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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 62 243 16 it is the complementary color RGB 193 12 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 62 243 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 62 243 16 shade: RGB 67 243 11, RGB 84 255 30, RGB 101 255 49, RGB 118 255 68 and RGB 135 255 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 62 243 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 62 243 16 shade: RGB 62 243 16, RGB 45 225 0, RGB 28 207 0, RGB 11 189 0 and RGB 0 171 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 62 243 16 shade: RGB 63 242 17, RGB 123 242 17, RGB 184 242 17, RGB 242 239 17 and RGB 242 179 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 62 243 16 shade: RGB 63 242 17, RGB 17 242 32, RGB 17 242 93, RGB 17 242 153 and RGB 17 242 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 62 243 16 shade matches the following richer shades: RGB 63 242 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 62 243 16 shade: RGB 63 242 17, RGB 75 222 37, RGB 87 202 58, RGB 99 181 78 and RGB 111 161 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 62 243 16 shade: RGB 186 242 17, RGB 126 242 17, RGB 66 242 17, RGB 17 242 28 and RGB 17 242 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 62 243 16 shade: RGB 41 168 8, RGB 50 207 10, RGB 63 242 17, RGB 94 244 56 and RGB 126 246 95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 62 243 16 shade: RGB 62 243 16, RGB 17 242 238 and RGB 242 17 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 62 243 16 shade: RGB 62 243 16, RGB 17 66 242 and RGB 242 17 66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 62 243 16 shade: RGB 62 243 16, RGB 17 242 238, RGB 193 17 242 and RGB 242 17 21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 62 243 16 shade: RGB 62 243 16, RGB 17 178 242, RGB 193 17 242 and RGB 242 81 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 93 / 5

HEX #3EF310

RGB 62 243 16

HSL 107.84, 0.9%, 0.51%

LAB 84.57, -78.09, 79.49

 

Complementary color

CMYK 19 / 95 / 0 / 6

HEX #C10CEF

RGB 193 12 239

HSL 287.84, 0.9%, 0.49%

LAB 49.29, 85.95, -70.21

 

CMYK 72 / 0 / 95 / 5

HEX #43F30B

RGB 67 243 11

HSL 105.52, 0.91%, 0.5%

LAB 84.65, -77.41, 80.07

 

CMYK 67 / 0 / 88 / 0

HEX #54FF1E

RGB 84 255 30

HSL 105.6, 1%, 0.56%

LAB 88.68, -77.63, 81.19

 

CMYK 60 / 0 / 81 / 0

HEX #65FF31

RGB 101 255 49

HSL 104.85, 1%, 0.6%

LAB 89.16, -73.41, 77.81

 

CMYK 54 / 0 / 73 / 0

HEX #76FF44

RGB 118 255 68

HSL 103.96, 1%, 0.63%

LAB 89.76, -68.27, 73.06

 

CMYK 47 / 0 / 66 / 0

HEX #87FF57

RGB 135 255 87

HSL 102.86, 1%, 0.67%

LAB 90.49, -62.29, 67.23

 

CMYK 74 / 0 / 93 / 5

HEX #3EF310

RGB 62 243 16

HSL 107.84, 0.9%, 0.51%

LAB 84.57, -78.09, 79.49

 

CMYK 80 / 0 / 100 / 12

HEX #2DE100

RGB 45 225 0

HSL 108, 1%, 0.44%

LAB 78.7, -75.46, 76.07

 

CMYK 86 / 0 / 100 / 19

HEX #1CCF00

RGB 28 207 0

HSL 111.88, 1%, 0.41%

LAB 72.81, -72.16, 71.28

 

CMYK 94 / 0 / 100 / 26

HEX #0BBD00

RGB 11 189 0

HSL 116.51, 1%, 0.37%

LAB 66.87, -68.31, 66.48

 

CMYK 100 / 0 / 100 / 33

HEX #00AB00

RGB 0 171 0

HSL 120, 1%, 0.34%

LAB 60.89, -63.88, 61.66

 

CMYK 74 / 0 / 93 / 5

HEX #3FF211

RGB 63 242 17

HSL 107.73, 0.9%, 0.51%

LAB 84.28, -77.63, 79.15

 

CMYK 49 / 0 / 93 / 5

HEX #7BF211

RGB 123 242 17

HSL 91.73, 0.9%, 0.51%

LAB 85.88, -64.39, 81.13

 

CMYK 24 / 0 / 93 / 5

HEX #B8F211

RGB 184 242 17

HSL 75.47, 0.9%, 0.51%

LAB 88.8, -43.77, 84.68

 

CMYK 0 / 1 / 93 / 5

HEX #F2EF11

RGB 242 239 17

HSL 59.2, 0.9%, 0.51%

LAB 91.98, -19.13, 88.87

 

CMYK 0 / 26 / 93 / 5

HEX #F2B311

RGB 242 179 17

HSL 43.2, 0.9%, 0.51%

LAB 76.77, 11.24, 77.54

 

CMYK 74 / 0 / 93 / 5

HEX #3FF211

RGB 63 242 17

HSL 107.73, 0.9%, 0.51%

LAB 84.28, -77.63, 79.15

 

CMYK 93 / 0 / 87 / 5

HEX #11F220

RGB 17 242 32

HSL 124, 0.9%, 0.51%

LAB 83.82, -81.56, 76.31

 

CMYK 93 / 0 / 62 / 5

HEX #11F25D

RGB 17 242 93

HSL 140.27, 0.9%, 0.51%

LAB 84.18, -77.02, 57.17

 

CMYK 93 / 0 / 37 / 5

HEX #11F299

RGB 17 242 153

HSL 156.27, 0.9%, 0.51%

LAB 84.96, -67.68, 29.79

 

CMYK 93 / 0 / 12 / 5

HEX #11F2D6

RGB 17 242 214

HSL 172.53, 0.9%, 0.51%

LAB 86.25, -53.57, 0.04

 

CMYK 74 / 0 / 93 / 5

HEX #3FF211

RGB 63 242 17

HSL 107.73, 0.9%, 0.51%

LAB 84.28, -77.63, 79.15

 

CMYK 74 / 0 / 93 / 5

HEX #3FF211

RGB 63 242 17

HSL 107.73, 0.9%, 0.51%

LAB 84.28, -77.63, 79.15

 

CMYK 66 / 0 / 83 / 13

HEX #4BDE25

RGB 75 222 37

HSL 107.68, 0.74%, 0.51%

LAB 78.39, -68.86, 70.73

 

CMYK 57 / 0 / 71 / 21

HEX #57CA3A

RGB 87 202 58

HSL 107.92, 0.58%, 0.51%

LAB 72.61, -58.14, 58.94

 

CMYK 45 / 0 / 57 / 29

HEX #63B54E

RGB 99 181 78

HSL 107.77, 0.41%, 0.51%

LAB 66.71, -44.73, 44.15

 

CMYK 31 / 0 / 39 / 37

HEX #6FA162

RGB 111 161 98

HSL 107.62, 0.25%, 0.51%

LAB 61.44, -29.11, 27.62

 

CMYK 23 / 0 / 93 / 5

HEX #BAF211

RGB 186 242 17

HSL 74.93, 0.9%, 0.51%

LAB 88.91, -43.01, 84.83

 

CMYK 48 / 0 / 93 / 5

HEX #7EF211

RGB 126 242 17

HSL 90.93, 0.9%, 0.51%

LAB 86, -63.52, 81.26

 

CMYK 73 / 0 / 93 / 5

HEX #42F211

RGB 66 242 17

HSL 106.93, 0.9%, 0.51%

LAB 84.33, -77.17, 79.21

 

CMYK 93 / 0 / 88 / 5

HEX #11F21C

RGB 17 242 28

HSL 122.93, 0.9%, 0.51%

LAB 83.81, -81.7, 77.01

 

CMYK 93 / 0 / 64 / 5

HEX #11F258

RGB 17 242 88

HSL 138.93, 0.9%, 0.51%

LAB 84.14, -77.58, 59.21

 

CMYK 76 / 0 / 95 / 34

HEX #29A808

RGB 41 168 8

HSL 107.63, 0.91%, 0.35%

LAB 60.33, -59.05, 60.27

 

CMYK 76 / 0 / 95 / 19

HEX #32CF0A

RGB 50 207 10

HSL 107.82, 0.91%, 0.43%

LAB 73.11, -69.44, 70.61

 

CMYK 74 / 0 / 93 / 5

HEX #3FF211

RGB 63 242 17

HSL 107.73, 0.9%, 0.51%

LAB 84.28, -77.63, 79.15

 

CMYK 61 / 0 / 77 / 4

HEX #5EF438

RGB 94 244 56

HSL 107.87, 0.9%, 0.59%

LAB 85.69, -71.01, 72.59

 

CMYK 49 / 0 / 61 / 4

HEX #7EF65F

RGB 126 246 95

HSL 107.68, 0.89%, 0.67%

LAB 87.57, -60.73, 60.74

 

CMYK 74 / 0 / 93 / 5

HEX #3EF310

RGB 62 243 16

HSL 107.84, 0.9%, 0.51%

LAB 84.57, -78.09, 79.49

 

CMYK 93 / 0 / 2 / 5

HEX #11F2EE

RGB 17 242 238

HSL 178.93, 0.9%, 0.51%

LAB 86.9, -46.97, -11.57

 

CMYK 0 / 93 / 36 / 5

HEX #F2119C

RGB 242 17 156

HSL 322.93, 0.9%, 0.51%

LAB 53.68, 82.94, -14.71

 

CMYK 74 / 0 / 93 / 5

HEX #3EF310

RGB 62 243 16

HSL 107.84, 0.9%, 0.51%

LAB 84.57, -78.09, 79.49

 

CMYK 93 / 73 / 0 / 5

HEX #1142F2

RGB 17 66 242

HSL 226.93, 0.9%, 0.51%

LAB 38.6, 52.89, -90.06

 

CMYK 0 / 93 / 73 / 5

HEX #F21142

RGB 242 17 66

HSL 346.93, 0.9%, 0.51%

LAB 51.46, 76.91, 36.35

 

CMYK 74 / 0 / 93 / 5

HEX #3EF310

RGB 62 243 16

HSL 107.84, 0.9%, 0.51%

LAB 84.57, -78.09, 79.49

 

CMYK 93 / 0 / 2 / 5

HEX #11F2EE

RGB 17 242 238

HSL 178.93, 0.9%, 0.51%

LAB 86.9, -46.97, -11.57

 

CMYK 20 / 93 / 0 / 5

HEX #C111F2

RGB 193 17 242

HSL 286.93, 0.9%, 0.51%

LAB 49.68, 85.96, -71.27

 

CMYK 0 / 93 / 91 / 5

HEX #F21115

RGB 242 17 21

HSL 358.93, 0.9%, 0.51%

LAB 51.07, 75.82, 58.85

 

CMYK 74 / 0 / 93 / 5

HEX #3EF310

RGB 62 243 16

HSL 107.84, 0.9%, 0.51%

LAB 84.57, -78.09, 79.49

 

CMYK 93 / 26 / 0 / 5

HEX #11B2F2

RGB 17 178 242

HSL 197.07, 0.9%, 0.51%

LAB 68.29, -14.85, -42.17

 

CMYK 20 / 93 / 0 / 5

HEX #C111F2

RGB 193 17 242

HSL 286.93, 0.9%, 0.51%

LAB 49.68, 85.96, -71.27

 

CMYK 0 / 67 / 93 / 5

HEX #F25111

RGB 242 81 17

HSL 17.07, 0.9%, 0.51%

LAB 56.88, 59.49, 63.76

 

Description

Color code: RGB 62 243 16 | qconv.com Color code: RGB 62 243 16 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 243 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 243 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 93 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 93% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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