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Color name
RGB 64 129 200

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 129 200 it is the complementary color RGB 191 126 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 129 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 64 129 200 shade: RGB 69 129 195, RGB 86 147 214, RGB 103 165 233, RGB 120 183 252 and RGB 137 201 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 129 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 64 129 200 shade: RGB 64 129 200, RGB 47 111 181, RGB 30 93 162, RGB 13 75 143 and RGB 0 57 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 64 129 200 shade: RGB 65 129 199, RGB 65 93 199, RGB 73 65 199, RGB 109 65 199 and RGB 146 65 199

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 64 129 200 shade: RGB 65 129 199, RGB 65 93 199 and RGB 65 65 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 64 129 200 shade matches the following richer shades: RGB 65 129 199, RGB 45 128 219 and RGB 25 127 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 64 129 200 shade: RGB 65 129 199, RGB 85 130 180, RGB 104 131 160, RGB 124 132 140 and RGB 144 133 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 64 129 200 shade: RGB 65 199 197, RGB 65 166 199, RGB 65 130 199, RGB 65 94 199 and RGB 72 65 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 64 129 200 shade: RGB 41 89 141, RGB 50 109 173, RGB 65 129 199, RGB 97 150 209 and RGB 129 171 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 64 129 200 shade: RGB 64 129 200, RGB 161 65 199 and RGB 184 199 65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 64 129 200 shade: RGB 64 129 200, RGB 199 65 130 and RGB 130 199 65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 64 129 200 shade: RGB 64 129 200, RGB 161 65 199, RGB 199 134 65 and RGB 103 199 65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 64 129 200 shade: RGB 64 129 200, RGB 199 65 197, RGB 199 134 65 and RGB 65 199 67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 36 / 0 / 22

HEX #4081C8

RGB 64 129 200

HSL 211.32, 0.55%, 0.52%

LAB 52.91, 2.31, -42.96

 

Complementary color

CMYK 0 / 34 / 71 / 25

HEX #BF7E37

RGB 191 126 55

HSL 31.32, 0.55%, 0.48%

LAB 58.3, 18.81, 47.51

 

CMYK 65 / 34 / 0 / 24

HEX #4581C3

RGB 69 129 195

HSL 211.43, 0.51%, 0.52%

LAB 52.85, 1.41, -40.2

 

CMYK 60 / 31 / 0 / 16

HEX #5693D6

RGB 86 147 214

HSL 211.41, 0.61%, 0.59%

LAB 59.62, 0.33, -40.22

 

CMYK 56 / 29 / 0 / 9

HEX #67A5E9

RGB 103 165 233

HSL 211.38, 0.75%, 0.66%

LAB 66.27, -0.54, -40.26

 

CMYK 52 / 27 / 0 / 1

HEX #78B7FC

RGB 120 183 252

HSL 211.36, 0.96%, 0.73%

LAB 72.82, -1.25, -40.32

 

CMYK 46 / 21 / 0 / 0

HEX #89C9FF

RGB 137 201 255

HSL 207.46, 1%, 0.77%

LAB 78.64, -6.34, -32.83

 

CMYK 68 / 36 / 0 / 22

HEX #4081C8

RGB 64 129 200

HSL 211.32, 0.55%, 0.52%

LAB 52.91, 2.31, -42.96

 

CMYK 74 / 39 / 0 / 29

HEX #2F6FB5

RGB 47 111 181

HSL 211.34, 0.59%, 0.45%

LAB 46.06, 3.9, -42.94

 

CMYK 81 / 43 / 0 / 36

HEX #1E5DA2

RGB 30 93 162

HSL 211.36, 0.69%, 0.38%

LAB 39.09, 5.98, -42.89

 

CMYK 91 / 48 / 0 / 44

HEX #0D4B8F

RGB 13 75 143

HSL 211.38, 0.83%, 0.31%

LAB 32.04, 8.74, -42.76

 

CMYK 100 / 54 / 0 / 51

HEX #00397C

RGB 0 57 124

HSL 212.42, 1%, 0.24%

LAB 24.89, 12.33, -42.51

 

CMYK 67 / 35 / 0 / 22

HEX #4181C7

RGB 65 129 199

HSL 211.34, 0.54%, 0.52%

LAB 52.89, 2.12, -42.41

 

CMYK 67 / 53 / 0 / 22

HEX #415DC7

RGB 65 93 199

HSL 227.46, 0.54%, 0.52%

LAB 42.88, 24.59, -58.43

 

CMYK 63 / 67 / 0 / 22

HEX #4941C7

RGB 73 65 199

HSL 243.58, 0.54%, 0.52%

LAB 36.59, 43.18, -68.64

 

CMYK 45 / 67 / 0 / 22

HEX #6D41C7

RGB 109 65 199

HSL 259.7, 0.54%, 0.52%

LAB 39.84, 49.1, -63.21

 

CMYK 27 / 67 / 0 / 22

HEX #9241C7

RGB 146 65 199

HSL 276.27, 0.54%, 0.52%

LAB 44.25, 56.54, -55.85

 

CMYK 67 / 35 / 0 / 22

HEX #4181C7

RGB 65 129 199

HSL 211.34, 0.54%, 0.52%

LAB 52.89, 2.12, -42.41

 

CMYK 67 / 53 / 0 / 22

HEX #415DC7

RGB 65 93 199

HSL 227.46, 0.54%, 0.52%

LAB 42.88, 24.59, -58.43

 

CMYK 67 / 67 / 0 / 22

HEX #4141C7

RGB 65 65 199

HSL 240, 0.54%, 0.52%

LAB 36.04, 42.12, -69.58

 

CMYK 67 / 35 / 0 / 22

HEX #4181C7

RGB 65 129 199

HSL 211.34, 0.54%, 0.52%

LAB 52.89, 2.12, -42.41

 

CMYK 79 / 42 / 0 / 14

HEX #2D80DB

RGB 45 128 219

HSL 211.38, 0.71%, 0.52%

LAB 53.07, 7.35, -53.49

 

CMYK 90 / 47 / 0 / 6

HEX #197FEF

RGB 25 127 239

HSL 211.4, 0.87%, 0.52%

LAB 53.62, 14.05, -63.83

 

CMYK 67 / 35 / 0 / 22

HEX #4181C7

RGB 65 129 199

HSL 211.34, 0.54%, 0.52%

LAB 52.89, 2.12, -42.41

 

CMYK 53 / 28 / 0 / 29

HEX #5582B4

RGB 85 130 180

HSL 211.58, 0.39%, 0.52%

LAB 53.16, -0.87, -31.07

 

CMYK 35 / 18 / 0 / 37

HEX #6883A0

RGB 104 131 160

HSL 211.07, 0.23%, 0.52%

LAB 53.72, -2.29, -18.58

 

CMYK 11 / 6 / 0 / 45

HEX #7C848C

RGB 124 132 140

HSL 210, 0.07%, 0.52%

LAB 54.74, -1.23, -5.31

 

CMYK 0 / 8 / 17 / 44

HEX #908578

RGB 144 133 120

HSL 32.5, 0.1%, 0.52%

LAB 56.15, 1.85, 8.5

 

CMYK 67 / 0 / 1 / 22

HEX #41C7C5

RGB 65 199 197

HSL 179.1, 0.54%, 0.52%

LAB 73.55, -35.69, -9.56

 

CMYK 67 / 17 / 0 / 22

HEX #41A6C7

RGB 65 166 199

HSL 194.78, 0.54%, 0.52%

LAB 63.77, -18.74, -25.46

 

CMYK 67 / 35 / 0 / 22

HEX #4182C7

RGB 65 130 199

HSL 210.9, 0.54%, 0.52%

LAB 53.18, 1.52, -41.96

 

CMYK 67 / 53 / 0 / 22

HEX #415EC7

RGB 65 94 199

HSL 227.01, 0.54%, 0.52%

LAB 43.14, 23.95, -58.01

 

CMYK 64 / 67 / 0 / 22

HEX #4841C7

RGB 72 65 199

HSL 243.13, 0.54%, 0.52%

LAB 36.52, 43.04, -68.77

 

CMYK 71 / 37 / 0 / 45

HEX #29598D

RGB 41 89 141

HSL 211.2, 0.55%, 0.36%

LAB 37, 1.9, -33.57

 

CMYK 71 / 37 / 0 / 32

HEX #326DAD

RGB 50 109 173

HSL 211.22, 0.55%, 0.44%

LAB 45.13, 2.62, -39.74

 

CMYK 67 / 35 / 0 / 22

HEX #4181C7

RGB 65 129 199

HSL 211.34, 0.54%, 0.52%

LAB 52.89, 2.12, -42.41

 

CMYK 54 / 28 / 0 / 18

HEX #6196D1

RGB 97 150 209

HSL 211.61, 0.55%, 0.6%

LAB 60.74, -0.72, -35.63

 

CMYK 41 / 22 / 0 / 15

HEX #81ABDA

RGB 129 171 218

HSL 211.69, 0.55%, 0.68%

LAB 68.65, -2.18, -28.23

 

CMYK 68 / 36 / 0 / 22

HEX #4081C8

RGB 64 129 200

HSL 211.32, 0.55%, 0.52%

LAB 52.91, 2.31, -42.96

 

CMYK 19 / 67 / 0 / 22

HEX #A141C7

RGB 161 65 199

HSL 282.99, 0.54%, 0.52%

LAB 46.29, 59.79, -52.47

 

CMYK 8 / 0 / 67 / 22

HEX #B8C741

RGB 184 199 65

HSL 66.72, 0.54%, 0.52%

LAB 76.93, -22.33, 62.36

 

CMYK 68 / 36 / 0 / 22

HEX #4081C8

RGB 64 129 200

HSL 211.32, 0.55%, 0.52%

LAB 52.91, 2.31, -42.96

 

CMYK 0 / 67 / 35 / 22

HEX #C74182

RGB 199 65 130

HSL 330.9, 0.54%, 0.52%

LAB 48.93, 58.57, -7.08

 

CMYK 35 / 0 / 67 / 22

HEX #82C741

RGB 130 199 65

HSL 90.9, 0.54%, 0.52%

LAB 73.53, -43.27, 57.78

 

CMYK 68 / 36 / 0 / 22

HEX #4081C8

RGB 64 129 200

HSL 211.32, 0.55%, 0.52%

LAB 52.91, 2.31, -42.96

 

CMYK 19 / 67 / 0 / 22

HEX #A141C7

RGB 161 65 199

HSL 282.99, 0.54%, 0.52%

LAB 46.29, 59.79, -52.47

 

CMYK 0 / 33 / 67 / 22

HEX #C78641

RGB 199 134 65

HSL 30.9, 0.54%, 0.52%

LAB 61.28, 18.41, 46.23

 

CMYK 48 / 0 / 67 / 22

HEX #67C741

RGB 103 199 65

HSL 102.99, 0.54%, 0.52%

LAB 72.3, -52.05, 56.11

 

CMYK 68 / 36 / 0 / 22

HEX #4081C8

RGB 64 129 200

HSL 211.32, 0.55%, 0.52%

LAB 52.91, 2.31, -42.96

 

CMYK 0 / 67 / 1 / 22

HEX #C741C5

RGB 199 65 197

HSL 300.9, 0.54%, 0.52%

LAB 51.79, 67.98, -42.22

 

CMYK 0 / 33 / 67 / 22

HEX #C78641

RGB 199 134 65

HSL 30.9, 0.54%, 0.52%

LAB 61.28, 18.41, 46.23

 

CMYK 67 / 0 / 66 / 22

HEX #41C743

RGB 65 199 67

HSL 120.9, 0.54%, 0.52%

LAB 71.13, -61.22, 53.69

 

Description

Color code: RGB 64 129 200 | qconv.com Color code: RGB 64 129 200 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 129 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 129 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 36 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 36% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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