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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 62 137 166 it is the complementary color RGB 193 118 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 62 137 166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 62 137 166 shade: RGB 67 137 161, RGB 84 155 180, RGB 101 173 199, RGB 118 191 218 and RGB 135 209 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 62 137 166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 62 137 166 shade: RGB 62 137 166, RGB 45 119 147, RGB 28 101 128, RGB 11 83 109 and RGB 0 65 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 62 137 166 shade: RGB 61 138 167, RGB 61 109 167, RGB 61 81 167, RGB 71 61 167 and RGB 99 61 167

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 62 137 166 shade: RGB 61 138 167, RGB 61 109 167, RGB 61 81 167 and RGB 61 61 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 62 137 166 shade matches the following richer shades: RGB 61 138 167, RGB 43 146 186, RGB 24 154 204 and RGB 6 162 223

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 62 137 166 shade: RGB 61 138 167, RGB 80 129 148, RGB 99 121 130, RGB 117 113 111 and RGB 136 105 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 62 137 166 shade: RGB 61 167 139, RGB 61 167 167, RGB 61 139 167, RGB 61 111 167 and RGB 61 83 167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 62 137 166 shade: RGB 39 88 107, RGB 50 113 137, RGB 61 138 167, RGB 80 159 190 and RGB 110 176 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 62 137 166 shade: RGB 62 137 166, RGB 111 61 167 and RGB 167 153 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 62 137 166 shade: RGB 62 137 166, RGB 167 61 139 and RGB 139 167 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 62 137 166 shade: RGB 62 137 166, RGB 111 61 167, RGB 167 90 61 and RGB 118 167 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 62 137 166 shade: RGB 62 137 166, RGB 142 61 167, RGB 167 90 61 and RGB 86 167 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 17 / 0 / 35

HEX #3E89A6

RGB 62 137 166

HSL 196.73, 0.46%, 0.45%

LAB 53.67, -14.17, -22.3

 

Complementary color

CMYK 0 / 39 / 54 / 24

HEX #C17659

RGB 193 118 89

HSL 16.73, 0.46%, 0.55%

LAB 57.09, 26.42, 28.34

 

CMYK 58 / 15 / 0 / 37

HEX #4389A1

RGB 67 137 161

HSL 195.32, 0.41%, 0.45%

LAB 53.66, -14.78, -19.42

 

CMYK 53 / 14 / 0 / 29

HEX #549BB4

RGB 84 155 180

HSL 195.63, 0.39%, 0.52%

LAB 60.45, -15.18, -19.84

 

CMYK 49 / 13 / 0 / 22

HEX #65ADC7

RGB 101 173 199

HSL 195.92, 0.47%, 0.59%

LAB 67.11, -15.47, -20.24

 

CMYK 46 / 12 / 0 / 15

HEX #76BFDA

RGB 118 191 218

HSL 196.2, 0.57%, 0.66%

LAB 73.66, -15.69, -20.62

 

CMYK 43 / 12 / 0 / 7

HEX #87D1ED

RGB 135 209 237

HSL 196.47, 0.74%, 0.73%

LAB 80.1, -15.85, -21

 

CMYK 63 / 17 / 0 / 35

HEX #3E89A6

RGB 62 137 166

HSL 196.73, 0.46%, 0.45%

LAB 53.67, -14.17, -22.3

 

CMYK 69 / 19 / 0 / 42

HEX #2D7793

RGB 45 119 147

HSL 196.47, 0.53%, 0.38%

LAB 46.79, -13.38, -21.86

 

CMYK 78 / 21 / 0 / 50

HEX #1C6580

RGB 28 101 128

HSL 196.2, 0.64%, 0.31%

LAB 39.77, -12.25, -21.37

 

CMYK 90 / 24 / 0 / 57

HEX #0B536D

RGB 11 83 109

HSL 195.92, 0.82%, 0.24%

LAB 32.62, -10.56, -20.77

 

CMYK 100 / 28 / 0 / 65

HEX #00415A

RGB 0 65 90

HSL 196.67, 1%, 0.18%

LAB 25.32, -8.09, -20.03

 

CMYK 63 / 17 / 0 / 35

HEX #3D8AA7

RGB 61 138 167

HSL 196.42, 0.46%, 0.45%

LAB 53.98, -14.59, -22.4

 

CMYK 63 / 35 / 0 / 35

HEX #3D6DA7

RGB 61 109 167

HSL 212.83, 0.46%, 0.45%

LAB 45.25, 2.36, -36

 

CMYK 63 / 51 / 0 / 35

HEX #3D51A7

RGB 61 81 167

HSL 228.68, 0.46%, 0.45%

LAB 37.24, 20.25, -48.78

 

CMYK 57 / 63 / 0 / 35

HEX #473DA7

RGB 71 61 167

HSL 245.66, 0.46%, 0.45%

LAB 32.85, 34.89, -55.86

 

CMYK 41 / 63 / 0 / 35

HEX #633DA7

RGB 99 61 167

HSL 261.51, 0.46%, 0.45%

LAB 35.56, 40.5, -51.33

 

CMYK 63 / 17 / 0 / 35

HEX #3D8AA7

RGB 61 138 167

HSL 196.42, 0.46%, 0.45%

LAB 53.98, -14.59, -22.4

 

CMYK 63 / 35 / 0 / 35

HEX #3D6DA7

RGB 61 109 167

HSL 212.83, 0.46%, 0.45%

LAB 45.25, 2.36, -36

 

CMYK 63 / 51 / 0 / 35

HEX #3D51A7

RGB 61 81 167

HSL 228.68, 0.46%, 0.45%

LAB 37.24, 20.25, -48.78

 

CMYK 63 / 63 / 0 / 35

HEX #3D3DA7

RGB 61 61 167

HSL 240, 0.46%, 0.45%

LAB 32.08, 33.2, -57.14

 

CMYK 63 / 17 / 0 / 35

HEX #3D8AA7

RGB 61 138 167

HSL 196.42, 0.46%, 0.45%

LAB 53.98, -14.59, -22.4

 

CMYK 77 / 22 / 0 / 27

HEX #2B92BA

RGB 43 146 186

HSL 196.78, 0.62%, 0.45%

LAB 56.7, -15.28, -29.1

 

CMYK 88 / 25 / 0 / 20

HEX #189ACC

RGB 24 154 204

HSL 196.67, 0.79%, 0.45%

LAB 59.58, -14.98, -34.79

 

CMYK 97 / 27 / 0 / 13

HEX #06A2DF

RGB 6 162 223

HSL 196.87, 0.95%, 0.45%

LAB 62.68, -13.27, -40.54

 

CMYK 63 / 17 / 0 / 35

HEX #3D8AA7

RGB 61 138 167

HSL 196.42, 0.46%, 0.45%

LAB 53.98, -14.59, -22.4

 

CMYK 46 / 13 / 0 / 42

HEX #508194

RGB 80 129 148

HSL 196.76, 0.3%, 0.45%

LAB 51.32, -11.22, -15.39

 

CMYK 24 / 7 / 0 / 49

HEX #637982

RGB 99 121 130

HSL 197.42, 0.14%, 0.45%

LAB 49.42, -5.84, -7.57

 

CMYK 0 / 3 / 5 / 54

HEX #75716F

RGB 117 113 111

HSL 20, 0.03%, 0.45%

LAB 47.93, 1.15, 1.65

 

CMYK 0 / 23 / 32 / 47

HEX #88695D

RGB 136 105 93

HSL 16.74, 0.19%, 0.45%

LAB 47.14, 10.55, 11.5

 

CMYK 63 / 0 / 17 / 35

HEX #3DA78B

RGB 61 167 139

HSL 164.15, 0.46%, 0.45%

LAB 62.08, -37.16, 5.59

 

CMYK 63 / 0 / 0 / 35

HEX #3DA7A7

RGB 61 167 167

HSL 180, 0.46%, 0.45%

LAB 62.86, -29.61, -8.96

 

CMYK 63 / 17 / 0 / 35

HEX #3D8BA7

RGB 61 139 167

HSL 195.85, 0.46%, 0.45%

LAB 54.29, -15.13, -21.93

 

CMYK 63 / 34 / 0 / 35

HEX #3D6FA7

RGB 61 111 167

HSL 211.7, 0.46%, 0.45%

LAB 45.84, 1.13, -35.07

 

CMYK 63 / 50 / 0 / 35

HEX #3D53A7

RGB 61 83 167

HSL 227.55, 0.46%, 0.45%

LAB 37.79, 18.95, -47.89

 

CMYK 64 / 18 / 0 / 58

HEX #27586B

RGB 39 88 107

HSL 196.76, 0.47%, 0.29%

LAB 34.95, -10.22, -15.86

 

CMYK 64 / 18 / 0 / 46

HEX #327189

RGB 50 113 137

HSL 196.55, 0.47%, 0.37%

LAB 44.65, -12.45, -19.2

 

CMYK 63 / 17 / 0 / 35

HEX #3D8AA7

RGB 61 138 167

HSL 196.42, 0.46%, 0.45%

LAB 53.98, -14.59, -22.4

 

CMYK 58 / 16 / 0 / 25

HEX #509FBE

RGB 80 159 190

HSL 196.91, 0.46%, 0.53%

LAB 61.84, -15.17, -23.34

 

CMYK 45 / 12 / 0 / 21

HEX #6EB0C9

RGB 110 176 201

HSL 196.48, 0.46%, 0.61%

LAB 68.45, -14.37, -19.27

 

CMYK 63 / 17 / 0 / 35

HEX #3E89A6

RGB 62 137 166

HSL 196.73, 0.46%, 0.45%

LAB 53.67, -14.17, -22.3

 

CMYK 34 / 63 / 0 / 35

HEX #6F3DA7

RGB 111 61 167

HSL 268.3, 0.46%, 0.45%

LAB 36.94, 43.19, -49.03

 

CMYK 0 / 8 / 63 / 35

HEX #A7993D

RGB 167 153 61

HSL 52.08, 0.46%, 0.45%

LAB 62.79, -6.24, 48.79

 

CMYK 63 / 17 / 0 / 35

HEX #3E89A6

RGB 62 137 166

HSL 196.73, 0.46%, 0.45%

LAB 53.67, -14.17, -22.3

 

CMYK 0 / 63 / 17 / 35

HEX #A73D8B

RGB 167 61 139

HSL 315.85, 0.46%, 0.45%

LAB 43.39, 52.25, -21.44

 

CMYK 17 / 0 / 63 / 35

HEX #8BA73D

RGB 139 167 61

HSL 75.85, 0.46%, 0.45%

LAB 64.53, -25.46, 50.02

 

CMYK 63 / 17 / 0 / 35

HEX #3E89A6

RGB 62 137 166

HSL 196.73, 0.46%, 0.45%

LAB 53.67, -14.17, -22.3

 

CMYK 34 / 63 / 0 / 35

HEX #6F3DA7

RGB 111 61 167

HSL 268.3, 0.46%, 0.45%

LAB 36.94, 43.19, -49.03

 

CMYK 0 / 46 / 63 / 35

HEX #A75A3D

RGB 167 90 61

HSL 16.42, 0.46%, 0.45%

LAB 46.8, 28.86, 30.51

 

CMYK 29 / 0 / 63 / 35

HEX #76A73D

RGB 118 167 61

HSL 87.74, 0.46%, 0.45%

LAB 63.2, -33.76, 48.18

 

CMYK 63 / 17 / 0 / 35

HEX #3E89A6

RGB 62 137 166

HSL 196.73, 0.46%, 0.45%

LAB 53.67, -14.17, -22.3

 

CMYK 15 / 63 / 0 / 35

HEX #8E3DA7

RGB 142 61 167

HSL 285.85, 0.46%, 0.45%

LAB 41.02, 50.61, -42.26

 

CMYK 0 / 46 / 63 / 35

HEX #A75A3D

RGB 167 90 61

HSL 16.42, 0.46%, 0.45%

LAB 46.8, 28.86, 30.51

 

CMYK 49 / 0 / 63 / 35

HEX #56A73D

RGB 86 167 61

HSL 105.85, 0.46%, 0.45%

LAB 61.61, -44.78, 45.99

 

Description

Color code: RGB 62 137 166 | qconv.com Color code: RGB 62 137 166 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 137 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 137 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 17 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 17% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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