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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 103 145 it is the complementary color RGB 191 152 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 103 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 64 103 145 shade: RGB 69 103 140, RGB 86 121 159, RGB 103 139 178, RGB 120 157 197 and RGB 137 175 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 103 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 64 103 145 shade: RGB 64 103 145, RGB 47 85 126, RGB 30 67 107, RGB 13 49 88 and RGB 0 31 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 64 103 145 shade: RGB 63 103 145, RGB 63 81 145, RGB 68 63 145, RGB 90 63 145 and RGB 112 63 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 64 103 145 shade: RGB 63 103 145, RGB 63 81 145 and RGB 63 63 145

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 64 103 145 shade matches the following richer shades: RGB 63 103 145, RGB 46 102 162, RGB 29 101 179 and RGB 13 101 196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 64 103 145 shade: RGB 63 103 145, RGB 80 103 128, RGB 97 104 111, RGB 114 104 94 and RGB 131 105 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 64 103 145 shade: RGB 63 145 143, RGB 63 124 145, RGB 63 103 145, RGB 63 81 145 and RGB 67 63 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 64 103 145 shade: RGB 38 62 87, RGB 51 82 116, RGB 63 103 145, RGB 76 123 173 and RGB 103 144 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 64 103 145 shade: RGB 64 103 145, RGB 122 63 145 and RGB 135 145 63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 64 103 145 shade: RGB 64 103 145, RGB 145 63 103 and RGB 103 145 63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 64 103 145 shade: RGB 64 103 145, RGB 122 63 145, RGB 145 105 63 and RGB 86 145 63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 64 103 145 shade: RGB 64 103 145, RGB 145 63 143, RGB 145 105 63 and RGB 63 145 65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 29 / 0 / 43

HEX #406791

RGB 64 103 145

HSL 211.11, 0.39%, 0.41%

LAB 42.51, -0.86, -27.24

 

Complementary color

CMYK 0 / 20 / 42 / 25

HEX #BF986E

RGB 191 152 110

HSL 31.11, 0.39%, 0.59%

LAB 65.48, 8.96, 27.62

 

CMYK 51 / 26 / 0 / 45

HEX #45678C

RGB 69 103 140

HSL 211.27, 0.34%, 0.41%

LAB 42.55, -1.27, -24.17

 

CMYK 46 / 24 / 0 / 38

HEX #56799F

RGB 86 121 159

HSL 211.23, 0.3%, 0.48%

LAB 49.69, -1.78, -24.29

 

CMYK 42 / 22 / 0 / 30

HEX #678BB2

RGB 103 139 178

HSL 211.2, 0.33%, 0.55%

LAB 56.65, -2.18, -24.44

 

CMYK 39 / 20 / 0 / 23

HEX #789DC5

RGB 120 157 197

HSL 211.17, 0.4%, 0.62%

LAB 63.46, -2.51, -24.62

 

CMYK 37 / 19 / 0 / 15

HEX #89AFD8

RGB 137 175 216

HSL 211.14, 0.5%, 0.69%

LAB 70.13, -2.78, -24.82

 

CMYK 56 / 29 / 0 / 43

HEX #406791

RGB 64 103 145

HSL 211.11, 0.39%, 0.41%

LAB 42.51, -0.86, -27.24

 

CMYK 63 / 33 / 0 / 51

HEX #2F557E

RGB 47 85 126

HSL 211.14, 0.46%, 0.34%

LAB 35.22, 0.05, -27.19

 

CMYK 72 / 37 / 0 / 58

HEX #1E436B

RGB 30 67 107

HSL 211.17, 0.56%, 0.27%

LAB 27.71, 1.34, -27.16

 

CMYK 85 / 44 / 0 / 65

HEX #0D3158

RGB 13 49 88

HSL 211.2, 0.74%, 0.2%

LAB 19.99, 3.33, -27.12

 

CMYK 100 / 55 / 0 / 73

HEX #001F45

RGB 0 31 69

HSL 213.04, 1%, 0.14%

LAB 12.02, 6.4, -27.02

 

CMYK 57 / 29 / 0 / 43

HEX #3F6791

RGB 63 103 145

HSL 210.73, 0.39%, 0.41%

LAB 42.46, -1.09, -27.33

 

CMYK 57 / 44 / 0 / 43

HEX #3F5191

RGB 63 81 145

HSL 226.83, 0.39%, 0.41%

LAB 35.96, 12.9, -37.59

 

CMYK 53 / 57 / 0 / 43

HEX #443F91

RGB 68 63 145

HSL 243.66, 0.39%, 0.41%

LAB 31.41, 25.81, -44.85

 

CMYK 38 / 57 / 0 / 43

HEX #5A3F91

RGB 90 63 145

HSL 259.76, 0.39%, 0.41%

LAB 33.51, 31.05, -41.38

 

CMYK 23 / 57 / 0 / 43

HEX #703F91

RGB 112 63 145

HSL 275.85, 0.39%, 0.41%

LAB 36.07, 36.89, -37.13

 

CMYK 57 / 29 / 0 / 43

HEX #3F6791

RGB 63 103 145

HSL 210.73, 0.39%, 0.41%

LAB 42.46, -1.09, -27.33

 

CMYK 57 / 44 / 0 / 43

HEX #3F5191

RGB 63 81 145

HSL 226.83, 0.39%, 0.41%

LAB 35.96, 12.9, -37.59

 

CMYK 57 / 57 / 0 / 43

HEX #3F3F91

RGB 63 63 145

HSL 240, 0.39%, 0.41%

LAB 31.01, 24.74, -45.52

 

CMYK 57 / 29 / 0 / 43

HEX #3F6791

RGB 63 103 145

HSL 210.73, 0.39%, 0.41%

LAB 42.46, -1.09, -27.33

 

CMYK 72 / 37 / 0 / 36

HEX #2E66A2

RGB 46 102 162

HSL 211.03, 0.56%, 0.41%

LAB 42.3, 2.31, -37.76

 

CMYK 84 / 44 / 0 / 30

HEX #1D65B3

RGB 29 101 179

HSL 211.2, 0.72%, 0.41%

LAB 42.5, 7.43, -47.48

 

CMYK 93 / 48 / 0 / 23

HEX #0D65C4

RGB 13 101 196

HSL 211.15, 0.88%, 0.41%

LAB 43.33, 13.17, -56.05

 

CMYK 57 / 29 / 0 / 43

HEX #3F6791

RGB 63 103 145

HSL 210.73, 0.39%, 0.41%

LAB 42.46, -1.09, -27.33

 

CMYK 38 / 20 / 0 / 50

HEX #506780

RGB 80 103 128

HSL 211.25, 0.23%, 0.41%

LAB 42.71, -1.84, -16.65

 

CMYK 13 / 6 / 0 / 56

HEX #61686F

RGB 97 104 111

HSL 210, 0.07%, 0.41%

LAB 43.64, -1.11, -4.85

 

CMYK 0 / 9 / 18 / 55

HEX #72685E

RGB 114 104 94

HSL 30, 0.1%, 0.41%

LAB 44.64, 2.11, 7.05

 

CMYK 0 / 20 / 41 / 49

HEX #83694D

RGB 131 105 77

HSL 31.11, 0.26%, 0.41%

LAB 46.26, 6.26, 19.67

 

CMYK 57 / 0 / 1 / 43

HEX #3F918F

RGB 63 145 143

HSL 178.54, 0.39%, 0.41%

LAB 55.37, -25.18, -6.48

 

CMYK 57 / 14 / 0 / 43

HEX #3F7C91

RGB 63 124 145

HSL 195.37, 0.39%, 0.41%

LAB 48.9, -13.41, -17.38

 

CMYK 57 / 29 / 0 / 43

HEX #3F6791

RGB 63 103 145

HSL 210.73, 0.39%, 0.41%

LAB 42.46, -1.09, -27.33

 

CMYK 57 / 44 / 0 / 43

HEX #3F5191

RGB 63 81 145

HSL 226.83, 0.39%, 0.41%

LAB 35.96, 12.9, -37.59

 

CMYK 54 / 57 / 0 / 43

HEX #433F91

RGB 67 63 145

HSL 242.93, 0.39%, 0.41%

LAB 31.33, 25.59, -44.99

 

CMYK 56 / 29 / 0 / 66

HEX #263E57

RGB 38 62 87

HSL 210.61, 0.39%, 0.25%

LAB 25.4, -1.08, -17.86

 

CMYK 56 / 29 / 0 / 55

HEX #335274

RGB 51 82 116

HSL 211.38, 0.39%, 0.33%

LAB 33.98, -0.65, -22.92

 

CMYK 57 / 29 / 0 / 43

HEX #3F6791

RGB 63 103 145

HSL 210.73, 0.39%, 0.41%

LAB 42.46, -1.09, -27.33

 

CMYK 56 / 29 / 0 / 32

HEX #4C7BAD

RGB 76 123 173

HSL 210.93, 0.39%, 0.49%

LAB 50.36, -1, -31.43

 

CMYK 45 / 23 / 0 / 26

HEX #6790BC

RGB 103 144 188

HSL 211.06, 0.39%, 0.57%

LAB 58.47, -2.17, -27.31

 

CMYK 56 / 29 / 0 / 43

HEX #406791

RGB 64 103 145

HSL 211.11, 0.39%, 0.41%

LAB 42.51, -0.86, -27.24

 

CMYK 16 / 57 / 0 / 43

HEX #7A3F91

RGB 122 63 145

HSL 283.17, 0.39%, 0.41%

LAB 37.37, 39.66, -34.99

 

CMYK 7 / 0 / 57 / 43

HEX #87913F

RGB 135 145 63

HSL 67.32, 0.39%, 0.41%

LAB 57.81, -15.8, 41.55

 

CMYK 56 / 29 / 0 / 43

HEX #406791

RGB 64 103 145

HSL 211.11, 0.39%, 0.41%

LAB 42.51, -0.86, -27.24

 

CMYK 0 / 57 / 29 / 43

HEX #913F67

RGB 145 63 103

HSL 330.73, 0.39%, 0.41%

LAB 38.82, 39.23, -6.5

 

CMYK 29 / 0 / 57 / 43

HEX #67913F

RGB 103 145 63

HSL 90.73, 0.39%, 0.41%

LAB 55.58, -28.94, 38.4

 

CMYK 56 / 29 / 0 / 43

HEX #406791

RGB 64 103 145

HSL 211.11, 0.39%, 0.41%

LAB 42.51, -0.86, -27.24

 

CMYK 16 / 57 / 0 / 43

HEX #7A3F91

RGB 122 63 145

HSL 283.17, 0.39%, 0.41%

LAB 37.37, 39.66, -34.99

 

CMYK 0 / 28 / 57 / 43

HEX #91693F

RGB 145 105 63

HSL 30.73, 0.39%, 0.41%

LAB 47.6, 10.99, 29.71

 

CMYK 41 / 0 / 57 / 43

HEX #56913F

RGB 86 145 63

HSL 103.17, 0.39%, 0.41%

LAB 54.65, -35.15, 37.07

 

CMYK 56 / 29 / 0 / 43

HEX #406791

RGB 64 103 145

HSL 211.11, 0.39%, 0.41%

LAB 42.51, -0.86, -27.24

 

CMYK 0 / 57 / 1 / 43

HEX #913F8F

RGB 145 63 143

HSL 301.46, 0.39%, 0.41%

LAB 40.5, 45.75, -28.61

 

CMYK 0 / 28 / 57 / 43

HEX #91693F

RGB 145 105 63

HSL 30.73, 0.39%, 0.41%

LAB 47.6, 10.99, 29.71

 

CMYK 57 / 0 / 55 / 43

HEX #3F9141

RGB 63 145 65

HSL 121.46, 0.39%, 0.41%

LAB 53.7, -41.95, 34.7

 

Description

Color code: RGB 64 103 145 | qconv.com Color code: RGB 64 103 145 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 103 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 103 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 29 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 29% 0% 43% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

40% - Федерация Скалолазан...
Link: http://skala-dv.ru

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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