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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 62 91 130 it is the complementary color RGB 193 164 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 62 91 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 62 91 130 shade: RGB 67 91 125, RGB 84 109 144, RGB 101 127 163, RGB 118 145 182 and RGB 135 163 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 62 91 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 62 91 130 shade: RGB 62 91 130, RGB 45 73 111, RGB 28 55 92, RGB 11 37 73 and RGB 0 19 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 62 91 130 shade: RGB 62 91 130, RGB 62 73 130, RGB 70 62 130, RGB 88 62 130 and RGB 107 62 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 62 91 130 shade: RGB 62 91 130, RGB 62 73 130 and RGB 62 62 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 62 91 130 shade matches the following richer shades: RGB 62 91 130, RGB 47 89 146, RGB 31 87 162, RGB 15 85 177 and RGB 0 82 193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 62 91 130 shade: RGB 62 91 130, RGB 78 94 115, RGB 94 96 99, RGB 110 98 83 and RGB 125 101 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 62 91 130 shade: RGB 62 128 130, RGB 62 110 130, RGB 62 92 130, RGB 62 74 130 and RGB 69 62 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 62 91 130 shade: RGB 36 52 75, RGB 49 72 102, RGB 62 91 130, RGB 76 111 158 and RGB 97 132 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 62 91 130 shade: RGB 62 91 130, RGB 114 62 130 and RGB 119 130 62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 62 91 130 shade: RGB 62 91 130, RGB 130 62 92 and RGB 92 130 62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 62 91 130 shade: RGB 62 91 130, RGB 114 62 130, RGB 130 101 62 and RGB 78 130 62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 62 91 130 shade: RGB 62 91 130, RGB 130 62 126, RGB 130 101 62 and RGB 62 130 67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 30 / 0 / 49

HEX #3E5B82

RGB 62 91 130

HSL 214.41, 0.35%, 0.38%

LAB 38.05, 1.13, -25.15

 

Complementary color

CMYK 0 / 15 / 35 / 24

HEX #C1A47D

RGB 193 164 125

HSL 34.41, 0.35%, 0.62%

LAB 69.02, 4.99, 24.2

 

CMYK 46 / 27 / 0 / 51

HEX #435B7D

RGB 67 91 125

HSL 215.17, 0.3%, 0.38%

LAB 38.12, 0.84, -21.96

 

CMYK 42 / 24 / 0 / 44

HEX #546D90

RGB 84 109 144

HSL 215, 0.26%, 0.45%

LAB 45.41, 0.36, -22.06

 

CMYK 38 / 22 / 0 / 36

HEX #657FA3

RGB 101 127 163

HSL 214.84, 0.25%, 0.52%

LAB 52.5, -0.01, -22.21

 

CMYK 35 / 20 / 0 / 29

HEX #7691B6

RGB 118 145 182

HSL 214.69, 0.3%, 0.59%

LAB 59.42, -0.33, -22.39

 

CMYK 33 / 19 / 0 / 21

HEX #87A3C9

RGB 135 163 201

HSL 214.55, 0.38%, 0.66%

LAB 66.18, -0.59, -22.59

 

CMYK 52 / 30 / 0 / 49

HEX #3E5B82

RGB 62 91 130

HSL 214.41, 0.35%, 0.38%

LAB 38.05, 1.13, -25.15

 

CMYK 59 / 34 / 0 / 56

HEX #2D496F

RGB 45 73 111

HSL 214.55, 0.42%, 0.31%

LAB 30.57, 1.98, -25.15

 

CMYK 70 / 40 / 0 / 64

HEX #1C375C

RGB 28 55 92

HSL 214.69, 0.53%, 0.24%

LAB 22.83, 3.23, -25.2

 

CMYK 85 / 49 / 0 / 71

HEX #0B2549

RGB 11 37 73

HSL 214.84, 0.74%, 0.16%

LAB 14.82, 5.25, -25.27

 

CMYK 100 / 65 / 0 / 79

HEX #001336

RGB 0 19 54

HSL 218.89, 1%, 0.11%

LAB 6.61, 8.26, -25.11

 

CMYK 52 / 30 / 0 / 49

HEX #3E5B82

RGB 62 91 130

HSL 214.41, 0.35%, 0.38%

LAB 38.05, 1.13, -25.15

 

CMYK 52 / 44 / 0 / 49

HEX #3E4982

RGB 62 73 130

HSL 230.29, 0.35%, 0.38%

LAB 32.7, 12.78, -33.58

 

CMYK 46 / 52 / 0 / 49

HEX #463E82

RGB 70 62 130

HSL 247.06, 0.35%, 0.38%

LAB 30.3, 22.06, -37.37

 

CMYK 32 / 52 / 0 / 49

HEX #583E82

RGB 88 62 130

HSL 262.94, 0.35%, 0.38%

LAB 32.1, 26.92, -34.39

 

CMYK 18 / 52 / 0 / 49

HEX #6B3E82

RGB 107 62 130

HSL 279.71, 0.35%, 0.38%

LAB 34.36, 32.47, -30.67

 

CMYK 52 / 30 / 0 / 49

HEX #3E5B82

RGB 62 91 130

HSL 214.41, 0.35%, 0.38%

LAB 38.05, 1.13, -25.15

 

CMYK 52 / 44 / 0 / 49

HEX #3E4982

RGB 62 73 130

HSL 230.29, 0.35%, 0.38%

LAB 32.7, 12.78, -33.58

 

CMYK 52 / 52 / 0 / 49

HEX #3E3E82

RGB 62 62 130

HSL 240, 0.35%, 0.38%

LAB 29.62, 20.09, -38.51

 

CMYK 52 / 30 / 0 / 49

HEX #3E5B82

RGB 62 91 130

HSL 214.41, 0.35%, 0.38%

LAB 38.05, 1.13, -25.15

 

CMYK 68 / 39 / 0 / 43

HEX #2F5992

RGB 47 89 146

HSL 214.55, 0.51%, 0.38%

LAB 37.53, 4.8, -35.75

 

CMYK 81 / 46 / 0 / 36

HEX #1F57A2

RGB 31 87 162

HSL 214.35, 0.68%, 0.38%

LAB 37.33, 10.01, -45.71

 

CMYK 92 / 52 / 0 / 31

HEX #0F55B1

RGB 15 85 177

HSL 214.07, 0.84%, 0.38%

LAB 37.43, 16.14, -54.48

 

CMYK 100 / 58 / 0 / 24

HEX #0052C1

RGB 0 82 193

HSL 214.51, 1%, 0.38%

LAB 37.63, 24.05, -63.55

 

CMYK 52 / 30 / 0 / 49

HEX #3E5B82

RGB 62 91 130

HSL 214.41, 0.35%, 0.38%

LAB 38.05, 1.13, -25.15

 

CMYK 32 / 18 / 0 / 55

HEX #4E5E73

RGB 78 94 115

HSL 214.05, 0.19%, 0.38%

LAB 39.35, -0.66, -13.88

 

CMYK 5 / 3 / 0 / 61

HEX #5E6063

RGB 94 96 99

HSL 216, 0.03%, 0.38%

LAB 40.65, -0.13, -1.99

 

CMYK 0 / 11 / 25 / 57

HEX #6E6253

RGB 110 98 83

HSL 33.33, 0.14%, 0.38%

LAB 42.27, 2.15, 10.29

 

CMYK 0 / 19 / 46 / 51

HEX #7D6544

RGB 125 101 68

HSL 34.74, 0.3%, 0.38%

LAB 44.35, 4.88, 22.29

 

CMYK 52 / 2 / 0 / 49

HEX #3E8082

RGB 62 128 130

HSL 181.76, 0.35%, 0.38%

LAB 49.59, -20.32, -7.54

 

CMYK 52 / 15 / 0 / 49

HEX #3E6E82

RGB 62 110 130

HSL 197.65, 0.35%, 0.38%

LAB 43.93, -10.35, -16.08

 

CMYK 52 / 29 / 0 / 49

HEX #3E5C82

RGB 62 92 130

HSL 213.53, 0.35%, 0.38%

LAB 38.36, 0.5, -24.67

 

CMYK 52 / 43 / 0 / 49

HEX #3E4A82

RGB 62 74 130

HSL 229.41, 0.35%, 0.38%

LAB 32.99, 12.11, -33.12

 

CMYK 47 / 52 / 0 / 49

HEX #453E82

RGB 69 62 130

HSL 246.18, 0.35%, 0.38%

LAB 30.21, 21.8, -37.52

 

CMYK 52 / 31 / 0 / 71

HEX #24344B

RGB 36 52 75

HSL 215.38, 0.35%, 0.22%

LAB 21.35, 0.87, -16.21

 

CMYK 52 / 29 / 0 / 60

HEX #314866

RGB 49 72 102

HSL 213.96, 0.35%, 0.3%

LAB 30.03, 0.5, -20.28

 

CMYK 52 / 30 / 0 / 49

HEX #3E5B82

RGB 62 91 130

HSL 214.41, 0.35%, 0.38%

LAB 38.05, 1.13, -25.15

 

CMYK 52 / 30 / 0 / 38

HEX #4C6F9E

RGB 76 111 158

HSL 214.39, 0.35%, 0.46%

LAB 46.14, 1.36, -29.25

 

CMYK 46 / 26 / 0 / 30

HEX #6184B3

RGB 97 132 179

HSL 214.39, 0.35%, 0.54%

LAB 54.34, 0.59, -28.6

 

CMYK 52 / 30 / 0 / 49

HEX #3E5B82

RGB 62 91 130

HSL 214.41, 0.35%, 0.38%

LAB 38.05, 1.13, -25.15

 

CMYK 12 / 52 / 0 / 49

HEX #723E82

RGB 114 62 130

HSL 285.88, 0.35%, 0.38%

LAB 35.27, 34.57, -29.17

 

CMYK 8 / 0 / 52 / 49

HEX #77823E

RGB 119 130 62

HSL 69.71, 0.35%, 0.38%

LAB 52.1, -14.85, 35.09

 

CMYK 52 / 30 / 0 / 49

HEX #3E5B82

RGB 62 91 130

HSL 214.41, 0.35%, 0.38%

LAB 38.05, 1.13, -25.15

 

CMYK 0 / 52 / 29 / 49

HEX #823E5C

RGB 130 62 92

HSL 333.53, 0.35%, 0.38%

LAB 35.91, 32.92, -4.14

 

CMYK 29 / 0 / 52 / 49

HEX #5C823E

RGB 92 130 62

HSL 93.53, 0.35%, 0.38%

LAB 50.2, -25.99, 32.35

 

CMYK 52 / 30 / 0 / 49

HEX #3E5B82

RGB 62 91 130

HSL 214.41, 0.35%, 0.38%

LAB 38.05, 1.13, -25.15

 

CMYK 12 / 52 / 0 / 49

HEX #723E82

RGB 114 62 130

HSL 285.88, 0.35%, 0.38%

LAB 35.27, 34.57, -29.17

 

CMYK 0 / 22 / 52 / 49

HEX #82653E

RGB 130 101 62

HSL 34.41, 0.35%, 0.38%

LAB 44.8, 6.48, 26.42

 

CMYK 40 / 0 / 52 / 49

HEX #4E823E

RGB 78 130 62

HSL 105.88, 0.35%, 0.38%

LAB 49.41, -31.17, 31.21

 

CMYK 52 / 30 / 0 / 49

HEX #3E5B82

RGB 62 91 130

HSL 214.41, 0.35%, 0.38%

LAB 38.05, 1.13, -25.15

 

CMYK 0 / 52 / 3 / 49

HEX #823E7E

RGB 130 62 126

HSL 303.53, 0.35%, 0.38%

LAB 37.29, 38.64, -23.37

 

CMYK 0 / 22 / 52 / 49

HEX #82653E

RGB 130 101 62

HSL 34.41, 0.35%, 0.38%

LAB 44.8, 6.48, 26.42

 

CMYK 52 / 0 / 48 / 49

HEX #3E8243

RGB 62 130 67

HSL 124.41, 0.35%, 0.38%

LAB 48.75, -35.58, 27.57

 

Description

Color code: RGB 62 91 130 | qconv.com Color code: RGB 62 91 130 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 91 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 91 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 30 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 30% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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