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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 62 189 50 it is the complementary color RGB 193 66 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 62 189 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 62 189 50 shade: RGB 67 189 45, RGB 84 207 64, RGB 101 225 83, RGB 118 243 102 and RGB 135 255 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 62 189 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 62 189 50 shade: RGB 62 189 50, RGB 45 171 31, RGB 28 153 12, RGB 11 135 0 and RGB 0 117 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 62 189 50 shade: RGB 62 189 50, RGB 99 189 50, RGB 137 189 50, RGB 174 189 50 and RGB 189 166 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 62 189 50 shade: RGB 62 189 50, RGB 50 189 75, RGB 50 189 113, RGB 50 189 150 and RGB 50 189 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 62 189 50 shade matches the following richer shades: RGB 62 189 50, RGB 46 208 30 and RGB 30 228 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 62 189 50 shade: RGB 62 189 50, RGB 78 169 69, RGB 94 150 89, RGB 110 131 108 and RGB 126 111 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 62 189 50 shade: RGB 138 189 50, RGB 101 189 50, RGB 64 189 50, RGB 50 189 73 and RGB 50 189 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 62 189 50 shade: RGB 40 124 33, RGB 51 156 41, RGB 62 189 50, RGB 85 206 74 and RGB 116 215 106

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 62 189 50 shade: RGB 62 189 50, RGB 50 175 189 and RGB 189 50 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 62 189 50 shade: RGB 62 189 50, RGB 50 64 189 and RGB 189 50 64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 62 189 50 shade: RGB 62 189 50, RGB 50 175 189, RGB 175 50 189 and RGB 189 64 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 62 189 50 shade: RGB 62 189 50, RGB 50 133 189, RGB 175 50 189 and RGB 189 105 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 74 / 26

HEX #3EBD32

RGB 62 189 50

HSL 114.82, 0.58%, 0.47%

LAB 67.76, -59.93, 56.68

 

Complementary color

CMYK 6 / 68 / 0 / 20

HEX #C142CD

RGB 193 66 205

HSL 294.82, 0.58%, 0.53%

LAB 51.43, 67.6, -47.44

 

CMYK 65 / 0 / 76 / 26

HEX #43BD2D

RGB 67 189 45

HSL 110.83, 0.62%, 0.46%

LAB 67.86, -59.25, 58.54

 

CMYK 59 / 0 / 69 / 19

HEX #54CF40

RGB 84 207 64

HSL 111.61, 0.6%, 0.53%

LAB 74.11, -60.16, 58.21

 

CMYK 55 / 0 / 63 / 12

HEX #65E153

RGB 101 225 83

HSL 112.39, 0.7%, 0.6%

LAB 80.32, -60.73, 57.43

 

CMYK 51 / 0 / 58 / 5

HEX #76F366

RGB 118 243 102

HSL 113.19, 0.85%, 0.68%

LAB 86.46, -61.04, 56.41

 

CMYK 47 / 0 / 53 / 0

HEX #87FF79

RGB 135 255 121

HSL 113.73, 1%, 0.74%

LAB 90.8, -58.89, 53.2

 

CMYK 67 / 0 / 74 / 26

HEX #3EBD32

RGB 62 189 50

HSL 114.82, 0.58%, 0.47%

LAB 67.76, -59.93, 56.68

 

CMYK 74 / 0 / 82 / 33

HEX #2DAB1F

RGB 45 171 31

HSL 114, 0.69%, 0.4%

LAB 61.47, -58.45, 56.59

 

CMYK 82 / 0 / 92 / 40

HEX #1C990C

RGB 28 153 12

HSL 113.19, 0.85%, 0.32%

LAB 55.13, -56.2, 55.23

 

CMYK 92 / 0 / 100 / 47

HEX #0B8700

RGB 11 135 0

HSL 115.11, 1%, 0.26%

LAB 48.76, -52.92, 51.96

 

CMYK 100 / 0 / 100 / 54

HEX #007500

RGB 0 117 0

HSL 120, 1%, 0.23%

LAB 42.34, -48.47, 46.78

 

CMYK 67 / 0 / 74 / 26

HEX #3EBD32

RGB 62 189 50

HSL 114.82, 0.58%, 0.47%

LAB 67.76, -59.93, 56.68

 

CMYK 48 / 0 / 74 / 26

HEX #63BD32

RGB 99 189 50

HSL 98.85, 0.58%, 0.47%

LAB 68.95, -50.5, 58.27

 

CMYK 28 / 0 / 74 / 26

HEX #89BD32

RGB 137 189 50

HSL 82.45, 0.58%, 0.47%

LAB 70.83, -37.32, 60.76

 

CMYK 8 / 0 / 74 / 26

HEX #AEBD32

RGB 174 189 50

HSL 66.47, 0.58%, 0.47%

LAB 73.3, -22.39, 63.99

 

CMYK 0 / 12 / 74 / 26

HEX #BDA632

RGB 189 166 50

HSL 50.07, 0.58%, 0.47%

LAB 68.26, -4.12, 59.6

 

CMYK 67 / 0 / 74 / 26

HEX #3EBD32

RGB 62 189 50

HSL 114.82, 0.58%, 0.47%

LAB 67.76, -59.93, 56.68

 

CMYK 74 / 0 / 60 / 26

HEX #32BD4B

RGB 50 189 75

HSL 130.79, 0.58%, 0.47%

LAB 67.71, -59.6, 46.32

 

CMYK 74 / 0 / 40 / 26

HEX #32BD71

RGB 50 189 113

HSL 147.19, 0.58%, 0.47%

LAB 68.22, -53.73, 28.16

 

CMYK 74 / 0 / 21 / 26

HEX #32BD96

RGB 50 189 150

HSL 163.17, 0.58%, 0.47%

LAB 68.95, -45.73, 9.31

 

CMYK 74 / 0 / 1 / 26

HEX #32BDBC

RGB 50 189 188

HSL 179.57, 0.58%, 0.47%

LAB 69.97, -35.54, -10.02

 

CMYK 67 / 0 / 74 / 26

HEX #3EBD32

RGB 62 189 50

HSL 114.82, 0.58%, 0.47%

LAB 67.76, -59.93, 56.68

 

CMYK 78 / 0 / 86 / 18

HEX #2ED01E

RGB 46 208 30

HSL 114.61, 0.75%, 0.47%

LAB 73.41, -69.71, 67.66

 

CMYK 87 / 0 / 95 / 11

HEX #1EE40B

RGB 30 228 11

HSL 114.75, 0.91%, 0.47%

LAB 79.49, -77.57, 75.65

 

CMYK 67 / 0 / 74 / 26

HEX #3EBD32

RGB 62 189 50

HSL 114.82, 0.58%, 0.47%

LAB 67.76, -59.93, 56.68

 

CMYK 54 / 0 / 59 / 34

HEX #4EA945

RGB 78 169 69

HSL 114.6, 0.42%, 0.47%

LAB 62.02, -47.03, 42.71

 

CMYK 37 / 0 / 41 / 41

HEX #5E9659

RGB 94 150 89

HSL 115.08, 0.26%, 0.47%

LAB 56.99, -31.12, 26.5

 

CMYK 16 / 0 / 18 / 49

HEX #6E836C

RGB 110 131 108

HSL 114.78, 0.1%, 0.47%

LAB 52.54, -12.34, 9.94

 

CMYK 1 / 13 / 0 / 50

HEX #7E6F7F

RGB 126 111 127

HSL 296.25, 0.07%, 0.47%

LAB 48.68, 8.97, -6.67

 

CMYK 27 / 0 / 74 / 26

HEX #8ABD32

RGB 138 189 50

HSL 82.01, 0.58%, 0.47%

LAB 70.89, -36.94, 60.83

 

CMYK 47 / 0 / 74 / 26

HEX #65BD32

RGB 101 189 50

HSL 97.99, 0.58%, 0.47%

LAB 69.03, -49.88, 58.38

 

CMYK 66 / 0 / 74 / 26

HEX #40BD32

RGB 64 189 50

HSL 113.96, 0.58%, 0.47%

LAB 67.81, -59.52, 56.75

 

CMYK 74 / 0 / 61 / 26

HEX #32BD49

RGB 50 189 73

HSL 129.93, 0.58%, 0.47%

LAB 67.69, -59.84, 47.19

 

CMYK 74 / 0 / 42 / 26

HEX #32BD6E

RGB 50 189 110

HSL 145.9, 0.58%, 0.47%

LAB 68.17, -54.28, 29.66

 

CMYK 68 / 0 / 73 / 51

HEX #287C21

RGB 40 124 33

HSL 115.38, 0.58%, 0.31%

LAB 45.6, -43.19, 40.34

 

CMYK 67 / 0 / 74 / 39

HEX #339C29

RGB 51 156 41

HSL 114.78, 0.58%, 0.39%

LAB 56.72, -51.6, 48.71

 

CMYK 67 / 0 / 74 / 26

HEX #3EBD32

RGB 62 189 50

HSL 114.82, 0.58%, 0.47%

LAB 67.76, -59.93, 56.68

 

CMYK 59 / 0 / 64 / 19

HEX #55CE4A

RGB 85 206 74

HSL 115, 0.57%, 0.55%

LAB 73.91, -58.65, 53.98

 

CMYK 46 / 0 / 51 / 16

HEX #74D76A

RGB 116 215 106

HSL 114.5, 0.58%, 0.63%

LAB 78.08, -50.23, 44.61

 

CMYK 67 / 0 / 74 / 26

HEX #3EBD32

RGB 62 189 50

HSL 114.82, 0.58%, 0.47%

LAB 67.76, -59.93, 56.68

 

CMYK 74 / 7 / 0 / 26

HEX #32AFBD

RGB 50 175 189

HSL 186.04, 0.58%, 0.47%

LAB 65.76, -28.54, -16.9

 

CMYK 0 / 74 / 37 / 26

HEX #BD3277

RGB 189 50 119

HSL 330.22, 0.58%, 0.47%

LAB 44.85, 60.03, -6.65

 

CMYK 67 / 0 / 74 / 26

HEX #3EBD32

RGB 62 189 50

HSL 114.82, 0.58%, 0.47%

LAB 67.76, -59.93, 56.68

 

CMYK 74 / 66 / 0 / 26

HEX #3240BD

RGB 50 64 189

HSL 233.96, 0.58%, 0.47%

LAB 34.02, 37.53, -67.06

 

CMYK 0 / 74 / 66 / 26

HEX #BD3240

RGB 189 50 64

HSL 353.96, 0.58%, 0.47%

LAB 43.46, 55.51, 25.43

 

CMYK 67 / 0 / 74 / 26

HEX #3EBD32

RGB 62 189 50

HSL 114.82, 0.58%, 0.47%

LAB 67.76, -59.93, 56.68

 

CMYK 74 / 7 / 0 / 26

HEX #32AFBD

RGB 50 175 189

HSL 186.04, 0.58%, 0.47%

LAB 65.76, -28.54, -16.9

 

CMYK 7 / 74 / 0 / 26

HEX #AF32BD

RGB 175 50 189

HSL 293.96, 0.58%, 0.47%

LAB 45.73, 66.64, -47.43

 

CMYK 0 / 66 / 74 / 26

HEX #BD4032

RGB 189 64 50

HSL 6.04, 0.58%, 0.47%

LAB 45.24, 49.38, 35.81

 

CMYK 67 / 0 / 74 / 26

HEX #3EBD32

RGB 62 189 50

HSL 114.82, 0.58%, 0.47%

LAB 67.76, -59.93, 56.68

 

CMYK 74 / 30 / 0 / 26

HEX #3285BD

RGB 50 133 189

HSL 204.17, 0.58%, 0.47%

LAB 53.09, -6.02, -36.43

 

CMYK 7 / 74 / 0 / 26

HEX #AF32BD

RGB 175 50 189

HSL 293.96, 0.58%, 0.47%

LAB 45.73, 66.64, -47.43

 

CMYK 0 / 44 / 74 / 26

HEX #BD6932

RGB 189 105 50

HSL 23.74, 0.58%, 0.47%

LAB 53.12, 29.2, 44.36

 

Description

Color code: RGB 62 189 50 | qconv.com Color code: RGB 62 189 50 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 189 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 189 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 74 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 74% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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