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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 62 42 212 it is the complementary color RGB 193 213 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 62 42 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 62 42 212 shade: RGB 67 42 207, RGB 84 60 226, RGB 101 78 245, RGB 118 96 255 and RGB 135 114 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 62 42 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 62 42 212 shade: RGB 62 42 212, RGB 45 24 193, RGB 28 6 174, RGB 11 0 155 and RGB 0 0 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 62 42 212 shade: RGB 62 42 212, RGB 108 42 212, RGB 154 42 212, RGB 200 42 212 and RGB 212 42 179

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 62 42 212 shade: RGB 62 42 212 and RGB 42 42 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 62 42 212 shade matches the following richer shades: RGB 62 42 212, RGB 46 21 233 and RGB 30 0 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 62 42 212 shade: RGB 62 42 212, RGB 77 62 192, RGB 93 83 171, RGB 109 103 151 and RGB 125 124 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 62 42 212 shade: RGB 42 113 212, RGB 42 67 212, RGB 62 42 212, RGB 107 42 212 and RGB 153 42 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 62 42 212 shade: RGB 42 28 144, RGB 52 35 178, RGB 62 42 212, RGB 93 76 219 and RGB 124 110 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 62 42 212 shade: RGB 62 42 212, RGB 212 42 158 and RGB 90 212 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 62 42 212 shade: RGB 62 42 212, RGB 212 62 42 and RGB 42 212 62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 62 42 212 shade: RGB 62 42 212, RGB 212 42 158, RGB 192 212 42 and RGB 42 212 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 62 42 212 shade: RGB 62 42 212, RGB 212 42 107, RGB 192 212 42 and RGB 42 212 147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 80 / 0 / 17

HEX #3E2AD4

RGB 62 42 212

HSL 247.06, 0.67%, 0.5%

LAB 32.77, 58.14, -82.52

 

Complementary color

CMYK 9 / 0 / 80 / 16

HEX #C1D52B

RGB 193 213 43

HSL 67.06, 0.67%, 0.5%

LAB 81.35, -26.4, 73.97

 

CMYK 68 / 80 / 0 / 19

HEX #432ACF

RGB 67 42 207

HSL 249.09, 0.66%, 0.49%

LAB 32.6, 57.1, -79.89

 

CMYK 63 / 73 / 0 / 11

HEX #543CE2

RGB 84 60 226

HSL 248.67, 0.74%, 0.56%

LAB 38.91, 55.66, -80.37

 

CMYK 59 / 68 / 0 / 4

HEX #654EF5

RGB 101 78 245

HSL 248.26, 0.89%, 0.63%

LAB 45.37, 54, -80.45

 

CMYK 54 / 62 / 0 / 0

HEX #7660FF

RGB 118 96 255

HSL 248.3, 1%, 0.69%

LAB 51.19, 49.68, -76.45

 

CMYK 47 / 55 / 0 / 0

HEX #8772FF

RGB 135 114 255

HSL 248.94, 1%, 0.72%

LAB 56.49, 42.68, -67.8

 

CMYK 71 / 80 / 0 / 17

HEX #3E2AD4

RGB 62 42 212

HSL 247.06, 0.67%, 0.5%

LAB 32.77, 58.14, -82.52

 

CMYK 77 / 88 / 0 / 24

HEX #2D18C1

RGB 45 24 193

HSL 247.46, 0.78%, 0.43%

LAB 26.91, 58.96, -81.19

 

CMYK 84 / 97 / 0 / 32

HEX #1C06AE

RGB 28 6 174

HSL 247.86, 0.93%, 0.35%

LAB 21.7, 58.28, -78.57

 

CMYK 93 / 100 / 0 / 39

HEX #0B009B

RGB 11 0 155

HSL 244.26, 1%, 0.3%

LAB 17.63, 54.71, -73.81

 

CMYK 100 / 100 / 0 / 47

HEX #000088

RGB 0 0 136

HSL 240, 1%, 0.27%

LAB 14.27, 49.64, -67.6

 

CMYK 71 / 80 / 0 / 17

HEX #3E2AD4

RGB 62 42 212

HSL 247.06, 0.67%, 0.5%

LAB 32.77, 58.14, -82.52

 

CMYK 49 / 80 / 0 / 17

HEX #6C2AD4

RGB 108 42 212

HSL 263.29, 0.67%, 0.5%

LAB 37.11, 62.9, -75.21

 

CMYK 27 / 80 / 0 / 17

HEX #9A2AD4

RGB 154 42 212

HSL 279.53, 0.67%, 0.5%

LAB 43.18, 69.64, -65.04

 

CMYK 6 / 80 / 0 / 17

HEX #C82AD4

RGB 200 42 212

HSL 295.76, 0.67%, 0.5%

LAB 50.32, 77.67, -53.16

 

CMYK 0 / 80 / 16 / 17

HEX #D42AB3

RGB 212 42 179

HSL 311.65, 0.67%, 0.5%

LAB 50.58, 75.17, -33.51

 

CMYK 71 / 80 / 0 / 17

HEX #3E2AD4

RGB 62 42 212

HSL 247.06, 0.67%, 0.5%

LAB 32.77, 58.14, -82.52

 

CMYK 80 / 80 / 0 / 17

HEX #2A2AD4

RGB 42 42 212

HSL 240, 0.67%, 0.5%

LAB 31.58, 56.85, -84.53

 

CMYK 71 / 80 / 0 / 17

HEX #3E2AD4

RGB 62 42 212

HSL 247.06, 0.67%, 0.5%

LAB 32.77, 58.14, -82.52

 

CMYK 80 / 91 / 0 / 9

HEX #2E15E9

RGB 46 21 233

HSL 247.08, 0.83%, 0.5%

LAB 31.81, 70.6, -96.22

 

CMYK 88 / 100 / 0 / 0

HEX #1E00FE

RGB 30 0 254

HSL 247.09, 1%, 0.5%

LAB 32.77, 79.16, -106.51

 

CMYK 71 / 80 / 0 / 17

HEX #3E2AD4

RGB 62 42 212

HSL 247.06, 0.67%, 0.5%

LAB 32.77, 58.14, -82.52

 

CMYK 60 / 68 / 0 / 25

HEX #4D3EC0

RGB 77 62 192

HSL 246.92, 0.51%, 0.5%

LAB 35.65, 43.28, -66.08

 

CMYK 46 / 51 / 0 / 33

HEX #5D53AB

RGB 93 83 171

HSL 246.82, 0.35%, 0.5%

LAB 40.33, 27.13, -46.05

 

CMYK 28 / 32 / 0 / 41

HEX #6D6797

RGB 109 103 151

HSL 247.5, 0.19%, 0.5%

LAB 45.89, 13.53, -25.33

 

CMYK 4 / 5 / 0 / 49

HEX #7D7C82

RGB 125 124 130

HSL 250, 0.02%, 0.5%

LAB 52.27, 1.6, -3.13

 

CMYK 80 / 47 / 0 / 17

HEX #2A71D4

RGB 42 113 212

HSL 214.94, 0.67%, 0.5%

LAB 48.33, 13.75, -57.13

 

CMYK 80 / 68 / 0 / 17

HEX #2A43D4

RGB 42 67 212

HSL 231.18, 0.67%, 0.5%

LAB 36.48, 43.06, -76.43

 

CMYK 71 / 80 / 0 / 17

HEX #3E2AD4

RGB 62 42 212

HSL 247.06, 0.67%, 0.5%

LAB 32.77, 58.14, -82.52

 

CMYK 50 / 80 / 0 / 17

HEX #6B2AD4

RGB 107 42 212

HSL 262.94, 0.67%, 0.5%

LAB 36.99, 62.77, -75.41

 

CMYK 28 / 80 / 0 / 17

HEX #992AD4

RGB 153 42 212

HSL 279.18, 0.67%, 0.5%

LAB 43.04, 69.48, -65.28

 

CMYK 71 / 81 / 0 / 44

HEX #2A1C90

RGB 42 28 144

HSL 247.24, 0.67%, 0.34%

LAB 21.34, 42.5, -60.79

 

CMYK 71 / 80 / 0 / 30

HEX #3423B2

RGB 52 35 178

HSL 247.13, 0.67%, 0.42%

LAB 27.15, 50.48, -71.87

 

CMYK 71 / 80 / 0 / 17

HEX #3E2AD4

RGB 62 42 212

HSL 247.06, 0.67%, 0.5%

LAB 32.77, 58.14, -82.52

 

CMYK 58 / 65 / 0 / 14

HEX #5D4CDB

RGB 93 76 219

HSL 247.13, 0.67%, 0.58%

LAB 42.17, 46.09, -71

 

CMYK 45 / 51 / 0 / 11

HEX #7C6EE2

RGB 124 110 226

HSL 247.24, 0.67%, 0.66%

LAB 52.87, 34.31, -57.52

 

CMYK 71 / 80 / 0 / 17

HEX #3E2AD4

RGB 62 42 212

HSL 247.06, 0.67%, 0.5%

LAB 32.77, 58.14, -82.52

 

CMYK 0 / 80 / 25 / 17

HEX #D42A9E

RGB 212 42 158

HSL 319.06, 0.67%, 0.5%

LAB 49.64, 72.52, -22.57

 

CMYK 58 / 0 / 80 / 17

HEX #5AD42A

RGB 90 212 42

HSL 103.06, 0.67%, 0.5%

LAB 75.72, -61.94, 67.16

 

CMYK 71 / 80 / 0 / 17

HEX #3E2AD4

RGB 62 42 212

HSL 247.06, 0.67%, 0.5%

LAB 32.77, 58.14, -82.52

 

CMYK 0 / 71 / 80 / 17

HEX #D43E2A

RGB 212 62 42

HSL 7.06, 0.67%, 0.5%

LAB 49.02, 57.48, 45.36

 

CMYK 80 / 0 / 71 / 17

HEX #2AD43E

RGB 42 212 62

HSL 127.06, 0.67%, 0.5%

LAB 74.78, -69.37, 59.39

 

CMYK 71 / 80 / 0 / 17

HEX #3E2AD4

RGB 62 42 212

HSL 247.06, 0.67%, 0.5%

LAB 32.77, 58.14, -82.52

 

CMYK 0 / 80 / 25 / 17

HEX #D42A9E

RGB 212 42 158

HSL 319.06, 0.67%, 0.5%

LAB 49.64, 72.52, -22.57

 

CMYK 9 / 0 / 80 / 17

HEX #C0D42A

RGB 192 212 42

HSL 67.06, 0.67%, 0.5%

LAB 80.99, -26.37, 73.9

 

CMYK 80 / 0 / 55 / 17

HEX #2AD460

RGB 42 212 96

HSL 139.06, 0.67%, 0.5%

LAB 75.09, -65.54, 45.27

 

CMYK 71 / 80 / 0 / 17

HEX #3E2AD4

RGB 62 42 212

HSL 247.06, 0.67%, 0.5%

LAB 32.77, 58.14, -82.52

 

CMYK 0 / 80 / 50 / 17

HEX #D42A6B

RGB 212 42 107

HSL 337.06, 0.67%, 0.5%

LAB 47.9, 67.39, 5.69

 

CMYK 9 / 0 / 80 / 17

HEX #C0D42A

RGB 192 212 42

HSL 67.06, 0.67%, 0.5%

LAB 80.99, -26.37, 73.9

 

CMYK 80 / 0 / 31 / 17

HEX #2AD493

RGB 42 212 147

HSL 157.06, 0.67%, 0.5%

LAB 75.88, -56.48, 20.59

 

Description

Color code: RGB 62 42 212 | qconv.com Color code: RGB 62 42 212 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 42 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 42 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 80 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 80% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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