, 6.2, -52.01

 

CMYK 85 / 44 / 0 / 22

HEX #1E6FC6

RGB 30 111 198

HSL 211.07, 0.74%, 0.45%

LAB 46.61, 8.57, -51.91

 

CMYK 93 / 48 / 0 / 30

HEX #0D5DB3

RGB 13 93 179

HSL 211.08, 0.86%, 0.38%

LAB 39.86, 11.54, -51.73

 

CMYK 100 / 53 / 0 / 37

HEX #004BA0

RGB 0 75 160

HSL 211.88, 1%, 0.31%

LAB 33.07, 15.21, -51.41

 

CMYK 73 / 38 / 0 / 7

HEX #4093EC

RGB 64 147 236

HSL 211.05, 0.82%, 0.59%

LAB 59.9, 4.29, -52.06

 

CMYK 73 / 57 / 0 / 7

HEX #4065EC

RGB 64 101 236

HSL 227.09, 0.82%, 0.59%

LAB 47.56, 32.59, -71.91

 

CMYK 69 / 73 / 0 / 7

HEX #4A40EC

RGB 74 64 236

HSL 243.49, 0.82%, 0.59%

LAB 39.88, 55.53, -84.48

 

CMYK 49 / 73 / 0 / 7

HEX #7840EC

RGB 120 64 236

HSL 259.53, 0.82%, 0.59%

LAB 43.82, 61.3, -77.85

 

CMYK 30 / 73 / 0 / 7

HEX #A640EC

RGB 166 64 236

HSL 275.58, 0.82%, 0.59%

LAB 49.29, 68.93, -68.71

 

CMYK 73 / 38 / 0 / 7

HEX #4093EC

RGB 64 147 236

HSL 211.05, 0.82%, 0.59%

LAB 59.9, 4.29, -52.06

 

CMYK 73 / 57 / 0 / 7

HEX #4065EC

RGB 64 101 236

HSL 227.09, 0.82%, 0.59%

LAB 47.56, 32.59, -71.91

 

CMYK 73 / 73 / 0 / 7

HEX #4040EC

RGB 64 64 236

HSL 240, 0.82%, 0.59%

LAB 39.26, 54.6, -85.52

 

CMYK 73 / 38 / 0 / 7

HEX #4093EC

RGB 64 147 236

HSL 211.05, 0.82%, 0.59%

LAB 59.9, 4.29, -52.06

 

CMYK 81 / 42 / 0 / 1

HEX #2F92FD

RGB 47 146 253

HSL 211.17, 0.98%, 0.59%

LAB 60.12, 9.21, -61.1

 

CMYK 73 / 38 / 0 / 7

HEX #4093EC

RGB 64 147 236

HSL 211.05, 0.82%, 0.59%

LAB 59.9, 4.29, -52.06

 

CMYK 63 / 32 / 0 / 14

HEX #5194DB

RGB 81 148 219

HSL 210.87, 0.66%, 0.59%

LAB 59.93, 0.47, -42.54

 

CMYK 51 / 27 / 0 / 21

HEX #6294CA

RGB 98 148 202

HSL 211.15, 0.5%, 0.59%

LAB 59.93, -1.5, -32.97

 

CMYK 38 / 19 / 0 / 27

HEX #7395B9

RGB 115 149 185

HSL 210.86, 0.33%, 0.59%

LAB 60.46, -2.64, -22.49

 

CMYK 21 / 11 / 0 / 34

HEX #8495A8

RGB 132 149 168

HSL 211.67, 0.17%, 0.59%

LAB 60.98, -1.8, -11.99

 

CMYK 73 / 0 / 1 / 7

HEX #40ECE9

RGB 64 236 233

HSL 178.95, 0.82%, 0.59%

LAB 85.49, -42.56, -11

 

CMYK 73 / 18 / 0 / 7

HEX #40C1EC

RGB 64 193 236

HSL 195, 0.82%, 0.59%

LAB 73.08, -21.12, -31.42

 

CMYK 73 / 38 / 0 / 7

HEX #4093EC

RGB 64 147 236

HSL 211.05, 0.82%, 0.59%

LAB 59.9, 4.29, -52.06

 

CMYK 73 / 57 / 0 / 7

HEX #4065EC

RGB 64 101 236

HSL 227.09, 0.82%, 0.59%

LAB 47.56, 32.59, -71.91

 

CMYK 69 / 73 / 0 / 7

HEX #4940EC

RGB 73 64 236

HSL 243.14, 0.82%, 0.59%

LAB 39.81, 55.43, -84.59

 

CMYK 90 / 46 / 0 / 22

HEX #136AC6

RGB 19 106 198

HSL 210.84, 0.82%, 0.43%

LAB 44.97, 11.03, -54.54

 

CMYK 88 / 46 / 0 / 9

HEX #1B7EE8

RGB 27 126 232

HSL 211.02, 0.82%, 0.51%

LAB 52.93, 12.1, -61.03

 

CMYK 73 / 38 / 0 / 7

HEX #4093EC

RGB 64 147 236

HSL 211.05, 0.82%, 0.59%

LAB 59.9, 4.29, -52.06

 

CMYK 57 / 30 / 0 / 6

HEX #66A8EF

RGB 102 168 239

HSL 211.09, 0.81%, 0.67%

LAB 67.32, -0.56, -41.9

 

CMYK 43 / 22 / 0 / 5

HEX #8BBDF3

RGB 139 189 243

HSL 211.15, 0.81%, 0.75%

LAB 75.05, -2.69, -31.93

 

CMYK 73 / 38 / 0 / 7

HEX #4093EC

RGB 64 147 236

HSL 211.05, 0.82%, 0.59%

LAB 59.9, 4.29, -52.06

 

CMYK 21 / 73 / 0 / 7

HEX #BB40EC

RGB 187 64 236

HSL 282.91, 0.82%, 0.59%

LAB 52.16, 72.82, -63.92

 

CMYK 8 / 0 / 73 / 7

HEX #D8EC40

RGB 216 236 64

HSL 66.98, 0.82%, 0.59%

LAB 89.37, -27.1, 75.71

 

CMYK 73 / 38 / 0 / 7

HEX #4093EC

RGB 64 147 236

HSL 211.05, 0.82%, 0.59%

LAB 59.9, 4.29, -52.06

 

CMYK 0 / 73 / 38 / 7

HEX #EC4093

RGB 236 64 147

HSL 331.05, 0.82%, 0.59%

LAB 55.69, 70.89, -6.48

 

CMYK 38 / 0 / 73 / 7

HEX #93EC40

RGB 147 236 64

HSL 91.05, 0.82%, 0.59%

LAB 85.28, -52.87, 70.34

 

CMYK 73 / 38 / 0 / 7

HEX #4093EC

RGB 64 147 236

HSL 211.05, 0.82%, 0.59%

LAB 59.9, 4.29, -52.06

 

CMYK 21 / 73 / 0 / 7

HEX #BB40EC

RGB 187 64 236

HSL 282.91, 0.82%, 0.59%

LAB 52.16, 72.82, -63.92

 

CMYK 0 / 35 / 73 / 7

HEX #EC9940

RGB 236 153 64

HSL 31.05, 0.82%, 0.59%

LAB 70.17, 23.73, 57.46

 

CMYK 52 / 0 / 73 / 7

HEX #71EC40

RGB 113 236 64

HSL 102.91, 0.82%, 0.59%

LAB 83.9, -63.13, 68.51

 

CMYK 73 / 38 / 0 / 7

HEX #4093EC

RGB 64 147 236

HSL 211.05, 0.82%, 0.59%

LAB 59.9, 4.29, -52.06

 

CMYK 0 / 73 / 1 / 7

HEX #EC40E9

RGB 236 64 233

HSL 301.05, 0.82%, 0.59%

LAB 59.33, 81.97, -50.36

 

CMYK 0 / 35 / 73 / 7

HEX #EC9940

RGB 236 153 64

HSL 31.05, 0.82%, 0.59%

LAB 70.17, 23.73, 57.46

 

CMYK 73 / 0 / 72 / 7

HEX #40EC43

RGB 64 236 67

HSL 121.05, 0.82%, 0.59%

LAB 82.64, -73.31, 65.79

 

Description

Color code: RGB 64 147 236 | qconv.com Color code: RGB 64 147 236 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 147 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 147 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 38 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 38% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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