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Color name
RGB 64 122 37

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 122 37 it is the complementary color RGB 191 133 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 122 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 64 122 37 shade: RGB 69 122 32, RGB 86 140 51, RGB 103 158 70, RGB 120 176 89 and RGB 137 194 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 122 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 64 122 37 shade: RGB 64 122 37, RGB 47 104 18, RGB 30 86 0, RGB 13 68 0 and RGB 0 50 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 64 122 37 shade: RGB 63 120 37, RGB 86 120 37, RGB 108 120 37, RGB 120 110 37 and RGB 120 87 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 64 122 37 shade: RGB 63 120 37, RGB 41 120 37, RGB 37 120 55, RGB 37 120 78 and RGB 37 120 100

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 64 122 37 shade matches the following richer shades: RGB 63 120 37, RGB 59 133 24 and RGB 54 146 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 64 122 37 shade: RGB 63 120 37, RGB 68 108 49, RGB 73 95 62, RGB 77 82 75 and RGB 82 69 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 64 122 37 shade: RGB 109 120 37, RGB 87 120 37, RGB 65 120 37, RGB 42 120 37 and RGB 37 120 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 64 122 37 shade: RGB 30 57 17, RGB 47 89 27, RGB 63 120 37, RGB 80 152 46 and RGB 97 184 56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 64 122 37 shade: RGB 64 122 37, RGB 37 120 109 and RGB 120 37 98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 64 122 37 shade: RGB 64 122 37, RGB 37 65 120 and RGB 120 37 65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 64 122 37 shade: RGB 64 122 37, RGB 37 120 109, RGB 93 37 120 and RGB 120 37 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 64 122 37 shade: RGB 64 122 37, RGB 37 106 120, RGB 93 37 120 and RGB 120 51 37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 70 / 52

HEX #407A25

RGB 64 122 37

HSL 100.94, 0.53%, 0.31%

LAB 45.83, -35.22, 39.15

 

Complementary color

CMYK 12 / 39 / 0 / 15

HEX #BF85DA

RGB 191 133 218

HSL 280.94, 0.53%, 0.69%

LAB 64.09, 37.21, -34.89

 

CMYK 43 / 0 / 74 / 52

HEX #457A20

RGB 69 122 32

HSL 95.33, 0.58%, 0.3%

LAB 46.03, -33.9, 41.54

 

CMYK 39 / 0 / 64 / 45

HEX #568C33

RGB 86 140 51

HSL 96.4, 0.47%, 0.37%

LAB 52.92, -34.19, 40.86

 

CMYK 35 / 0 / 56 / 38

HEX #679E46

RGB 103 158 70

HSL 97.5, 0.39%, 0.45%

LAB 59.69, -34.27, 39.79

 

CMYK 32 / 0 / 49 / 31

HEX #78B059

RGB 120 176 89

HSL 98.62, 0.36%, 0.52%

LAB 66.34, -34.24, 38.6

 

CMYK 29 / 0 / 44 / 24

HEX #89C26C

RGB 137 194 108

HSL 99.77, 0.41%, 0.59%

LAB 72.88, -34.14, 37.39

 

CMYK 48 / 0 / 70 / 52

HEX #407A25

RGB 64 122 37

HSL 100.94, 0.53%, 0.31%

LAB 45.83, -35.22, 39.15

 

CMYK 55 / 0 / 83 / 59

HEX #2F6812

RGB 47 104 18

HSL 99.77, 0.7%, 0.24%

LAB 38.81, -34.63, 39.37

 

CMYK 65 / 0 / 100 / 66

HEX #1E5600

RGB 30 86 0

HSL 99.07, 1%, 0.17%

LAB 31.65, -33.48, 38.48

 

CMYK 81 / 0 / 100 / 73

HEX #0D4400

RGB 13 68 0

HSL 108.53, 1%, 0.13%

LAB 24.39, -30.87, 32.08

 

CMYK 100 / 0 / 100 / 80

HEX #003200

RGB 0 50 0

HSL 120, 1%, 0.1%

LAB 16.9, -27.33, 23.7

 

CMYK 48 / 0 / 69 / 53

HEX #3F7825

RGB 63 120 37

HSL 101.2, 0.53%, 0.31%

LAB 45.11, -34.68, 38.37

 

CMYK 28 / 0 / 69 / 53

HEX #567825

RGB 86 120 37

HSL 84.58, 0.53%, 0.31%

LAB 46.37, -26.01, 40.09

 

CMYK 10 / 0 / 69 / 53

HEX #6C7825

RGB 108 120 37

HSL 68.67, 0.53%, 0.31%

LAB 47.95, -16.49, 42.22

 

CMYK 0 / 8 / 69 / 53

HEX #786E25

RGB 120 110 37

HSL 52.77, 0.53%, 0.31%

LAB 46.01, -5.42, 40.55

 

CMYK 0 / 28 / 69 / 53

HEX #785725

RGB 120 87 37

HSL 36.14, 0.53%, 0.31%

LAB 39.48, 8.06, 33.58

 

CMYK 48 / 0 / 69 / 53

HEX #3F7825

RGB 63 120 37

HSL 101.2, 0.53%, 0.31%

LAB 45.11, -34.68, 38.37

 

CMYK 66 / 0 / 69 / 53

HEX #297825

RGB 41 120 37

HSL 117.11, 0.53%, 0.31%

LAB 44.29, -41.06, 37.24

 

CMYK 69 / 0 / 54 / 53

HEX #257837

RGB 37 120 55

HSL 133.01, 0.53%, 0.31%

LAB 44.38, -39.6, 28.39

 

CMYK 69 / 0 / 35 / 53

HEX #25784E

RGB 37 120 78

HSL 149.64, 0.53%, 0.31%

LAB 44.77, -35.27, 16.02

 

CMYK 69 / 0 / 17 / 53

HEX #257864

RGB 37 120 100

HSL 165.54, 0.53%, 0.31%

LAB 45.28, -29.86, 3.8

 

CMYK 48 / 0 / 69 / 53

HEX #3F7825

RGB 63 120 37

HSL 101.2, 0.53%, 0.31%

LAB 45.11, -34.68, 38.37

 

CMYK 56 / 0 / 82 / 48

HEX #3B8518

RGB 59 133 24

HSL 100.73, 0.69%, 0.31%

LAB 49.22, -42.3, 47.38

 

CMYK 63 / 0 / 92 / 43

HEX #36920B

RGB 54 146 11

HSL 100.89, 0.86%, 0.31%

LAB 53.35, -49.06, 54.12

 

CMYK 48 / 0 / 69 / 53

HEX #3F7825

RGB 63 120 37

HSL 101.2, 0.53%, 0.31%

LAB 45.11, -34.68, 38.37

 

CMYK 37 / 0 / 55 / 58

HEX #446C31

RGB 68 108 49

HSL 100.68, 0.38%, 0.31%

LAB 41.49, -25.98, 28.39

 

CMYK 23 / 0 / 35 / 63

HEX #495F3E

RGB 73 95 62

HSL 100, 0.21%, 0.31%

LAB 37.75, -15.25, 16.26

 

CMYK 6 / 0 / 9 / 68

HEX #4D524B

RGB 77 82 75

HSL 102.86, 0.04%, 0.31%

LAB 34.23, -3.52, 3.41

 

CMYK 7 / 22 / 0 / 65

HEX #524558

RGB 82 69 88

HSL 281.05, 0.12%, 0.31%

LAB 31.24, 9.58, -9.23

 

CMYK 9 / 0 / 69 / 53

HEX #6D7825

RGB 109 120 37

HSL 67.95, 0.53%, 0.31%

LAB 48.03, -16.04, 42.33

 

CMYK 28 / 0 / 69 / 53

HEX #577825

RGB 87 120 37

HSL 83.86, 0.53%, 0.31%

LAB 46.44, -25.6, 40.17

 

CMYK 46 / 0 / 69 / 53

HEX #417825

RGB 65 120 37

HSL 99.76, 0.53%, 0.31%

LAB 45.21, -34, 38.5

 

CMYK 65 / 0 / 69 / 53

HEX #2A7825

RGB 42 120 37

HSL 116.39, 0.53%, 0.31%

LAB 44.32, -40.82, 37.28

 

CMYK 69 / 0 / 56 / 53

HEX #257835

RGB 37 120 53

HSL 131.57, 0.53%, 0.31%

LAB 44.35, -39.91, 29.42

 

CMYK 47 / 0 / 70 / 78

HEX #1E3911

RGB 30 57 17

HSL 100.5, 0.54%, 0.15%

LAB 20.99, -19.15, 21.27

 

CMYK 47 / 0 / 70 / 65

HEX #2F591B

RGB 47 89 27

HSL 100.65, 0.53%, 0.23%

LAB 33.62, -27.26, 30.37

 

CMYK 48 / 0 / 69 / 53

HEX #3F7825

RGB 63 120 37

HSL 101.2, 0.53%, 0.31%

LAB 45.11, -34.68, 38.37

 

CMYK 47 / 0 / 70 / 40

HEX #50982E

RGB 80 152 46

HSL 100.75, 0.54%, 0.39%

LAB 56.45, -41.89, 46.76

 

CMYK 47 / 0 / 70 / 28

HEX #61B838

RGB 97 184 56

HSL 100.78, 0.53%, 0.47%

LAB 67.36, -48.7, 54.39

 

CMYK 48 / 0 / 70 / 52

HEX #407A25

RGB 64 122 37

HSL 100.94, 0.53%, 0.31%

LAB 45.83, -35.22, 39.15

 

CMYK 69 / 0 / 9 / 53

HEX #25786D

RGB 37 120 109

HSL 172.05, 0.53%, 0.31%

LAB 45.54, -27.34, -1.19

 

CMYK 0 / 69 / 18 / 53

HEX #782562

RGB 120 37 98

HSL 315.9, 0.53%, 0.31%

LAB 29.91, 42.89, -17.25

 

CMYK 48 / 0 / 70 / 52

HEX #407A25

RGB 64 122 37

HSL 100.94, 0.53%, 0.31%

LAB 45.83, -35.22, 39.15

 

CMYK 69 / 46 / 0 / 53

HEX #254178

RGB 37 65 120

HSL 219.76, 0.53%, 0.31%

LAB 28.19, 9.07, -34.61

 

CMYK 0 / 69 / 46 / 53

HEX #782541

RGB 120 37 65

HSL 339.76, 0.53%, 0.31%

LAB 28.64, 38.51, 2.55

 

CMYK 48 / 0 / 70 / 52

HEX #407A25

RGB 64 122 37

HSL 100.94, 0.53%, 0.31%

LAB 45.83, -35.22, 39.15

 

CMYK 69 / 0 / 9 / 53

HEX #25786D

RGB 37 120 109

HSL 172.05, 0.53%, 0.31%

LAB 45.54, -27.34, -1.19

 

CMYK 23 / 69 / 0 / 53

HEX #5D2578

RGB 93 37 120

HSL 280.48, 0.53%, 0.31%

LAB 26.75, 39.89, -36.63

 

CMYK 0 / 69 / 60 / 53

HEX #782530

RGB 120 37 48

HSL 352.05, 0.53%, 0.31%

LAB 28.19, 36.91, 13.26

 

CMYK 48 / 0 / 70 / 52

HEX #407A25

RGB 64 122 37

HSL 100.94, 0.53%, 0.31%

LAB 45.83, -35.22, 39.15

 

CMYK 69 / 12 / 0 / 53

HEX #256A78

RGB 37 106 120

HSL 190.12, 0.53%, 0.31%

LAB 41.31, -16.55, -14.13

 

CMYK 23 / 69 / 0 / 53

HEX #5D2578

RGB 93 37 120

HSL 280.48, 0.53%, 0.31%

LAB 26.75, 39.89, -36.63

 

CMYK 0 / 58 / 69 / 53

HEX #783325

RGB 120 51 37

HSL 10.12, 0.53%, 0.31%

LAB 30.63, 29.12, 23.43

 

Description

Color code: RGB 64 122 37 | qconv.com Color code: RGB 64 122 37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 122 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 122 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 70 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 70% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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