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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 62 196 50 it is the complementary color RGB 193 59 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 62 196 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 62 196 50 shade: RGB 67 196 45, RGB 84 214 64, RGB 101 232 83, RGB 118 250 102 and RGB 135 255 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 62 196 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 62 196 50 shade: RGB 62 196 50, RGB 45 178 31, RGB 28 160 12, RGB 11 142 0 and RGB 0 124 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 62 196 50 shade: RGB 62 194 50, RGB 100 194 50, RGB 139 194 50, RGB 178 194 50 and RGB 194 171 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 62 196 50 shade: RGB 62 194 50, RGB 50 194 77, RGB 50 194 116, RGB 50 194 155 and RGB 50 194 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 62 196 50 shade matches the following richer shades: RGB 62 194 50, RGB 45 214 30 and RGB 28 234 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 62 196 50 shade: RGB 62 194 50, RGB 78 174 69, RGB 95 155 89, RGB 111 135 109 and RGB 128 115 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 62 196 50 shade: RGB 139 194 50, RGB 100 194 50, RGB 62 194 50, RGB 50 194 76 and RGB 50 194 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 62 196 50 shade: RGB 41 129 33, RGB 51 161 41, RGB 62 194 50, RGB 87 209 76 and RGB 118 217 109

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 62 196 50 shade: RGB 62 196 50, RGB 50 177 194 and RGB 194 50 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 62 196 50 shade: RGB 62 196 50, RGB 50 62 194 and RGB 194 50 62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 62 196 50 shade: RGB 62 196 50, RGB 50 177 194, RGB 182 50 194 and RGB 194 67 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 62 196 50 shade: RGB 62 196 50, RGB 50 134 194, RGB 182 50 194 and RGB 194 110 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 74 / 23

HEX #3EC432

RGB 62 196 50

HSL 115.07, 0.59%, 0.48%

LAB 69.99, -62.25, 58.92

 

Complementary color

CMYK 6 / 71 / 0 / 20

HEX #C13BCD

RGB 193 59 205

HSL 295.07, 0.59%, 0.52%

LAB 50.54, 70.12, -48.86

 

CMYK 66 / 0 / 77 / 23

HEX #43C42D

RGB 67 196 45

HSL 111.26, 0.63%, 0.47%

LAB 70.08, -61.6, 60.71

 

CMYK 61 / 0 / 70 / 16

HEX #54D640

RGB 84 214 64

HSL 112, 0.65%, 0.55%

LAB 76.28, -62.61, 60.47

 

CMYK 56 / 0 / 64 / 9

HEX #65E853

RGB 101 232 83

HSL 112.75, 0.76%, 0.62%

LAB 82.43, -63.25, 59.76

 

CMYK 53 / 0 / 59 / 2

HEX #76FA66

RGB 118 250 102

HSL 113.51, 0.94%, 0.69%

LAB 88.53, -63.63, 58.79

 

CMYK 47 / 0 / 53 / 0

HEX #87FF79

RGB 135 255 121

HSL 113.73, 1%, 0.74%

LAB 90.8, -58.89, 53.2

 

CMYK 68 / 0 / 74 / 23

HEX #3EC432

RGB 62 196 50

HSL 115.07, 0.59%, 0.48%

LAB 69.99, -62.25, 58.92

 

CMYK 75 / 0 / 83 / 30

HEX #2DB21F

RGB 45 178 31

HSL 114.29, 0.7%, 0.41%

LAB 63.75, -60.67, 58.7

 

CMYK 83 / 0 / 93 / 37

HEX #1CA00C

RGB 28 160 12

HSL 113.51, 0.86%, 0.34%

LAB 57.48, -58.33, 57.22

 

CMYK 92 / 0 / 100 / 44

HEX #0B8E00

RGB 11 142 0

HSL 115.35, 1%, 0.28%

LAB 51.17, -54.99, 53.9

 

CMYK 100 / 0 / 100 / 51

HEX #007C00

RGB 0 124 0

HSL 120, 1%, 0.24%

LAB 44.82, -50.53, 48.77

 

CMYK 68 / 0 / 74 / 24

HEX #3EC232

RGB 62 194 50

HSL 115, 0.59%, 0.48%

LAB 69.35, -61.59, 58.28

 

CMYK 48 / 0 / 74 / 24

HEX #64C232

RGB 100 194 50

HSL 99.17, 0.59%, 0.48%

LAB 70.54, -52.14, 59.86

 

CMYK 28 / 0 / 74 / 24

HEX #8BC232

RGB 139 194 50

HSL 82.92, 0.59%, 0.48%

LAB 72.43, -38.8, 62.35

 

CMYK 8 / 0 / 74 / 24

HEX #B2C232

RGB 178 194 50

HSL 66.67, 0.59%, 0.48%

LAB 75, -23.17, 65.71

 

CMYK 0 / 12 / 74 / 24

HEX #C2AB32

RGB 194 171 50

HSL 50.42, 0.59%, 0.48%

LAB 70.05, -4.57, 61.48

 

CMYK 68 / 0 / 74 / 24

HEX #3EC232

RGB 62 194 50

HSL 115, 0.59%, 0.48%

LAB 69.35, -61.59, 58.28

 

CMYK 74 / 0 / 60 / 24

HEX #32C24D

RGB 50 194 77

HSL 131.25, 0.59%, 0.48%

LAB 69.33, -61.03, 47.27

 

CMYK 74 / 0 / 40 / 24

HEX #32C274

RGB 50 194 116

HSL 147.5, 0.59%, 0.48%

LAB 69.84, -55.03, 28.73

 

CMYK 74 / 0 / 20 / 24

HEX #32C29B

RGB 50 194 155

HSL 163.75, 0.59%, 0.48%

LAB 70.61, -46.6, 8.96

 

CMYK 74 / 0 / 0 / 24

HEX #32C2C2

RGB 50 194 194

HSL 180, 0.59%, 0.48%

LAB 71.66, -36.12, -10.77

 

CMYK 68 / 0 / 74 / 24

HEX #3EC232

RGB 62 194 50

HSL 115, 0.59%, 0.48%

LAB 69.35, -61.59, 58.28

 

CMYK 79 / 0 / 86 / 16

HEX #2DD61E

RGB 45 214 30

HSL 115.11, 0.75%, 0.48%

LAB 75.29, -71.6, 69.32

 

CMYK 88 / 0 / 96 / 8

HEX #1CEA0A

RGB 28 234 10

HSL 115.18, 0.92%, 0.48%

LAB 81.35, -79.36, 77.26

 

CMYK 68 / 0 / 74 / 24

HEX #3EC232

RGB 62 194 50

HSL 115, 0.59%, 0.48%

LAB 69.35, -61.59, 58.28

 

CMYK 55 / 0 / 60 / 32

HEX #4EAE45

RGB 78 174 69

HSL 114.86, 0.43%, 0.48%

LAB 63.61, -48.99, 44.53

 

CMYK 39 / 0 / 43 / 39

HEX #5F9B59

RGB 95 155 89

HSL 114.55, 0.27%, 0.48%

LAB 58.6, -33.13, 28.59

 

CMYK 18 / 0 / 19 / 47

HEX #6F876D

RGB 111 135 109

HSL 115.38, 0.11%, 0.48%

LAB 53.83, -13.95, 11.18

 

CMYK 1 / 11 / 0 / 49

HEX #807381

RGB 128 115 129

HSL 295.71, 0.06%, 0.48%

LAB 50.02, 7.76, -5.84

 

CMYK 28 / 0 / 74 / 24

HEX #8BC232

RGB 139 194 50

HSL 82.92, 0.59%, 0.48%

LAB 72.43, -38.8, 62.35

 

CMYK 48 / 0 / 74 / 24

HEX #64C232

RGB 100 194 50

HSL 99.17, 0.59%, 0.48%

LAB 70.54, -52.14, 59.86

 

CMYK 68 / 0 / 74 / 24

HEX #3EC232

RGB 62 194 50

HSL 115, 0.59%, 0.48%

LAB 69.35, -61.59, 58.28

 

CMYK 74 / 0 / 61 / 24

HEX #32C24C

RGB 50 194 76

HSL 130.83, 0.59%, 0.48%

LAB 69.32, -61.15, 47.71

 

CMYK 74 / 0 / 41 / 24

HEX #32C273

RGB 50 194 115

HSL 147.08, 0.59%, 0.48%

LAB 69.82, -55.22, 29.23

 

CMYK 68 / 0 / 74 / 49

HEX #298121

RGB 41 129 33

HSL 115, 0.59%, 0.32%

LAB 47.34, -44.8, 42.15

 

CMYK 68 / 0 / 75 / 37

HEX #33A129

RGB 51 161 41

HSL 115, 0.59%, 0.4%

LAB 58.37, -53.34, 50.38

 

CMYK 68 / 0 / 74 / 24

HEX #3EC232

RGB 62 194 50

HSL 115, 0.59%, 0.48%

LAB 69.35, -61.59, 58.28

 

CMYK 58 / 0 / 64 / 18

HEX #57D14C

RGB 87 209 76

HSL 115.04, 0.59%, 0.56%

LAB 74.92, -59.06, 54.26

 

CMYK 46 / 0 / 50 / 15

HEX #76D96D

RGB 118 217 109

HSL 115, 0.59%, 0.64%

LAB 78.8, -50.08, 44.07

 

CMYK 68 / 0 / 74 / 23

HEX #3EC432

RGB 62 196 50

HSL 115.07, 0.59%, 0.48%

LAB 69.99, -62.25, 58.92

 

CMYK 74 / 9 / 0 / 24

HEX #32B1C2

RGB 50 177 194

HSL 187.08, 0.59%, 0.48%

LAB 66.53, -27.98, -18.49

 

CMYK 0 / 74 / 39 / 24

HEX #C23277

RGB 194 50 119

HSL 331.25, 0.59%, 0.48%

LAB 45.75, 61.39, -5.22

 

CMYK 68 / 0 / 74 / 23

HEX #3EC432

RGB 62 196 50

HSL 115.07, 0.59%, 0.48%

LAB 69.99, -62.25, 58.92

 

CMYK 74 / 68 / 0 / 24

HEX #323EC2

RGB 50 62 194

HSL 235, 0.59%, 0.48%

LAB 34.02, 40.52, -70

 

CMYK 0 / 74 / 68 / 24

HEX #C2323E

RGB 194 50 62

HSL 355, 0.59%, 0.48%

LAB 44.37, 56.93, 27.98

 

CMYK 68 / 0 / 74 / 23

HEX #3EC432

RGB 62 196 50

HSL 115.07, 0.59%, 0.48%

LAB 69.99, -62.25, 58.92

 

CMYK 74 / 9 / 0 / 24

HEX #32B1C2

RGB 50 177 194

HSL 187.08, 0.59%, 0.48%

LAB 66.53, -27.98, -18.49

 

CMYK 6 / 74 / 0 / 24

HEX #B632C2

RGB 182 50 194

HSL 295, 0.59%, 0.48%

LAB 47.13, 68.95, -48.04

 

CMYK 0 / 65 / 74 / 24

HEX #C24332

RGB 194 67 50

HSL 7.08, 0.59%, 0.48%

LAB 46.6, 49.82, 37.56

 

CMYK 68 / 0 / 74 / 23

HEX #3EC432

RGB 62 196 50

HSL 115.07, 0.59%, 0.48%

LAB 69.99, -62.25, 58.92

 

CMYK 74 / 31 / 0 / 24

HEX #3286C2

RGB 50 134 194

HSL 205, 0.59%, 0.48%

LAB 53.63, -4.82, -38.44

 

CMYK 6 / 74 / 0 / 24

HEX #B632C2

RGB 182 50 194

HSL 295, 0.59%, 0.48%

LAB 47.13, 68.95, -48.04

 

CMYK 0 / 43 / 74 / 24

HEX #C26E32

RGB 194 110 50

HSL 25, 0.59%, 0.48%

LAB 54.92, 28.58, 46.46

 

Description

Color code: RGB 62 196 50 | qconv.com Color code: RGB 62 196 50 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 196 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 196 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 74 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 74% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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