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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 121 31 it is the complementary color RGB 191 134 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 121 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 64 121 31 shade: RGB 69 121 26, RGB 86 139 45, RGB 103 157 64, RGB 120 175 83 and RGB 137 193 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 121 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 64 121 31 shade: RGB 64 121 31, RGB 47 103 12, RGB 30 85 0, RGB 13 67 0 and RGB 0 49 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 64 121 31 shade: RGB 64 121 31, RGB 88 121 31, RGB 113 121 31, RGB 121 105 31 and RGB 121 81 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 64 121 31 shade: RGB 64 121 31, RGB 40 121 31, RGB 31 121 46, RGB 31 121 71 and RGB 31 121 95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 64 121 31 shade matches the following richer shades: RGB 64 121 31, RGB 61 134 18 and RGB 57 146 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 64 121 31 shade: RGB 64 121 31, RGB 67 109 43, RGB 71 96 56, RGB 74 84 68 and RGB 77 72 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 64 121 31 shade: RGB 112 121 31, RGB 88 121 31, RGB 64 121 31, RGB 40 121 31 and RGB 31 121 46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 64 121 31 shade: RGB 29 56 14, RGB 47 88 22, RGB 64 121 31, RGB 81 154 39 and RGB 99 187 48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 64 121 31 shade: RGB 64 121 31, RGB 31 121 106 and RGB 121 31 100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 64 121 31 shade: RGB 64 121 31, RGB 31 64 121 and RGB 121 31 64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 64 121 31 shade: RGB 64 121 31, RGB 31 121 106, RGB 88 31 121 and RGB 121 31 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 64 121 31 shade: RGB 64 121 31, RGB 31 109 121, RGB 88 31 121 and RGB 121 43 31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 74 / 53

HEX #40791F

RGB 64 121 31

HSL 98, 0.59%, 0.3%

LAB 45.45, -35.29, 41.28

 

Complementary color

CMYK 15 / 40 / 0 / 12

HEX #BF86E0

RGB 191 134 224

HSL 278, 0.59%, 0.7%

LAB 64.57, 37.93, -37.48

 

CMYK 43 / 0 / 79 / 53

HEX #45791A

RGB 69 121 26

HSL 92.84, 0.65%, 0.29%

LAB 45.65, -33.89, 43.47

 

CMYK 38 / 0 / 68 / 45

HEX #568B2D

RGB 86 139 45

HSL 93.83, 0.51%, 0.36%

LAB 52.55, -34.3, 43.14

 

CMYK 34 / 0 / 59 / 38

HEX #679D40

RGB 103 157 64

HSL 94.84, 0.42%, 0.43%

LAB 59.31, -34.46, 42.24

 

CMYK 31 / 0 / 53 / 31

HEX #78AF53

RGB 120 175 83

HSL 95.87, 0.37%, 0.51%

LAB 65.96, -34.49, 41.11

 

CMYK 29 / 0 / 47 / 24

HEX #89C166

RGB 137 193 102

HSL 96.92, 0.42%, 0.58%

LAB 72.51, -34.44, 39.92

 

CMYK 47 / 0 / 74 / 53

HEX #40791F

RGB 64 121 31

HSL 98, 0.59%, 0.3%

LAB 45.45, -35.29, 41.28

 

CMYK 54 / 0 / 88 / 60

HEX #2F670C

RGB 47 103 12

HSL 96.92, 0.79%, 0.23%

LAB 38.43, -34.55, 40.89

 

CMYK 65 / 0 / 100 / 67

HEX #1E5500

RGB 30 85 0

HSL 98.82, 1%, 0.17%

LAB 31.28, -33.08, 38.19

 

CMYK 81 / 0 / 100 / 74

HEX #0D4300

RGB 13 67 0

HSL 108.36, 1%, 0.13%

LAB 24, -30.5, 31.7

 

CMYK 100 / 0 / 100 / 81

HEX #003100

RGB 0 49 0

HSL 120, 1%, 0.1%

LAB 16.49, -26.99, 23.19

 

CMYK 47 / 0 / 74 / 53

HEX #40791F

RGB 64 121 31

HSL 98, 0.59%, 0.3%

LAB 45.45, -35.29, 41.28

 

CMYK 27 / 0 / 74 / 53

HEX #58791F

RGB 88 121 31

HSL 82, 0.59%, 0.3%

LAB 46.77, -26.12, 43.05

 

CMYK 7 / 0 / 74 / 53

HEX #71791F

RGB 113 121 31

HSL 65.33, 0.59%, 0.3%

LAB 48.62, -15.12, 45.48

 

CMYK 0 / 13 / 74 / 53

HEX #79691F

RGB 121 105 31

HSL 49.33, 0.59%, 0.3%

LAB 44.61, -2.44, 41.8

 

CMYK 0 / 33 / 74 / 53

HEX #79511F

RGB 121 81 31

HSL 33.33, 0.59%, 0.3%

LAB 37.93, 11.76, 35.01

 

CMYK 47 / 0 / 74 / 53

HEX #40791F

RGB 64 121 31

HSL 98, 0.59%, 0.3%

LAB 45.45, -35.29, 41.28

 

CMYK 67 / 0 / 74 / 53

HEX #28791F

RGB 40 121 31

HSL 114, 0.59%, 0.3%

LAB 44.55, -42.25, 40.08

 

CMYK 74 / 0 / 62 / 53

HEX #1F792E

RGB 31 121 46

HSL 130, 0.59%, 0.3%

LAB 44.47, -42.47, 33.1

 

CMYK 74 / 0 / 41 / 53

HEX #1F7947

RGB 31 121 71

HSL 146.67, 0.59%, 0.3%

LAB 44.83, -38.26, 20.1

 

CMYK 74 / 0 / 21 / 53

HEX #1F795F

RGB 31 121 95

HSL 162.67, 0.59%, 0.3%

LAB 45.35, -32.65, 6.83

 

CMYK 47 / 0 / 74 / 53

HEX #40791F

RGB 64 121 31

HSL 98, 0.59%, 0.3%

LAB 45.45, -35.29, 41.28

 

CMYK 54 / 0 / 87 / 47

HEX #3D8612

RGB 61 134 18

HSL 97.76, 0.76%, 0.3%

LAB 49.6, -42.4, 49.47

 

CMYK 61 / 0 / 96 / 43

HEX #399206

RGB 57 146 6

HSL 98.14, 0.92%, 0.3%

LAB 53.43, -48.43, 55.05

 

CMYK 47 / 0 / 74 / 53

HEX #40791F

RGB 64 121 31

HSL 98, 0.59%, 0.3%

LAB 45.45, -35.29, 41.28

 

CMYK 39 / 0 / 61 / 57

HEX #436D2B

RGB 67 109 43

HSL 98.18, 0.43%, 0.3%

LAB 41.7, -27.59, 31.75

 

CMYK 26 / 0 / 42 / 62

HEX #476038

RGB 71 96 56

HSL 97.5, 0.26%, 0.3%

LAB 37.83, -17.6, 19.9

 

CMYK 12 / 0 / 19 / 67

HEX #4A5444

RGB 74 84 68

HSL 97.5, 0.11%, 0.3%

LAB 34.42, -7.39, 8.05

 

CMYK 4 / 10 / 0 / 69

HEX #4D4850

RGB 77 72 80

HSL 277.5, 0.05%, 0.3%

LAB 31.33, 3.83, -4.01

 

CMYK 7 / 0 / 74 / 53

HEX #70791F

RGB 112 121 31

HSL 66, 0.59%, 0.3%

LAB 48.53, -15.58, 45.37

 

CMYK 27 / 0 / 74 / 53

HEX #58791F

RGB 88 121 31

HSL 82, 0.59%, 0.3%

LAB 46.77, -26.12, 43.05

 

CMYK 47 / 0 / 74 / 53

HEX #40791F

RGB 64 121 31

HSL 98, 0.59%, 0.3%

LAB 45.45, -35.29, 41.28

 

CMYK 67 / 0 / 74 / 53

HEX #28791F

RGB 40 121 31

HSL 114, 0.59%, 0.3%

LAB 44.55, -42.25, 40.08

 

CMYK 74 / 0 / 62 / 53

HEX #1F792E

RGB 31 121 46

HSL 130, 0.59%, 0.3%

LAB 44.47, -42.47, 33.1

 

CMYK 48 / 0 / 75 / 78

HEX #1D380E

RGB 29 56 14

HSL 98.57, 0.6%, 0.14%

LAB 20.52, -19.39, 22.33

 

CMYK 47 / 0 / 75 / 65

HEX #2F5816

RGB 47 88 22

HSL 97.27, 0.6%, 0.22%

LAB 33.23, -27.28, 32.27

 

CMYK 47 / 0 / 74 / 53

HEX #40791F

RGB 64 121 31

HSL 98, 0.59%, 0.3%

LAB 45.45, -35.29, 41.28

 

CMYK 47 / 0 / 75 / 40

HEX #519A27

RGB 81 154 39

HSL 98.09, 0.6%, 0.38%

LAB 57.08, -42.93, 50.15

 

CMYK 47 / 0 / 74 / 27

HEX #63BB30

RGB 99 187 48

HSL 97.99, 0.59%, 0.46%

LAB 68.32, -49.85, 58.34

 

CMYK 47 / 0 / 74 / 53

HEX #40791F

RGB 64 121 31

HSL 98, 0.59%, 0.3%

LAB 45.45, -35.29, 41.28

 

CMYK 74 / 0 / 12 / 53

HEX #1F796A

RGB 31 121 106

HSL 170, 0.59%, 0.3%

LAB 45.64, -29.63, 0.73

 

CMYK 0 / 74 / 17 / 53

HEX #791F64

RGB 121 31 100

HSL 314, 0.59%, 0.3%

LAB 29.32, 45.88, -19.43

 

CMYK 47 / 0 / 74 / 53

HEX #40791F

RGB 64 121 31

HSL 98, 0.59%, 0.3%

LAB 45.45, -35.29, 41.28

 

CMYK 74 / 47 / 0 / 53

HEX #1F4079

RGB 31 64 121

HSL 218, 0.59%, 0.3%

LAB 27.68, 9.14, -36.08

 

CMYK 0 / 74 / 47 / 53

HEX #791F40

RGB 121 31 64

HSL 338, 0.59%, 0.3%

LAB 27.89, 41.24, 2.16

 

CMYK 47 / 0 / 74 / 53

HEX #40791F

RGB 64 121 31

HSL 98, 0.59%, 0.3%

LAB 45.45, -35.29, 41.28

 

CMYK 74 / 0 / 12 / 53

HEX #1F796A

RGB 31 121 106

HSL 170, 0.59%, 0.3%

LAB 45.64, -29.63, 0.73

 

CMYK 27 / 74 / 0 / 53

HEX #581F79

RGB 88 31 121

HSL 278, 0.59%, 0.3%

LAB 25.06, 41.82, -40.03

 

CMYK 0 / 74 / 62 / 53

HEX #791F2E

RGB 121 31 46

HSL 350, 0.59%, 0.3%

LAB 27.41, 39.65, 13.59

 

CMYK 47 / 0 / 74 / 53

HEX #40791F

RGB 64 121 31

HSL 98, 0.59%, 0.3%

LAB 45.45, -35.29, 41.28

 

CMYK 74 / 10 / 0 / 53

HEX #1F6D79

RGB 31 109 121

HSL 188, 0.59%, 0.3%

LAB 42.17, -18.81, -13.44

 

CMYK 27 / 74 / 0 / 53

HEX #581F79

RGB 88 31 121

HSL 278, 0.59%, 0.3%

LAB 25.06, 41.82, -40.03

 

CMYK 0 / 64 / 74 / 53

HEX #792B1F

RGB 121 43 31

HSL 8, 0.59%, 0.3%

LAB 29.14, 33.31, 25.41

 

Description

Color code: RGB 64 121 31 | qconv.com Color code: RGB 64 121 31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 121 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 121 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 74 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 74% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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