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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 67 176 49 it is the complementary color RGB 188 79 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 67 176 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 67 176 49 shade: RGB 72 176 44, RGB 89 194 63, RGB 106 212 82, RGB 123 230 101 and RGB 140 248 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 67 176 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 67 176 49 shade: RGB 67 176 49, RGB 50 158 30, RGB 33 140 11, RGB 16 122 0 and RGB 0 104 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 67 176 49 shade: RGB 67 175 49, RGB 101 175 49, RGB 134 175 49, RGB 168 175 49 and RGB 175 147 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 67 176 49 shade: RGB 67 175 49, RGB 49 175 65, RGB 49 175 99, RGB 49 175 133 and RGB 49 175 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 67 176 49 shade matches the following richer shades: RGB 67 175 49, RGB 54 193 31 and RGB 41 211 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 67 176 49 shade: RGB 67 175 49, RGB 80 156 67, RGB 93 138 85, RGB 106 120 103 and RGB 119 102 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 67 176 49 shade: RGB 135 175 49, RGB 101 175 49, RGB 68 175 49, RGB 49 175 64 and RGB 49 175 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 67 176 49 shade: RGB 42 110 31, RGB 54 142 40, RGB 67 175 49, RGB 83 201 64 and RGB 112 210 96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 67 176 49 shade: RGB 67 176 49, RGB 49 168 175 and RGB 175 49 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 67 176 49 shade: RGB 67 176 49, RGB 49 68 175 and RGB 175 49 68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 67 176 49 shade: RGB 67 176 49, RGB 49 168 175, RGB 156 49 175 and RGB 175 55 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 67 176 49 shade: RGB 67 176 49, RGB 49 131 175, RGB 156 49 175 and RGB 175 93 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 72 / 31

HEX #43B031

RGB 67 176 49

HSL 111.5, 0.56%, 0.44%

LAB 63.73, -54.43, 52.99

 

Complementary color

CMYK 9 / 62 / 0 / 19

HEX #BC4FCE

RGB 188 79 206

HSL 291.5, 0.56%, 0.56%

LAB 52.66, 61.31, -46.1

 

CMYK 59 / 0 / 75 / 31

HEX #48B02C

RGB 72 176 44

HSL 107.27, 0.6%, 0.43%

LAB 63.84, -53.6, 54.98

 

CMYK 54 / 0 / 68 / 24

HEX #59C23F

RGB 89 194 63

HSL 108.09, 0.52%, 0.5%

LAB 70.22, -54.27, 54.54

 

CMYK 50 / 0 / 61 / 17

HEX #6AD452

RGB 106 212 82

HSL 108.92, 0.6%, 0.58%

LAB 76.53, -54.64, 53.68

 

CMYK 47 / 0 / 56 / 10

HEX #7BE665

RGB 123 230 101

HSL 109.77, 0.72%, 0.65%

LAB 82.78, -54.81, 52.62

 

CMYK 44 / 0 / 52 / 3

HEX #8CF878

RGB 140 248 120

HSL 110.63, 0.9%, 0.72%

LAB 88.95, -54.84, 51.47

 

CMYK 62 / 0 / 72 / 31

HEX #43B031

RGB 67 176 49

HSL 111.5, 0.56%, 0.44%

LAB 63.73, -54.43, 52.99

 

CMYK 68 / 0 / 81 / 38

HEX #329E1E

RGB 50 158 30

HSL 110.63, 0.68%, 0.37%

LAB 57.29, -53.28, 53.02

 

CMYK 76 / 0 / 92 / 45

HEX #218C0B

RGB 33 140 11

HSL 109.77, 0.85%, 0.3%

LAB 50.81, -51.41, 51.76

 

CMYK 87 / 0 / 100 / 52

HEX #107A00

RGB 16 122 0

HSL 112.13, 1%, 0.24%

LAB 44.27, -48.51, 48.4

 

CMYK 100 / 0 / 100 / 59

HEX #006800

RGB 0 104 0

HSL 120, 1%, 0.2%

LAB 37.66, -44.58, 43.03

 

CMYK 62 / 0 / 72 / 31

HEX #43AF31

RGB 67 175 49

HSL 111.43, 0.56%, 0.44%

LAB 63.4, -54.08, 52.66

 

CMYK 42 / 0 / 72 / 31

HEX #65AF31

RGB 101 175 49

HSL 95.24, 0.56%, 0.44%

LAB 64.68, -44.3, 54.37

 

CMYK 23 / 0 / 72 / 31

HEX #86AF31

RGB 134 175 49

HSL 79.52, 0.56%, 0.44%

LAB 66.48, -32.14, 56.77

 

CMYK 4 / 0 / 72 / 31

HEX #A8AF31

RGB 168 175 49

HSL 63.33, 0.56%, 0.44%

LAB 68.9, -18, 59.96

 

CMYK 0 / 16 / 72 / 31

HEX #AF9331

RGB 175 147 49

HSL 46.67, 0.56%, 0.44%

LAB 61.83, -0.16, 53.22

 

CMYK 62 / 0 / 72 / 31

HEX #43AF31

RGB 67 175 49

HSL 111.43, 0.56%, 0.44%

LAB 63.4, -54.08, 52.66

 

CMYK 72 / 0 / 63 / 31

HEX #31AF41

RGB 49 175 65

HSL 127.62, 0.56%, 0.44%

LAB 63.09, -56.18, 45.55

 

CMYK 72 / 0 / 43 / 31

HEX #31AF63

RGB 49 175 99

HSL 143.81, 0.56%, 0.44%

LAB 63.52, -51.18, 29.35

 

CMYK 72 / 0 / 24 / 31

HEX #31AF85

RGB 49 175 133

HSL 160, 0.56%, 0.44%

LAB 64.17, -44.09, 11.85

 

CMYK 72 / 0 / 5 / 31

HEX #31AFA7

RGB 49 175 167

HSL 176.19, 0.56%, 0.44%

LAB 65.04, -35.19, -5.74

 

CMYK 62 / 0 / 72 / 31

HEX #43AF31

RGB 67 175 49

HSL 111.43, 0.56%, 0.44%

LAB 63.4, -54.08, 52.66

 

CMYK 72 / 0 / 84 / 24

HEX #36C11F

RGB 54 193 31

HSL 111.48, 0.72%, 0.44%

LAB 68.77, -63.88, 63.34

 

CMYK 81 / 0 / 94 / 17

HEX #29D30D

RGB 41 211 13

HSL 111.52, 0.88%, 0.44%

LAB 74.25, -71.73, 71.17

 

CMYK 62 / 0 / 72 / 31

HEX #43AF31

RGB 67 175 49

HSL 111.43, 0.56%, 0.44%

LAB 63.4, -54.08, 52.66

 

CMYK 49 / 0 / 57 / 39

HEX #509C43

RGB 80 156 67

HSL 111.24, 0.4%, 0.44%

LAB 57.93, -41.39, 38.91

 

CMYK 33 / 0 / 38 / 46

HEX #5D8A55

RGB 93 138 85

HSL 110.94, 0.24%, 0.44%

LAB 53.12, -26.3, 23.62

 

CMYK 12 / 0 / 14 / 53

HEX #6A7867

RGB 106 120 103

HSL 109.41, 0.08%, 0.44%

LAB 48.85, -8.69, 7.59

 

CMYK 2 / 16 / 0 / 53

HEX #776679

RGB 119 102 121

HSL 293.68, 0.09%, 0.44%

LAB 45.37, 10.47, -8.1

 

CMYK 23 / 0 / 72 / 31

HEX #87AF31

RGB 135 175 49

HSL 79.05, 0.56%, 0.44%

LAB 66.54, -31.74, 56.85

 

CMYK 42 / 0 / 72 / 31

HEX #65AF31

RGB 101 175 49

HSL 95.24, 0.56%, 0.44%

LAB 64.68, -44.3, 54.37

 

CMYK 61 / 0 / 72 / 31

HEX #44AF31

RGB 68 175 49

HSL 110.95, 0.56%, 0.44%

LAB 63.43, -53.84, 52.7

 

CMYK 72 / 0 / 63 / 31

HEX #31AF40

RGB 49 175 64

HSL 127.14, 0.56%, 0.44%

LAB 63.08, -56.3, 45.98

 

CMYK 72 / 0 / 45 / 31

HEX #31AF61

RGB 49 175 97

HSL 142.86, 0.56%, 0.44%

LAB 63.49, -51.53, 30.35

 

CMYK 62 / 0 / 72 / 57

HEX #2A6E1F

RGB 42 110 31

HSL 111.65, 0.56%, 0.28%

LAB 40.8, -37.5, 36.18

 

CMYK 62 / 0 / 72 / 44

HEX #368E28

RGB 54 142 40

HSL 111.76, 0.56%, 0.36%

LAB 52.16, -45.92, 44.43

 

CMYK 62 / 0 / 72 / 31

HEX #43AF31

RGB 67 175 49

HSL 111.43, 0.56%, 0.44%

LAB 63.4, -54.08, 52.66

 

CMYK 59 / 0 / 68 / 21

HEX #53C940

RGB 83 201 64

HSL 111.68, 0.56%, 0.52%

LAB 72.22, -58.27, 56.2

 

CMYK 47 / 0 / 54 / 18

HEX #70D260

RGB 112 210 96

HSL 111.58, 0.56%, 0.6%

LAB 76.3, -50.6, 47.16

 

CMYK 62 / 0 / 72 / 31

HEX #43B031

RGB 67 176 49

HSL 111.5, 0.56%, 0.44%

LAB 63.73, -54.43, 52.99

 

CMYK 72 / 4 / 0 / 31

HEX #31A8AF

RGB 49 168 175

HSL 183.33, 0.56%, 0.44%

LAB 63.14, -29.5, -13.05

 

CMYK 0 / 72 / 33 / 31

HEX #AF3176

RGB 175 49 118

HSL 327.14, 0.56%, 0.44%

LAB 42.18, 56.43, -10.28

 

CMYK 62 / 0 / 72 / 31

HEX #43B031

RGB 67 176 49

HSL 111.5, 0.56%, 0.44%

LAB 63.73, -54.43, 52.99

 

CMYK 72 / 61 / 0 / 31

HEX #3144AF

RGB 49 68 175

HSL 230.95, 0.56%, 0.44%

LAB 33.74, 29.81, -59.25

 

CMYK 0 / 72 / 61 / 31

HEX #AF3144

RGB 175 49 68

HSL 350.95, 0.56%, 0.44%

LAB 40.78, 51.76, 18.99

 

CMYK 62 / 0 / 72 / 31

HEX #43B031

RGB 67 176 49

HSL 111.5, 0.56%, 0.44%

LAB 63.73, -54.43, 52.99

 

CMYK 72 / 4 / 0 / 31

HEX #31A8AF

RGB 49 168 175

HSL 183.33, 0.56%, 0.44%

LAB 63.14, -29.5, -13.05

 

CMYK 11 / 72 / 0 / 31

HEX #9C31AF

RGB 156 49 175

HSL 290.95, 0.56%, 0.44%

LAB 41.78, 60.46, -45.68

 

CMYK 0 / 69 / 72 / 31

HEX #AF3731

RGB 175 55 49

HSL 2.86, 0.56%, 0.44%

LAB 41.32, 48.31, 31.25

 

CMYK 62 / 0 / 72 / 31

HEX #43B031

RGB 67 176 49

HSL 111.5, 0.56%, 0.44%

LAB 63.73, -54.43, 52.99

 

CMYK 72 / 25 / 0 / 31

HEX #3183AF

RGB 49 131 175

HSL 200.95, 0.56%, 0.44%

LAB 51.82, -9.93, -30.39

 

CMYK 11 / 72 / 0 / 31

HEX #9C31AF

RGB 156 49 175

HSL 290.95, 0.56%, 0.44%

LAB 41.78, 60.46, -45.68

 

CMYK 0 / 47 / 72 / 31

HEX #AF5D31

RGB 175 93 49

HSL 20.95, 0.56%, 0.44%

LAB 48.47, 29.81, 39.28

 

Description

Color code: RGB 67 176 49 | qconv.com Color code: RGB 67 176 49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 176 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 176 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 72 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 72% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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