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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 215 48 it is the complementary color RGB 194 40 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 215 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 215 48 shade: RGB 66 215 43, RGB 83 233 62, RGB 100 251 81, RGB 117 255 100 and RGB 134 255 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 215 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 215 48 shade: RGB 61 215 48, RGB 44 197 29, RGB 27 179 10, RGB 10 161 0 and RGB 0 143 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 215 48 shade: RGB 62 215 49, RGB 107 215 49, RGB 152 215 49, RGB 196 215 49 and RGB 215 189 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 215 48 shade: RGB 62 215 49, RGB 49 215 81, RGB 49 215 126, RGB 49 215 171 and RGB 49 215 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 215 48 shade matches the following richer shades: RGB 62 215 49 and RGB 45 235 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 215 48 shade: RGB 62 215 49, RGB 79 196 69, RGB 95 176 88, RGB 112 156 108 and RGB 129 136 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 215 48 shade: RGB 152 215 49, RGB 107 215 49, RGB 63 215 49, RGB 49 215 79 and RGB 49 215 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 215 48 shade: RGB 38 153 29, RGB 47 188 35, RGB 62 215 49, RGB 94 222 84 and RGB 127 229 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 215 48 shade: RGB 61 215 48, RGB 49 196 215 and RGB 215 49 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 215 48 shade: RGB 61 215 48, RGB 49 63 215 and RGB 215 49 63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 215 48 shade: RGB 61 215 48, RGB 49 196 215, RGB 201 49 215 and RGB 215 68 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 215 48 shade: RGB 61 215 48, RGB 49 146 215, RGB 201 49 215 and RGB 215 118 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 78 / 16

HEX #3DD730

RGB 61 215 48

HSL 115.33, 0.68%, 0.52%

LAB 75.95, -68.64, 65.39

 

Complementary color

CMYK 6 / 81 / 0 / 19

HEX #C228CF

RGB 194 40 207

HSL 295.33, 0.68%, 0.48%

LAB 48.87, 76.24, -52.66

 

CMYK 69 / 0 / 80 / 16

HEX #42D72B

RGB 66 215 43

HSL 111.98, 0.68%, 0.51%

LAB 76.03, -68.06, 66.95

 

CMYK 64 / 0 / 73 / 9

HEX #53E93E

RGB 83 233 62

HSL 112.63, 0.8%, 0.58%

LAB 82.09, -69.35, 67.09

 

CMYK 60 / 0 / 68 / 2

HEX #64FB51

RGB 100 251 81

HSL 113.29, 0.96%, 0.65%

LAB 88.11, -70.24, 66.64

 

CMYK 54 / 0 / 61 / 0

HEX #75FF64

RGB 117 255 100

HSL 113.42, 1%, 0.7%

LAB 89.96, -65.9, 61.25

 

CMYK 47 / 0 / 53 / 0

HEX #86FF77

RGB 134 255 119

HSL 113.38, 1%, 0.73%

LAB 90.74, -59.4, 54.02

 

CMYK 72 / 0 / 78 / 16

HEX #3DD730

RGB 61 215 48

HSL 115.33, 0.68%, 0.52%

LAB 75.95, -68.64, 65.39

 

CMYK 78 / 0 / 85 / 23

HEX #2CC51D

RGB 44 197 29

HSL 114.64, 0.74%, 0.44%

LAB 69.86, -66.75, 64.72

 

CMYK 85 / 0 / 94 / 30

HEX #1BB30A

RGB 27 179 10

HSL 113.96, 0.89%, 0.37%

LAB 63.75, -64.11, 62.76

 

CMYK 94 / 0 / 100 / 37

HEX #0AA100

RGB 10 161 0

HSL 116.27, 1%, 0.32%

LAB 57.61, -60.54, 59.05

 

CMYK 100 / 0 / 100 / 44

HEX #008F00

RGB 0 143 0

HSL 120, 1%, 0.28%

LAB 51.43, -56.02, 54.07

 

CMYK 71 / 0 / 77 / 16

HEX #3ED731

RGB 62 215 49

HSL 115.3, 0.67%, 0.52%

LAB 75.98, -68.41, 65.11

 

CMYK 50 / 0 / 77 / 16

HEX #6BD731

RGB 107 215 49

HSL 99.04, 0.67%, 0.52%

LAB 77.25, -58.07, 66.78

 

CMYK 29 / 0 / 77 / 16

HEX #98D731

RGB 152 215 49

HSL 82.77, 0.67%, 0.52%

LAB 79.33, -43.19, 69.48

 

CMYK 9 / 0 / 77 / 16

HEX #C4D731

RGB 196 215 49

HSL 66.87, 0.67%, 0.52%

LAB 82.14, -25.9, 73.09

 

CMYK 0 / 12 / 77 / 16

HEX #D7BD31

RGB 215 189 49

HSL 50.6, 0.67%, 0.52%

LAB 76.72, -4.89, 68.74

 

CMYK 71 / 0 / 77 / 16

HEX #3ED731

RGB 62 215 49

HSL 115.3, 0.67%, 0.52%

LAB 75.98, -68.41, 65.11

 

CMYK 77 / 0 / 62 / 16

HEX #31D751

RGB 49 215 81

HSL 131.57, 0.67%, 0.52%

LAB 75.98, -67.55, 53.08

 

CMYK 77 / 0 / 41 / 16

HEX #31D77E

RGB 49 215 126

HSL 147.83, 0.67%, 0.52%

LAB 76.53, -60.96, 32.37

 

CMYK 77 / 0 / 20 / 16

HEX #31D7AB

RGB 49 215 171

HSL 164.1, 0.67%, 0.52%

LAB 77.4, -51.44, 10.02

 

CMYK 77 / 0 / 0 / 16

HEX #31D7D7

RGB 49 215 215

HSL 180, 0.67%, 0.52%

LAB 78.56, -39.76, -11.82

 

CMYK 71 / 0 / 77 / 16

HEX #3ED731

RGB 62 215 49

HSL 115.3, 0.67%, 0.52%

LAB 75.98, -68.41, 65.11

 

CMYK 81 / 0 / 88 / 8

HEX #2DEB1D

RGB 45 235 29

HSL 115.34, 0.84%, 0.52%

LAB 81.87, -77.65, 75.26

 

CMYK 71 / 0 / 77 / 16

HEX #3ED731

RGB 62 215 49

HSL 115.3, 0.67%, 0.52%

LAB 75.98, -68.41, 65.11

 

CMYK 60 / 0 / 65 / 23

HEX #4FC445

RGB 79 196 69

HSL 115.28, 0.52%, 0.52%

LAB 70.57, -56.97, 52.36

 

CMYK 46 / 0 / 50 / 31

HEX #5FB058

RGB 95 176 88

HSL 115.23, 0.36%, 0.52%

LAB 65.11, -42.6, 37.31

 

CMYK 28 / 0 / 31 / 39

HEX #709C6C

RGB 112 156 108

HSL 115, 0.2%, 0.52%

LAB 60.16, -24.69, 20.48

 

CMYK 5 / 0 / 6 / 47

HEX #818880

RGB 129 136 128

HSL 112.5, 0.03%, 0.52%

LAB 55.92, -4.16, 3.4

 

CMYK 29 / 0 / 77 / 16

HEX #98D731

RGB 152 215 49

HSL 82.77, 0.67%, 0.52%

LAB 79.33, -43.19, 69.48

 

CMYK 50 / 0 / 77 / 16

HEX #6BD731

RGB 107 215 49

HSL 99.04, 0.67%, 0.52%

LAB 77.25, -58.07, 66.78

 

CMYK 71 / 0 / 77 / 16

HEX #3FD731

RGB 63 215 49

HSL 114.94, 0.67%, 0.52%

LAB 76, -68.23, 65.14

 

CMYK 77 / 0 / 63 / 16

HEX #31D74F

RGB 49 215 79

HSL 130.84, 0.67%, 0.52%

LAB 75.96, -67.77, 53.91

 

CMYK 77 / 0 / 42 / 16

HEX #31D77C

RGB 49 215 124

HSL 147.11, 0.67%, 0.52%

LAB 76.5, -61.32, 33.35

 

CMYK 75 / 0 / 81 / 40

HEX #26991D

RGB 38 153 29

HSL 115.65, 0.68%, 0.36%

LAB 55.36, -53.93, 51.41

 

CMYK 75 / 0 / 81 / 26

HEX #2FBC23

RGB 47 188 35

HSL 115.29, 0.69%, 0.44%

LAB 67.05, -63.27, 60.67

 

CMYK 71 / 0 / 77 / 16

HEX #3ED731

RGB 62 215 49

HSL 115.3, 0.67%, 0.52%

LAB 75.98, -68.41, 65.11

 

CMYK 58 / 0 / 62 / 13

HEX #5EDE54

RGB 94 222 84

HSL 115.65, 0.68%, 0.6%

LAB 79.19, -61.26, 55.7

 

CMYK 45 / 0 / 48 / 10

HEX #7FE576

RGB 127 229 118

HSL 115.14, 0.68%, 0.68%

LAB 82.84, -51.2, 44.81

 

CMYK 72 / 0 / 78 / 16

HEX #3DD730

RGB 61 215 48

HSL 115.33, 0.68%, 0.52%

LAB 75.95, -68.64, 65.39

 

CMYK 77 / 9 / 0 / 16

HEX #31C4D7

RGB 49 196 215

HSL 186.87, 0.67%, 0.52%

LAB 72.92, -30.88, -20.31

 

CMYK 0 / 77 / 40 / 16

HEX #D73181

RGB 215 49 129

HSL 331.08, 0.67%, 0.52%

LAB 49.77, 68.22, -4.92

 

CMYK 72 / 0 / 78 / 16

HEX #3DD730

RGB 61 215 48

HSL 115.33, 0.68%, 0.52%

LAB 75.95, -68.64, 65.39

 

CMYK 77 / 71 / 0 / 16

HEX #313FD7

RGB 49 63 215

HSL 234.94, 0.67%, 0.52%

LAB 36.2, 47.03, -78.61

 

CMYK 0 / 77 / 71 / 16

HEX #D7313F

RGB 215 49 63

HSL 354.94, 0.67%, 0.52%

LAB 48.26, 63.51, 33.03

 

CMYK 72 / 0 / 78 / 16

HEX #3DD730

RGB 61 215 48

HSL 115.33, 0.68%, 0.52%

LAB 75.95, -68.64, 65.39

 

CMYK 77 / 9 / 0 / 16

HEX #31C4D7

RGB 49 196 215

HSL 186.87, 0.67%, 0.52%

LAB 72.92, -30.88, -20.31

 

CMYK 7 / 77 / 0 / 16

HEX #C931D7

RGB 201 49 215

HSL 294.94, 0.67%, 0.52%

LAB 51.29, 76.52, -53.31

 

CMYK 0 / 68 / 77 / 16

HEX #D74431

RGB 215 68 49

HSL 6.87, 0.67%, 0.52%

LAB 50.46, 56.41, 43.34

 

CMYK 72 / 0 / 78 / 16

HEX #3DD730

RGB 61 215 48

HSL 115.33, 0.68%, 0.52%

LAB 75.95, -68.64, 65.39

 

CMYK 77 / 32 / 0 / 16

HEX #3192D7

RGB 49 146 215

HSL 204.94, 0.67%, 0.52%

LAB 58.15, -4.4, -43.18

 

CMYK 7 / 77 / 0 / 16

HEX #C931D7

RGB 201 49 215

HSL 294.94, 0.67%, 0.52%

LAB 51.29, 76.52, -53.31

 

CMYK 0 / 45 / 77 / 16

HEX #D77631

RGB 215 118 49

HSL 24.94, 0.67%, 0.52%

LAB 59.55, 32.93, 52.53

 

Description

Color code: RGB 61 215 48 | qconv.com Color code: RGB 61 215 48 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 215 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 215 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 78 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 78% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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