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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 59 82 it is the complementary color RGB 191 196 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 59 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 64 59 82 shade: RGB 69 59 77, RGB 86 77 96, RGB 103 95 115, RGB 120 113 134 and RGB 137 131 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 59 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 64 59 82 shade: RGB 64 59 82, RGB 47 41 63, RGB 30 23 44, RGB 13 5 25 and RGB 0 0 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 64 59 82 shade: RGB 64 59 82, RGB 71 59 82, RGB 77 59 82, RGB 82 59 82 and RGB 82 59 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 64 59 82 shade: RGB 64 59 82 and RGB 59 59 82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 64 59 82 shade matches the following richer shades: RGB 64 59 82, RGB 58 48 94, RGB 51 36 105, RGB 45 25 117 and RGB 38 13 129

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 64 59 82 shade: RGB 64 59 82, RGB 71 71 71, RGB 78 83 59, RGB 84 94 48 and RGB 91 106 36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 64 59 82 shade: RGB 59 67 82, RGB 59 61 82, RGB 64 59 82, RGB 71 59 82 and RGB 77 59 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 64 59 82 shade: RGB 27 25 34, RGB 46 42 58, RGB 64 59 82, RGB 83 77 106 and RGB 102 94 130

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 64 59 82 shade: RGB 64 59 82, RGB 82 59 73 and RGB 64 82 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 64 59 82 shade: RGB 64 59 82, RGB 82 64 59 and RGB 59 82 64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 64 59 82 shade: RGB 64 59 82, RGB 82 59 73, RGB 77 82 59 and RGB 59 82 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 64 59 82 shade: RGB 64 59 82, RGB 82 59 66, RGB 77 82 59 and RGB 59 82 76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 28 / 0 / 68

HEX #403B52

RGB 64 59 82

HSL 253.04, 0.16%, 0.28%

LAB 26.24, 7.77, -13.12

 

Complementary color

CMYK 3 / 0 / 12 / 23

HEX #BFC4AD

RGB 191 196 173

HSL 73.04, 0.16%, 0.72%

LAB 78.21, -5.8, 10.96

 

CMYK 10 / 23 / 0 / 70

HEX #453B4D

RGB 69 59 77

HSL 273.33, 0.13%, 0.27%

LAB 26.53, 8.39, -9.34

 

CMYK 10 / 20 / 0 / 62

HEX #564D60

RGB 86 77 96

HSL 268.42, 0.11%, 0.34%

LAB 34.25, 7.88, -9.73

 

CMYK 10 / 17 / 0 / 55

HEX #675F73

RGB 103 95 115

HSL 264, 0.1%, 0.41%

LAB 41.7, 7.46, -10.13

 

CMYK 10 / 16 / 0 / 47

HEX #787186

RGB 120 113 134

HSL 260, 0.09%, 0.48%

LAB 48.91, 7.08, -10.53

 

CMYK 10 / 14 / 0 / 40

HEX #898399

RGB 137 131 153

HSL 256.36, 0.1%, 0.56%

LAB 55.94, 6.75, -10.94

 

CMYK 22 / 28 / 0 / 68

HEX #403B52

RGB 64 59 82

HSL 253.04, 0.16%, 0.28%

LAB 26.24, 7.77, -13.12

 

CMYK 25 / 35 / 0 / 75

HEX #2F293F

RGB 47 41 63

HSL 256.36, 0.21%, 0.2%

LAB 18.14, 8.41, -12.97

 

CMYK 32 / 48 / 0 / 83

HEX #1E172C

RGB 30 23 44

HSL 260, 0.31%, 0.13%

LAB 9.57, 9.26, -12.92

 

CMYK 48 / 80 / 0 / 90

HEX #0D0519

RGB 13 5 25

HSL 264, 0.67%, 0.06%

LAB 2.39, 5.92, -9.47

 

CMYK 100 / 100 / 0 / 98

HEX #000006

RGB 0 0 6

HSL 240, 1%, 0.01%

LAB 0.12, 0.83, -2.27

 

CMYK 22 / 28 / 0 / 68

HEX #403B52

RGB 64 59 82

HSL 253.04, 0.16%, 0.28%

LAB 26.24, 7.77, -13.12

 

CMYK 13 / 28 / 0 / 68

HEX #473B52

RGB 71 59 82

HSL 271.3, 0.16%, 0.28%

LAB 26.95, 10.41, -11.96

 

CMYK 6 / 28 / 0 / 68

HEX #4D3B52

RGB 77 59 82

HSL 286.96, 0.16%, 0.28%

LAB 27.61, 12.71, -10.9

 

CMYK 0 / 28 / 0 / 68

HEX #523B52

RGB 82 59 82

HSL 300, 0.16%, 0.28%

LAB 28.2, 14.66, -9.95

 

CMYK 0 / 28 / 7 / 68

HEX #523B4C

RGB 82 59 76

HSL 315.65, 0.16%, 0.28%

LAB 27.96, 13.37, -6.38

 

CMYK 22 / 28 / 0 / 68

HEX #403B52

RGB 64 59 82

HSL 253.04, 0.16%, 0.28%

LAB 26.24, 7.77, -13.12

 

CMYK 28 / 28 / 0 / 68

HEX #3B3B52

RGB 59 59 82

HSL 240, 0.16%, 0.28%

LAB 25.76, 5.95, -13.89

 

CMYK 22 / 28 / 0 / 68

HEX #403B52

RGB 64 59 82

HSL 253.04, 0.16%, 0.28%

LAB 26.24, 7.77, -13.12

 

CMYK 38 / 49 / 0 / 63

HEX #3A305E

RGB 58 48 94

HSL 253.04, 0.32%, 0.28%

LAB 23.07, 16.68, -25.99

 

CMYK 51 / 66 / 0 / 59

HEX #332469

RGB 51 36 105

HSL 253.04, 0.49%, 0.28%

LAB 19.99, 26.38, -38.18

 

CMYK 62 / 79 / 0 / 54

HEX #2D1975

RGB 45 25 117

HSL 253.04, 0.65%, 0.28%

LAB 18.09, 35.82, -49.08

 

CMYK 71 / 90 / 0 / 49

HEX #260D81

RGB 38 13 129

HSL 252.93, 0.82%, 0.28%

LAB 16.92, 44.28, -58.71

 

CMYK 22 / 28 / 0 / 68

HEX #403B52

RGB 64 59 82

HSL 253.04, 0.16%, 0.28%

LAB 26.24, 7.77, -13.12

 

CMYK 0 / 0 / 0 / 72

HEX #474747

RGB 71 71 71

HSL 0, 0%, 0.28%

LAB 30.16, 0, -0

 

CMYK 6 / 0 / 29 / 67

HEX #4E533B

RGB 78 83 59

HSL 72.5, 0.17%, 0.28%

LAB 34.24, -6.7, 13.43

 

CMYK 11 / 0 / 49 / 63

HEX #545E30

RGB 84 94 48

HSL 73.04, 0.32%, 0.28%

LAB 38.03, -12.01, 24.97

 

CMYK 14 / 0 / 66 / 58

HEX #5B6A24

RGB 91 106 36

HSL 72.86, 0.49%, 0.28%

LAB 42.25, -16.71, 36.25

 

CMYK 28 / 18 / 0 / 68

HEX #3B4352

RGB 59 67 82

HSL 219.13, 0.16%, 0.28%

LAB 28.26, 0.67, -10.08

 

CMYK 28 / 26 / 0 / 68

HEX #3B3D52

RGB 59 61 82

HSL 234.78, 0.16%, 0.28%

LAB 26.38, 4.62, -12.94

 

CMYK 22 / 28 / 0 / 68

HEX #403B52

RGB 64 59 82

HSL 253.04, 0.16%, 0.28%

LAB 26.24, 7.77, -13.12

 

CMYK 13 / 28 / 0 / 68

HEX #473B52

RGB 71 59 82

HSL 271.3, 0.16%, 0.28%

LAB 26.95, 10.41, -11.96

 

CMYK 6 / 28 / 0 / 68

HEX #4D3B52

RGB 77 59 82

HSL 286.96, 0.16%, 0.28%

LAB 27.61, 12.71, -10.9

 

CMYK 21 / 26 / 0 / 87

HEX #1B1922

RGB 27 25 34

HSL 253.33, 0.15%, 0.12%

LAB 9.35, 3.43, -5.86

 

CMYK 21 / 28 / 0 / 77

HEX #2E2A3A

RGB 46 42 58

HSL 255, 0.16%, 0.2%

LAB 18.11, 5.89, -9.57

 

CMYK 22 / 28 / 0 / 68

HEX #403B52

RGB 64 59 82

HSL 253.04, 0.16%, 0.28%

LAB 26.24, 7.77, -13.12

 

CMYK 22 / 27 / 0 / 58

HEX #534D6A

RGB 83 77 106

HSL 252.41, 0.16%, 0.36%

LAB 34.37, 9.28, -15.87

 

CMYK 22 / 28 / 0 / 49

HEX #665E82

RGB 102 94 130

HSL 253.33, 0.16%, 0.44%

LAB 41.91, 11.34, -18.93

 

CMYK 22 / 28 / 0 / 68

HEX #403B52

RGB 64 59 82

HSL 253.04, 0.16%, 0.28%

LAB 26.24, 7.77, -13.12

 

CMYK 0 / 28 / 11 / 68

HEX #523B49

RGB 82 59 73

HSL 323.48, 0.16%, 0.28%

LAB 27.85, 12.75, -4.58

 

CMYK 22 / 0 / 28 / 68

HEX #40523B

RGB 64 82 59

HSL 106.96, 0.16%, 0.28%

LAB 32.79, -12.09, 11.27

 

CMYK 22 / 28 / 0 / 68

HEX #403B52

RGB 64 59 82

HSL 253.04, 0.16%, 0.28%

LAB 26.24, 7.77, -13.12

 

CMYK 0 / 22 / 28 / 68

HEX #52403B

RGB 82 64 59

HSL 13.04, 0.16%, 0.28%

LAB 28.84, 6.93, 6.02

 

CMYK 28 / 0 / 22 / 68

HEX #3B5240

RGB 59 82 64

HSL 133.04, 0.16%, 0.28%

LAB 32.56, -13.06, 7.77

 

CMYK 22 / 28 / 0 / 68

HEX #403B52

RGB 64 59 82

HSL 253.04, 0.16%, 0.28%

LAB 26.24, 7.77, -13.12

 

CMYK 0 / 28 / 11 / 68

HEX #523B49

RGB 82 59 73

HSL 323.48, 0.16%, 0.28%

LAB 27.85, 12.75, -4.58

 

CMYK 6 / 0 / 28 / 68

HEX #4D523B

RGB 77 82 59

HSL 73.04, 0.16%, 0.28%

LAB 33.83, -6.55, 12.87

 

CMYK 28 / 0 / 16 / 68

HEX #3B5245

RGB 59 82 69

HSL 146.09, 0.16%, 0.28%

LAB 32.69, -11.94, 4.8

 

CMYK 22 / 28 / 0 / 68

HEX #403B52

RGB 64 59 82

HSL 253.04, 0.16%, 0.28%

LAB 26.24, 7.77, -13.12

 

CMYK 0 / 28 / 20 / 68

HEX #523B42

RGB 82 59 66

HSL 341.74, 0.16%, 0.28%

LAB 27.61, 11.39, -0.32

 

CMYK 6 / 0 / 28 / 68

HEX #4D523B

RGB 77 82 59

HSL 73.04, 0.16%, 0.28%

LAB 33.83, -6.55, 12.87

 

CMYK 28 / 0 / 7 / 68

HEX #3B524C

RGB 59 82 76

HSL 164.35, 0.16%, 0.28%

LAB 32.89, -10.26, 0.67

 

Description

Color code: RGB 64 59 82 | qconv.com Color code: RGB 64 59 82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 59 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 59 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 28 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 28% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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