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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 249 249 it is the complementary color RGB 194 6 6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 249 249. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 249 249 shade: RGB 66 249 244, RGB 83 255 255, RGB 100 255 255, RGB 117 255 255 and RGB 134 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 249 249. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 249 249 shade: RGB 61 249 249, RGB 44 231 230, RGB 27 213 211, RGB 10 195 192 and RGB 0 177 173

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 249 249 shade: RGB 62 249 249, RGB 62 249 198, RGB 62 249 148, RGB 62 249 97 and RGB 76 249 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 249 249 shade: RGB 62 249 249, RGB 62 198 249, RGB 62 148 249, RGB 62 97 249 and RGB 62 62 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 249 249 shade matches the following richer shades: RGB 62 249 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 249 249 shade: RGB 62 249 249, RGB 78 232 232, RGB 94 216 216, RGB 110 200 200 and RGB 126 184 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 249 249 shade: RGB 62 249 149, RGB 62 249 199, RGB 62 249 249, RGB 62 199 249 and RGB 62 149 249

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 249 249 shade: RGB 6 221 221, RGB 22 247 247, RGB 62 249 249, RGB 102 250 250 and RGB 142 251 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 249 249 shade: RGB 61 249 249, RGB 99 62 249 and RGB 249 174 62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 249 249 shade: RGB 61 249 249, RGB 249 62 249 and RGB 249 249 62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 249 249 shade: RGB 61 249 249, RGB 99 62 249, RGB 249 62 62 and RGB 211 249 62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 249 249 shade: RGB 61 249 249, RGB 155 62 249, RGB 249 62 62 and RGB 155 249 62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 0 / 2

HEX #3DF9F9

RGB 61 249 249

HSL 180, 0.94%, 0.61%

LAB 89.67, -44.17, -13.14

 

Complementary color

CMYK 0 / 97 / 97 / 24

HEX #C20606

RGB 194 6 6

HSL 0, 0.94%, 0.39%

LAB 40.59, 64.66, 52.63

 

CMYK 73 / 0 / 2 / 2

HEX #42F9F4

RGB 66 249 244

HSL 178.36, 0.94%, 0.62%

LAB 89.6, -45.05, -10.63

 

CMYK 67 / 0 / 0 / 0

HEX #53FFFF

RGB 83 255 255

HSL 180, 1%, 0.66%

LAB 91.94, -42.7, -12.81

 

CMYK 61 / 0 / 0 / 0

HEX #64FFFF

RGB 100 255 255

HSL 180, 1%, 0.7%

LAB 92.33, -40.27, -12.2

 

CMYK 54 / 0 / 0 / 0

HEX #75FFFF

RGB 117 255 255

HSL 180, 1%, 0.73%

LAB 92.8, -37.35, -11.44

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFF

RGB 134 255 255

HSL 180, 1%, 0.76%

LAB 93.37, -33.98, -10.54

 

CMYK 76 / 0 / 0 / 2

HEX #3DF9F9

RGB 61 249 249

HSL 180, 0.94%, 0.61%

LAB 89.67, -44.17, -13.14

 

CMYK 81 / 0 / 0 / 9

HEX #2CE7E6

RGB 44 231 230

HSL 179.68, 0.8%, 0.54%

LAB 83.65, -43.05, -12.19

 

CMYK 87 / 0 / 1 / 16

HEX #1BD5D3

RGB 27 213 211

HSL 179.35, 0.78%, 0.47%

LAB 77.59, -41.64, -11.14

 

CMYK 95 / 0 / 2 / 24

HEX #0AC3C0

RGB 10 195 192

HSL 179.03, 0.9%, 0.4%

LAB 71.49, -39.9, -9.98

 

CMYK 100 / 0 / 2 / 31

HEX #00B1AD

RGB 0 177 173

HSL 178.64, 1%, 0.35%

LAB 65.33, -37.78, -8.71

 

CMYK 75 / 0 / 0 / 2

HEX #3EF9F9

RGB 62 249 249

HSL 180, 0.94%, 0.61%

LAB 89.68, -44.08, -13.12

 

CMYK 75 / 0 / 20 / 2

HEX #3EF9C6

RGB 62 249 198

HSL 163.64, 0.94%, 0.61%

LAB 88.38, -57.18, 11.51

 

CMYK 75 / 0 / 41 / 2

HEX #3EF994

RGB 62 249 148

HSL 147.59, 0.94%, 0.61%

LAB 87.44, -67.45, 35.67

 

CMYK 75 / 0 / 61 / 2

HEX #3EF961

RGB 62 249 97

HSL 131.23, 0.94%, 0.61%

LAB 86.82, -74.78, 58.6

 

CMYK 69 / 0 / 75 / 2

HEX #4CF93E

RGB 76 249 62

HSL 115.51, 0.94%, 0.61%

LAB 86.82, -75.73, 71.71

 

CMYK 75 / 0 / 0 / 2

HEX #3EF9F9

RGB 62 249 249

HSL 180, 0.94%, 0.61%

LAB 89.68, -44.08, -13.12

 

CMYK 75 / 20 / 0 / 2

HEX #3EC6F9

RGB 62 198 249

HSL 196.36, 0.94%, 0.61%

LAB 74.98, -19.74, -35.49

 

CMYK 75 / 41 / 0 / 2

HEX #3E94F9

RGB 62 148 249

HSL 212.41, 0.94%, 0.61%

LAB 60.82, 8.08, -57.76

 

CMYK 75 / 61 / 0 / 2

HEX #3E61F9

RGB 62 97 249

HSL 228.77, 0.94%, 0.61%

LAB 47.51, 39.44, -79.27

 

CMYK 75 / 75 / 0 / 2

HEX #3E3EF9

RGB 62 62 249

HSL 240, 0.94%, 0.61%

LAB 40.1, 59.55, -91.47

 

CMYK 75 / 0 / 0 / 2

HEX #3EF9F9

RGB 62 249 249

HSL 180, 0.94%, 0.61%

LAB 89.68, -44.08, -13.12

 

CMYK 75 / 0 / 0 / 2

HEX #3EF9F9

RGB 62 249 249

HSL 180, 0.94%, 0.61%

LAB 89.68, -44.08, -13.12

 

CMYK 66 / 0 / 0 / 9

HEX #4EE8E8

RGB 78 232 232

HSL 180, 0.77%, 0.61%

LAB 84.57, -39.31, -11.82

 

CMYK 56 / 0 / 0 / 15

HEX #5ED8D8

RGB 94 216 216

HSL 180, 0.61%, 0.61%

LAB 79.87, -33.7, -10.29

 

CMYK 45 / 0 / 0 / 22

HEX #6EC8C8

RGB 110 200 200

HSL 180, 0.45%, 0.61%

LAB 75.32, -26.88, -8.39

 

CMYK 32 / 0 / 0 / 28

HEX #7EB8B8

RGB 126 184 184

HSL 180, 0.29%, 0.61%

LAB 70.99, -18.66, -6.02

 

CMYK 75 / 0 / 40 / 2

HEX #3EF995

RGB 62 249 149

HSL 147.91, 0.94%, 0.61%

LAB 87.46, -67.27, 35.19

 

CMYK 75 / 0 / 20 / 2

HEX #3EF9C7

RGB 62 249 199

HSL 163.96, 0.94%, 0.61%

LAB 88.4, -56.95, 11.02

 

CMYK 75 / 0 / 0 / 2

HEX #3EF9F9

RGB 62 249 249

HSL 180, 0.94%, 0.61%

LAB 89.68, -44.08, -13.12

 

CMYK 75 / 20 / 0 / 2

HEX #3EC7F9

RGB 62 199 249

HSL 196.04, 0.94%, 0.61%

LAB 75.27, -20.25, -35.04

 

CMYK 75 / 40 / 0 / 2

HEX #3E95F9

RGB 62 149 249

HSL 212.09, 0.94%, 0.61%

LAB 61.1, 7.49, -57.32

 

CMYK 97 / 0 / 0 / 13

HEX #06DDDD

RGB 6 221 221

HSL 180, 0.95%, 0.45%

LAB 80.16, -43.01, -12.65

 

CMYK 91 / 0 / 0 / 3

HEX #16F7F7

RGB 22 247 247

HSL 180, 0.93%, 0.53%

LAB 88.64, -46.39, -13.67

 

CMYK 75 / 0 / 0 / 2

HEX #3EF9F9

RGB 62 249 249

HSL 180, 0.94%, 0.61%

LAB 89.68, -44.08, -13.12

 

CMYK 59 / 0 / 0 / 2

HEX #66FAFA

RGB 102 250 250

HSL 180, 0.94%, 0.69%

LAB 90.82, -39, -11.84

 

CMYK 43 / 0 / 0 / 2

HEX #8EFBFB

RGB 142 251 251

HSL 180, 0.93%, 0.77%

LAB 92.45, -31.34, -9.81

 

CMYK 76 / 0 / 0 / 2

HEX #3DF9F9

RGB 61 249 249

HSL 180, 0.94%, 0.61%

LAB 89.67, -44.17, -13.14

 

CMYK 60 / 75 / 0 / 2

HEX #633EF9

RGB 99 62 249

HSL 251.87, 0.94%, 0.61%

LAB 42.67, 63, -87.14

 

CMYK 0 / 30 / 75 / 2

HEX #F9AE3E

RGB 249 174 62

HSL 35.94, 0.94%, 0.61%

LAB 76.53, 17.99, 65.13

 

CMYK 76 / 0 / 0 / 2

HEX #3DF9F9

RGB 61 249 249

HSL 180, 0.94%, 0.61%

LAB 89.67, -44.17, -13.14

 

CMYK 0 / 75 / 0 / 2

HEX #F93EF9

RGB 249 62 249

HSL 300, 0.94%, 0.61%

LAB 62.02, 87.54, -54.87

 

CMYK 0 / 0 / 75 / 2

HEX #F9F93E

RGB 249 249 62

HSL 60, 0.94%, 0.61%

LAB 95.26, -19.99, 82.68

 

CMYK 76 / 0 / 0 / 2

HEX #3DF9F9

RGB 61 249 249

HSL 180, 0.94%, 0.61%

LAB 89.67, -44.17, -13.14

 

CMYK 60 / 75 / 0 / 2

HEX #633EF9

RGB 99 62 249

HSL 251.87, 0.94%, 0.61%

LAB 42.67, 63, -87.14

 

CMYK 0 / 75 / 75 / 2

HEX #F93E3E

RGB 249 62 62

HSL 0, 0.94%, 0.61%

LAB 56.02, 69.37, 44.12

 

CMYK 15 / 0 / 75 / 2

HEX #D3F93E

RGB 211 249 62

HSL 72.19, 0.94%, 0.61%

LAB 92.55, -35.18, 79.19

 

CMYK 76 / 0 / 0 / 2

HEX #3DF9F9

RGB 61 249 249

HSL 180, 0.94%, 0.61%

LAB 89.67, -44.17, -13.14

 

CMYK 38 / 75 / 0 / 2

HEX #9B3EF9

RGB 155 62 249

HSL 269.84, 0.94%, 0.61%

LAB 48.58, 70.71, -77.22

 

CMYK 0 / 75 / 75 / 2

HEX #F93E3E

RGB 249 62 62

HSL 0, 0.94%, 0.61%

LAB 56.02, 69.37, 44.12

 

CMYK 38 / 0 / 75 / 2

HEX #9BF93E

RGB 155 249 62

HSL 90.16, 0.94%, 0.61%

LAB 89.42, -55.52, 75.13

 

Description

Color code: RGB 61 249 249 | qconv.com Color code: RGB 61 249 249 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 249 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 249 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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