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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 67 238 21 it is the complementary color RGB 188 17 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 67 238 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 67 238 21 shade: RGB 72 238 16, RGB 89 255 35, RGB 106 255 54, RGB 123 255 73 and RGB 140 255 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 67 238 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 67 238 21 shade: RGB 67 238 21, RGB 50 220 2, RGB 33 202 0, RGB 16 184 0 and RGB 0 166 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 67 238 21 shade: RGB 68 237 22, RGB 126 237 22, RGB 184 237 22, RGB 237 232 22 and RGB 237 175 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 67 238 21 shade: RGB 68 237 22, RGB 22 237 34, RGB 22 237 92, RGB 22 237 150 and RGB 22 237 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 67 238 21 shade matches the following richer shades: RGB 68 237 22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 67 238 21 shade: RGB 68 237 22, RGB 79 217 42, RGB 91 197 63, RGB 103 176 83 and RGB 114 156 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 67 238 21 shade: RGB 183 237 22, RGB 126 237 22, RGB 69 237 22, RGB 22 237 33 and RGB 22 237 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 67 238 21 shade: RGB 44 165 12, RGB 55 203 15, RGB 68 237 22, RGB 99 240 60 and RGB 129 243 99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 67 238 21 shade: RGB 67 238 21, RGB 22 237 233 and RGB 237 22 155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 67 238 21 shade: RGB 67 238 21, RGB 22 69 237 and RGB 237 22 69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 67 238 21 shade: RGB 67 238 21, RGB 22 237 233, RGB 190 22 237 and RGB 237 22 26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 67 238 21 shade: RGB 67 238 21, RGB 22 176 237, RGB 190 22 237 and RGB 237 83 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 91 / 7

HEX #43EE15

RGB 67 238 21

HSL 107.28, 0.86%, 0.51%

LAB 83.12, -75.75, 77.72

 

Complementary color

CMYK 20 / 93 / 0 / 8

HEX #BC11EA

RGB 188 17 234

HSL 287.28, 0.86%, 0.49%

LAB 48.3, 83.9, -69.04

 

CMYK 70 / 0 / 93 / 7

HEX #48EE10

RGB 72 238 16

HSL 104.86, 0.87%, 0.5%

LAB 83.21, -75.01, 78.45

 

CMYK 65 / 0 / 86 / 0

HEX #59FF23

RGB 89 255 35

HSL 105.27, 1%, 0.57%

LAB 88.81, -76.51, 80.47

 

CMYK 58 / 0 / 79 / 0

HEX #6AFF36

RGB 106 255 54

HSL 104.48, 1%, 0.61%

LAB 89.32, -72.03, 76.71

 

CMYK 52 / 0 / 71 / 0

HEX #7BFF49

RGB 123 255 73

HSL 103.52, 1%, 0.64%

LAB 89.96, -66.64, 71.64

 

CMYK 45 / 0 / 64 / 0

HEX #8CFF5C

RGB 140 255 92

HSL 102.33, 1%, 0.68%

LAB 90.72, -60.43, 65.59

 

CMYK 72 / 0 / 91 / 7

HEX #43EE15

RGB 67 238 21

HSL 107.28, 0.86%, 0.51%

LAB 83.12, -75.75, 77.72

 

CMYK 77 / 0 / 99 / 14

HEX #32DC02

RGB 50 220 2

HSL 106.79, 0.98%, 0.44%

LAB 77.2, -73.38, 74.72

 

CMYK 84 / 0 / 100 / 21

HEX #21CA00

RGB 33 202 0

HSL 110.2, 1%, 0.4%

LAB 71.26, -70.3, 70.06

 

CMYK 91 / 0 / 100 / 28

HEX #10B800

RGB 16 184 0

HSL 114.78, 1%, 0.36%

LAB 65.27, -66.65, 65.2

 

CMYK 100 / 0 / 100 / 35

HEX #00A600

RGB 0 166 0

HSL 120, 1%, 0.33%

LAB 59.23, -62.5, 60.32

 

CMYK 71 / 0 / 91 / 7

HEX #44ED16

RGB 68 237 22

HSL 107.16, 0.86%, 0.51%

LAB 82.84, -75.26, 77.35

 

CMYK 47 / 0 / 91 / 7

HEX #7EED16

RGB 126 237 22

HSL 90.98, 0.86%, 0.51%

LAB 84.52, -61.61, 79.43

 

CMYK 22 / 0 / 91 / 7

HEX #B8ED16

RGB 184 237 22

HSL 74.79, 0.86%, 0.51%

LAB 87.4, -41.52, 82.96

 

CMYK 0 / 2 / 91 / 7

HEX #EDE816

RGB 237 232 22

HSL 58.6, 0.86%, 0.51%

LAB 89.76, -17.76, 86.4

 

CMYK 0 / 26 / 91 / 7

HEX #EDAF16

RGB 237 175 22

HSL 42.7, 0.86%, 0.51%

LAB 75.28, 11.26, 75.37

 

CMYK 71 / 0 / 91 / 7

HEX #44ED16

RGB 68 237 22

HSL 107.16, 0.86%, 0.51%

LAB 82.84, -75.26, 77.35

 

CMYK 91 / 0 / 86 / 7

HEX #16ED22

RGB 22 237 34

HSL 123.35, 0.86%, 0.51%

LAB 82.3, -79.89, 74.59

 

CMYK 91 / 0 / 61 / 7

HEX #16ED5C

RGB 22 237 92

HSL 139.53, 0.86%, 0.51%

LAB 82.65, -75.42, 55.87

 

CMYK 91 / 0 / 37 / 7

HEX #16ED96

RGB 22 237 150

HSL 155.72, 0.86%, 0.51%

LAB 83.41, -66.33, 29.24

 

CMYK 91 / 0 / 12 / 7

HEX #16EDD0

RGB 22 237 208

HSL 171.91, 0.86%, 0.51%

LAB 84.63, -52.93, 0.84

 

CMYK 71 / 0 / 91 / 7

HEX #44ED16

RGB 68 237 22

HSL 107.16, 0.86%, 0.51%

LAB 82.84, -75.26, 77.35

 

CMYK 71 / 0 / 91 / 7

HEX #44ED16

RGB 68 237 22

HSL 107.16, 0.86%, 0.51%

LAB 82.84, -75.26, 77.35

 

CMYK 64 / 0 / 81 / 15

HEX #4FD92A

RGB 79 217 42

HSL 107.31, 0.7%, 0.51%

LAB 76.95, -66.18, 68.19

 

CMYK 54 / 0 / 68 / 23

HEX #5BC53F

RGB 91 197 63

HSL 107.46, 0.54%, 0.51%

LAB 71.22, -54.85, 55.63

 

CMYK 41 / 0 / 53 / 31

HEX #67B053

RGB 103 176 83

HSL 107.1, 0.37%, 0.51%

LAB 65.4, -40.75, 40.23

 

CMYK 27 / 0 / 34 / 39

HEX #729C67

RGB 114 156 103

HSL 107.55, 0.21%, 0.51%

LAB 60.19, -24.81, 23.29

 

CMYK 23 / 0 / 91 / 7

HEX #B7ED16

RGB 183 237 22

HSL 75.07, 0.86%, 0.51%

LAB 87.34, -41.9, 82.89

 

CMYK 47 / 0 / 91 / 7

HEX #7EED16

RGB 126 237 22

HSL 90.98, 0.86%, 0.51%

LAB 84.52, -61.61, 79.43

 

CMYK 71 / 0 / 91 / 7

HEX #45ED16

RGB 69 237 22

HSL 106.88, 0.86%, 0.51%

LAB 82.86, -75.1, 77.37

 

CMYK 91 / 0 / 86 / 7

HEX #16ED21

RGB 22 237 33

HSL 123.07, 0.86%, 0.51%

LAB 82.3, -79.93, 74.79

 

CMYK 91 / 0 / 62 / 7

HEX #16ED5A

RGB 22 237 90

HSL 138.98, 0.86%, 0.51%

LAB 82.63, -75.65, 56.7

 

CMYK 73 / 0 / 93 / 35

HEX #2CA50C

RGB 44 165 12

HSL 107.45, 0.86%, 0.35%

LAB 59.41, -57.5, 58.96

 

CMYK 73 / 0 / 93 / 20

HEX #37CB0F

RGB 55 203 15

HSL 107.23, 0.86%, 0.43%

LAB 71.93, -67.36, 69.09

 

CMYK 71 / 0 / 91 / 7

HEX #44ED16

RGB 68 237 22

HSL 107.16, 0.86%, 0.51%

LAB 82.84, -75.26, 77.35

 

CMYK 59 / 0 / 75 / 6

HEX #63F03C

RGB 99 240 60

HSL 107, 0.86%, 0.59%

LAB 84.64, -68.3, 70.4

 

CMYK 47 / 0 / 59 / 5

HEX #81F363

RGB 129 243 99

HSL 107.5, 0.86%, 0.67%

LAB 86.83, -58.36, 58.25

 

CMYK 72 / 0 / 91 / 7

HEX #43EE15

RGB 67 238 21

HSL 107.28, 0.86%, 0.51%

LAB 83.12, -75.75, 77.72

 

CMYK 91 / 0 / 2 / 7

HEX #16EDE9

RGB 22 237 233

HSL 178.88, 0.86%, 0.51%

LAB 85.31, -46.06, -11.31

 

CMYK 0 / 91 / 35 / 7

HEX #ED169B

RGB 237 22 155

HSL 322.88, 0.86%, 0.51%

LAB 52.89, 81.25, -15.41

 

CMYK 72 / 0 / 91 / 7

HEX #43EE15

RGB 67 238 21

HSL 107.28, 0.86%, 0.51%

LAB 83.12, -75.75, 77.72

 

CMYK 91 / 71 / 0 / 7

HEX #1645ED

RGB 22 69 237

HSL 226.88, 0.86%, 0.51%

LAB 38.8, 49.58, -86.91

 

CMYK 0 / 91 / 71 / 7

HEX #ED1645

RGB 237 22 69

HSL 346.88, 0.86%, 0.51%

LAB 50.7, 75.23, 33.42

 

CMYK 72 / 0 / 91 / 7

HEX #43EE15

RGB 67 238 21

HSL 107.28, 0.86%, 0.51%

LAB 83.12, -75.75, 77.72

 

CMYK 91 / 0 / 2 / 7

HEX #16EDE9

RGB 22 237 233

HSL 178.88, 0.86%, 0.51%

LAB 85.31, -46.06, -11.31

 

CMYK 20 / 91 / 0 / 7

HEX #BE16ED

RGB 190 22 237

HSL 286.88, 0.86%, 0.51%

LAB 49.05, 84.06, -69.5

 

CMYK 0 / 91 / 89 / 7

HEX #ED161A

RGB 237 22 26

HSL 358.88, 0.86%, 0.51%

LAB 50.28, 74.05, 55.87

 

CMYK 72 / 0 / 91 / 7

HEX #43EE15

RGB 67 238 21

HSL 107.28, 0.86%, 0.51%

LAB 83.12, -75.75, 77.72

 

CMYK 91 / 26 / 0 / 7

HEX #16B0ED

RGB 22 176 237

HSL 197.02, 0.86%, 0.51%

LAB 67.53, -15.34, -40.63

 

CMYK 20 / 91 / 0 / 7

HEX #BE16ED

RGB 190 22 237

HSL 286.88, 0.86%, 0.51%

LAB 49.05, 84.06, -69.5

 

CMYK 0 / 65 / 91 / 7

HEX #ED5316

RGB 237 83 22

HSL 17.02, 0.86%, 0.51%

LAB 56.34, 57.07, 61.56

 

Description

Color code: RGB 67 238 21 | qconv.com Color code: RGB 67 238 21 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 238 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 238 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 91 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 91% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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