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Color name
RGB 67 14 123

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 67 14 123 it is the complementary color RGB 188 241 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 67 14 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 67 14 123 shade: RGB 72 14 118, RGB 89 32 137, RGB 106 50 156, RGB 123 68 175 and RGB 140 86 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 67 14 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 67 14 123 shade: RGB 67 14 123, RGB 50 0 104, RGB 33 0 85, RGB 16 0 66 and RGB 0 0 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 67 14 123 shade: RGB 67 13 123, RGB 97 13 123, RGB 123 13 121, RGB 123 13 91 and RGB 123 13 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 67 14 123 shade: RGB 67 13 123, RGB 37 13 123 and RGB 13 13 123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 67 14 123 shade matches the following richer shades: RGB 67 13 123 and RGB 67 2 135

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 67 14 123 shade: RGB 67 13 123, RGB 67 24 112, RGB 67 36 101, RGB 68 47 90 and RGB 68 58 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 67 14 123 shade: RGB 13 19 123, RGB 37 13 123, RGB 67 13 123, RGB 96 13 123 and RGB 123 13 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 67 14 123 shade: RGB 26 5 49, RGB 47 9 86, RGB 67 13 123, RGB 87 17 161 and RGB 107 22 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 67 14 123 shade: RGB 67 14 123, RGB 123 13 48 and RGB 13 123 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 67 14 123 shade: RGB 67 14 123, RGB 123 67 13 and RGB 13 123 67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 67 14 123 shade: RGB 67 14 123, RGB 123 13 48, RGB 70 123 13 and RGB 13 123 89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 67 14 123 shade: RGB 67 14 123, RGB 123 13 15, RGB 70 123 13 and RGB 13 123 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 89 / 0 / 52

HEX #430E7B

RGB 67 14 123

HSL 269.17, 0.8%, 0.27%

LAB 19.79, 45.33, -50.03

 

Complementary color

CMYK 22 / 0 / 45 / 5

HEX #BCF184

RGB 188 241 132

HSL 89.17, 0.8%, 0.73%

LAB 89.52, -34.76, 47.06

 

CMYK 39 / 88 / 0 / 54

HEX #480E76

RGB 72 14 118

HSL 273.46, 0.79%, 0.26%

LAB 20.04, 44.82, -46.38

 

CMYK 35 / 77 / 0 / 46

HEX #592089

RGB 89 32 137

HSL 272.57, 0.62%, 0.33%

LAB 26.63, 45.42, -47.55

 

CMYK 32 / 68 / 0 / 39

HEX #6A329C

RGB 106 50 156

HSL 271.7, 0.51%, 0.4%

LAB 33.45, 45.04, -48.07

 

CMYK 30 / 61 / 0 / 31

HEX #7B44AF

RGB 123 68 175

HSL 270.84, 0.44%, 0.48%

LAB 40.31, 44.26, -48.29

 

CMYK 28 / 56 / 0 / 24

HEX #8C56C2

RGB 140 86 194

HSL 270, 0.47%, 0.55%

LAB 47.14, 43.35, -48.36

 

CMYK 46 / 89 / 0 / 52

HEX #430E7B

RGB 67 14 123

HSL 269.17, 0.8%, 0.27%

LAB 19.79, 45.33, -50.03

 

CMYK 52 / 100 / 0 / 59

HEX #320068

RGB 50 0 104

HSL 268.85, 1%, 0.2%

LAB 13.7, 43.18, -47.83

 

CMYK 61 / 100 / 0 / 67

HEX #210055

RGB 33 0 85

HSL 263.29, 1%, 0.17%

LAB 8.82, 36.95, -43.23

 

CMYK 76 / 100 / 0 / 74

HEX #100042

RGB 16 0 66

HSL 254.55, 1%, 0.13%

LAB 4.55, 27.76, -37.08

 

CMYK 100 / 100 / 0 / 82

HEX #00002F

RGB 0 0 47

HSL 240, 1%, 0.09%

LAB 1.85, 13.03, -27.55

 

CMYK 46 / 89 / 0 / 52

HEX #430D7B

RGB 67 13 123

HSL 269.45, 0.81%, 0.27%

LAB 19.68, 45.65, -50.2

 

CMYK 21 / 89 / 0 / 52

HEX #610D7B

RGB 97 13 123

HSL 285.82, 0.81%, 0.27%

LAB 24.51, 50.28, -42.12

 

CMYK 0 / 89 / 2 / 52

HEX #7B0D79

RGB 123 13 121

HSL 301.09, 0.81%, 0.27%

LAB 29.11, 54.75, -33.21

 

CMYK 0 / 89 / 26 / 52

HEX #7B0D5B

RGB 123 13 91

HSL 317.45, 0.81%, 0.27%

LAB 27.45, 50.34, -16.44

 

CMYK 0 / 89 / 50 / 52

HEX #7B0D3D

RGB 123 13 61

HSL 333.82, 0.81%, 0.27%

LAB 26.26, 47.03, 1.89

 

CMYK 46 / 89 / 0 / 52

HEX #430D7B

RGB 67 13 123

HSL 269.45, 0.81%, 0.27%

LAB 19.68, 45.65, -50.2

 

CMYK 70 / 89 / 0 / 52

HEX #250D7B

RGB 37 13 123

HSL 253.09, 0.81%, 0.27%

LAB 16.06, 42.45, -56.31

 

CMYK 89 / 89 / 0 / 52

HEX #0D0D7B

RGB 13 13 123

HSL 240, 0.81%, 0.27%

LAB 14.42, 41.11, -59.08

 

CMYK 46 / 89 / 0 / 52

HEX #430D7B

RGB 67 13 123

HSL 269.45, 0.81%, 0.27%

LAB 19.68, 45.65, -50.2

 

CMYK 50 / 99 / 0 / 47

HEX #430287

RGB 67 2 135

HSL 269.32, 0.97%, 0.27%

LAB 19.99, 51.53, -57.31

 

CMYK 46 / 89 / 0 / 52

HEX #430D7B

RGB 67 13 123

HSL 269.45, 0.81%, 0.27%

LAB 19.68, 45.65, -50.2

 

CMYK 40 / 79 / 0 / 56

HEX #431870

RGB 67 24 112

HSL 269.32, 0.65%, 0.27%

LAB 20.11, 38.52, -42.44

 

CMYK 34 / 64 / 0 / 60

HEX #432465

RGB 67 36 101

HSL 268.62, 0.47%, 0.27%

LAB 21.56, 29.06, -32.93

 

CMYK 24 / 48 / 0 / 65

HEX #442F5A

RGB 68 47 90

HSL 269.3, 0.31%, 0.27%

LAB 23.67, 19.37, -22.34

 

CMYK 14 / 27 / 0 / 69

HEX #443A4F

RGB 68 58 79

HSL 268.57, 0.15%, 0.27%

LAB 26.21, 9.16, -11.15

 

CMYK 89 / 85 / 0 / 52

HEX #0D137B

RGB 13 19 123

HSL 236.73, 0.81%, 0.27%

LAB 15.39, 38.24, -57.47

 

CMYK 70 / 89 / 0 / 52

HEX #250D7B

RGB 37 13 123

HSL 253.09, 0.81%, 0.27%

LAB 16.06, 42.45, -56.31

 

CMYK 46 / 89 / 0 / 52

HEX #430D7B

RGB 67 13 123

HSL 269.45, 0.81%, 0.27%

LAB 19.68, 45.65, -50.2

 

CMYK 22 / 89 / 0 / 52

HEX #600D7B

RGB 96 13 123

HSL 285.27, 0.81%, 0.27%

LAB 24.34, 50.11, -42.41

 

CMYK 0 / 89 / 1 / 52

HEX #7B0D7A

RGB 123 13 122

HSL 300.55, 0.81%, 0.27%

LAB 29.17, 54.92, -33.74

 

CMYK 47 / 90 / 0 / 81

HEX #1A0531

RGB 26 5 49

HSL 268.64, 0.81%, 0.11%

LAB 4.97, 20.44, -23.97

 

CMYK 45 / 90 / 0 / 66

HEX #2F0956

RGB 47 9 86

HSL 269.61, 0.81%, 0.19%

LAB 12.43, 34.6, -37.89

 

CMYK 46 / 89 / 0 / 52

HEX #430D7B

RGB 67 13 123

HSL 269.45, 0.81%, 0.27%

LAB 19.68, 45.65, -50.2

 

CMYK 46 / 89 / 0 / 37

HEX #5711A1

RGB 87 17 161

HSL 269.17, 0.81%, 0.35%

LAB 26.74, 56.19, -62.17

 

CMYK 46 / 89 / 0 / 22

HEX #6B16C6

RGB 107 22 198

HSL 268.98, 0.8%, 0.43%

LAB 33.51, 65.75, -73

 

CMYK 46 / 89 / 0 / 52

HEX #430E7B

RGB 67 14 123

HSL 269.17, 0.8%, 0.27%

LAB 19.79, 45.33, -50.03

 

CMYK 0 / 89 / 61 / 52

HEX #7B0D30

RGB 123 13 48

HSL 340.91, 0.81%, 0.27%

LAB 25.9, 45.99, 10.27

 

CMYK 89 / 0 / 82 / 52

HEX #0D7B16

RGB 13 123 22

HSL 124.91, 0.81%, 0.27%

LAB 44.67, -48.08, 43.33

 

CMYK 46 / 89 / 0 / 52

HEX #430E7B

RGB 67 14 123

HSL 269.17, 0.8%, 0.27%

LAB 19.79, 45.33, -50.03

 

CMYK 0 / 46 / 89 / 52

HEX #7B430D

RGB 123 67 13

HSL 29.45, 0.81%, 0.27%

LAB 34.51, 20.28, 39.85

 

CMYK 89 / 0 / 46 / 52

HEX #0D7B43

RGB 13 123 67

HSL 149.45, 0.81%, 0.27%

LAB 45.16, -42.13, 22.73

 

CMYK 46 / 89 / 0 / 52

HEX #430E7B

RGB 67 14 123

HSL 269.17, 0.8%, 0.27%

LAB 19.79, 45.33, -50.03

 

CMYK 0 / 89 / 61 / 52

HEX #7B0D30

RGB 123 13 48

HSL 340.91, 0.81%, 0.27%

LAB 25.9, 45.99, 10.27

 

CMYK 43 / 0 / 89 / 52

HEX #467B0D

RGB 70 123 13

HSL 88.91, 0.81%, 0.27%

LAB 46.31, -35.06, 47.96

 

CMYK 89 / 0 / 28 / 52

HEX #0D7B59

RGB 13 123 89

HSL 161.45, 0.81%, 0.27%

LAB 45.6, -37.17, 10.68

 

CMYK 46 / 89 / 0 / 52

HEX #430E7B

RGB 67 14 123

HSL 269.17, 0.8%, 0.27%

LAB 19.79, 45.33, -50.03

 

CMYK 0 / 89 / 88 / 52

HEX #7B0D0F

RGB 123 13 15

HSL 358.91, 0.81%, 0.27%

LAB 25.36, 44.42, 31.08

 

CMYK 43 / 0 / 89 / 52

HEX #467B0D

RGB 70 123 13

HSL 88.91, 0.81%, 0.27%

LAB 46.31, -35.06, 47.96

 

CMYK 89 / 0 / 1 / 52

HEX #0D7B7A

RGB 13 123 122

HSL 179.45, 0.81%, 0.27%

LAB 46.52, -27.6, -7.51

 

Description

Color code: RGB 67 14 123 | qconv.com Color code: RGB 67 14 123 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 14 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 14 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 89 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 89% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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