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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 46 196 it is the complementary color RGB 191 209 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 46 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 64 46 196 shade: RGB 69 46 191, RGB 86 64 210, RGB 103 82 229, RGB 120 100 248 and RGB 137 118 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 46 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 64 46 196 shade: RGB 64 46 196, RGB 47 28 177, RGB 30 10 158, RGB 13 0 139 and RGB 0 0 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 64 46 196 shade: RGB 63 45 194, RGB 103 45 194, RGB 143 45 194, RGB 183 45 194 and RGB 194 45 164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 64 46 196 shade: RGB 63 45 194 and RGB 45 45 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 64 46 196 shade matches the following richer shades: RGB 63 45 194, RGB 48 26 213 and RGB 33 6 232

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 64 46 196 shade: RGB 63 45 194, RGB 78 64 174, RGB 92 84 155, RGB 107 103 135 and RGB 122 123 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 64 46 196 shade: RGB 45 107 194, RGB 45 67 194, RGB 62 45 194, RGB 102 45 194 and RGB 142 45 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 64 46 196 shade: RGB 41 29 127, RGB 52 37 160, RGB 63 45 194, RGB 86 69 211 and RGB 116 102 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 64 46 196 shade: RGB 64 46 196, RGB 194 45 147 and RGB 87 194 45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 64 46 196 shade: RGB 64 46 196, RGB 194 62 45 and RGB 45 194 62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 64 46 196 shade: RGB 64 46 196, RGB 194 45 147, RGB 176 194 45 and RGB 45 194 92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 64 46 196 shade: RGB 64 46 196, RGB 194 45 102, RGB 176 194 45 and RGB 45 194 137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 77 / 0 / 23

HEX #402EC4

RGB 64 46 196

HSL 247.2, 0.62%, 0.47%

LAB 31.87, 51.63, -74.68

 

Complementary color

CMYK 9 / 0 / 72 / 18

HEX #BFD13B

RGB 191 209 59

HSL 67.2, 0.62%, 0.53%

LAB 80.18, -24.63, 67.94

 

CMYK 64 / 76 / 0 / 25

HEX #452EBF

RGB 69 46 191

HSL 249.52, 0.61%, 0.46%

LAB 31.76, 50.65, -71.91

 

CMYK 59 / 70 / 0 / 18

HEX #5640D2

RGB 86 64 210

HSL 249.04, 0.62%, 0.54%

LAB 38.37, 49.02, -72.07

 

CMYK 55 / 64 / 0 / 10

HEX #6752E5

RGB 103 82 229

HSL 248.57, 0.74%, 0.61%

LAB 45.05, 47.33, -71.96

 

CMYK 52 / 60 / 0 / 3

HEX #7864F8

RGB 120 100 248

HSL 248.11, 0.91%, 0.68%

LAB 51.71, 45.72, -71.73

 

CMYK 46 / 54 / 0 / 0

HEX #8976FF

RGB 137 118 255

HSL 248.32, 1%, 0.73%

LAB 57.55, 40.81, -66.08

 

CMYK 67 / 77 / 0 / 23

HEX #402EC4

RGB 64 46 196

HSL 247.2, 0.62%, 0.47%

LAB 31.87, 51.63, -74.68

 

CMYK 73 / 84 / 0 / 31

HEX #2F1CB1

RGB 47 28 177

HSL 247.65, 0.73%, 0.4%

LAB 25.59, 52.96, -73.86

 

CMYK 81 / 94 / 0 / 38

HEX #1E0A9E

RGB 30 10 158

HSL 248.11, 0.88%, 0.33%

LAB 19.89, 53.03, -71.86

 

CMYK 91 / 100 / 0 / 45

HEX #0D008B

RGB 13 0 139

HSL 245.61, 1%, 0.27%

LAB 15.22, 50.58, -67.9

 

CMYK 100 / 100 / 0 / 53

HEX #000078

RGB 0 0 120

HSL 240, 1%, 0.24%

LAB 11.66, 45.35, -61.77

 

CMYK 68 / 77 / 0 / 24

HEX #3F2DC2

RGB 63 45 194

HSL 247.25, 0.62%, 0.47%

LAB 31.41, 51.42, -74.27

 

CMYK 47 / 77 / 0 / 24

HEX #672DC2

RGB 103 45 194

HSL 263.36, 0.62%, 0.47%

LAB 35.31, 56.45, -67.71

 

CMYK 26 / 77 / 0 / 24

HEX #8F2DC2

RGB 143 45 194

HSL 279.46, 0.62%, 0.47%

LAB 40.59, 63.08, -58.88

 

CMYK 6 / 77 / 0 / 24

HEX #B72DC2

RGB 183 45 194

HSL 295.57, 0.62%, 0.47%

LAB 46.76, 70.68, -48.62

 

CMYK 0 / 77 / 15 / 24

HEX #C22DA4

RGB 194 45 164

HSL 312.08, 0.62%, 0.47%

LAB 47.01, 68.41, -30.47

 

CMYK 68 / 77 / 0 / 24

HEX #3F2DC2

RGB 63 45 194

HSL 247.25, 0.62%, 0.47%

LAB 31.41, 51.42, -74.27

 

CMYK 77 / 77 / 0 / 24

HEX #2D2DC2

RGB 45 45 194

HSL 240, 0.62%, 0.47%

LAB 30.23, 49.87, -76.26

 

CMYK 68 / 77 / 0 / 24

HEX #3F2DC2

RGB 63 45 194

HSL 247.25, 0.62%, 0.47%

LAB 31.41, 51.42, -74.27

 

CMYK 77 / 88 / 0 / 16

HEX #301AD5

RGB 48 26 213

HSL 247.06, 0.78%, 0.47%

LAB 29.84, 63.92, -88

 

CMYK 86 / 97 / 0 / 9

HEX #2106E8

RGB 33 6 232

HSL 247.17, 0.95%, 0.47%

LAB 30.11, 73, -98.5

 

CMYK 68 / 77 / 0 / 24

HEX #3F2DC2

RGB 63 45 194

HSL 247.25, 0.62%, 0.47%

LAB 31.41, 51.42, -74.27

 

CMYK 55 / 63 / 0 / 32

HEX #4E40AE

RGB 78 64 174

HSL 247.64, 0.46%, 0.47%

LAB 34.69, 36.57, -57.02

 

CMYK 41 / 46 / 0 / 39

HEX #5C549B

RGB 92 84 155

HSL 246.76, 0.3%, 0.47%

LAB 39.55, 21.43, -37.77

 

CMYK 21 / 24 / 0 / 47

HEX #6B6787

RGB 107 103 135

HSL 247.5, 0.13%, 0.47%

LAB 45.05, 8.78, -17.1

 

CMYK 1 / 0 / 6 / 52

HEX #7A7B74

RGB 122 123 116

HSL 68.57, 0.03%, 0.47%

LAB 51.34, -1.75, 3.69

 

CMYK 77 / 45 / 0 / 24

HEX #2D6BC2

RGB 45 107 194

HSL 215.03, 0.62%, 0.47%

LAB 45.59, 11.04, -51.22

 

CMYK 77 / 65 / 0 / 24

HEX #2D43C2

RGB 45 67 194

HSL 231.14, 0.62%, 0.47%

LAB 34.94, 36.91, -68.5

 

CMYK 68 / 77 / 0 / 24

HEX #3E2DC2

RGB 62 45 194

HSL 246.85, 0.62%, 0.47%

LAB 31.34, 51.32, -74.4

 

CMYK 47 / 77 / 0 / 24

HEX #662DC2

RGB 102 45 194

HSL 262.95, 0.62%, 0.47%

LAB 35.2, 56.3, -67.91

 

CMYK 27 / 77 / 0 / 24

HEX #8E2DC2

RGB 142 45 194

HSL 279.06, 0.62%, 0.47%

LAB 40.45, 62.9, -59.12

 

CMYK 68 / 77 / 0 / 50

HEX #291D7F

RGB 41 29 127

HSL 247.35, 0.63%, 0.31%

LAB 19.57, 36.32, -53.05

 

CMYK 68 / 77 / 0 / 37

HEX #3425A0

RGB 52 37 160

HSL 247.32, 0.62%, 0.39%

LAB 25.54, 43.88, -63.67

 

CMYK 68 / 77 / 0 / 24

HEX #3F2DC2

RGB 63 45 194

HSL 247.25, 0.62%, 0.47%

LAB 31.41, 51.42, -74.27

 

CMYK 59 / 67 / 0 / 17

HEX #5645D3

RGB 86 69 211

HSL 247.18, 0.62%, 0.55%

LAB 39.48, 46.54, -70.84

 

CMYK 47 / 53 / 0 / 14

HEX #7466DB

RGB 116 102 219

HSL 247.18, 0.62%, 0.63%

LAB 49.89, 35.22, -58.39

 

CMYK 67 / 77 / 0 / 23

HEX #402EC4

RGB 64 46 196

HSL 247.2, 0.62%, 0.47%

LAB 31.87, 51.63, -74.68

 

CMYK 0 / 77 / 24 / 24

HEX #C22D93

RGB 194 45 147

HSL 318.93, 0.62%, 0.47%

LAB 46.25, 66.17, -21.48

 

CMYK 55 / 0 / 77 / 24

HEX #57C22D

RGB 87 194 45

HSL 103.09, 0.62%, 0.47%

LAB 70.04, -56.15, 60.87

 

CMYK 67 / 77 / 0 / 23

HEX #402EC4

RGB 64 46 196

HSL 247.2, 0.62%, 0.47%

LAB 31.87, 51.63, -74.68

 

CMYK 0 / 68 / 77 / 24

HEX #C23E2D

RGB 194 62 45

HSL 6.85, 0.62%, 0.47%

LAB 45.78, 51.69, 39.42

 

CMYK 77 / 0 / 68 / 24

HEX #2DC23E

RGB 45 194 62

HSL 126.85, 0.62%, 0.47%

LAB 69.1, -63.39, 53.41

 

CMYK 67 / 77 / 0 / 23

HEX #402EC4

RGB 64 46 196

HSL 247.2, 0.62%, 0.47%

LAB 31.87, 51.63, -74.68

 

CMYK 0 / 77 / 24 / 24

HEX #C22D93

RGB 194 45 147

HSL 318.93, 0.62%, 0.47%

LAB 46.25, 66.17, -21.48

 

CMYK 9 / 0 / 77 / 24

HEX #B0C22D

RGB 176 194 45

HSL 67.25, 0.62%, 0.47%

LAB 74.83, -24.22, 67.08

 

CMYK 77 / 0 / 53 / 24

HEX #2DC25C

RGB 45 194 92

HSL 138.93, 0.62%, 0.47%

LAB 69.41, -59.73, 40.3

 

CMYK 67 / 77 / 0 / 23

HEX #402EC4

RGB 64 46 196

HSL 247.2, 0.62%, 0.47%

LAB 31.87, 51.63, -74.68

 

CMYK 0 / 77 / 47 / 24

HEX #C22D66

RGB 194 45 102

HSL 337.05, 0.62%, 0.47%

LAB 44.67, 61.34, 3.69

 

CMYK 9 / 0 / 77 / 24

HEX #B0C22D

RGB 176 194 45

HSL 67.25, 0.62%, 0.47%

LAB 74.83, -24.22, 67.08

 

CMYK 77 / 0 / 29 / 24

HEX #2DC289

RGB 45 194 137

HSL 157.05, 0.62%, 0.47%

LAB 70.14, -51.4, 18

 

Description

Color code: RGB 64 46 196 | qconv.com Color code: RGB 64 46 196 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 46 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 46 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 77 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 77% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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