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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 242 244 it is the complementary color RGB 194 13 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 242 244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 242 244 shade: RGB 66 242 239, RGB 83 255 255, RGB 100 255 255, RGB 117 255 255 and RGB 134 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 242 244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 242 244 shade: RGB 61 242 244, RGB 44 224 225, RGB 27 206 206, RGB 10 188 187 and RGB 0 170 168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 242 244 shade: RGB 62 241 243, RGB 62 192 243, RGB 62 143 243, RGB 62 94 243 and RGB 78 62 243

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 242 244 shade: RGB 62 241 243, RGB 62 192 243, RGB 62 143 243, RGB 62 94 243 and RGB 62 62 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 242 244 shade matches the following richer shades: RGB 62 241 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 242 244 shade: RGB 62 241 243, RGB 78 225 227, RGB 95 209 210, RGB 111 193 194 and RGB 128 177 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 242 244 shade: RGB 62 243 146, RGB 62 243 195, RGB 62 243 243, RGB 62 195 243 and RGB 62 146 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 242 244 shade: RGB 12 209 211, RGB 23 239 241, RGB 62 241 243, RGB 101 244 246 and RGB 140 247 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 242 244 shade: RGB 61 242 244, RGB 98 62 243 and RGB 243 171 62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 242 244 shade: RGB 61 242 244, RGB 243 62 243 and RGB 243 243 62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 242 244 shade: RGB 61 242 244, RGB 98 62 243, RGB 243 62 62 and RGB 207 243 62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 242 244 shade: RGB 61 242 244, RGB 153 62 243, RGB 243 62 62 and RGB 153 243 62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 1 / 0 / 4

HEX #3DF2F4

RGB 61 242 244

HSL 180.66, 0.89%, 0.6%

LAB 87.5, -42.47, -13.77

 

Complementary color

CMYK 0 / 93 / 94 / 24

HEX #C20D0B

RGB 194 13 11

HSL 0.66, 0.89%, 0.4%

LAB 40.87, 63.97, 51.11

 

CMYK 73 / 0 / 1 / 5

HEX #42F2EF

RGB 66 242 239

HSL 178.98, 0.87%, 0.6%

LAB 87.43, -43.34, -11.24

 

CMYK 67 / 0 / 0 / 0

HEX #53FFFF

RGB 83 255 255

HSL 180, 1%, 0.66%

LAB 91.94, -42.7, -12.81

 

CMYK 61 / 0 / 0 / 0

HEX #64FFFF

RGB 100 255 255

HSL 180, 1%, 0.7%

LAB 92.33, -40.27, -12.2

 

CMYK 54 / 0 / 0 / 0

HEX #75FFFF

RGB 117 255 255

HSL 180, 1%, 0.73%

LAB 92.8, -37.35, -11.44

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFF

RGB 134 255 255

HSL 180, 1%, 0.76%

LAB 93.37, -33.98, -10.54

 

CMYK 75 / 1 / 0 / 4

HEX #3DF2F4

RGB 61 242 244

HSL 180.66, 0.89%, 0.6%

LAB 87.5, -42.47, -13.77

 

CMYK 80 / 0 / 0 / 12

HEX #2CE0E1

RGB 44 224 225

HSL 180.33, 0.75%, 0.53%

LAB 81.45, -41.37, -12.83

 

CMYK 87 / 0 / 0 / 19

HEX #1BCECE

RGB 27 206 206

HSL 180, 0.77%, 0.46%

LAB 75.35, -39.97, -11.8

 

CMYK 95 / 0 / 1 / 26

HEX #0ABCBB

RGB 10 188 187

HSL 179.66, 0.9%, 0.39%

LAB 69.2, -38.23, -10.67

 

CMYK 100 / 0 / 1 / 33

HEX #00AAA8

RGB 0 170 168

HSL 179.29, 1%, 0.33%

LAB 62.99, -36.1, -9.41

 

CMYK 74 / 1 / 0 / 5

HEX #3EF1F3

RGB 62 241 243

HSL 180.66, 0.88%, 0.6%

LAB 87.2, -42.21, -13.7

 

CMYK 74 / 21 / 0 / 5

HEX #3EC0F3

RGB 62 192 243

HSL 196.91, 0.88%, 0.6%

LAB 73.02, -18.58, -35.3

 

CMYK 74 / 41 / 0 / 5

HEX #3E8FF3

RGB 62 143 243

HSL 213.15, 0.88%, 0.6%

LAB 59.1, 8.92, -57.2

 

CMYK 74 / 61 / 0 / 5

HEX #3E5EF3

RGB 62 94 243

HSL 229.39, 0.88%, 0.6%

LAB 46.31, 39.18, -77.88

 

CMYK 68 / 74 / 0 / 5

HEX #4E3EF3

RGB 78 62 243

HSL 245.3, 0.88%, 0.6%

LAB 40.47, 59.07, -87.45

 

CMYK 74 / 1 / 0 / 5

HEX #3EF1F3

RGB 62 241 243

HSL 180.66, 0.88%, 0.6%

LAB 87.2, -42.21, -13.7

 

CMYK 74 / 21 / 0 / 5

HEX #3EC0F3

RGB 62 192 243

HSL 196.91, 0.88%, 0.6%

LAB 73.02, -18.58, -35.3

 

CMYK 74 / 41 / 0 / 5

HEX #3E8FF3

RGB 62 143 243

HSL 213.15, 0.88%, 0.6%

LAB 59.1, 8.92, -57.2

 

CMYK 74 / 61 / 0 / 5

HEX #3E5EF3

RGB 62 94 243

HSL 229.39, 0.88%, 0.6%

LAB 46.31, 39.18, -77.88

 

CMYK 74 / 74 / 0 / 5

HEX #3E3EF3

RGB 62 62 243

HSL 240, 0.88%, 0.6%

LAB 39.48, 57.7, -89.12

 

CMYK 74 / 1 / 0 / 5

HEX #3EF1F3

RGB 62 241 243

HSL 180.66, 0.88%, 0.6%

LAB 87.2, -42.21, -13.7

 

CMYK 74 / 1 / 0 / 5

HEX #3EF1F3

RGB 62 241 243

HSL 180.66, 0.88%, 0.6%

LAB 87.2, -42.21, -13.7

 

CMYK 66 / 1 / 0 / 11

HEX #4EE1E3

RGB 78 225 227

HSL 180.81, 0.73%, 0.6%

LAB 82.39, -37.49, -12.43

 

CMYK 55 / 0 / 0 / 18

HEX #5FD1D2

RGB 95 209 210

HSL 180.52, 0.56%, 0.6%

LAB 77.69, -31.81, -10.32

 

CMYK 43 / 1 / 0 / 24

HEX #6FC1C2

RGB 111 193 194

HSL 180.72, 0.4%, 0.6%

LAB 73.16, -24.71, -8.34

 

CMYK 28 / 0 / 0 / 31

HEX #80B1B1

RGB 128 177 177

HSL 180, 0.24%, 0.6%

LAB 68.9, -16.1, -5.25

 

CMYK 74 / 0 / 40 / 5

HEX #3EF392

RGB 62 243 146

HSL 147.85, 0.88%, 0.6%

LAB 85.61, -65.69, 34.25

 

CMYK 74 / 0 / 20 / 5

HEX #3EF3C3

RGB 62 243 195

HSL 164.09, 0.88%, 0.6%

LAB 86.54, -55.51, 10.44

 

CMYK 74 / 0 / 0 / 5

HEX #3EF3F3

RGB 62 243 243

HSL 180, 0.88%, 0.6%

LAB 87.77, -43.1, -12.84

 

CMYK 74 / 20 / 0 / 5

HEX #3EC3F3

RGB 62 195 243

HSL 195.91, 0.88%, 0.6%

LAB 73.89, -20.13, -33.96

 

CMYK 74 / 40 / 0 / 5

HEX #3E92F3

RGB 62 146 243

HSL 212.15, 0.88%, 0.6%

LAB 59.94, 7.13, -55.87

 

CMYK 94 / 1 / 0 / 17

HEX #0CD1D3

RGB 12 209 211

HSL 180.6, 0.89%, 0.44%

LAB 76.3, -40.47, -13.08

 

CMYK 90 / 1 / 0 / 5

HEX #17EFF1

RGB 23 239 241

HSL 180.55, 0.89%, 0.52%

LAB 86.14, -44.6, -14.28

 

CMYK 74 / 1 / 0 / 5

HEX #3EF1F3

RGB 62 241 243

HSL 180.66, 0.88%, 0.6%

LAB 87.2, -42.21, -13.7

 

CMYK 59 / 1 / 0 / 4

HEX #65F4F6

RGB 101 244 246

HSL 180.83, 0.89%, 0.68%

LAB 88.98, -37.49, -12.51

 

CMYK 44 / 0 / 0 / 3

HEX #8CF7F8

RGB 140 247 248

HSL 180.56, 0.89%, 0.76%

LAB 91.18, -30.64, -10.14

 

CMYK 75 / 1 / 0 / 4

HEX #3DF2F4

RGB 61 242 244

HSL 180.66, 0.89%, 0.6%

LAB 87.5, -42.47, -13.77

 

CMYK 60 / 74 / 0 / 5

HEX #623EF3

RGB 98 62 243

HSL 251.93, 0.88%, 0.6%

LAB 42.02, 61.21, -84.84

 

CMYK 0 / 30 / 74 / 5

HEX #F3AB3E

RGB 243 171 62

HSL 36.13, 0.88%, 0.6%

LAB 75.16, 17.05, 63.56

 

CMYK 75 / 1 / 0 / 4

HEX #3DF2F4

RGB 61 242 244

HSL 180.66, 0.89%, 0.6%

LAB 87.5, -42.47, -13.77

 

CMYK 0 / 74 / 0 / 5

HEX #F33EF3

RGB 243 62 243

HSL 300, 0.88%, 0.6%

LAB 60.76, 85.46, -53.6

 

CMYK 0 / 0 / 74 / 5

HEX #F3F33E

RGB 243 243 62

HSL 60, 0.88%, 0.6%

LAB 93.23, -19.56, 80.66

 

CMYK 75 / 1 / 0 / 4

HEX #3DF2F4

RGB 61 242 244

HSL 180.66, 0.89%, 0.6%

LAB 87.5, -42.47, -13.77

 

CMYK 60 / 74 / 0 / 5

HEX #623EF3

RGB 98 62 243

HSL 251.93, 0.88%, 0.6%

LAB 42.02, 61.21, -84.84

 

CMYK 0 / 74 / 74 / 5

HEX #F33E3E

RGB 243 62 62

HSL 0, 0.88%, 0.6%

LAB 54.92, 67.63, 42.6

 

CMYK 15 / 0 / 74 / 5

HEX #CFF33E

RGB 207 243 62

HSL 71.93, 0.88%, 0.6%

LAB 90.65, -34.01, 77.32

 

CMYK 75 / 1 / 0 / 4

HEX #3DF2F4

RGB 61 242 244

HSL 180.66, 0.89%, 0.6%

LAB 87.5, -42.47, -13.77

 

CMYK 37 / 74 / 0 / 5

HEX #993EF3

RGB 153 62 243

HSL 270.17, 0.88%, 0.6%

LAB 47.87, 69.03, -75.03

 

CMYK 0 / 74 / 74 / 5

HEX #F33E3E

RGB 243 62 62

HSL 0, 0.88%, 0.6%

LAB 54.92, 67.63, 42.6

 

CMYK 37 / 0 / 74 / 5

HEX #99F33E

RGB 153 243 62

HSL 89.83, 0.88%, 0.6%

LAB 87.59, -53.79, 73.34

 

Description

Color code: RGB 61 242 244 | qconv.com Color code: RGB 61 242 244 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 242 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 242 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 1 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 1% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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