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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 62 148 122 it is the complementary color RGB 193 107 133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 62 148 122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 62 148 122 shade: RGB 67 148 117, RGB 84 166 136, RGB 101 184 155, RGB 118 202 174 and RGB 135 220 193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 62 148 122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 62 148 122 shade: RGB 62 148 122, RGB 45 130 103, RGB 28 112 84, RGB 11 94 65 and RGB 0 76 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 62 148 122 shade: RGB 61 147 121, RGB 61 147 98, RGB 61 147 75, RGB 71 147 61 and RGB 94 147 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 62 148 122 shade: RGB 61 147 121, RGB 61 147 144, RGB 61 127 147, RGB 61 103 147 and RGB 61 80 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 62 148 122 shade matches the following richer shades: RGB 61 147 121, RGB 44 164 128, RGB 27 181 134 and RGB 10 198 141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 62 148 122 shade: RGB 61 147 121, RGB 78 130 114, RGB 95 113 108, RGB 112 96 101 and RGB 129 79 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 62 148 122 shade: RGB 61 147 74, RGB 61 147 97, RGB 61 147 120, RGB 61 147 143 and RGB 61 128 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 62 148 122 shade: RGB 37 89 73, RGB 49 118 97, RGB 61 147 121, RGB 73 176 145 and RGB 101 190 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 62 148 122 shade: RGB 62 148 122, RGB 61 71 147 and RGB 147 85 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 62 148 122 shade: RGB 62 148 122, RGB 120 61 147 and RGB 147 120 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 62 148 122 shade: RGB 62 148 122, RGB 61 71 147, RGB 147 61 88 and RGB 147 137 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 62 148 122 shade: RGB 62 148 122, RGB 77 61 147, RGB 147 61 88 and RGB 131 147 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 18 / 42

HEX #3E947A

RGB 62 148 122

HSL 161.86, 0.41%, 0.41%

LAB 55.69, -32.44, 6.04

 

Complementary color

CMYK 0 / 45 / 31 / 24

HEX #C16B85

RGB 193 107 133

HSL 341.86, 0.41%, 0.59%

LAB 55.63, 37.2, 0.91

 

CMYK 55 / 0 / 21 / 42

HEX #439475

RGB 67 148 117

HSL 157.04, 0.38%, 0.42%

LAB 55.74, -32.5, 8.98

 

CMYK 49 / 0 / 18 / 35

HEX #54A688

RGB 84 166 136

HSL 158.05, 0.33%, 0.49%

LAB 62.45, -32.39, 7.9

 

CMYK 45 / 0 / 16 / 28

HEX #65B89B

RGB 101 184 155

HSL 159.04, 0.37%, 0.56%

LAB 69.05, -32.23, 6.92

 

CMYK 42 / 0 / 14 / 21

HEX #76CAAE

RGB 118 202 174

HSL 160, 0.44%, 0.63%

LAB 75.54, -32.05, 6.02

 

CMYK 39 / 0 / 12 / 14

HEX #87DCC1

RGB 135 220 193

HSL 160.94, 0.55%, 0.7%

LAB 81.94, -31.85, 5.18

 

CMYK 58 / 0 / 18 / 42

HEX #3E947A

RGB 62 148 122

HSL 161.86, 0.41%, 0.41%

LAB 55.69, -32.44, 6.04

 

CMYK 65 / 0 / 21 / 49

HEX #2D8267

RGB 45 130 103

HSL 160.94, 0.49%, 0.34%

LAB 48.89, -32.29, 7.21

 

CMYK 75 / 0 / 25 / 56

HEX #1C7054

RGB 28 112 84

HSL 160, 0.6%, 0.27%

LAB 41.96, -31.88, 8.57

 

CMYK 88 / 0 / 31 / 63

HEX #0B5E41

RGB 11 94 65

HSL 159.04, 0.79%, 0.21%

LAB 34.92, -30.96, 10.17

 

CMYK 100 / 0 / 39 / 70

HEX #004C2E

RGB 0 76 46

HSL 156.32, 1%, 0.15%

LAB 27.75, -29.23, 12.1

 

CMYK 59 / 0 / 18 / 42

HEX #3D9379

RGB 61 147 121

HSL 161.86, 0.41%, 0.41%

LAB 55.32, -32.43, 6.07

 

CMYK 59 / 0 / 33 / 42

HEX #3D9362

RGB 61 147 98

HSL 145.81, 0.41%, 0.41%

LAB 54.8, -37.64, 18.38

 

CMYK 59 / 0 / 49 / 42

HEX #3D934B

RGB 61 147 75

HSL 129.77, 0.41%, 0.41%

LAB 54.41, -41.81, 30.41

 

CMYK 52 / 0 / 59 / 42

HEX #47933D

RGB 71 147 61

HSL 113.02, 0.41%, 0.41%

LAB 54.6, -41.04, 37.83

 

CMYK 36 / 0 / 59 / 42

HEX #5E933D

RGB 94 147 61

HSL 96.98, 0.41%, 0.41%

LAB 55.67, -33.46, 39.35

 

CMYK 59 / 0 / 18 / 42

HEX #3D9379

RGB 61 147 121

HSL 161.86, 0.41%, 0.41%

LAB 55.32, -32.43, 6.07

 

CMYK 59 / 0 / 2 / 42

HEX #3D9390

RGB 61 147 144

HSL 177.91, 0.41%, 0.41%

LAB 55.96, -26.31, -6.18

 

CMYK 59 / 14 / 0 / 42

HEX #3D7F93

RGB 61 127 147

HSL 193.95, 0.41%, 0.41%

LAB 49.83, -14.88, -17.15

 

CMYK 59 / 30 / 0 / 42

HEX #3D6793

RGB 61 103 147

HSL 210.7, 0.41%, 0.41%

LAB 42.46, -0.86, -28.53

 

CMYK 59 / 46 / 0 / 42

HEX #3D5093

RGB 61 80 147

HSL 226.74, 0.41%, 0.41%

LAB 35.67, 13.81, -39.27

 

CMYK 59 / 0 / 18 / 42

HEX #3D9379

RGB 61 147 121

HSL 161.86, 0.41%, 0.41%

LAB 55.32, -32.43, 6.07

 

CMYK 73 / 0 / 22 / 36

HEX #2CA480

RGB 44 164 128

HSL 162, 0.58%, 0.41%

LAB 60.47, -41.35, 9.39

 

CMYK 85 / 0 / 26 / 29

HEX #1BB586

RGB 27 181 134

HSL 161.69, 0.74%, 0.41%

LAB 65.75, -48.77, 13.48

 

CMYK 95 / 0 / 29 / 22

HEX #0AC68D

RGB 10 198 141

HSL 161.81, 0.9%, 0.41%

LAB 71.13, -54.66, 17.18

 

CMYK 59 / 0 / 18 / 42

HEX #3D9379

RGB 61 147 121

HSL 161.86, 0.41%, 0.41%

LAB 55.32, -32.43, 6.07

 

CMYK 40 / 0 / 12 / 49

HEX #4E8272

RGB 78 130 114

HSL 161.54, 0.25%, 0.41%

LAB 50.45, -21.36, 3.2

 

CMYK 16 / 0 / 4 / 56

HEX #5F716C

RGB 95 113 108

HSL 163.33, 0.09%, 0.41%

LAB 46.08, -7.79, 0.52

 

CMYK 0 / 14 / 10 / 56

HEX #706065

RGB 112 96 101

HSL 341.25, 0.08%, 0.41%

LAB 42.38, 7.36, -0.47

 

CMYK 0 / 39 / 27 / 49

HEX #814F5E

RGB 129 79 94

HSL 342, 0.24%, 0.41%

LAB 39.69, 23.18, 0.15

 

CMYK 59 / 0 / 50 / 42

HEX #3D934A

RGB 61 147 74

HSL 129.07, 0.41%, 0.41%

LAB 54.4, -41.97, 30.91

 

CMYK 59 / 0 / 34 / 42

HEX #3D9361

RGB 61 147 97

HSL 145.12, 0.41%, 0.41%

LAB 54.79, -37.85, 18.91

 

CMYK 59 / 0 / 18 / 42

HEX #3D9378

RGB 61 147 120

HSL 161.16, 0.41%, 0.41%

LAB 55.29, -32.68, 6.6

 

CMYK 59 / 0 / 3 / 42

HEX #3D938F

RGB 61 147 143

HSL 177.21, 0.41%, 0.41%

LAB 55.93, -26.59, -5.65

 

CMYK 59 / 13 / 0 / 42

HEX #3D8093

RGB 61 128 147

HSL 193.26, 0.41%, 0.41%

LAB 50.14, -15.43, -16.68

 

CMYK 58 / 0 / 18 / 65

HEX #255949

RGB 37 89 73

HSL 161.54, 0.41%, 0.25%

LAB 34.02, -21.78, 4.05

 

CMYK 58 / 0 / 18 / 54

HEX #317661

RGB 49 118 97

HSL 161.74, 0.41%, 0.33%

LAB 44.9, -27.24, 5.08

 

CMYK 59 / 0 / 18 / 42

HEX #3D9379

RGB 61 147 121

HSL 161.86, 0.41%, 0.41%

LAB 55.32, -32.43, 6.07

 

CMYK 59 / 0 / 18 / 31

HEX #49B091

RGB 73 176 145

HSL 161.94, 0.41%, 0.49%

LAB 65.37, -37.42, 7.02

 

CMYK 47 / 0 / 14 / 25

HEX #65BEA3

RGB 101 190 163

HSL 161.8, 0.41%, 0.57%

LAB 71.03, -33.24, 5.4

 

CMYK 58 / 0 / 18 / 42

HEX #3E947A

RGB 62 148 122

HSL 161.86, 0.41%, 0.41%

LAB 55.69, -32.44, 6.04

 

CMYK 59 / 52 / 0 / 42

HEX #3D4793

RGB 61 71 147

HSL 233.02, 0.41%, 0.41%

LAB 33.15, 19.75, -43.31

 

CMYK 0 / 42 / 59 / 42

HEX #93553D

RGB 147 85 61

HSL 16.74, 0.41%, 0.41%

LAB 42.82, 23.26, 24.96

 

CMYK 58 / 0 / 18 / 42

HEX #3E947A

RGB 62 148 122

HSL 161.86, 0.41%, 0.41%

LAB 55.69, -32.44, 6.04

 

CMYK 18 / 59 / 0 / 42

HEX #783D93

RGB 120 61 147

HSL 281.16, 0.41%, 0.41%

LAB 36.81, 40.63, -37.11

 

CMYK 0 / 18 / 59 / 42

HEX #93783D

RGB 147 120 61

HSL 41.16, 0.41%, 0.41%

LAB 51.81, 3.09, 35.89

 

CMYK 58 / 0 / 18 / 42

HEX #3E947A

RGB 62 148 122

HSL 161.86, 0.41%, 0.41%

LAB 55.69, -32.44, 6.04

 

CMYK 59 / 52 / 0 / 42

HEX #3D4793

RGB 61 71 147

HSL 233.02, 0.41%, 0.41%

LAB 33.15, 19.75, -43.31

 

CMYK 0 / 59 / 40 / 42

HEX #933D58

RGB 147 61 88

HSL 341.16, 0.41%, 0.41%

LAB 38.28, 38.99, 2.18

 

CMYK 0 / 7 / 59 / 42

HEX #93893D

RGB 147 137 61

HSL 53.02, 0.41%, 0.41%

LAB 56.52, -6.42, 41.33

 

CMYK 58 / 0 / 18 / 42

HEX #3E947A

RGB 62 148 122

HSL 161.86, 0.41%, 0.41%

LAB 55.69, -32.44, 6.04

 

CMYK 48 / 59 / 0 / 42

HEX #4D3D93

RGB 77 61 147

HSL 251.16, 0.41%, 0.41%

LAB 31.86, 29.73, -45.32

 

CMYK 0 / 59 / 40 / 42

HEX #933D58

RGB 147 61 88

HSL 341.16, 0.41%, 0.41%

LAB 38.28, 38.99, 2.18

 

CMYK 11 / 0 / 59 / 42

HEX #83933D

RGB 131 147 61

HSL 71.16, 0.41%, 0.41%

LAB 58.07, -18.73, 42.72

 

Description

Color code: RGB 62 148 122 | qconv.com Color code: RGB 62 148 122 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 148 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 148 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 18 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 18% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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