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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 67 52 52 it is the complementary color RGB 188 203 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 67 52 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 67 52 52 shade: RGB 72 52 47, RGB 89 70 66, RGB 106 88 85, RGB 123 106 104 and RGB 140 124 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 67 52 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 67 52 52 shade: RGB 67 52 52, RGB 50 34 33, RGB 33 16 14 and RGB 16 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 67 52 52 shade: RGB 66 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 67 52 52 shade: RGB 66 51 51, RGB 66 55 51, RGB 66 59 51, RGB 66 63 51 and RGB 65 66 51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 67 52 52 shade matches the following richer shades: RGB 66 51 51, RGB 75 41 41, RGB 85 32 32, RGB 94 22 22 and RGB 104 13 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 67 52 52 shade: RGB 66 51 51, RGB 56 60 60, RGB 47 70 70, RGB 37 79 79 and RGB 28 88 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 67 52 52 shade: RGB 66 51 59, RGB 66 51 55, RGB 66 51 51, RGB 66 55 51 and RGB 66 59 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 67 52 52 shade: RGB 19 15 15, RGB 42 33 33, RGB 66 51 51, RGB 89 68 68 and RGB 112 86 86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 67 52 52 shade: RGB 67 52 52, RGB 63 66 51 and RGB 51 57 66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 67 52 52 shade: RGB 67 52 52, RGB 51 66 51 and RGB 51 51 66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 67 52 52 shade: RGB 67 52 52, RGB 63 66 51, RGB 51 66 66 and RGB 54 51 66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 67 52 52 shade: RGB 67 52 52, RGB 58 66 51, RGB 51 66 66 and RGB 58 51 66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 22 / 74

HEX #433434

RGB 67 52 52

HSL 0, 0.13%, 0.23%

LAB 23.33, 6.72, 2.55

 

Complementary color

CMYK 7 / 0 / 0 / 20

HEX #BCCBCB

RGB 188 203 203

HSL 180, 0.13%, 0.77%

LAB 80.58, -5.08, -1.76

 

CMYK 0 / 28 / 35 / 72

HEX #48342F

RGB 72 52 47

HSL 12, 0.21%, 0.23%

LAB 23.8, 8.17, 6.67

 

CMYK 0 / 21 / 26 / 65

HEX #594642

RGB 89 70 66

HSL 10.43, 0.15%, 0.3%

LAB 31.57, 7.42, 5.49

 

CMYK 0 / 17 / 20 / 58

HEX #6A5855

RGB 106 88 85

HSL 8.57, 0.11%, 0.37%

LAB 39.07, 6.83, 4.48

 

CMYK 0 / 14 / 15 / 52

HEX #7B6A68

RGB 123 106 104

HSL 6.32, 0.08%, 0.45%

LAB 46.34, 6.35, 3.59

 

CMYK 0 / 11 / 12 / 45

HEX #8C7C7B

RGB 140 124 123

HSL 3.53, 0.07%, 0.52%

LAB 53.41, 5.95, 2.78

 

CMYK 0 / 22 / 22 / 74

HEX #433434

RGB 67 52 52

HSL 0, 0.13%, 0.23%

LAB 23.33, 6.72, 2.55

 

CMYK 0 / 32 / 34 / 80

HEX #322221

RGB 50 34 33

HSL 3.53, 0.2%, 0.16%

LAB 15.13, 7.5, 3.7

 

CMYK 0 / 52 / 58 / 87

HEX #21100E

RGB 33 16 14

HSL 6.32, 0.4%, 0.09%

LAB 6.55, 8.24, 4.03

 

CMYK 0 / 100 / 100 / 94

HEX #100000

RGB 16 0 0

HSL 0, 1%, 0.03%

LAB 1, 4.46, 1.57

 

CMYK 0 / 23 / 23 / 74

HEX #423333

RGB 66 51 51

HSL 0, 0.13%, 0.23%

LAB 22.88, 6.74, 2.57

 

CMYK 0 / 23 / 23 / 74

HEX #423333

RGB 66 51 51

HSL 0, 0.13%, 0.23%

LAB 22.88, 6.74, 2.57

 

CMYK 0 / 17 / 23 / 74

HEX #423733

RGB 66 55 51

HSL 16, 0.13%, 0.23%

LAB 24.1, 4.09, 4.31

 

CMYK 0 / 11 / 23 / 74

HEX #423B33

RGB 66 59 51

HSL 32, 0.13%, 0.23%

LAB 25.34, 1.47, 6.07

 

CMYK 0 / 5 / 23 / 74

HEX #423F33

RGB 66 63 51

HSL 48, 0.13%, 0.23%

LAB 26.6, -1.11, 7.83

 

CMYK 2 / 0 / 23 / 74

HEX #414233

RGB 65 66 51

HSL 64, 0.13%, 0.23%

LAB 27.46, -3.47, 9.02

 

CMYK 0 / 23 / 23 / 74

HEX #423333

RGB 66 51 51

HSL 0, 0.13%, 0.23%

LAB 22.88, 6.74, 2.57

 

CMYK 0 / 45 / 45 / 71

HEX #4B2929

RGB 75 41 41

HSL 0, 0.29%, 0.23%

LAB 20.99, 15.85, 6.87

RGB 75 41 41

CMYK 0 / 62 / 62 / 67

HEX #552020

RGB 85 32 32

HSL 0, 0.45%, 0.23%

LAB 20.32, 24.66, 12.43

RGB 85 32 32

CMYK 0 / 77 / 77 / 63

HEX #5E1616

RGB 94 22 22

HSL 0, 0.62%, 0.23%

LAB 20.09, 32.38, 19.33

RGB 94 22 22

CMYK 0 / 88 / 88 / 59

HEX #680D0D

RGB 104 13 13

HSL 0, 0.78%, 0.23%

LAB 21.06, 38.53, 26.32

RGB 104 13 13

CMYK 0 / 23 / 23 / 74

HEX #423333

RGB 66 51 51

HSL 0, 0.13%, 0.23%

LAB 22.88, 6.74, 2.57

 

CMYK 7 / 0 / 0 / 76

HEX #383C3C

RGB 56 60 60

HSL 180, 0.03%, 0.23%

LAB 24.95, -1.68, -0.59

 

CMYK 33 / 0 / 0 / 73

HEX #2F4646

RGB 47 70 70

HSL 180, 0.2%, 0.23%

LAB 27.92, -8.85, -2.87

 

CMYK 53 / 0 / 0 / 69

HEX #254F4F

RGB 37 79 79

HSL 180, 0.36%, 0.23%

LAB 30.76, -14.57, -4.52

 

CMYK 68 / 0 / 0 / 65

HEX #1C5858

RGB 28 88 88

HSL 180, 0.52%, 0.23%

LAB 33.84, -18.77, -5.67

 

CMYK 0 / 23 / 11 / 74

HEX #42333B

RGB 66 51 59

HSL 328, 0.13%, 0.23%

LAB 23.14, 8.34, -2.46

 

CMYK 0 / 23 / 17 / 74

HEX #423337

RGB 66 51 55

HSL 344, 0.13%, 0.23%

LAB 23, 7.52, 0.05

 

CMYK 0 / 23 / 23 / 74

HEX #423333

RGB 66 51 51

HSL 0, 0.13%, 0.23%

LAB 22.88, 6.74, 2.57

 

CMYK 0 / 17 / 23 / 74

HEX #423733

RGB 66 55 51

HSL 16, 0.13%, 0.23%

LAB 24.1, 4.09, 4.31

 

CMYK 0 / 11 / 23 / 74

HEX #423B33

RGB 66 59 51

HSL 32, 0.13%, 0.23%

LAB 25.34, 1.47, 6.07

 

CMYK 0 / 21 / 21 / 93

HEX #130F0F

RGB 19 15 15

HSL 0, 0.12%, 0.07%

LAB 4.65, 1.5, 0.53

 

CMYK 0 / 21 / 21 / 84

HEX #2A2121

RGB 42 33 33

HSL 0, 0.12%, 0.15%

LAB 13.77, 4.31, 1.62

 

CMYK 0 / 23 / 23 / 74

HEX #423333

RGB 66 51 51

HSL 0, 0.13%, 0.23%

LAB 22.88, 6.74, 2.57

 

CMYK 0 / 24 / 24 / 65

HEX #594444

RGB 89 68 68

HSL 0, 0.13%, 0.31%

LAB 31.06, 9.03, 3.47

 

CMYK 0 / 23 / 23 / 56

HEX #705656

RGB 112 86 86

HSL 0, 0.13%, 0.39%

LAB 39.19, 10.75, 4.13

 

CMYK 0 / 22 / 22 / 74

HEX #433434

RGB 67 52 52

HSL 0, 0.13%, 0.23%

LAB 23.33, 6.72, 2.55

 

CMYK 5 / 0 / 23 / 74

HEX #3F4233

RGB 63 66 51

HSL 72, 0.13%, 0.23%

LAB 27.28, -4.38, 8.73

 

CMYK 23 / 14 / 0 / 74

HEX #333942

RGB 51 57 66

HSL 216, 0.13%, 0.23%

LAB 23.75, -0.19, -6.42

 

CMYK 0 / 22 / 22 / 74

HEX #433434

RGB 67 52 52

HSL 0, 0.13%, 0.23%

LAB 23.33, 6.72, 2.55

 

CMYK 23 / 0 / 23 / 74

HEX #334233

RGB 51 66 51

HSL 120, 0.13%, 0.23%

LAB 26.27, -9.59, 7.18

 

CMYK 23 / 23 / 0 / 74

HEX #333342

RGB 51 51 66

HSL 240, 0.13%, 0.23%

LAB 21.82, 3.86, -9.34

 

CMYK 0 / 22 / 22 / 74

HEX #433434

RGB 67 52 52

HSL 0, 0.13%, 0.23%

LAB 23.33, 6.72, 2.55

 

CMYK 5 / 0 / 23 / 74

HEX #3F4233

RGB 63 66 51

HSL 72, 0.13%, 0.23%

LAB 27.28, -4.38, 8.73

 

CMYK 23 / 0 / 0 / 74

HEX #334242

RGB 51 66 66

HSL 180, 0.13%, 0.23%

LAB 26.72, -6.01, -2

 

CMYK 18 / 23 / 0 / 74

HEX #363342

RGB 54 51 66

HSL 252, 0.13%, 0.23%

LAB 22.11, 5.03, -8.87

 

CMYK 0 / 22 / 22 / 74

HEX #433434

RGB 67 52 52

HSL 0, 0.13%, 0.23%

LAB 23.33, 6.72, 2.55

 

CMYK 12 / 0 / 23 / 74

HEX #3A4233

RGB 58 66 51

HSL 92, 0.13%, 0.23%

LAB 26.83, -6.6, 8.05

 

CMYK 23 / 0 / 0 / 74

HEX #334242

RGB 51 66 66

HSL 180, 0.13%, 0.23%

LAB 26.72, -6.01, -2

 

CMYK 12 / 23 / 0 / 74

HEX #3A3342

RGB 58 51 66

HSL 268, 0.13%, 0.23%

LAB 22.52, 6.62, -8.21

 

Description

Color code: RGB 67 52 52 | qconv.com Color code: RGB 67 52 52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 52 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 52 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 22 yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 22% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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