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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 103 236 it is the complementary color RGB 191 152 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 103 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 64 103 236 shade: RGB 69 103 231, RGB 86 121 250, RGB 103 139 255, RGB 120 157 255 and RGB 137 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 103 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 64 103 236 shade: RGB 64 103 236, RGB 47 85 217, RGB 30 67 198, RGB 13 49 179 and RGB 0 31 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 64 103 236 shade: RGB 64 103 236, RGB 72 64 236, RGB 118 64 236, RGB 164 64 236 and RGB 210 64 236

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 64 103 236 shade: RGB 64 103 236 and RGB 64 64 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 64 103 236 shade matches the following richer shades: RGB 64 103 236 and RGB 47 94 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 64 103 236 shade: RGB 64 103 236, RGB 81 112 219, RGB 98 122 202, RGB 115 131 185 and RGB 132 140 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 64 103 236 shade: RGB 64 196 236, RGB 64 150 236, RGB 64 104 236, RGB 70 64 236 and RGB 116 64 236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 64 103 236 shade: RGB 19 60 198, RGB 27 73 232, RGB 64 103 236, RGB 102 133 239 and RGB 139 163 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 64 103 236 shade: RGB 64 103 236, RGB 230 64 236 and RGB 173 236 64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 64 103 236 shade: RGB 64 103 236, RGB 236 64 104 and RGB 104 236 64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 64 103 236 shade: RGB 64 103 236, RGB 230 64 236, RGB 236 196 64 and RGB 70 236 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 64 103 236 shade: RGB 64 103 236, RGB 236 64 190, RGB 236 196 64 and RGB 64 236 110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 56 / 0 / 7

HEX #4067EC

RGB 64 103 236

HSL 226.4, 0.82%, 0.59%

LAB 48.07, 31.34, -71.09

 

Complementary color

CMYK 0 / 20 / 90 / 25

HEX #BF9813

RGB 191 152 19

HSL 46.4, 0.82%, 0.41%

LAB 64.63, 3.29, 65.68

 

CMYK 70 / 55 / 0 / 9

HEX #4567E7

RGB 69 103 231

HSL 227.41, 0.77%, 0.59%

LAB 47.92, 30.19, -68.5

 

CMYK 66 / 52 / 0 / 2

HEX #5679FA

RGB 86 121 250

HSL 227.2, 0.94%, 0.66%

LAB 54.61, 28.06, -68.24

 

CMYK 60 / 45 / 0 / 0

HEX #678BFF

RGB 103 139 255

HSL 225.79, 1%, 0.7%

LAB 60.4, 21.67, -61.63

 

CMYK 53 / 38 / 0 / 0

HEX #789DFF

RGB 120 157 255

HSL 223.56, 1%, 0.74%

LAB 66, 14.41, -52.65

 

CMYK 46 / 31 / 0 / 0

HEX #89AFFF

RGB 137 175 255

HSL 220.68, 1%, 0.77%

LAB 71.69, 7.93, -43.63

 

CMYK 73 / 56 / 0 / 7

HEX #4067EC

RGB 64 103 236

HSL 226.4, 0.82%, 0.59%

LAB 48.07, 31.34, -71.09

 

CMYK 78 / 61 / 0 / 15

HEX #2F55D9

RGB 47 85 217

HSL 226.59, 0.69%, 0.52%

LAB 41.39, 34.03, -71.24

 

CMYK 85 / 66 / 0 / 22

HEX #1E43C6

RGB 30 67 198

HSL 226.79, 0.74%, 0.45%

LAB 34.74, 37.16, -71.19

 

CMYK 93 / 73 / 0 / 30

HEX #0D31B3

RGB 13 49 179

HSL 226.99, 0.86%, 0.38%

LAB 28.21, 40.66, -70.76

 

CMYK 100 / 81 / 0 / 37

HEX #001FA0

RGB 0 31 160

HSL 228.38, 1%, 0.31%

LAB 22.01, 44.09, -69.59

 

CMYK 73 / 56 / 0 / 7

HEX #4067EC

RGB 64 103 236

HSL 226.4, 0.82%, 0.59%

LAB 48.07, 31.34, -71.09

 

CMYK 69 / 73 / 0 / 7

HEX #4840EC

RGB 72 64 236

HSL 242.79, 0.82%, 0.59%

LAB 39.75, 55.33, -84.7

 

CMYK 50 / 73 / 0 / 7

HEX #7640EC

RGB 118 64 236

HSL 258.84, 0.82%, 0.59%

LAB 43.62, 61, -78.2

 

CMYK 31 / 73 / 0 / 7

HEX #A440EC

RGB 164 64 236

HSL 274.88, 0.82%, 0.59%

LAB 49.03, 68.57, -69.15

 

CMYK 11 / 73 / 0 / 7

HEX #D240EC

RGB 210 64 236

HSL 290.93, 0.82%, 0.59%

LAB 55.51, 77.25, -58.37

 

CMYK 73 / 56 / 0 / 7

HEX #4067EC

RGB 64 103 236

HSL 226.4, 0.82%, 0.59%

LAB 48.07, 31.34, -71.09

 

CMYK 73 / 73 / 0 / 7

HEX #4040EC

RGB 64 64 236

HSL 240, 0.82%, 0.59%

LAB 39.26, 54.6, -85.52

 

CMYK 73 / 56 / 0 / 7

HEX #4067EC

RGB 64 103 236

HSL 226.4, 0.82%, 0.59%

LAB 48.07, 31.34, -71.09

 

CMYK 81 / 63 / 0 / 1

HEX #2F5EFD

RGB 47 94 253

HSL 226.31, 0.98%, 0.59%

LAB 46.58, 41.4, -83.05

 

CMYK 73 / 56 / 0 / 7

HEX #4067EC

RGB 64 103 236

HSL 226.4, 0.82%, 0.59%

LAB 48.07, 31.34, -71.09

 

CMYK 63 / 49 / 0 / 14

HEX #5170DB

RGB 81 112 219

HSL 226.52, 0.66%, 0.59%

LAB 50.04, 22.22, -58.27

 

CMYK 51 / 40 / 0 / 21

HEX #627ACA

RGB 98 122 202

HSL 226.15, 0.5%, 0.59%

LAB 52.71, 13.87, -44.31

 

CMYK 38 / 29 / 0 / 27

HEX #7383B9

RGB 115 131 185

HSL 226.29, 0.33%, 0.59%

LAB 55.46, 7.76, -30.21

 

CMYK 21 / 17 / 0 / 34

HEX #848CA8

RGB 132 140 168

HSL 226.67, 0.17%, 0.59%

LAB 58.5, 3.3, -15.73

 

CMYK 73 / 17 / 0 / 7

HEX #40C4EC

RGB 64 196 236

HSL 193.95, 0.82%, 0.59%

LAB 73.95, -22.65, -30.08

 

CMYK 73 / 36 / 0 / 7

HEX #4096EC

RGB 64 150 236

HSL 210, 0.82%, 0.59%

LAB 60.75, 2.53, -50.72

 

CMYK 73 / 56 / 0 / 7

HEX #4068EC

RGB 64 104 236

HSL 226.05, 0.82%, 0.59%

LAB 48.32, 30.71, -70.68

 

CMYK 70 / 73 / 0 / 7

HEX #4640EC

RGB 70 64 236

HSL 242.09, 0.82%, 0.59%

LAB 39.62, 55.14, -84.91

 

CMYK 51 / 73 / 0 / 7

HEX #7440EC

RGB 116 64 236

HSL 258.14, 0.82%, 0.59%

LAB 43.41, 60.71, -78.54

 

CMYK 90 / 70 / 0 / 22

HEX #133CC6

RGB 19 60 198

HSL 226.26, 0.82%, 0.43%

LAB 32.8, 41.01, -74.39

 

CMYK 88 / 69 / 0 / 9

HEX #1B49E8

RGB 27 73 232

HSL 226.54, 0.82%, 0.51%

LAB 39.28, 45.62, -83.27

 

CMYK 73 / 56 / 0 / 7

HEX #4067EC

RGB 64 103 236

HSL 226.4, 0.82%, 0.59%

LAB 48.07, 31.34, -71.09

 

CMYK 57 / 44 / 0 / 6

HEX #6685EF

RGB 102 133 239

HSL 226.42, 0.81%, 0.67%

LAB 57.88, 19.89, -56.85

 

CMYK 43 / 33 / 0 / 5

HEX #8BA3F3

RGB 139 163 243

HSL 226.15, 0.81%, 0.75%

LAB 68.13, 11.8, -42.68

 

CMYK 73 / 56 / 0 / 7

HEX #4067EC

RGB 64 103 236

HSL 226.4, 0.82%, 0.59%

LAB 48.07, 31.34, -71.09

 

CMYK 3 / 73 / 0 / 7

HEX #E640EC

RGB 230 64 236

HSL 297.91, 0.82%, 0.59%

LAB 58.55, 81.22, -53.33

 

CMYK 27 / 0 / 73 / 7

HEX #ADEC40

RGB 173 236 64

HSL 81.98, 0.82%, 0.59%

LAB 86.63, -43.75, 72.11

 

CMYK 73 / 56 / 0 / 7

HEX #4067EC

RGB 64 103 236

HSL 226.4, 0.82%, 0.59%

LAB 48.07, 31.34, -71.09

 

CMYK 0 / 73 / 56 / 7

HEX #EC4068

RGB 236 64 104

HSL 346.05, 0.82%, 0.59%

LAB 54.55, 67.2, 17.47

 

CMYK 56 / 0 / 73 / 7

HEX #68EC40

RGB 104 236 64

HSL 106.05, 0.82%, 0.59%

LAB 83.6, -65.46, 68.12

 

CMYK 73 / 56 / 0 / 7

HEX #4067EC

RGB 64 103 236

HSL 226.4, 0.82%, 0.59%

LAB 48.07, 31.34, -71.09

 

CMYK 3 / 73 / 0 / 7

HEX #E640EC

RGB 230 64 236

HSL 297.91, 0.82%, 0.59%

LAB 58.55, 81.22, -53.33

 

CMYK 0 / 17 / 73 / 7

HEX #ECC440

RGB 236 196 64

HSL 46.05, 0.82%, 0.59%

LAB 80.56, 1.09, 67.82

 

CMYK 70 / 0 / 73 / 7

HEX #46EC40

RGB 70 236 64

HSL 117.91, 0.82%, 0.59%

LAB 82.73, -72.58, 66.96

 

CMYK 73 / 56 / 0 / 7

HEX #4067EC

RGB 64 103 236

HSL 226.4, 0.82%, 0.59%

LAB 48.07, 31.34, -71.09

 

CMYK 0 / 73 / 19 / 7

HEX #EC40BE

RGB 236 64 190

HSL 316.05, 0.82%, 0.59%

LAB 57.29, 75.87, -29.14

 

CMYK 0 / 17 / 73 / 7

HEX #ECC440

RGB 236 196 64

HSL 46.05, 0.82%, 0.59%

LAB 80.56, 1.09, 67.82

 

CMYK 73 / 0 / 53 / 7

HEX #40EC6E

RGB 64 236 110

HSL 136.05, 0.82%, 0.59%

LAB 83.02, -68.7, 48.4

 

Description

Color code: RGB 64 103 236 | qconv.com Color code: RGB 64 103 236 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 103 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 103 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 56 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 56% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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