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Color name
RGB 67 19 54

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 67 19 54 it is the complementary color RGB 188 236 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 67 19 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 67 19 54 shade: RGB 72 19 49, RGB 89 37 68, RGB 106 55 87, RGB 123 73 106 and RGB 140 91 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 67 19 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 67 19 54 shade: RGB 67 19 54, RGB 50 1 35, RGB 33 0 16 and RGB 16 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 67 19 54 shade: RGB 67 19 54, RGB 67 19 41, RGB 67 19 28 and RGB 67 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 67 19 54 shade: RGB 67 19 54, RGB 67 19 67, RGB 54 19 67, RGB 41 19 67 and RGB 28 19 67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 67 19 54 shade matches the following richer shades: RGB 67 19 54, RGB 74 12 57 and RGB 81 5 60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 67 19 54 shade: RGB 67 19 54, RGB 60 26 51, RGB 53 33 48, RGB 46 40 44 and RGB 39 47 41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 67 19 54 shade: RGB 54 19 67, RGB 67 19 67, RGB 67 19 54, RGB 67 19 41 and RGB 67 19 28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 67 19 54 shade: RGB 3 0 2, RGB 35 9 28, RGB 67 19 54, RGB 99 28 80 and RGB 131 37 106

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 67 19 54 shade: RGB 67 19 54, RGB 67 41 19 and RGB 19 67 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 67 19 54 shade: RGB 67 19 54, RGB 54 67 19 and RGB 19 54 67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 67 19 54 shade: RGB 67 19 54, RGB 67 41 19, RGB 19 67 32 and RGB 19 44 67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 67 19 54 shade: RGB 67 19 54, RGB 67 56 19, RGB 19 67 32 and RGB 19 30 67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 19 / 74

HEX #431336

RGB 67 19 54

HSL 316.25, 0.56%, 0.17%

LAB 15.09, 27.67, -11.13

 

Complementary color

CMYK 20 / 0 / 15 / 7

HEX #BCECC9

RGB 188 236 201

HSL 136.25, 0.56%, 0.83%

LAB 89.35, -22.14, 11.96

 

CMYK 0 / 74 / 32 / 72

HEX #481331

RGB 72 19 49

HSL 326.04, 0.58%, 0.18%

LAB 15.83, 28.53, -6.34

 

CMYK 0 / 58 / 24 / 65

HEX #592544

RGB 89 37 68

HSL 324.23, 0.41%, 0.25%

LAB 23.22, 28.09, -8.1

 

CMYK 0 / 48 / 18 / 58

HEX #6A3757

RGB 106 55 87

HSL 322.35, 0.32%, 0.32%

LAB 30.6, 27.27, -9.26

 

CMYK 0 / 41 / 14 / 52

HEX #7B496A

RGB 123 73 106

HSL 320.4, 0.26%, 0.38%

LAB 37.87, 26.41, -10.12

 

CMYK 0 / 35 / 11 / 45

HEX #8C5B7D

RGB 140 91 125

HSL 318.37, 0.21%, 0.45%

LAB 45, 25.59, -10.84

 

CMYK 0 / 72 / 19 / 74

HEX #431336

RGB 67 19 54

HSL 316.25, 0.56%, 0.17%

LAB 15.09, 27.67, -11.13

 

CMYK 0 / 98 / 30 / 80

HEX #320123

RGB 50 1 35

HSL 318.37, 0.96%, 0.1%

LAB 7.42, 27.99, -9.24

 

CMYK 0 / 100 / 52 / 87

HEX #210010

RGB 33 0 16

HSL 330.91, 1%, 0.06%

LAB 3.26, 15.48, -1.85

 

CMYK 0 / 100 / 100 / 94

HEX #100000

RGB 16 0 0

HSL 0, 1%, 0.03%

LAB 1, 4.46, 1.57

 

CMYK 0 / 72 / 19 / 74

HEX #431336

RGB 67 19 54

HSL 316.25, 0.56%, 0.17%

LAB 15.09, 27.67, -11.13

 

CMYK 0 / 72 / 39 / 74

HEX #431329

RGB 67 19 41

HSL 332.5, 0.56%, 0.17%

LAB 14.51, 25.59, -2.64

 

CMYK 0 / 72 / 58 / 74

HEX #43131C

RGB 67 19 28

HSL 348.75, 0.56%, 0.17%

LAB 14.08, 24, 6.26

 

CMYK 0 / 72 / 72 / 74

HEX #431313

RGB 67 19 19

HSL 0, 0.56%, 0.17%

LAB 13.86, 23.19, 12.39

 

CMYK 0 / 72 / 19 / 74

HEX #431336

RGB 67 19 54

HSL 316.25, 0.56%, 0.17%

LAB 15.09, 27.67, -11.13

 

CMYK 0 / 72 / 0 / 74

HEX #431343

RGB 67 19 67

HSL 300, 0.56%, 0.17%

LAB 15.82, 30.14, -19.16

 

CMYK 19 / 72 / 0 / 74

HEX #361343

RGB 54 19 67

HSL 283.75, 0.56%, 0.17%

LAB 13.56, 26.39, -22.89

 

CMYK 39 / 72 / 0 / 74

HEX #291343

RGB 41 19 67

HSL 267.5, 0.56%, 0.17%

LAB 11.57, 22.8, -26.2

 

CMYK 58 / 72 / 0 / 74

HEX #1C1343

RGB 28 19 67

HSL 251.25, 0.56%, 0.17%

LAB 9.94, 19.6, -28.92

 

CMYK 0 / 72 / 19 / 74

HEX #431336

RGB 67 19 54

HSL 316.25, 0.56%, 0.17%

LAB 15.09, 27.67, -11.13

 

CMYK 0 / 84 / 23 / 71

HEX #4A0C39

RGB 74 12 57

HSL 316.45, 0.72%, 0.17%

LAB 15.56, 33.32, -12.43

 

CMYK 0 / 94 / 26 / 68

HEX #51053C

RGB 81 5 60

HSL 316.58, 0.88%, 0.17%

LAB 16.43, 37.89, -13.1

 

CMYK 0 / 72 / 19 / 74

HEX #431336

RGB 67 19 54

HSL 316.25, 0.56%, 0.17%

LAB 15.09, 27.67, -11.13

 

CMYK 0 / 57 / 15 / 76

HEX #3C1A33

RGB 60 26 51

HSL 315.88, 0.4%, 0.17%

LAB 15.16, 20.66, -8.99

 

CMYK 0 / 38 / 9 / 79

HEX #352130

RGB 53 33 48

HSL 315, 0.23%, 0.17%

LAB 15.79, 12.58, -5.99

 

CMYK 0 / 13 / 4 / 82

HEX #2E282C

RGB 46 40 44

HSL 320, 0.07%, 0.17%

LAB 16.89, 3.67, -1.61

 

CMYK 17 / 0 / 13 / 82

HEX #272F29

RGB 39 47 41

HSL 135, 0.09%, 0.17%

LAB 18.47, -4.95, 2.7

 

CMYK 19 / 72 / 0 / 74

HEX #361343

RGB 54 19 67

HSL 283.75, 0.56%, 0.17%

LAB 13.56, 26.39, -22.89

 

CMYK 0 / 72 / 0 / 74

HEX #431343

RGB 67 19 67

HSL 300, 0.56%, 0.17%

LAB 15.82, 30.14, -19.16

 

CMYK 0 / 72 / 19 / 74

HEX #431336

RGB 67 19 54

HSL 316.25, 0.56%, 0.17%

LAB 15.09, 27.67, -11.13

 

CMYK 0 / 72 / 39 / 74

HEX #431329

RGB 67 19 41

HSL 332.5, 0.56%, 0.17%

LAB 14.51, 25.59, -2.64

 

CMYK 0 / 72 / 58 / 74

HEX #43131C

RGB 67 19 28

HSL 348.75, 0.56%, 0.17%

LAB 14.08, 24, 6.26

 

CMYK 0 / 100 / 33 / 99

HEX #030002

RGB 3 0 2

HSL 320, 1%, 0.01%

LAB 0.21, 1.06, -0.48

 

CMYK 0 / 74 / 20 / 86

HEX #23091C

RGB 35 9 28

HSL 316.15, 0.59%, 0.09%

LAB 5.75, 15.83, -6.62

 

CMYK 0 / 72 / 19 / 74

HEX #431336

RGB 67 19 54

HSL 316.25, 0.56%, 0.17%

LAB 15.09, 27.67, -11.13

 

CMYK 0 / 72 / 19 / 61

HEX #631C50

RGB 99 28 80

HSL 316.06, 0.56%, 0.25%

LAB 23.88, 37.79, -15.03

 

CMYK 0 / 72 / 19 / 49

HEX #83256A

RGB 131 37 106

HSL 315.96, 0.56%, 0.33%

LAB 32.23, 47.2, -18.64

 

CMYK 0 / 72 / 19 / 74

HEX #431336

RGB 67 19 54

HSL 316.25, 0.56%, 0.17%

LAB 15.09, 27.67, -11.13

 

CMYK 0 / 39 / 72 / 74

HEX #432913

RGB 67 41 19

HSL 27.5, 0.56%, 0.17%

LAB 19.33, 9.57, 19.15

 

CMYK 72 / 0 / 9 / 74

HEX #13433D

RGB 19 67 61

HSL 172.5, 0.56%, 0.17%

LAB 25.23, -17.65, -1.09

 

CMYK 0 / 72 / 19 / 74

HEX #431336

RGB 67 19 54

HSL 316.25, 0.56%, 0.17%

LAB 15.09, 27.67, -11.13

 

CMYK 19 / 0 / 72 / 74

HEX #364313

RGB 54 67 19

HSL 76.25, 0.56%, 0.17%

LAB 26.29, -13.66, 26.52

 

CMYK 72 / 19 / 0 / 74

HEX #133643

RGB 19 54 67

HSL 196.25, 0.56%, 0.17%

LAB 20.76, -7.77, -11.82

 

CMYK 0 / 72 / 19 / 74

HEX #431336

RGB 67 19 54

HSL 316.25, 0.56%, 0.17%

LAB 15.09, 27.67, -11.13

 

CMYK 0 / 39 / 72 / 74

HEX #432913

RGB 67 41 19

HSL 27.5, 0.56%, 0.17%

LAB 19.33, 9.57, 19.15

 

CMYK 72 / 0 / 52 / 74

HEX #134320

RGB 19 67 32

HSL 136.25, 0.56%, 0.17%

LAB 24.5, -25.17, 16.59

 

CMYK 72 / 34 / 0 / 74

HEX #132C43

RGB 19 44 67

HSL 208.75, 0.56%, 0.17%

LAB 17.2, -1, -17.34

 

CMYK 0 / 72 / 19 / 74

HEX #431336

RGB 67 19 54

HSL 316.25, 0.56%, 0.17%

LAB 15.09, 27.67, -11.13

 

CMYK 0 / 16 / 72 / 74

HEX #433813

RGB 67 56 19

HSL 46.25, 0.56%, 0.17%

LAB 23.9, -0.31, 24.3

 

CMYK 72 / 0 / 52 / 74

HEX #134320

RGB 19 67 32

HSL 136.25, 0.56%, 0.17%

LAB 24.5, -25.17, 16.59

 

CMYK 72 / 55 / 0 / 74

HEX #131E43

RGB 19 30 67

HSL 226.25, 0.56%, 0.17%

LAB 12.43, 9.38, -24.92

 

Description

Color code: RGB 67 19 54 | qconv.com Color code: RGB 67 19 54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 19 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 19 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 19 yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 19% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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