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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 104 179 it is the complementary color RGB 191 151 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 104 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 64 104 179 shade: RGB 69 104 174, RGB 86 122 193, RGB 103 140 212, RGB 120 158 231 and RGB 137 176 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 104 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 64 104 179 shade: RGB 64 104 179, RGB 47 86 160, RGB 30 68 141, RGB 13 50 122 and RGB 0 32 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 64 104 179 shade: RGB 64 104 179, RGB 64 73 179, RGB 86 64 179, RGB 117 64 179 and RGB 148 64 179

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 64 104 179 shade: RGB 64 104 179, RGB 64 73 179 and RGB 64 64 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 64 104 179 shade matches the following richer shades: RGB 64 104 179, RGB 45 98 199, RGB 25 92 219 and RGB 5 86 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 64 104 179 shade: RGB 64 104 179, RGB 84 110 160, RGB 104 116 140, RGB 124 122 120 and RGB 144 129 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 64 104 179 shade: RGB 64 166 179, RGB 64 135 179, RGB 64 105 179, RGB 64 74 179 and RGB 85 64 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 64 104 179 shade: RGB 43 69 119, RGB 53 87 149, RGB 64 104 179, RGB 90 127 195 and RGB 120 150 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 64 104 179 shade: RGB 64 104 179, RGB 162 64 179 and RGB 151 179 64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 64 104 179 shade: RGB 64 104 179, RGB 179 64 105 and RGB 105 179 64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 64 104 179 shade: RGB 64 104 179, RGB 162 64 179, RGB 179 139 64 and RGB 82 179 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 64 104 179 shade: RGB 64 104 179, RGB 179 64 162, RGB 179 139 64 and RGB 64 179 82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 42 / 0 / 30

HEX #4068B3

RGB 64 104 179

HSL 219.13, 0.47%, 0.48%

LAB 44.58, 10.27, -44.08

 

Complementary color

CMYK 0 / 21 / 60 / 25

HEX #BF974C

RGB 191 151 76

HSL 39.13, 0.47%, 0.52%

LAB 64.75, 6.38, 44.51

 

CMYK 60 / 40 / 0 / 32

HEX #4568AE

RGB 69 104 174

HSL 220, 0.43%, 0.48%

LAB 44.55, 9.48, -41.19

 

CMYK 55 / 37 / 0 / 24

HEX #567AC1

RGB 86 122 193

HSL 219.81, 0.46%, 0.55%

LAB 51.55, 8.31, -41.04

 

CMYK 51 / 34 / 0 / 17

HEX #678CD4

RGB 103 140 212

HSL 219.63, 0.56%, 0.62%

LAB 58.41, 7.37, -40.94

 

CMYK 48 / 32 / 0 / 9

HEX #789EE7

RGB 120 158 231

HSL 219.46, 0.7%, 0.69%

LAB 65.13, 6.6, -40.88

 

CMYK 45 / 30 / 0 / 2

HEX #89B0FA

RGB 137 176 250

HSL 219.29, 0.92%, 0.76%

LAB 71.74, 5.94, -40.85

 

CMYK 64 / 42 / 0 / 30

HEX #4068B3

RGB 64 104 179

HSL 219.13, 0.47%, 0.48%

LAB 44.58, 10.27, -44.08

 

CMYK 71 / 46 / 0 / 37

HEX #2F56A0

RGB 47 86 160

HSL 219.29, 0.55%, 0.41%

LAB 37.48, 12.01, -44.25

 

CMYK 79 / 52 / 0 / 45

HEX #1E448D

RGB 30 68 141

HSL 219.46, 0.65%, 0.34%

LAB 30.24, 14.3, -44.41

 

CMYK 89 / 59 / 0 / 52

HEX #0D327A

RGB 13 50 122

HSL 219.63, 0.81%, 0.26%

LAB 22.9, 17.38, -44.47

 

CMYK 100 / 69 / 0 / 60

HEX #002067

RGB 0 32 103

HSL 221.36, 1%, 0.2%

LAB 15.55, 21.39, -44.24

 

CMYK 64 / 42 / 0 / 30

HEX #4068B3

RGB 64 104 179

HSL 219.13, 0.47%, 0.48%

LAB 44.58, 10.27, -44.08

 

CMYK 64 / 59 / 0 / 30

HEX #4049B3

RGB 64 73 179

HSL 235.3, 0.47%, 0.48%

LAB 36.19, 30.19, -57.58

 

CMYK 52 / 64 / 0 / 30

HEX #5640B3

RGB 86 64 179

HSL 251.48, 0.47%, 0.48%

LAB 35.79, 39.61, -58.16

 

CMYK 35 / 64 / 0 / 30

HEX #7540B3

RGB 117 64 179

HSL 267.65, 0.47%, 0.48%

LAB 39.08, 46, -52.68

 

CMYK 17 / 64 / 0 / 30

HEX #9440B3

RGB 148 64 179

HSL 283.83, 0.47%, 0.48%

LAB 43.09, 53.15, -46.02

 

CMYK 64 / 42 / 0 / 30

HEX #4068B3

RGB 64 104 179

HSL 219.13, 0.47%, 0.48%

LAB 44.58, 10.27, -44.08

 

CMYK 64 / 59 / 0 / 30

HEX #4049B3

RGB 64 73 179

HSL 235.3, 0.47%, 0.48%

LAB 36.19, 30.19, -57.58

 

CMYK 64 / 64 / 0 / 30

HEX #4040B3

RGB 64 64 179

HSL 240, 0.47%, 0.48%

LAB 34.01, 35.87, -61.15

 

CMYK 64 / 42 / 0 / 30

HEX #4068B3

RGB 64 104 179

HSL 219.13, 0.47%, 0.48%

LAB 44.58, 10.27, -44.08

 

CMYK 77 / 51 / 0 / 22

HEX #2D62C7

RGB 45 98 199

HSL 219.35, 0.63%, 0.48%

LAB 43.38, 18.71, -57.65

 

CMYK 89 / 58 / 0 / 14

HEX #195CDB

RGB 25 92 219

HSL 219.28, 0.8%, 0.48%

LAB 42.73, 28.66, -70.22

 

CMYK 98 / 64 / 0 / 6

HEX #0556EF

RGB 5 86 239

HSL 219.23, 0.96%, 0.48%

LAB 42.64, 39.43, -81.71

 

CMYK 64 / 42 / 0 / 30

HEX #4068B3

RGB 64 104 179

HSL 219.13, 0.47%, 0.48%

LAB 44.58, 10.27, -44.08

 

CMYK 48 / 31 / 0 / 37

HEX #546EA0

RGB 84 110 160

HSL 219.47, 0.31%, 0.48%

LAB 46.41, 4.61, -29.97

 

CMYK 26 / 17 / 0 / 45

HEX #68748C

RGB 104 116 140

HSL 220, 0.15%, 0.48%

LAB 48.67, 1.23, -14.58

 

CMYK 0 / 2 / 3 / 51

HEX #7C7A78

RGB 124 122 120

HSL 30, 0.02%, 0.48%

LAB 51.34, 0.37, 1.35

 

CMYK 0 / 10 / 31 / 44

HEX #908164

RGB 144 129 100

HSL 39.55, 0.18%, 0.48%

LAB 54.61, 1.03, 17.83

 

CMYK 64 / 7 / 0 / 30

HEX #40A6B3

RGB 64 166 179

HSL 186.78, 0.47%, 0.48%

LAB 63.03, -25.09, -15.43

 

CMYK 64 / 25 / 0 / 30

HEX #4087B3

RGB 64 135 179

HSL 202.96, 0.47%, 0.48%

LAB 53.68, -8.42, -29.76

 

CMYK 64 / 41 / 0 / 30

HEX #4069B3

RGB 64 105 179

HSL 218.61, 0.47%, 0.48%

LAB 44.87, 9.64, -43.62

 

CMYK 64 / 59 / 0 / 30

HEX #404AB3

RGB 64 74 179

HSL 234.78, 0.47%, 0.48%

LAB 36.45, 29.55, -57.17

 

CMYK 53 / 64 / 0 / 30

HEX #5540B3

RGB 85 64 179

HSL 250.96, 0.47%, 0.48%

LAB 35.7, 39.42, -58.32

 

CMYK 64 / 42 / 0 / 53

HEX #2B4577

RGB 43 69 119

HSL 219.47, 0.47%, 0.32%

LAB 29.67, 7.14, -31.62

 

CMYK 64 / 42 / 0 / 42

HEX #355795

RGB 53 87 149

HSL 218.75, 0.48%, 0.4%

LAB 37.38, 8.31, -37.78

 

CMYK 64 / 42 / 0 / 30

HEX #4068B3

RGB 64 104 179

HSL 219.13, 0.47%, 0.48%

LAB 44.58, 10.27, -44.08

 

CMYK 54 / 35 / 0 / 24

HEX #5A7FC3

RGB 90 127 195

HSL 218.86, 0.47%, 0.56%

LAB 53.27, 6.82, -39.46

 

CMYK 42 / 27 / 0 / 19

HEX #7896CE

RGB 120 150 206

HSL 219.07, 0.47%, 0.64%

LAB 61.88, 3.96, -32.08

 

CMYK 64 / 42 / 0 / 30

HEX #4068B3

RGB 64 104 179

HSL 219.13, 0.47%, 0.48%

LAB 44.58, 10.27, -44.08

 

CMYK 9 / 64 / 0 / 30

HEX #A240B3

RGB 162 64 179

HSL 291.13, 0.47%, 0.48%

LAB 45.09, 56.51, -42.72

 

CMYK 16 / 0 / 64 / 30

HEX #97B340

RGB 151 179 64

HSL 74.61, 0.47%, 0.48%

LAB 68.89, -26.19, 53.65

 

CMYK 64 / 42 / 0 / 30

HEX #4068B3

RGB 64 104 179

HSL 219.13, 0.47%, 0.48%

LAB 44.58, 10.27, -44.08

 

CMYK 0 / 64 / 41 / 30

HEX #B34069

RGB 179 64 105

HSL 338.61, 0.47%, 0.48%

LAB 44.62, 50.17, 1.43

 

CMYK 41 / 0 / 64 / 30

HEX #69B340

RGB 105 179 64

HSL 98.61, 0.47%, 0.48%

LAB 66.22, -43.42, 49.99

 

CMYK 64 / 42 / 0 / 30

HEX #4068B3

RGB 64 104 179

HSL 219.13, 0.47%, 0.48%

LAB 44.58, 10.27, -44.08

 

CMYK 9 / 64 / 0 / 30

HEX #A240B3

RGB 162 64 179

HSL 291.13, 0.47%, 0.48%

LAB 45.09, 56.51, -42.72

 

CMYK 0 / 22 / 64 / 30

HEX #B38B40

RGB 179 139 64

HSL 39.13, 0.47%, 0.48%

LAB 60.27, 6.9, 44.95

 

CMYK 54 / 0 / 64 / 30

HEX #52B340

RGB 82 179 64

HSL 110.61, 0.47%, 0.48%

LAB 65.28, -50.38, 48.69

 

CMYK 64 / 42 / 0 / 30

HEX #4068B3

RGB 64 104 179

HSL 219.13, 0.47%, 0.48%

LAB 44.58, 10.27, -44.08

 

CMYK 0 / 64 / 9 / 30

HEX #B340A2

RGB 179 64 162

HSL 308.87, 0.47%, 0.48%

LAB 46.79, 57.82, -29.81

 

CMYK 0 / 22 / 64 / 30

HEX #B38B40

RGB 179 139 64

HSL 39.13, 0.47%, 0.48%

LAB 60.27, 6.9, 44.95

 

CMYK 64 / 0 / 54 / 30

HEX #40B352

RGB 64 179 82

HSL 129.39, 0.47%, 0.48%

LAB 64.91, -52.58, 39.8

 

Description

Color code: RGB 64 104 179 | qconv.com Color code: RGB 64 104 179 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 104 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 104 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 42 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 42% 0% 30% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - Personas
Link: http://www14.chilena.cl

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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