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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 62 152 132 it is the complementary color RGB 193 103 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 62 152 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 62 152 132 shade: RGB 67 152 127, RGB 84 170 146, RGB 101 188 165, RGB 118 206 184 and RGB 135 224 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 62 152 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 62 152 132 shade: RGB 62 152 132, RGB 45 134 113, RGB 28 116 94, RGB 11 98 75 and RGB 0 80 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 62 152 132 shade: RGB 62 152 132, RGB 62 152 107, RGB 62 152 83, RGB 64 152 62 and RGB 89 152 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 62 152 132 shade: RGB 62 152 132, RGB 62 147 152, RGB 62 123 152, RGB 62 99 152 and RGB 62 75 152

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 62 152 132 shade matches the following richer shades: RGB 62 152 132, RGB 44 169 141, RGB 27 186 151 and RGB 10 204 160

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 62 152 132 shade: RGB 62 152 132, RGB 79 134 122, RGB 96 117 112, RGB 114 100 103 and RGB 131 82 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 62 152 132 shade: RGB 62 152 83, RGB 62 152 107, RGB 62 152 131, RGB 62 149 152 and RGB 62 125 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 62 152 132 shade: RGB 38 93 81, RGB 50 122 106, RGB 62 152 132, RGB 74 181 157 and RGB 103 193 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 62 152 132 shade: RGB 62 152 132, RGB 62 65 152 and RGB 152 95 62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 62 152 132 shade: RGB 62 152 132, RGB 131 62 152 and RGB 152 131 62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 62 152 132 shade: RGB 62 152 132, RGB 62 65 152, RGB 152 62 83 and RGB 152 149 62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 62 152 132 shade: RGB 62 152 132, RGB 86 62 152, RGB 152 62 83 and RGB 128 152 62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 13 / 40

HEX #3E9884

RGB 62 152 132

HSL 166.67, 0.42%, 0.42%

LAB 57.22, -31.8, 2.53

 

Complementary color

CMYK 0 / 47 / 36 / 24

HEX #C1677B

RGB 193 103 123

HSL 346.67, 0.42%, 0.58%

LAB 54.52, 38.04, 5.17

 

CMYK 56 / 0 / 16 / 40

HEX #43987F

RGB 67 152 127

HSL 162.35, 0.39%, 0.43%

LAB 57.25, -31.98, 5.44

 

CMYK 51 / 0 / 14 / 33

HEX #54AA92

RGB 84 170 146

HSL 163.26, 0.34%, 0.5%

LAB 63.93, -31.94, 4.44

 

CMYK 46 / 0 / 12 / 26

HEX #65BCA5

RGB 101 188 165

HSL 164.14, 0.39%, 0.57%

LAB 70.49, -31.83, 3.52

 

CMYK 43 / 0 / 11 / 19

HEX #76CEB8

RGB 118 206 184

HSL 165, 0.47%, 0.64%

LAB 76.95, -31.69, 2.68

 

CMYK 40 / 0 / 9 / 12

HEX #87E0CB

RGB 135 224 203

HSL 165.84, 0.59%, 0.7%

LAB 83.32, -31.54, 1.89

 

CMYK 59 / 0 / 13 / 40

HEX #3E9884

RGB 62 152 132

HSL 166.67, 0.42%, 0.42%

LAB 57.22, -31.8, 2.53

 

CMYK 66 / 0 / 16 / 47

HEX #2D8671

RGB 45 134 113

HSL 165.84, 0.5%, 0.35%

LAB 50.45, -31.57, 3.63

 

CMYK 76 / 0 / 19 / 55

HEX #1C745E

RGB 28 116 94

HSL 165, 0.61%, 0.28%

LAB 43.57, -31.07, 4.88

 

CMYK 89 / 0 / 23 / 62

HEX #0B624B

RGB 11 98 75

HSL 164.14, 0.8%, 0.21%

LAB 36.58, -30.08, 6.37

 

CMYK 100 / 0 / 30 / 69

HEX #005038

RGB 0 80 56

HSL 162, 1%, 0.16%

LAB 29.47, -28.35, 8.16

 

CMYK 59 / 0 / 13 / 40

HEX #3E9884

RGB 62 152 132

HSL 166.67, 0.42%, 0.42%

LAB 57.22, -31.8, 2.53

 

CMYK 59 / 0 / 30 / 40

HEX #3E986B

RGB 62 152 107

HSL 150, 0.42%, 0.42%

LAB 56.63, -37.73, 15.84

 

CMYK 59 / 0 / 45 / 40

HEX #3E9853

RGB 62 152 83

HSL 134, 0.42%, 0.42%

LAB 56.19, -42.33, 28.43

 

CMYK 58 / 0 / 59 / 40

HEX #40983E

RGB 64 152 62

HSL 118.67, 0.42%, 0.42%

LAB 55.98, -44.88, 38.9

 

CMYK 41 / 0 / 59 / 40

HEX #59983E

RGB 89 152 62

HSL 102, 0.42%, 0.42%

LAB 57.01, -37.36, 40.35

 

CMYK 59 / 0 / 13 / 40

HEX #3E9884

RGB 62 152 132

HSL 166.67, 0.42%, 0.42%

LAB 57.22, -31.8, 2.53

 

CMYK 59 / 3 / 0 / 40

HEX #3E9398

RGB 62 147 152

HSL 183.33, 0.42%, 0.42%

LAB 56.25, -23.81, -10.34

 

CMYK 59 / 19 / 0 / 40

HEX #3E7B98

RGB 62 123 152

HSL 199.33, 0.42%, 0.42%

LAB 48.83, -10.83, -21.61

 

CMYK 59 / 35 / 0 / 40

HEX #3E6398

RGB 62 99 152

HSL 215.33, 0.42%, 0.42%

LAB 41.56, 3.55, -32.94

 

CMYK 59 / 51 / 0 / 40

HEX #3E4B98

RGB 62 75 152

HSL 231.33, 0.42%, 0.42%

LAB 34.65, 19.07, -43.93

 

CMYK 59 / 0 / 13 / 40

HEX #3E9884

RGB 62 152 132

HSL 166.67, 0.42%, 0.42%

LAB 57.22, -31.8, 2.53

 

CMYK 74 / 0 / 17 / 34

HEX #2CA98D

RGB 44 169 141

HSL 166.56, 0.59%, 0.42%

LAB 62.37, -40.23, 4.84

 

CMYK 85 / 0 / 19 / 27

HEX #1BBA97

RGB 27 186 151

HSL 166.79, 0.75%, 0.42%

LAB 67.71, -46.59, 6.95

 

CMYK 95 / 0 / 22 / 20

HEX #0ACCA0

RGB 10 204 160

HSL 166.39, 0.91%, 0.42%

LAB 73.41, -52.44, 10.18

 

CMYK 59 / 0 / 13 / 40

HEX #3E9884

RGB 62 152 132

HSL 166.67, 0.42%, 0.42%

LAB 57.22, -31.8, 2.53

 

CMYK 41 / 0 / 9 / 47

HEX #4F867A

RGB 79 134 122

HSL 166.91, 0.26%, 0.42%

LAB 51.97, -21.21, 0.74

 

CMYK 18 / 0 / 4 / 54

HEX #607570

RGB 96 117 112

HSL 165.71, 0.1%, 0.42%

LAB 47.47, -8.82, 0.18

 

CMYK 0 / 12 / 10 / 55

HEX #726467

RGB 114 100 103

HSL 347.14, 0.07%, 0.42%

LAB 43.76, 6.14, 0.35

 

CMYK 0 / 37 / 29 / 49

HEX #83525D

RGB 131 82 93

HSL 346.53, 0.23%, 0.42%

LAB 40.65, 22.06, 2.2

 

CMYK 59 / 0 / 45 / 40

HEX #3E9853

RGB 62 152 83

HSL 134, 0.42%, 0.42%

LAB 56.19, -42.33, 28.43

 

CMYK 59 / 0 / 30 / 40

HEX #3E986B

RGB 62 152 107

HSL 150, 0.42%, 0.42%

LAB 56.63, -37.73, 15.84

 

CMYK 59 / 0 / 14 / 40

HEX #3E9883

RGB 62 152 131

HSL 166, 0.42%, 0.42%

LAB 57.19, -32.06, 3.06

 

CMYK 59 / 2 / 0 / 40

HEX #3E9598

RGB 62 149 152

HSL 182, 0.42%, 0.42%

LAB 56.87, -24.83, -9.41

 

CMYK 59 / 18 / 0 / 40

HEX #3E7D98

RGB 62 125 152

HSL 198, 0.42%, 0.42%

LAB 49.45, -11.97, -20.66

 

CMYK 59 / 0 / 13 / 64

HEX #265D51

RGB 38 93 81

HSL 166.91, 0.42%, 0.26%

LAB 35.66, -21.43, 1.43

 

CMYK 59 / 0 / 13 / 52

HEX #327A6A

RGB 50 122 106

HSL 166.67, 0.42%, 0.34%

LAB 46.5, -26.63, 2.03

 

CMYK 59 / 0 / 13 / 40

HEX #3E9884

RGB 62 152 132

HSL 166.67, 0.42%, 0.42%

LAB 57.22, -31.8, 2.53

 

CMYK 59 / 0 / 13 / 29

HEX #4AB59D

RGB 74 181 157

HSL 166.54, 0.42%, 0.5%

LAB 67.23, -36.55, 3.08

 

CMYK 47 / 0 / 10 / 24

HEX #67C1AD

RGB 103 193 173

HSL 166.67, 0.42%, 0.58%

LAB 72.26, -31.83, 1.73

 

CMYK 59 / 0 / 13 / 40

HEX #3E9884

RGB 62 152 132

HSL 166.67, 0.42%, 0.42%

LAB 57.22, -31.8, 2.53

 

CMYK 59 / 57 / 0 / 40

HEX #3E4198

RGB 62 65 152

HSL 238, 0.42%, 0.42%

LAB 31.97, 25.64, -48.25

 

CMYK 0 / 38 / 59 / 40

HEX #985F3E

RGB 152 95 62

HSL 22, 0.42%, 0.42%

LAB 45.92, 19.77, 28.39

 

CMYK 59 / 0 / 13 / 40

HEX #3E9884

RGB 62 152 132

HSL 166.67, 0.42%, 0.42%

LAB 57.22, -31.8, 2.53

 

CMYK 14 / 59 / 0 / 40

HEX #833E98

RGB 131 62 152

HSL 286, 0.42%, 0.42%

LAB 38.79, 44.16, -36.9

 

CMYK 0 / 14 / 59 / 40

HEX #98833E

RGB 152 131 62

HSL 46, 0.42%, 0.42%

LAB 55.33, -0.79, 39.61

 

CMYK 59 / 0 / 13 / 40

HEX #3E9884

RGB 62 152 132

HSL 166.67, 0.42%, 0.42%

LAB 57.22, -31.8, 2.53

 

CMYK 59 / 57 / 0 / 40

HEX #3E4198

RGB 62 65 152

HSL 238, 0.42%, 0.42%

LAB 31.97, 25.64, -48.25

 

CMYK 0 / 59 / 45 / 40

HEX #983E53

RGB 152 62 83

HSL 346, 0.42%, 0.42%

LAB 39.15, 39.7, 6.68

 

CMYK 0 / 2 / 59 / 40

HEX #98953E

RGB 152 149 62

HSL 58, 0.42%, 0.42%

LAB 60.35, -10.62, 45.28

 

CMYK 59 / 0 / 13 / 40

HEX #3E9884

RGB 62 152 132

HSL 166.67, 0.42%, 0.42%

LAB 57.22, -31.8, 2.53

 

CMYK 43 / 59 / 0 / 40

HEX #563E98

RGB 86 62 152

HSL 256, 0.42%, 0.42%

LAB 33.33, 32.7, -45.95

 

CMYK 0 / 59 / 45 / 40

HEX #983E53

RGB 152 62 83

HSL 346, 0.42%, 0.42%

LAB 39.15, 39.7, 6.68

 

CMYK 16 / 0 / 59 / 40

HEX #80983E

RGB 128 152 62

HSL 76, 0.42%, 0.42%

LAB 59.34, -22.46, 43.62

 

Description

Color code: RGB 62 152 132 | qconv.com Color code: RGB 62 152 132 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 152 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 152 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 13 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 13% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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