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Color name
RGB 61 27 150

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 27 150 it is the complementary color RGB 194 228 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 27 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 27 150 shade: RGB 66 27 145, RGB 83 45 164, RGB 100 63 183, RGB 117 81 202 and RGB 134 99 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 27 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 27 150 shade: RGB 61 27 150, RGB 44 9 131, RGB 27 0 112, RGB 10 0 93 and RGB 0 0 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 27 150 shade: RGB 61 27 150, RGB 94 27 150, RGB 128 27 150, RGB 150 27 140 and RGB 150 27 107

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 27 150 shade: RGB 61 27 150, RGB 28 27 150 and RGB 27 27 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 27 150 shade matches the following richer shades: RGB 61 27 150 and RGB 55 13 165

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 27 150 shade: RGB 61 27 150, RGB 68 42 136, RGB 74 56 121, RGB 81 70 107 and RGB 87 85 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 27 150 shade: RGB 27 60 150, RGB 27 27 150, RGB 60 27 150, RGB 93 27 150 and RGB 126 27 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 27 150 shade: RGB 33 14 81, RGB 47 21 115, RGB 61 27 150, RGB 75 34 185 and RGB 92 44 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 27 150 shade: RGB 61 27 150, RGB 150 27 93 and RGB 44 150 27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 27 150 shade: RGB 61 27 150, RGB 150 60 27 and RGB 27 150 60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 27 150 shade: RGB 61 27 150, RGB 150 27 93, RGB 117 150 27 and RGB 27 150 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 27 150 shade: RGB 61 27 150, RGB 150 27 56, RGB 117 150 27 and RGB 27 150 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 82 / 0 / 41

HEX #3D1B96

RGB 61 27 150

HSL 256.59, 0.69%, 0.35%

LAB 23.6, 46.8, -60.72

 

Complementary color

CMYK 15 / 0 / 54 / 11

HEX #C2E469

RGB 194 228 105

HSL 76.59, 0.69%, 0.65%

LAB 85.99, -29.28, 55.52

 

CMYK 54 / 81 / 0 / 43

HEX #421B91

RGB 66 27 145

HSL 259.83, 0.69%, 0.34%

LAB 23.63, 46.01, -57.56

 

CMYK 49 / 73 / 0 / 36

HEX #532DA4

RGB 83 45 164

HSL 259.16, 0.57%, 0.41%

LAB 30.39, 45.22, -58.01

 

CMYK 45 / 66 / 0 / 28

HEX #643FB7

RGB 100 63 183

HSL 258.5, 0.49%, 0.48%

LAB 37.27, 44.04, -58.06

 

CMYK 42 / 60 / 0 / 21

HEX #7551CA

RGB 117 81 202

HSL 257.85, 0.53%, 0.55%

LAB 44.13, 42.78, -57.94

 

CMYK 39 / 55 / 0 / 13

HEX #8663DD

RGB 134 99 221

HSL 257.21, 0.64%, 0.63%

LAB 50.93, 41.56, -57.76

 

CMYK 59 / 82 / 0 / 41

HEX #3D1B96

RGB 61 27 150

HSL 256.59, 0.69%, 0.35%

LAB 23.6, 46.8, -60.72

 

CMYK 66 / 93 / 0 / 49

HEX #2C0983

RGB 44 9 131

HSL 257.21, 0.87%, 0.27%

LAB 17.32, 46.6, -59.3

 

CMYK 76 / 100 / 0 / 56

HEX #1B0070

RGB 27 0 112

HSL 254.46, 1%, 0.22%

LAB 11.98, 43.78, -56.02

 

CMYK 89 / 100 / 0 / 64

HEX #0A005D

RGB 10 0 93

HSL 246.45, 1%, 0.18%

LAB 7.72, 38.07, -50.55

 

CMYK 100 / 100 / 0 / 71

HEX #00004A

RGB 0 0 74

HSL 240, 1%, 0.15%

LAB 4.47, 29.36, -42.91

 

CMYK 59 / 82 / 0 / 41

HEX #3D1B96

RGB 61 27 150

HSL 256.59, 0.69%, 0.35%

LAB 23.6, 46.8, -60.72

 

CMYK 37 / 82 / 0 / 41

HEX #5E1B96

RGB 94 27 150

HSL 272.68, 0.69%, 0.35%

LAB 27.75, 51.43, -53.74

 

CMYK 15 / 82 / 0 / 41

HEX #801B96

RGB 128 27 150

HSL 289.27, 0.69%, 0.35%

LAB 33.08, 57.43, -44.84

 

CMYK 0 / 82 / 7 / 41

HEX #961B8C

RGB 150 27 140

HSL 304.88, 0.69%, 0.35%

LAB 36.29, 60.14, -33.35

 

CMYK 0 / 82 / 29 / 41

HEX #961B6B

RGB 150 27 107

HSL 320.98, 0.69%, 0.35%

LAB 34.66, 55.53, -15.24

 

CMYK 59 / 82 / 0 / 41

HEX #3D1B96

RGB 61 27 150

HSL 256.59, 0.69%, 0.35%

LAB 23.6, 46.8, -60.72

 

CMYK 81 / 82 / 0 / 41

HEX #1C1B96

RGB 28 27 150

HSL 240.49, 0.69%, 0.35%

LAB 20.95, 43.88, -65.18

 

CMYK 82 / 82 / 0 / 41

HEX #1B1B96

RGB 27 27 150

HSL 240, 0.69%, 0.35%

LAB 20.9, 43.82, -65.27

 

CMYK 59 / 82 / 0 / 41

HEX #3D1B96

RGB 61 27 150

HSL 256.59, 0.69%, 0.35%

LAB 23.6, 46.8, -60.72

 

CMYK 67 / 92 / 0 / 35

HEX #370DA5

RGB 55 13 165

HSL 256.58, 0.85%, 0.35%

LAB 23.06, 55.35, -70.81

 

CMYK 59 / 82 / 0 / 41

HEX #3D1B96

RGB 61 27 150

HSL 256.59, 0.69%, 0.35%

LAB 23.6, 46.8, -60.72

 

CMYK 50 / 69 / 0 / 47

HEX #442A88

RGB 68 42 136

HSL 256.6, 0.53%, 0.35%

LAB 25.75, 35.97, -48.47

 

CMYK 39 / 54 / 0 / 53

HEX #4A3879

RGB 74 56 121

HSL 256.62, 0.37%, 0.35%

LAB 28.55, 24.22, -34.51

 

CMYK 24 / 35 / 0 / 58

HEX #51466B

RGB 81 70 107

HSL 257.84, 0.21%, 0.35%

LAB 32.24, 13.35, -19.81

 

CMYK 6 / 9 / 0 / 64

HEX #57555D

RGB 87 85 93

HSL 255, 0.04%, 0.35%

LAB 36.58, 2.55, -4.35

 

CMYK 82 / 60 / 0 / 41

HEX #1B3C96

RGB 27 60 150

HSL 223.9, 0.69%, 0.35%

LAB 28.56, 23.1, -52.67

 

CMYK 82 / 82 / 0 / 41

HEX #1B1B96

RGB 27 27 150

HSL 240, 0.69%, 0.35%

LAB 20.9, 43.82, -65.27

 

CMYK 60 / 82 / 0 / 41

HEX #3C1B96

RGB 60 27 150

HSL 256.1, 0.69%, 0.35%

LAB 23.49, 46.68, -60.89

 

CMYK 38 / 82 / 0 / 41

HEX #5D1B96

RGB 93 27 150

HSL 272.2, 0.69%, 0.35%

LAB 27.61, 51.27, -53.98

 

CMYK 16 / 82 / 0 / 41

HEX #7E1B96

RGB 126 27 150

HSL 288.29, 0.69%, 0.35%

LAB 32.75, 57.05, -45.4

 

CMYK 59 / 83 / 0 / 68

HEX #210E51

RGB 33 14 81

HSL 257.01, 0.71%, 0.19%

LAB 10.79, 28.51, -37.24

 

CMYK 59 / 82 / 0 / 55

HEX #2F1573

RGB 47 21 115

HSL 256.6, 0.69%, 0.27%

LAB 17.36, 37.56, -48.98

 

CMYK 59 / 82 / 0 / 41

HEX #3D1B96

RGB 61 27 150

HSL 256.59, 0.69%, 0.35%

LAB 23.6, 46.8, -60.72

 

CMYK 59 / 82 / 0 / 27

HEX #4B22B9

RGB 75 34 185

HSL 256.29, 0.69%, 0.43%

LAB 29.77, 55.15, -71.63

 

CMYK 57 / 80 / 0 / 15

HEX #5C2CD8

RGB 92 44 216

HSL 256.74, 0.69%, 0.51%

LAB 36.05, 61.22, -79.33

 

CMYK 59 / 82 / 0 / 41

HEX #3D1B96

RGB 61 27 150

HSL 256.59, 0.69%, 0.35%

LAB 23.6, 46.8, -60.72

 

CMYK 0 / 82 / 38 / 41

HEX #961B5D

RGB 150 27 93

HSL 327.8, 0.69%, 0.35%

LAB 34.1, 53.91, -7.11

 

CMYK 71 / 0 / 82 / 41

HEX #2C961B

RGB 44 150 27

HSL 111.71, 0.69%, 0.35%

LAB 54.48, -51.96, 51.23

 

CMYK 59 / 82 / 0 / 41

HEX #3D1B96

RGB 61 27 150

HSL 256.59, 0.69%, 0.35%

LAB 23.6, 46.8, -60.72

 

CMYK 0 / 60 / 82 / 41

HEX #963C1B

RGB 150 60 27

HSL 16.1, 0.69%, 0.35%

LAB 37.47, 36.01, 37.98

 

CMYK 82 / 0 / 60 / 41

HEX #1B963C

RGB 27 150 60

HSL 136.1, 0.69%, 0.35%

LAB 54.42, -51.49, 37.82

 

CMYK 59 / 82 / 0 / 41

HEX #3D1B96

RGB 61 27 150

HSL 256.59, 0.69%, 0.35%

LAB 23.6, 46.8, -60.72

 

CMYK 0 / 82 / 38 / 41

HEX #961B5D

RGB 150 27 93

HSL 327.8, 0.69%, 0.35%

LAB 34.1, 53.91, -7.11

 

CMYK 22 / 0 / 82 / 41

HEX #75961B

RGB 117 150 27

HSL 76.1, 0.69%, 0.35%

LAB 57.73, -28.33, 55.4

 

CMYK 82 / 0 / 43 / 41

HEX #1B9655

RGB 27 150 85

HSL 148.29, 0.69%, 0.35%

LAB 54.76, -47.41, 25.35

 

CMYK 59 / 82 / 0 / 41

HEX #3D1B96

RGB 61 27 150

HSL 256.59, 0.69%, 0.35%

LAB 23.6, 46.8, -60.72

 

CMYK 0 / 82 / 63 / 41

HEX #961B38

RGB 150 27 56

HSL 345.85, 0.69%, 0.35%

LAB 33.03, 50.7, 15.51

 

CMYK 22 / 0 / 82 / 41

HEX #75961B

RGB 117 150 27

HSL 76.1, 0.69%, 0.35%

LAB 57.73, -28.33, 55.4

 

CMYK 82 / 0 / 19 / 41

HEX #1B967A

RGB 27 150 122

HSL 166.34, 0.69%, 0.35%

LAB 55.53, -38.91, 5.7

 

Description

Color code: RGB 61 27 150 | qconv.com Color code: RGB 61 27 150 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 27 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 27 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 82 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 82% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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