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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 129 60 it is the complementary color RGB 191 126 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 129 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 64 129 60 shade: RGB 69 129 55, RGB 86 147 74, RGB 103 165 93, RGB 120 183 112 and RGB 137 201 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 129 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 64 129 60 shade: RGB 64 129 60, RGB 47 111 41, RGB 30 93 22, RGB 13 75 3 and RGB 0 57 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 64 129 60 shade: RGB 63 129 59, RGB 82 129 59, RGB 101 129 59, RGB 119 129 59 and RGB 129 119 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 64 129 60 shade: RGB 63 129 59, RGB 59 129 74, RGB 59 129 93, RGB 59 129 111 and RGB 59 127 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 64 129 60 shade matches the following richer shades: RGB 63 129 59, RGB 49 144 44, RGB 36 159 28 and RGB 23 175 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 64 129 60 shade: RGB 63 129 59, RGB 76 113 74, RGB 90 98 89, RGB 103 83 105 and RGB 117 68 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 64 129 60 shade: RGB 101 129 59, RGB 82 129 59, RGB 64 129 59, RGB 59 129 73 and RGB 59 129 92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 64 129 60 shade: RGB 35 72 33, RGB 49 100 46, RGB 63 129 59, RGB 77 157 72 and RGB 96 179 91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 64 129 60 shade: RGB 64 129 60, RGB 59 119 129 and RGB 129 59 92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 64 129 60 shade: RGB 64 129 60, RGB 59 64 129 and RGB 129 59 64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 64 129 60 shade: RGB 64 129 60, RGB 59 119 129, RGB 124 59 129 and RGB 129 68 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 64 129 60 shade: RGB 64 129 60, RGB 59 99 129, RGB 124 59 129 and RGB 129 89 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 53 / 49

HEX #40813C

RGB 64 129 60

HSL 116.52, 0.37%, 0.37%

LAB 48.41, -35.59, 30.89

 

Complementary color

CMYK 2 / 35 / 0 / 24

HEX #BF7EC3

RGB 191 126 195

HSL 296.52, 0.37%, 0.63%

LAB 61.6, 36.41, -25.84

 

CMYK 47 / 0 / 57 / 49

HEX #458137

RGB 69 129 55

HSL 108.65, 0.4%, 0.36%

LAB 48.56, -34.67, 33.7

 

CMYK 41 / 0 / 50 / 42

HEX #56934A

RGB 86 147 74

HSL 110.14, 0.33%, 0.43%

LAB 55.42, -34.63, 32.41

 

CMYK 38 / 0 / 44 / 35

HEX #67A55D

RGB 103 165 93

HSL 111.67, 0.29%, 0.51%

LAB 62.16, -34.49, 31.11

 

CMYK 34 / 0 / 39 / 28

HEX #78B770

RGB 120 183 112

HSL 113.24, 0.33%, 0.58%

LAB 68.77, -34.28, 29.86

 

CMYK 32 / 0 / 35 / 21

HEX #89C983

RGB 137 201 131

HSL 114.86, 0.39%, 0.65%

LAB 75.28, -34.06, 28.68

 

CMYK 50 / 0 / 53 / 49

HEX #40813C

RGB 64 129 60

HSL 116.52, 0.37%, 0.37%

LAB 48.41, -35.59, 30.89

 

CMYK 58 / 0 / 63 / 56

HEX #2F6F29

RGB 47 111 41

HSL 114.86, 0.46%, 0.3%

LAB 41.43, -35.41, 32.21

 

CMYK 68 / 0 / 76 / 64

HEX #1E5D16

RGB 30 93 22

HSL 113.24, 0.62%, 0.23%

LAB 34.32, -34.75, 33.19

 

CMYK 83 / 0 / 96 / 71

HEX #0D4B03

RGB 13 75 3

HSL 111.67, 0.92%, 0.15%

LAB 27.09, -33.18, 33.35

 

CMYK 100 / 0 / 100 / 78

HEX #003900

RGB 0 57 0

HSL 120, 1%, 0.11%

LAB 19.75, -29.7, 27.07

 

CMYK 51 / 0 / 54 / 49

HEX #3F813B

RGB 63 129 59

HSL 116.57, 0.37%, 0.37%

LAB 48.35, -36.03, 31.33

 

CMYK 36 / 0 / 54 / 49

HEX #52813B

RGB 82 129 59

HSL 100.29, 0.37%, 0.37%

LAB 49.26, -29.65, 32.65

 

CMYK 22 / 0 / 54 / 49

HEX #65813B

RGB 101 129 59

HSL 84, 0.37%, 0.37%

LAB 50.43, -22.25, 34.32

 

CMYK 8 / 0 / 54 / 49

HEX #77813B

RGB 119 129 59

HSL 68.57, 0.37%, 0.37%

LAB 51.77, -14.61, 36.23

 

CMYK 0 / 8 / 54 / 49

HEX #81773B

RGB 129 119 59

HSL 51.43, 0.37%, 0.37%

LAB 49.71, -4.65, 34.02

 

CMYK 51 / 0 / 54 / 49

HEX #3F813B

RGB 63 129 59

HSL 116.57, 0.37%, 0.37%

LAB 48.35, -36.03, 31.33

 

CMYK 54 / 0 / 43 / 49

HEX #3B814A

RGB 59 129 74

HSL 132.86, 0.37%, 0.37%

LAB 48.42, -34.81, 23.27

 

CMYK 54 / 0 / 28 / 49

HEX #3B815D

RGB 59 129 93

HSL 149.14, 0.37%, 0.37%

LAB 48.79, -31.02, 12.95

 

CMYK 54 / 0 / 14 / 49

HEX #3B816F

RGB 59 129 111

HSL 164.57, 0.37%, 0.37%

LAB 49.23, -26.72, 3.08

 

CMYK 54 / 2 / 0 / 49

HEX #3B7F81

RGB 59 127 129

HSL 181.71, 0.37%, 0.37%

LAB 49.12, -20.76, -7.65

 

CMYK 51 / 0 / 54 / 49

HEX #3F813B

RGB 63 129 59

HSL 116.57, 0.37%, 0.37%

LAB 48.35, -36.03, 31.33

 

CMYK 66 / 0 / 69 / 44

HEX #31902C

RGB 49 144 44

HSL 117, 0.53%, 0.37%

LAB 52.71, -47.48, 43.31

 

CMYK 77 / 0 / 82 / 38

HEX #249F1C

RGB 36 159 28

HSL 116.34, 0.7%, 0.37%

LAB 57.32, -56.24, 53.53

 

CMYK 87 / 0 / 93 / 31

HEX #17AF0D

RGB 23 175 13

HSL 116.3, 0.86%, 0.37%

LAB 62.4, -63.26, 61.2

 

CMYK 51 / 0 / 54 / 49

HEX #3F813B

RGB 63 129 59

HSL 116.57, 0.37%, 0.37%

LAB 48.35, -36.03, 31.33

 

CMYK 33 / 0 / 35 / 56

HEX #4C714A

RGB 76 113 74

HSL 116.92, 0.21%, 0.37%

LAB 44, -21.64, 17.59

 

CMYK 8 / 0 / 9 / 62

HEX #5A6259

RGB 90 98 89

HSL 113.33, 0.05%, 0.37%

LAB 40.62, -5.01, 4.06

 

CMYK 2 / 21 / 0 / 59

HEX #675369

RGB 103 83 105

HSL 294.55, 0.12%, 0.37%

LAB 38, 12.62, -9.54

 

CMYK 3 / 43 / 0 / 53

HEX #754478

RGB 117 68 120

HSL 296.54, 0.28%, 0.37%

LAB 36.5, 29.94, -21.01

 

CMYK 22 / 0 / 54 / 49

HEX #65813B

RGB 101 129 59

HSL 84, 0.37%, 0.37%

LAB 50.43, -22.25, 34.32

 

CMYK 36 / 0 / 54 / 49

HEX #52813B

RGB 82 129 59

HSL 100.29, 0.37%, 0.37%

LAB 49.26, -29.65, 32.65

 

CMYK 50 / 0 / 54 / 49

HEX #40813B

RGB 64 129 59

HSL 115.71, 0.37%, 0.37%

LAB 48.39, -35.73, 31.39

 

CMYK 54 / 0 / 43 / 49

HEX #3B8149

RGB 59 129 73

HSL 132, 0.37%, 0.37%

LAB 48.4, -34.99, 23.8

 

CMYK 54 / 0 / 29 / 49

HEX #3B815C

RGB 59 129 92

HSL 148.29, 0.37%, 0.37%

LAB 48.76, -31.24, 13.5

 

CMYK 51 / 0 / 54 / 72

HEX #234821

RGB 35 72 33

HSL 116.92, 0.37%, 0.21%

LAB 27.02, -22.58, 19.29

 

CMYK 51 / 0 / 54 / 61

HEX #31642E

RGB 49 100 46

HSL 116.67, 0.37%, 0.29%

LAB 37.78, -29.27, 25.28

 

CMYK 51 / 0 / 54 / 49

HEX #3F813B

RGB 63 129 59

HSL 116.57, 0.37%, 0.37%

LAB 48.35, -36.03, 31.33

 

CMYK 51 / 0 / 54 / 38

HEX #4D9D48

RGB 77 157 72

HSL 116.47, 0.37%, 0.45%

LAB 58.19, -42.06, 36.72

 

CMYK 46 / 0 / 49 / 30

HEX #60B35B

RGB 96 179 91

HSL 116.59, 0.37%, 0.53%

LAB 66.12, -43.16, 37.07

 

CMYK 50 / 0 / 53 / 49

HEX #40813C

RGB 64 129 60

HSL 116.52, 0.37%, 0.37%

LAB 48.41, -35.59, 30.89

 

CMYK 54 / 8 / 0 / 49

HEX #3B7781

RGB 59 119 129

HSL 188.57, 0.37%, 0.37%

LAB 46.59, -16.45, -11.46

 

CMYK 0 / 54 / 29 / 49

HEX #813B5C

RGB 129 59 92

HSL 331.71, 0.37%, 0.37%

LAB 35.14, 34.18, -5.31

 

CMYK 50 / 0 / 53 / 49

HEX #40813C

RGB 64 129 60

HSL 116.52, 0.37%, 0.37%

LAB 48.41, -35.59, 30.89

 

CMYK 54 / 50 / 0 / 49

HEX #3B4081

RGB 59 64 129

HSL 235.71, 0.37%, 0.37%

LAB 29.87, 17.7, -37.49

 

CMYK 0 / 54 / 50 / 49

HEX #813B40

RGB 129 59 64

HSL 355.71, 0.37%, 0.37%

LAB 34.32, 30.69, 11.44

 

CMYK 50 / 0 / 53 / 49

HEX #40813C

RGB 64 129 60

HSL 116.52, 0.37%, 0.37%

LAB 48.41, -35.59, 30.89

 

CMYK 54 / 8 / 0 / 49

HEX #3B7781

RGB 59 119 129

HSL 188.57, 0.37%, 0.37%

LAB 46.59, -16.45, -11.46

 

CMYK 4 / 54 / 0 / 49

HEX #7C3B81

RGB 124 59 129

HSL 295.71, 0.37%, 0.37%

LAB 35.98, 38.99, -27.34

 

CMYK 0 / 47 / 54 / 49

HEX #81443B

RGB 129 68 59

HSL 7.71, 0.37%, 0.37%

LAB 36.21, 25.16, 17.13

 

CMYK 50 / 0 / 53 / 49

HEX #40813C

RGB 64 129 60

HSL 116.52, 0.37%, 0.37%

LAB 48.41, -35.59, 30.89

 

CMYK 54 / 23 / 0 / 49

HEX #3B6381

RGB 59 99 129

HSL 205.71, 0.37%, 0.37%

LAB 40.31, -4.89, -21.05

 

CMYK 4 / 54 / 0 / 49

HEX #7C3B81

RGB 124 59 129

HSL 295.71, 0.37%, 0.37%

LAB 35.98, 38.99, -27.34

 

CMYK 0 / 31 / 54 / 49

HEX #81593B

RGB 129 89 59

HSL 25.71, 0.37%, 0.37%

LAB 41.42, 12.84, 23.87

 

Description

Color code: RGB 64 129 60 | qconv.com Color code: RGB 64 129 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 129 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 129 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 53 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 53% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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