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Color name
RGB 64 131 200

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 131 200 it is the complementary color RGB 191 124 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 131 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 64 131 200 shade: RGB 69 131 195, RGB 86 149 214, RGB 103 167 233, RGB 120 185 252 and RGB 137 203 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 131 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 64 131 200 shade: RGB 64 131 200, RGB 47 113 181, RGB 30 95 162, RGB 13 77 143 and RGB 0 59 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 64 131 200 shade: RGB 65 131 199, RGB 65 95 199, RGB 71 65 199, RGB 107 65 199 and RGB 144 65 199

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 64 131 200 shade: RGB 65 131 199, RGB 65 95 199 and RGB 65 65 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 64 131 200 shade matches the following richer shades: RGB 65 131 199, RGB 45 131 219 and RGB 25 131 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 64 131 200 shade: RGB 65 131 199, RGB 85 131 180, RGB 104 132 160, RGB 124 132 140 and RGB 144 132 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 64 131 200 shade: RGB 65 199 195, RGB 65 168 199, RGB 65 132 199, RGB 65 96 199 and RGB 69 65 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 64 131 200 shade: RGB 41 90 141, RGB 50 111 173, RGB 65 131 199, RGB 97 152 209 and RGB 129 173 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 64 131 200 shade: RGB 64 131 200, RGB 159 65 199 and RGB 186 199 65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 64 131 200 shade: RGB 64 131 200, RGB 199 65 132 and RGB 132 199 65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 64 131 200 shade: RGB 64 131 200, RGB 159 65 199, RGB 199 132 65 and RGB 105 199 65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 64 131 200 shade: RGB 64 131 200, RGB 199 65 199, RGB 199 132 65 and RGB 65 199 65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 35 / 0 / 22

HEX #4083C8

RGB 64 131 200

HSL 210.44, 0.55%, 0.52%

LAB 53.48, 1.11, -42.05

 

Complementary color

CMYK 0 / 35 / 71 / 25

HEX #BF7C37

RGB 191 124 55

HSL 30.44, 0.55%, 0.48%

LAB 57.82, 19.91, 47

 

CMYK 65 / 33 / 0 / 24

HEX #4583C3

RGB 69 131 195

HSL 210.48, 0.51%, 0.52%

LAB 53.43, 0.22, -39.28

 

CMYK 60 / 30 / 0 / 16

HEX #5695D6

RGB 86 149 214

HSL 210.47, 0.61%, 0.59%

LAB 60.18, -0.83, -39.33

 

CMYK 56 / 28 / 0 / 9

HEX #67A7E9

RGB 103 167 233

HSL 210.46, 0.75%, 0.66%

LAB 66.83, -1.66, -39.39

 

CMYK 52 / 27 / 0 / 1

HEX #78B9FC

RGB 120 185 252

HSL 210.45, 0.96%, 0.73%

LAB 73.36, -2.35, -39.47

 

CMYK 46 / 20 / 0 / 0

HEX #89CBFF

RGB 137 203 255

HSL 206.44, 1%, 0.77%

LAB 79.19, -7.4, -32

 

CMYK 68 / 35 / 0 / 22

HEX #4083C8

RGB 64 131 200

HSL 210.44, 0.55%, 0.52%

LAB 53.48, 1.11, -42.05

 

CMYK 74 / 38 / 0 / 29

HEX #2F71B5

RGB 47 113 181

HSL 210.45, 0.59%, 0.45%

LAB 46.65, 2.66, -42

 

CMYK 81 / 41 / 0 / 36

HEX #1E5FA2

RGB 30 95 162

HSL 210.45, 0.69%, 0.38%

LAB 39.7, 4.69, -41.92

 

CMYK 91 / 46 / 0 / 44

HEX #0D4D8F

RGB 13 77 143

HSL 210.46, 0.83%, 0.31%

LAB 32.65, 7.38, -41.77

 

CMYK 100 / 52 / 0 / 51

HEX #003B7C

RGB 0 59 124

HSL 211.45, 1%, 0.24%

LAB 25.51, 10.9, -41.5

 

CMYK 67 / 34 / 0 / 22

HEX #4183C7

RGB 65 131 199

HSL 210.45, 0.54%, 0.52%

LAB 53.47, 0.92, -41.5

 

CMYK 67 / 52 / 0 / 22

HEX #415FC7

RGB 65 95 199

HSL 226.57, 0.54%, 0.52%

LAB 43.41, 23.32, -57.58

 

CMYK 64 / 67 / 0 / 22

HEX #4741C7

RGB 71 65 199

HSL 242.69, 0.54%, 0.52%

LAB 36.45, 42.91, -68.89

 

CMYK 46 / 67 / 0 / 22

HEX #6B41C7

RGB 107 65 199

HSL 258.81, 0.54%, 0.52%

LAB 39.63, 48.73, -63.56

 

CMYK 28 / 67 / 0 / 22

HEX #9041C7

RGB 144 65 199

HSL 275.37, 0.54%, 0.52%

LAB 43.99, 56.12, -56.28

 

CMYK 67 / 34 / 0 / 22

HEX #4183C7

RGB 65 131 199

HSL 210.45, 0.54%, 0.52%

LAB 53.47, 0.92, -41.5

 

CMYK 67 / 52 / 0 / 22

HEX #415FC7

RGB 65 95 199

HSL 226.57, 0.54%, 0.52%

LAB 43.41, 23.32, -57.58

 

CMYK 67 / 67 / 0 / 22

HEX #4141C7

RGB 65 65 199

HSL 240, 0.54%, 0.52%

LAB 36.04, 42.12, -69.58

 

CMYK 67 / 34 / 0 / 22

HEX #4183C7

RGB 65 131 199

HSL 210.45, 0.54%, 0.52%

LAB 53.47, 0.92, -41.5

 

CMYK 79 / 40 / 0 / 14

HEX #2D83DB

RGB 45 131 219

HSL 210.34, 0.71%, 0.52%

LAB 53.93, 5.52, -52.12

 

CMYK 90 / 45 / 0 / 6

HEX #1983EF

RGB 25 131 239

HSL 210.28, 0.87%, 0.52%

LAB 54.73, 11.58, -62.03

 

CMYK 67 / 34 / 0 / 22

HEX #4183C7

RGB 65 131 199

HSL 210.45, 0.54%, 0.52%

LAB 53.47, 0.92, -41.5

 

CMYK 53 / 27 / 0 / 29

HEX #5583B4

RGB 85 131 180

HSL 210.95, 0.39%, 0.52%

LAB 53.45, -1.45, -30.62

 

CMYK 35 / 18 / 0 / 37

HEX #6884A0

RGB 104 132 160

HSL 210, 0.23%, 0.52%

LAB 54.01, -2.86, -18.14

 

CMYK 11 / 6 / 0 / 45

HEX #7C848C

RGB 124 132 140

HSL 210, 0.07%, 0.52%

LAB 54.74, -1.23, -5.31

 

CMYK 0 / 8 / 17 / 44

HEX #908478

RGB 144 132 120

HSL 30, 0.1%, 0.52%

LAB 55.87, 2.42, 8.11

 

CMYK 67 / 0 / 2 / 22

HEX #41C7C3

RGB 65 199 195

HSL 178.21, 0.54%, 0.52%

LAB 73.49, -36.25, -8.56

 

CMYK 67 / 16 / 0 / 22

HEX #41A8C7

RGB 65 168 199

HSL 193.88, 0.54%, 0.52%

LAB 64.36, -19.79, -24.54

 

CMYK 67 / 34 / 0 / 22

HEX #4184C7

RGB 65 132 199

HSL 210, 0.54%, 0.52%

LAB 53.76, 0.33, -41.04

 

CMYK 67 / 52 / 0 / 22

HEX #4160C7

RGB 65 96 199

HSL 226.12, 0.54%, 0.52%

LAB 43.67, 22.68, -57.15

 

CMYK 65 / 67 / 0 / 22

HEX #4541C7

RGB 69 65 199

HSL 241.79, 0.54%, 0.52%

LAB 36.31, 42.64, -69.12

 

CMYK 71 / 36 / 0 / 45

HEX #295A8D

RGB 41 90 141

HSL 210.6, 0.55%, 0.36%

LAB 37.31, 1.26, -33.08

 

CMYK 71 / 36 / 0 / 32

HEX #326FAD

RGB 50 111 173

HSL 210.24, 0.55%, 0.44%

LAB 45.72, 1.38, -38.8

 

CMYK 67 / 34 / 0 / 22

HEX #4183C7

RGB 65 131 199

HSL 210.45, 0.54%, 0.52%

LAB 53.47, 0.92, -41.5

 

CMYK 54 / 27 / 0 / 18

HEX #6198D1

RGB 97 152 209

HSL 210.54, 0.55%, 0.6%

LAB 61.31, -1.86, -34.75

 

CMYK 41 / 21 / 0 / 15

HEX #81ADDA

RGB 129 173 218

HSL 210.34, 0.55%, 0.68%

LAB 69.2, -3.29, -27.39

 

CMYK 68 / 35 / 0 / 22

HEX #4083C8

RGB 64 131 200

HSL 210.44, 0.55%, 0.52%

LAB 53.48, 1.11, -42.05

 

CMYK 20 / 67 / 0 / 22

HEX #9F41C7

RGB 159 65 199

HSL 282.09, 0.54%, 0.52%

LAB 46.01, 59.35, -52.93

 

CMYK 7 / 0 / 67 / 22

HEX #BAC741

RGB 186 199 65

HSL 65.82, 0.54%, 0.52%

LAB 77.08, -21.51, 62.56

 

CMYK 68 / 35 / 0 / 22

HEX #4083C8

RGB 64 131 200

HSL 210.44, 0.55%, 0.52%

LAB 53.48, 1.11, -42.05

 

CMYK 0 / 67 / 34 / 22

HEX #C74184

RGB 199 65 132

HSL 330, 0.54%, 0.52%

LAB 48.99, 58.8, -8.19

 

CMYK 34 / 0 / 67 / 22

HEX #84C741

RGB 132 199 65

HSL 90, 0.54%, 0.52%

LAB 73.63, -42.57, 57.92

 

CMYK 68 / 35 / 0 / 22

HEX #4083C8

RGB 64 131 200

HSL 210.44, 0.55%, 0.52%

LAB 53.48, 1.11, -42.05

 

CMYK 20 / 67 / 0 / 22

HEX #9F41C7

RGB 159 65 199

HSL 282.09, 0.54%, 0.52%

LAB 46.01, 59.35, -52.93

 

CMYK 0 / 34 / 67 / 22

HEX #C78441

RGB 199 132 65

HSL 30, 0.54%, 0.52%

LAB 60.8, 19.51, 45.7

 

CMYK 47 / 0 / 67 / 22

HEX #69C741

RGB 105 199 65

HSL 102.09, 0.54%, 0.52%

LAB 72.38, -51.46, 56.22

 

CMYK 68 / 35 / 0 / 22

HEX #4083C8

RGB 64 131 200

HSL 210.44, 0.55%, 0.52%

LAB 53.48, 1.11, -42.05

 

CMYK 0 / 67 / 0 / 22

HEX #C741C7

RGB 199 65 199

HSL 300, 0.54%, 0.52%

LAB 51.89, 68.3, -43.21

 

CMYK 0 / 34 / 67 / 22

HEX #C78441

RGB 199 132 65

HSL 30, 0.54%, 0.52%

LAB 60.8, 19.51, 45.7

 

CMYK 67 / 0 / 67 / 22

HEX #41C741

RGB 65 199 65

HSL 120, 0.54%, 0.52%

LAB 71.11, -61.41, 54.48

 

Description

Color code: RGB 64 131 200 | qconv.com Color code: RGB 64 131 200 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 131 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 131 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 35 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 35% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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