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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 62 130 254 it is the complementary color RGB 193 125 1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 62 130 254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 62 130 254 shade: RGB 67 130 249, RGB 84 148 255, RGB 101 166 255, RGB 118 184 255 and RGB 135 202 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 62 130 254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 62 130 254 shade: RGB 62 130 254, RGB 45 112 235, RGB 28 94 216, RGB 11 76 197 and RGB 0 58 178

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 62 130 254 shade: RGB 62 130 254, RGB 62 78 254, RGB 97 62 254, RGB 149 62 254 and RGB 201 62 254

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 62 130 254 shade: RGB 62 130 254, RGB 62 78 254 and RGB 62 62 254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 62 130 254 shade matches the following richer shades: RGB 62 130 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 62 130 254 shade: RGB 62 130 254, RGB 77 134 238, RGB 93 139 222, RGB 109 143 206 and RGB 124 148 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 62 130 254 shade: RGB 62 234 254, RGB 62 183 254, RGB 62 132 254, RGB 62 81 254 and RGB 94 62 254

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 62 130 254 shade: RGB 1 83 232, RGB 21 103 253, RGB 62 130 254, RGB 103 156 254 and RGB 144 183 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 62 130 254 shade: RGB 62 130 254, RGB 222 62 254 and RGB 209 254 62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 62 130 254 shade: RGB 62 130 254, RGB 254 62 132 and RGB 132 254 62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 62 130 254 shade: RGB 62 130 254, RGB 222 62 254, RGB 254 183 62 and RGB 94 254 62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 62 130 254 shade: RGB 62 130 254, RGB 254 62 228, RGB 254 183 62 and RGB 62 254 87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 49 / 0 / 0

HEX #3E82FE

RGB 62 130 254

HSL 218.75, 0.99%, 0.62%

LAB 56.23, 20.78, -67.88

 

Complementary color

CMYK 0 / 35 / 99 / 24

HEX #C17D01

RGB 193 125 1

HSL 38.75, 0.99%, 0.38%

LAB 58.04, 18.73, 64.05

 

CMYK 73 / 48 / 0 / 2

HEX #4382F9

RGB 67 130 249

HSL 219.23, 0.94%, 0.62%

LAB 56.09, 19.57, -65.34

 

CMYK 67 / 42 / 0 / 0

HEX #5494FF

RGB 84 148 255

HSL 217.54, 1%, 0.66%

LAB 61.9, 13.13, -59.28

 

CMYK 60 / 35 / 0 / 0

HEX #65A6FF

RGB 101 166 255

HSL 214.68, 1%, 0.7%

LAB 67.47, 5.47, -50.39

 

CMYK 54 / 28 / 0 / 0

HEX #76B8FF

RGB 118 184 255

HSL 211.09, 1%, 0.73%

LAB 73.12, -1.33, -41.46

 

CMYK 47 / 21 / 0 / 0

HEX #87CAFF

RGB 135 202 255

HSL 206.5, 1%, 0.76%

LAB 78.82, -7.33, -32.57

 

CMYK 76 / 49 / 0 / 0

HEX #3E82FE

RGB 62 130 254

HSL 218.75, 0.99%, 0.62%

LAB 56.23, 20.78, -67.88

 

CMYK 81 / 52 / 0 / 8

HEX #2D70EB

RGB 45 112 235

HSL 218.84, 0.83%, 0.55%

LAB 49.67, 23.33, -67.95

 

CMYK 87 / 56 / 0 / 15

HEX #1C5ED8

RGB 28 94 216

HSL 218.94, 0.77%, 0.48%

LAB 43.08, 26.38, -67.94

 

CMYK 94 / 61 / 0 / 23

HEX #0B4CC5

RGB 11 76 197

HSL 219.03, 0.89%, 0.41%

LAB 36.5, 29.99, -67.73

 

CMYK 100 / 67 / 0 / 30

HEX #003AB2

RGB 0 58 178

HSL 220.45, 1%, 0.35%

LAB 30.01, 34.11, -67.2

 

CMYK 76 / 49 / 0 / 0

HEX #3E82FE

RGB 62 130 254

HSL 218.75, 0.99%, 0.62%

LAB 56.23, 20.78, -67.88

 

CMYK 76 / 69 / 0 / 0

HEX #3E4EFE

RGB 62 78 254

HSL 235, 0.99%, 0.62%

LAB 43.7, 52.45, -88.32

 

CMYK 62 / 76 / 0 / 0

HEX #613EFE

RGB 97 62 254

HSL 250.94, 0.99%, 0.62%

LAB 42.98, 64.18, -89.43

 

CMYK 41 / 76 / 0 / 0

HEX #953EFE

RGB 149 62 254

HSL 267.19, 0.99%, 0.62%

LAB 48.25, 70.93, -80.58

 

CMYK 21 / 76 / 0 / 0

HEX #C93EFE

RGB 201 62 254

HSL 283.44, 0.99%, 0.62%

LAB 55.09, 79.48, -69.14

 

CMYK 76 / 49 / 0 / 0

HEX #3E82FE

RGB 62 130 254

HSL 218.75, 0.99%, 0.62%

LAB 56.23, 20.78, -67.88

 

CMYK 76 / 69 / 0 / 0

HEX #3E4EFE

RGB 62 78 254

HSL 235, 0.99%, 0.62%

LAB 43.7, 52.45, -88.32

 

CMYK 76 / 76 / 0 / 0

HEX #3E3EFE

RGB 62 62 254

HSL 240, 0.99%, 0.62%

LAB 40.61, 61.09, -93.41

 

CMYK 76 / 49 / 0 / 0

HEX #3E82FE

RGB 62 130 254

HSL 218.75, 0.99%, 0.62%

LAB 56.23, 20.78, -67.88

 

CMYK 76 / 49 / 0 / 0

HEX #3E82FE

RGB 62 130 254

HSL 218.75, 0.99%, 0.62%

LAB 56.23, 20.78, -67.88

 

CMYK 68 / 44 / 0 / 7

HEX #4D86EE

RGB 77 134 238

HSL 218.76, 0.83%, 0.62%

LAB 56.88, 14.62, -57.96

 

CMYK 58 / 37 / 0 / 13

HEX #5D8BDE

RGB 93 139 222

HSL 218.6, 0.66%, 0.62%

LAB 58.1, 9.01, -47.06

 

CMYK 47 / 31 / 0 / 19

HEX #6D8FCE

RGB 109 143 206

HSL 218.97, 0.5%, 0.62%

LAB 59.3, 5.21, -36.15

 

CMYK 35 / 23 / 0 / 25

HEX #7C94BF

RGB 124 148 191

HSL 218.51, 0.34%, 0.62%

LAB 60.98, 2.09, -25.03

 

CMYK 76 / 8 / 0 / 0

HEX #3EEAFE

RGB 62 234 254

HSL 186.25, 0.99%, 0.62%

LAB 85.52, -35.84, -22

 

CMYK 76 / 28 / 0 / 0

HEX #3EB7FE

RGB 62 183 254

HSL 202.19, 0.99%, 0.62%

LAB 70.9, -10.13, -44.54

 

CMYK 76 / 48 / 0 / 0

HEX #3E84FE

RGB 62 132 254

HSL 218.13, 0.99%, 0.62%

LAB 56.76, 19.56, -67.02

 

CMYK 76 / 68 / 0 / 0

HEX #3E51FE

RGB 62 81 254

HSL 234.06, 0.99%, 0.62%

LAB 44.33, 50.73, -87.29

 

CMYK 63 / 76 / 0 / 0

HEX #5E3EFE

RGB 94 62 254

HSL 250, 0.99%, 0.62%

LAB 42.73, 63.86, -89.84

 

CMYK 100 / 64 / 0 / 9

HEX #0153E8

RGB 1 83 232

HSL 218.7, 0.99%, 0.46%

LAB 41.25, 38.62, -80.05

 

CMYK 92 / 59 / 0 / 1

HEX #1567FD

RGB 21 103 253

HSL 218.79, 0.98%, 0.54%

LAB 48.2, 34.36, -80.42

 

CMYK 76 / 49 / 0 / 0

HEX #3E82FE

RGB 62 130 254

HSL 218.75, 0.99%, 0.62%

LAB 56.23, 20.78, -67.88

 

CMYK 59 / 39 / 0 / 0

HEX #679CFE

RGB 103 156 254

HSL 218.94, 0.99%, 0.7%

LAB 64.82, 11.3, -54.04

 

CMYK 43 / 28 / 0 / 0

HEX #90B7FE

RGB 144 183 254

HSL 218.73, 0.98%, 0.78%

LAB 74.16, 4.87, -39.21

 

CMYK 76 / 49 / 0 / 0

HEX #3E82FE

RGB 62 130 254

HSL 218.75, 0.99%, 0.62%

LAB 56.23, 20.78, -67.88

 

CMYK 13 / 76 / 0 / 0

HEX #DE3EFE

RGB 222 62 254

HSL 290, 0.99%, 0.62%

LAB 58.16, 83.26, -64.04

 

CMYK 18 / 0 / 76 / 0

HEX #D1FE3E

RGB 209 254 62

HSL 74.06, 0.99%, 0.62%

LAB 93.79, -38.2, 80.3

 

CMYK 76 / 49 / 0 / 0

HEX #3E82FE

RGB 62 130 254

HSL 218.75, 0.99%, 0.62%

LAB 56.23, 20.78, -67.88

 

CMYK 0 / 76 / 48 / 0

HEX #FE3E84

RGB 254 62 132

HSL 338.13, 0.99%, 0.62%

LAB 58.21, 74.85, 6.44

 

CMYK 48 / 0 / 76 / 0

HEX #84FE3E

RGB 132 254 62

HSL 98.13, 0.99%, 0.62%

LAB 89.92, -64.49, 75.27

 

CMYK 76 / 49 / 0 / 0

HEX #3E82FE

RGB 62 130 254

HSL 218.75, 0.99%, 0.62%

LAB 56.23, 20.78, -67.88

 

CMYK 13 / 76 / 0 / 0

HEX #DE3EFE

RGB 222 62 254

HSL 290, 0.99%, 0.62%

LAB 58.16, 83.26, -64.04

 

CMYK 0 / 28 / 76 / 0

HEX #FEB73E

RGB 254 183 62

HSL 37.81, 0.99%, 0.62%

LAB 79.21, 15.37, 67.9

 

CMYK 63 / 0 / 76 / 0

HEX #5EFE3E

RGB 94 254 62

HSL 110, 0.99%, 0.62%

LAB 88.74, -73.89, 73.72

 

CMYK 76 / 49 / 0 / 0

HEX #3E82FE

RGB 62 130 254

HSL 218.75, 0.99%, 0.62%

LAB 56.23, 20.78, -67.88

 

CMYK 0 / 76 / 10 / 0

HEX #FE3EE4

RGB 254 62 228

HSL 308.13, 0.99%, 0.62%

LAB 61.76, 85.5, -43.53

 

CMYK 0 / 28 / 76 / 0

HEX #FEB73E

RGB 254 183 62

HSL 37.81, 0.99%, 0.62%

LAB 79.21, 15.37, 67.9

 

CMYK 76 / 0 / 66 / 0

HEX #3EFE57

RGB 62 254 87

HSL 127.81, 0.99%, 0.62%

LAB 88.25, -77.36, 64.26

 

Description

Color code: RGB 62 130 254 | qconv.com Color code: RGB 62 130 254 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 130 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 130 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 49 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 49% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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