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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 62 192 178 it is the complementary color RGB 193 63 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 62 192 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 62 192 178 shade: RGB 67 192 173, RGB 84 210 192, RGB 101 228 211, RGB 118 246 230 and RGB 135 255 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 62 192 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 62 192 178 shade: RGB 62 192 178, RGB 45 174 159, RGB 28 156 140, RGB 11 138 121 and RGB 0 120 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 62 192 178 shade: RGB 62 192 178, RGB 62 192 143, RGB 62 192 108, RGB 62 192 73 and RGB 86 192 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 62 192 178 shade: RGB 62 192 178, RGB 62 171 192, RGB 62 136 192, RGB 62 101 192 and RGB 62 66 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 62 192 178 shade matches the following richer shades: RGB 62 192 178, RGB 41 213 194, RGB 21 233 210 and RGB 0 254 227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 62 192 178 shade: RGB 62 192 178, RGB 83 171 162, RGB 103 151 146, RGB 124 130 129 and RGB 144 110 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 62 192 178 shade: RGB 62 192 107, RGB 62 192 142, RGB 62 192 177, RGB 62 173 192 and RGB 62 138 192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 62 192 178 shade: RGB 42 130 120, RGB 52 161 149, RGB 62 192 178, RGB 93 202 190 and RGB 124 212 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 62 192 178 shade: RGB 62 192 178, RGB 73 62 192 and RGB 192 125 62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 62 192 178 shade: RGB 62 192 178, RGB 177 62 192 and RGB 192 177 62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 62 192 178 shade: RGB 62 192 178, RGB 73 62 192, RGB 192 62 77 and RGB 181 192 62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 62 192 178 shade: RGB 62 192 178, RGB 112 62 192, RGB 192 62 77 and RGB 142 192 62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 7 / 25

HEX #3EC0B2

RGB 62 192 178

HSL 173.54, 0.51%, 0.5%

LAB 70.83, -38.15, -3.24

 

Complementary color

CMYK 0 / 67 / 60 / 24

HEX #C13F4D

RGB 193 63 77

HSL 353.54, 0.51%, 0.5%

LAB 46.22, 52.66, 21.21

 

CMYK 65 / 0 / 10 / 25

HEX #43C0AD

RGB 67 192 173

HSL 170.88, 0.5%, 0.51%

LAB 70.81, -38.7, -0.52

 

CMYK 60 / 0 / 9 / 18

HEX #54D2C0

RGB 84 210 192

HSL 171.43, 0.58%, 0.58%

LAB 77.15, -39.03, -1.48

 

CMYK 56 / 0 / 7 / 11

HEX #65E4D3

RGB 101 228 211

HSL 171.97, 0.7%, 0.65%

LAB 83.42, -39.22, -2.36

 

CMYK 52 / 0 / 7 / 4

HEX #76F6E6

RGB 118 246 230

HSL 172.5, 0.88%, 0.71%

LAB 89.62, -39.32, -3.17

 

CMYK 47 / 0 / 2 / 0

HEX #87FFF9

RGB 135 255 249

HSL 177, 1%, 0.76%

LAB 93.24, -35.25, -7.63

 

CMYK 68 / 0 / 7 / 25

HEX #3EC0B2

RGB 62 192 178

HSL 173.54, 0.51%, 0.5%

LAB 70.83, -38.15, -3.24

 

CMYK 74 / 0 / 9 / 32

HEX #2DAE9F

RGB 45 174 159

HSL 173.02, 0.59%, 0.43%

LAB 64.43, -37.49, -2.2

 

CMYK 82 / 0 / 10 / 39

HEX #1C9C8C

RGB 28 156 140

HSL 172.5, 0.7%, 0.36%

LAB 57.96, -36.52, -1.03

 

CMYK 92 / 0 / 12 / 46

HEX #0B8A79

RGB 11 138 121

HSL 171.97, 0.85%, 0.29%

LAB 51.41, -35.11, 0.3

 

CMYK 100 / 0 / 15 / 53

HEX #007866

RGB 0 120 102

HSL 171, 1%, 0.24%

LAB 44.79, -33.17, 1.82

 

CMYK 68 / 0 / 7 / 25

HEX #3EC0B2

RGB 62 192 178

HSL 173.54, 0.51%, 0.5%

LAB 70.83, -38.15, -3.24

 

CMYK 68 / 0 / 26 / 25

HEX #3EC08F

RGB 62 192 143

HSL 157.38, 0.51%, 0.5%

LAB 69.97, -46.84, 14.58

 

CMYK 68 / 0 / 44 / 25

HEX #3EC06C

RGB 62 192 108

HSL 141.23, 0.51%, 0.5%

LAB 69.33, -53.8, 32.25

 

CMYK 68 / 0 / 62 / 25

HEX #3EC049

RGB 62 192 73

HSL 125.08, 0.51%, 0.5%

LAB 68.9, -58.77, 48.64

 

CMYK 55 / 0 / 68 / 25

HEX #56C03E

RGB 86 192 62

HSL 108.92, 0.51%, 0.5%

LAB 69.49, -54.41, 54.13

 

CMYK 68 / 0 / 7 / 25

HEX #3EC0B2

RGB 62 192 178

HSL 173.54, 0.51%, 0.5%

LAB 70.83, -38.15, -3.24

 

CMYK 68 / 11 / 0 / 25

HEX #3EABC0

RGB 62 171 192

HSL 189.69, 0.51%, 0.5%

LAB 64.93, -23.98, -19.8

 

CMYK 68 / 29 / 0 / 25

HEX #3E88C0

RGB 62 136 192

HSL 205.85, 0.51%, 0.5%

LAB 54.49, -4.93, -35.92

 

CMYK 68 / 47 / 0 / 25

HEX #3E65C0

RGB 62 101 192

HSL 222, 0.51%, 0.5%

LAB 44.43, 16.49, -51.89

 

CMYK 68 / 66 / 0 / 25

HEX #3E42C0

RGB 62 66 192

HSL 238.15, 0.51%, 0.5%

LAB 35.45, 38.77, -66.45

 

CMYK 68 / 0 / 7 / 25

HEX #3EC0B2

RGB 62 192 178

HSL 173.54, 0.51%, 0.5%

LAB 70.83, -38.15, -3.24

 

CMYK 81 / 0 / 9 / 16

HEX #29D5C2

RGB 41 213 194

HSL 173.37, 0.68%, 0.5%

LAB 77.25, -45.47, -2.5

 

CMYK 91 / 0 / 10 / 9

HEX #15E9D2

RGB 21 233 210

HSL 173.49, 0.83%, 0.5%

LAB 83.49, -50.8, -1.89

 

CMYK 100 / 0 / 11 / 0

HEX #00FEE3

RGB 0 254 227

HSL 173.62, 1%, 0.5%

LAB 90.06, -55.39, -1.17

 

CMYK 68 / 0 / 7 / 25

HEX #3EC0B2

RGB 62 192 178

HSL 173.54, 0.51%, 0.5%

LAB 70.83, -38.15, -3.24

 

CMYK 51 / 0 / 5 / 33

HEX #53ABA2

RGB 83 171 162

HSL 173.86, 0.35%, 0.5%

LAB 64.62, -28.65, -3.47

 

CMYK 32 / 0 / 3 / 41

HEX #679792

RGB 103 151 146

HSL 173.75, 0.19%, 0.5%

LAB 59.06, -17.24, -2.54

 

CMYK 5 / 0 / 1 / 49

HEX #7C8281

RGB 124 130 129

HSL 170, 0.02%, 0.5%

LAB 53.85, -2.42, -0.24

 

CMYK 0 / 24 / 22 / 44

HEX #906E71

RGB 144 110 113

HSL 354.71, 0.13%, 0.5%

LAB 49.83, 13.95, 3.54

 

CMYK 68 / 0 / 44 / 25

HEX #3EC06B

RGB 62 192 107

HSL 140.77, 0.51%, 0.5%

LAB 69.32, -53.97, 32.75

 

CMYK 68 / 0 / 26 / 25

HEX #3EC08E

RGB 62 192 142

HSL 156.92, 0.51%, 0.5%

LAB 69.95, -47.07, 15.09

 

CMYK 68 / 0 / 8 / 25

HEX #3EC0B1

RGB 62 192 177

HSL 173.08, 0.51%, 0.5%

LAB 70.8, -38.42, -2.73

 

CMYK 68 / 10 / 0 / 25

HEX #3EADC0

RGB 62 173 192

HSL 188.77, 0.51%, 0.5%

LAB 65.53, -25, -18.89

 

CMYK 68 / 28 / 0 / 25

HEX #3E8AC0

RGB 62 138 192

HSL 204.92, 0.51%, 0.5%

LAB 55.08, -6.09, -35

 

CMYK 68 / 0 / 8 / 49

HEX #2A8278

RGB 42 130 120

HSL 173.18, 0.51%, 0.34%

LAB 49.27, -28.24, -2.2

 

CMYK 68 / 0 / 7 / 37

HEX #34A195

RGB 52 161 149

HSL 173.39, 0.51%, 0.42%

LAB 60.24, -33.29, -2.73

 

CMYK 68 / 0 / 7 / 25

HEX #3EC0B2

RGB 62 192 178

HSL 173.54, 0.51%, 0.5%

LAB 70.83, -38.15, -3.24

 

CMYK 54 / 0 / 6 / 21

HEX #5DCABE

RGB 93 202 190

HSL 173.39, 0.51%, 0.58%

LAB 75, -34.12, -3.52

 

CMYK 42 / 0 / 4 / 17

HEX #7CD4CB

RGB 124 212 203

HSL 173.86, 0.51%, 0.66%

LAB 79.43, -28.6, -3.86

 

CMYK 68 / 0 / 7 / 25

HEX #3EC0B2

RGB 62 192 178

HSL 173.54, 0.51%, 0.5%

LAB 70.83, -38.15, -3.24

 

CMYK 62 / 68 / 0 / 25

HEX #493EC0

RGB 73 62 192

HSL 245.08, 0.51%, 0.5%

LAB 35.34, 42.69, -66.61

 

CMYK 0 / 35 / 68 / 25

HEX #C07D3E

RGB 192 125 62

HSL 29.08, 0.51%, 0.5%

LAB 58.25, 20.18, 44.1

 

CMYK 68 / 0 / 7 / 25

HEX #3EC0B2

RGB 62 192 178

HSL 173.54, 0.51%, 0.5%

LAB 70.83, -38.15, -3.24

 

CMYK 8 / 68 / 0 / 25

HEX #B13EC0

RGB 177 62 192

HSL 293.08, 0.51%, 0.5%

LAB 47.75, 63.24, -45.94

 

CMYK 0 / 8 / 68 / 25

HEX #C0B13E

RGB 192 177 62

HSL 53.08, 0.51%, 0.5%

LAB 71.55, -7.98, 58.27

 

CMYK 68 / 0 / 7 / 25

HEX #3EC0B2

RGB 62 192 178

HSL 173.54, 0.51%, 0.5%

LAB 70.83, -38.15, -3.24

 

CMYK 62 / 68 / 0 / 25

HEX #493EC0

RGB 73 62 192

HSL 245.08, 0.51%, 0.5%

LAB 35.34, 42.69, -66.61

 

CMYK 0 / 68 / 60 / 25

HEX #C03E4D

RGB 192 62 77

HSL 353.08, 0.51%, 0.5%

LAB 45.89, 52.74, 20.74

 

CMYK 6 / 0 / 68 / 25

HEX #B5C03E

RGB 181 192 62

HSL 65.08, 0.51%, 0.5%

LAB 74.74, -20.31, 61.23

 

CMYK 68 / 0 / 7 / 25

HEX #3EC0B2

RGB 62 192 178

HSL 173.54, 0.51%, 0.5%

LAB 70.83, -38.15, -3.24

 

CMYK 42 / 68 / 0 / 25

HEX #703EC0

RGB 112 62 192

HSL 263.08, 0.51%, 0.5%

LAB 39.06, 49.36, -60.37

 

CMYK 0 / 68 / 60 / 25

HEX #C03E4D

RGB 192 62 77

HSL 353.08, 0.51%, 0.5%

LAB 45.89, 52.74, 20.74

 

CMYK 26 / 0 / 68 / 25

HEX #8EC03E

RGB 142 192 62

HSL 83.08, 0.51%, 0.5%

LAB 72.09, -36, 57.67

 

Description

Color code: RGB 62 192 178 | qconv.com Color code: RGB 62 192 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 192 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 192 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 7 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 7% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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