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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 62 108 209 it is the complementary color RGB 193 147 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 62 108 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 62 108 209 shade: RGB 67 108 204, RGB 84 126 223, RGB 101 144 242, RGB 118 162 255 and RGB 135 180 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 62 108 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 62 108 209 shade: RGB 62 108 209, RGB 45 90 190, RGB 28 72 171, RGB 11 54 152 and RGB 0 36 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 62 108 209 shade: RGB 60 107 209, RGB 60 67 209, RGB 94 60 209, RGB 134 60 209 and RGB 174 60 209

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 62 108 209 shade: RGB 60 107 209, RGB 60 67 209 and RGB 60 60 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 62 108 209 shade matches the following richer shades: RGB 60 107 209, RGB 41 100 228 and RGB 22 92 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 62 108 209 shade: RGB 60 107 209, RGB 80 114 190, RGB 99 121 170, RGB 119 129 151 and RGB 138 136 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 62 108 209 shade: RGB 60 187 209, RGB 60 147 209, RGB 60 107 209, RGB 60 68 209 and RGB 93 60 209

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 62 108 209 shade: RGB 35 72 152, RGB 43 87 185, RGB 60 107 209, RGB 94 132 217 and RGB 127 158 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 62 108 209 shade: RGB 62 108 209, RGB 192 60 209 and RGB 167 209 60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 62 108 209 shade: RGB 62 108 209, RGB 209 60 107 and RGB 107 209 60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 62 108 209 shade: RGB 62 108 209, RGB 192 60 209, RGB 209 162 60 and RGB 78 209 60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 62 108 209 shade: RGB 62 108 209, RGB 209 60 182, RGB 209 162 60 and RGB 60 209 88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 48 / 0 / 18

HEX #3E6CD1

RGB 62 108 209

HSL 221.22, 0.62%, 0.53%

LAB 47.43, 18.2, -56.83

 

Complementary color

CMYK 0 / 24 / 76 / 24

HEX #C1932E

RGB 193 147 46

HSL 41.22, 0.62%, 0.47%

LAB 63.67, 7.71, 56.85

 

CMYK 67 / 47 / 0 / 20

HEX #436CCC

RGB 67 108 204

HSL 222.04, 0.57%, 0.53%

LAB 47.34, 17.16, -54.12

 

CMYK 62 / 43 / 0 / 13

HEX #547EDF

RGB 84 126 223

HSL 221.87, 0.68%, 0.6%

LAB 54.17, 15.48, -53.9

 

CMYK 58 / 40 / 0 / 5

HEX #6590F2

RGB 101 144 242

HSL 221.7, 0.84%, 0.67%

LAB 60.89, 14.1, -53.71

 

CMYK 54 / 36 / 0 / 0

HEX #76A2FF

RGB 118 162 255

HSL 220.73, 1%, 0.73%

LAB 67.21, 11.09, -50.75

 

CMYK 47 / 29 / 0 / 0

HEX #87B4FF

RGB 135 180 255

HSL 217.5, 1%, 0.76%

LAB 72.9, 4.66, -41.75

 

CMYK 70 / 48 / 0 / 18

HEX #3E6CD1

RGB 62 108 209

HSL 221.22, 0.62%, 0.53%

LAB 47.43, 18.2, -56.83

 

CMYK 76 / 53 / 0 / 25

HEX #2D5ABE

RGB 45 90 190

HSL 221.38, 0.62%, 0.46%

LAB 40.55, 20.5, -57.01

 

CMYK 84 / 58 / 0 / 33

HEX #1C48AB

RGB 28 72 171

HSL 221.54, 0.72%, 0.39%

LAB 33.61, 23.36, -57.11

 

CMYK 93 / 64 / 0 / 40

HEX #0B3698

RGB 11 54 152

HSL 221.7, 0.87%, 0.32%

LAB 26.67, 26.91, -57

 

CMYK 100 / 73 / 0 / 48

HEX #002485

RGB 0 36 133

HSL 223.76, 1%, 0.26%

LAB 19.86, 31.05, -56.42

 

CMYK 71 / 49 / 0 / 18

HEX #3C6BD1

RGB 60 107 209

HSL 221.07, 0.62%, 0.53%

LAB 47.08, 18.55, -57.41

 

CMYK 71 / 68 / 0 / 18

HEX #3C43D1

RGB 60 67 209

HSL 237.18, 0.62%, 0.53%

LAB 37.07, 43.69, -73.69

 

CMYK 55 / 71 / 0 / 18

HEX #5E3CD1

RGB 94 60 209

HSL 253.69, 0.62%, 0.53%

LAB 38.23, 52.02, -71.7

 

CMYK 36 / 71 / 0 / 18

HEX #863CD1

RGB 134 60 209

HSL 269.8, 0.62%, 0.53%

LAB 42.62, 58.72, -64.35

 

CMYK 17 / 71 / 0 / 18

HEX #AE3CD1

RGB 174 60 209

HSL 285.91, 0.62%, 0.53%

LAB 48.05, 66.53, -55.3

 

CMYK 71 / 49 / 0 / 18

HEX #3C6BD1

RGB 60 107 209

HSL 221.07, 0.62%, 0.53%

LAB 47.08, 18.55, -57.41

 

CMYK 71 / 68 / 0 / 18

HEX #3C43D1

RGB 60 67 209

HSL 237.18, 0.62%, 0.53%

LAB 37.07, 43.69, -73.69

 

CMYK 71 / 71 / 0 / 18

HEX #3C3CD1

RGB 60 60 209

HSL 240, 0.62%, 0.53%

LAB 35.59, 47.77, -76.14

 

CMYK 71 / 49 / 0 / 18

HEX #3C6BD1

RGB 60 107 209

HSL 221.07, 0.62%, 0.53%

LAB 47.08, 18.55, -57.41

 

CMYK 82 / 56 / 0 / 11

HEX #2964E4

RGB 41 100 228

HSL 221.07, 0.78%, 0.53%

LAB 45.89, 28.01, -70.16

 

CMYK 91 / 63 / 0 / 3

HEX #165CF8

RGB 22 92 248

HSL 221.42, 0.94%, 0.53%

LAB 45.08, 39.46, -82.74

 

CMYK 71 / 49 / 0 / 18

HEX #3C6BD1

RGB 60 107 209

HSL 221.07, 0.62%, 0.53%

LAB 47.08, 18.55, -57.41

 

CMYK 58 / 40 / 0 / 25

HEX #5072BE

RGB 80 114 190

HSL 221.45, 0.46%, 0.53%

LAB 48.83, 10.94, -43.65

 

CMYK 42 / 29 / 0 / 33

HEX #6379AA

RGB 99 121 170

HSL 221.41, 0.29%, 0.53%

LAB 50.95, 4.97, -28.66

 

CMYK 21 / 15 / 0 / 41

HEX #778197

RGB 119 129 151

HSL 221.25, 0.13%, 0.53%

LAB 53.87, 1.3, -13.03

 

CMYK 0 / 1 / 5 / 46

HEX #8A8883

RGB 138 136 131

HSL 42.86, 0.03%, 0.53%

LAB 56.73, -0.21, 2.94

 

CMYK 71 / 11 / 0 / 18

HEX #3CBBD1

RGB 60 187 209

HSL 188.86, 0.62%, 0.53%

LAB 70.25, -27.06, -21.08

 

CMYK 71 / 30 / 0 / 18

HEX #3C93D1

RGB 60 147 209

HSL 204.97, 0.62%, 0.53%

LAB 58.44, -5.71, -39.33

 

CMYK 71 / 49 / 0 / 18

HEX #3C6BD1

RGB 60 107 209

HSL 221.07, 0.62%, 0.53%

LAB 47.08, 18.55, -57.41

 

CMYK 71 / 67 / 0 / 18

HEX #3C44D1

RGB 60 68 209

HSL 236.78, 0.62%, 0.53%

LAB 37.3, 43.09, -73.33

 

CMYK 56 / 71 / 0 / 18

HEX #5D3CD1

RGB 93 60 209

HSL 253.29, 0.62%, 0.53%

LAB 38.13, 51.87, -71.86

 

CMYK 77 / 53 / 0 / 40

HEX #234898

RGB 35 72 152

HSL 221.03, 0.63%, 0.37%

LAB 32.39, 16.57, -47.64

 

CMYK 77 / 53 / 0 / 27

HEX #2B57B9

RGB 43 87 185

HSL 221.41, 0.62%, 0.45%

LAB 39.3, 20.33, -56.13

 

CMYK 71 / 49 / 0 / 18

HEX #3C6BD1

RGB 60 107 209

HSL 221.07, 0.62%, 0.53%

LAB 47.08, 18.55, -57.41

 

CMYK 57 / 39 / 0 / 15

HEX #5E84D9

RGB 94 132 217

HSL 221.46, 0.62%, 0.61%

LAB 55.98, 11.77, -47.62

 

CMYK 44 / 30 / 0 / 12

HEX #7F9EE1

RGB 127 158 225

HSL 221.02, 0.62%, 0.69%

LAB 65.28, 6.56, -37.31

 

CMYK 70 / 48 / 0 / 18

HEX #3E6CD1

RGB 62 108 209

HSL 221.22, 0.62%, 0.53%

LAB 47.43, 18.2, -56.83

 

CMYK 8 / 71 / 0 / 18

HEX #C03CD1

RGB 192 60 209

HSL 293.15, 0.62%, 0.53%

LAB 50.74, 70.26, -50.85

 

CMYK 20 / 0 / 71 / 18

HEX #A7D13C

RGB 167 209 60

HSL 76.91, 0.62%, 0.53%

LAB 78.54, -34.23, 65.44

 

CMYK 70 / 48 / 0 / 18

HEX #3E6CD1

RGB 62 108 209

HSL 221.22, 0.62%, 0.53%

LAB 47.43, 18.2, -56.83

 

CMYK 0 / 71 / 49 / 18

HEX #D13C6B

RGB 209 60 107

HSL 341.07, 0.62%, 0.53%

LAB 49.31, 61.04, 7.63

 

CMYK 49 / 0 / 71 / 18

HEX #6BD13C

RGB 107 209 60

HSL 101.07, 0.62%, 0.53%

LAB 75.48, -55.11, 61.37

 

CMYK 70 / 48 / 0 / 18

HEX #3E6CD1

RGB 62 108 209

HSL 221.22, 0.62%, 0.53%

LAB 47.43, 18.2, -56.83

 

CMYK 8 / 71 / 0 / 18

HEX #C03CD1

RGB 192 60 209

HSL 293.15, 0.62%, 0.53%

LAB 50.74, 70.26, -50.85

 

CMYK 0 / 22 / 71 / 18

HEX #D1A23C

RGB 209 162 60

HSL 41.07, 0.62%, 0.53%

LAB 69.27, 7.24, 57.29

 

CMYK 63 / 0 / 71 / 18

HEX #4ED13C

RGB 78 209 60

HSL 112.75, 0.62%, 0.53%

LAB 74.54, -62.55, 60.1

 

CMYK 70 / 48 / 0 / 18

HEX #3E6CD1

RGB 62 108 209

HSL 221.22, 0.62%, 0.53%

LAB 47.43, 18.2, -56.83

 

CMYK 0 / 71 / 13 / 18

HEX #D13CB6

RGB 209 60 182

HSL 310.87, 0.62%, 0.53%

LAB 52.02, 69.74, -33.04

 

CMYK 0 / 22 / 71 / 18

HEX #D1A23C

RGB 209 162 60

HSL 41.07, 0.62%, 0.53%

LAB 69.27, 7.24, 57.29

 

CMYK 71 / 0 / 58 / 18

HEX #3CD158

RGB 60 209 88

HSL 131.28, 0.62%, 0.53%

LAB 74.36, -63.15, 48.18

 

Description

Color code: RGB 62 108 209 | qconv.com Color code: RGB 62 108 209 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 108 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 108 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 48 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 48% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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