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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 208 75 it is the complementary color RGB 194 47 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 208 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 208 75 shade: RGB 66 208 70, RGB 83 226 89, RGB 100 244 108, RGB 117 255 127 and RGB 134 255 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 208 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 208 75 shade: RGB 61 208 75, RGB 44 190 56, RGB 27 172 37, RGB 10 154 18 and RGB 0 136 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 208 75 shade: RGB 62 208 75, RGB 87 208 62, RGB 126 208 62, RGB 166 208 62 and RGB 205 208 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 208 75 shade: RGB 62 208 75, RGB 62 208 115, RGB 62 208 154, RGB 62 208 194 and RGB 62 182 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 208 75 shade matches the following richer shades: RGB 62 208 75, RGB 42 227 60 and RGB 23 247 44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 208 75 shade: RGB 62 208 75, RGB 81 188 91, RGB 100 169 107, RGB 120 150 123 and RGB 139 130 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 208 75 shade: RGB 127 208 62, RGB 88 208 62, RGB 62 208 74, RGB 62 208 113 and RGB 62 208 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 208 75 shade: RGB 36 151 47, RGB 44 184 57, RGB 62 208 75, RGB 95 216 106 and RGB 128 224 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 208 75 shade: RGB 61 208 75, RGB 62 166 208 and RGB 208 62 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 208 75 shade: RGB 61 208 75, RGB 74 62 208 and RGB 208 74 62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 208 75 shade: RGB 61 208 75, RGB 62 166 208, RGB 208 62 196 and RGB 208 103 62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 208 75 shade: RGB 61 208 75, RGB 62 122 208, RGB 208 62 196 and RGB 208 147 62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 64 / 18

HEX #3DD04B

RGB 61 208 75

HSL 125.71, 0.61%, 0.53%

LAB 73.94, -64.14, 53.42

 

Complementary color

CMYK 0 / 76 / 7 / 24

HEX #C22FB4

RGB 194 47 180

HSL 305.71, 0.61%, 0.47%

LAB 48, 70.15, -38.36

 

CMYK 68 / 0 / 66 / 18

HEX #42D046

RGB 66 208 70

HSL 121.69, 0.6%, 0.54%

LAB 74.01, -63.76, 55.59

 

CMYK 63 / 0 / 61 / 11

HEX #53E259

RGB 83 226 89

HSL 122.52, 0.71%, 0.61%

LAB 80.15, -64.58, 54.56

 

CMYK 59 / 0 / 56 / 4

HEX #64F46C

RGB 100 244 108

HSL 123.33, 0.87%, 0.67%

LAB 86.25, -65.07, 53.37

 

CMYK 54 / 0 / 50 / 0

HEX #75FF7F

RGB 117 255 127

HSL 124.35, 1%, 0.73%

LAB 90.25, -62.77, 49.61

 

CMYK 47 / 0 / 43 / 0

HEX #86FF92

RGB 134 255 146

HSL 125.95, 1%, 0.76%

LAB 91.08, -55.85, 41.74

 

CMYK 71 / 0 / 64 / 18

HEX #3DD04B

RGB 61 208 75

HSL 125.71, 0.61%, 0.53%

LAB 73.94, -64.14, 53.42

 

CMYK 77 / 0 / 71 / 25

HEX #2CBE38

RGB 44 190 56

HSL 124.93, 0.62%, 0.46%

LAB 67.76, -62.82, 54.34

 

CMYK 84 / 0 / 78 / 33

HEX #1BAC25

RGB 27 172 37

HSL 124.14, 0.73%, 0.39%

LAB 61.54, -60.84, 54.75

 

CMYK 94 / 0 / 88 / 40

HEX #0A9A12

RGB 10 154 18

HSL 123.33, 0.88%, 0.32%

LAB 55.3, -57.96, 54.13

 

CMYK 100 / 0 / 100 / 47

HEX #008800

RGB 0 136 0

HSL 120, 1%, 0.27%

LAB 49.02, -54.02, 52.13

 

CMYK 70 / 0 / 64 / 18

HEX #3ED04B

RGB 62 208 75

HSL 125.34, 0.61%, 0.53%

LAB 73.96, -63.97, 53.45

 

CMYK 58 / 0 / 70 / 18

HEX #57D03E

RGB 87 208 62

HSL 109.73, 0.61%, 0.53%

LAB 74.5, -59.96, 59.4

 

CMYK 39 / 0 / 70 / 18

HEX #7ED03E

RGB 126 208 62

HSL 93.7, 0.61%, 0.53%

LAB 76, -48.63, 61.43

 

CMYK 20 / 0 / 70 / 18

HEX #A6D03E

RGB 166 208 62

HSL 77.26, 0.61%, 0.53%

LAB 78.21, -34.05, 64.37

 

CMYK 1 / 0 / 70 / 18

HEX #CDD03E

RGB 205 208 62

HSL 61.23, 0.61%, 0.53%

LAB 80.98, -18.2, 68.04

 

CMYK 70 / 0 / 64 / 18

HEX #3ED04B

RGB 62 208 75

HSL 125.34, 0.61%, 0.53%

LAB 73.96, -63.97, 53.45

 

CMYK 70 / 0 / 45 / 18

HEX #3ED073

RGB 62 208 115

HSL 141.78, 0.61%, 0.53%

LAB 74.43, -58.53, 35.25

 

CMYK 70 / 0 / 26 / 18

HEX #3ED09A

RGB 62 208 154

HSL 157.81, 0.61%, 0.53%

LAB 75.12, -50.91, 15.89

 

CMYK 70 / 0 / 7 / 18

HEX #3ED0C2

RGB 62 208 194

HSL 174.25, 0.61%, 0.53%

LAB 76.09, -41.02, -4.18

 

CMYK 70 / 13 / 0 / 18

HEX #3EB6D0

RGB 62 182 208

HSL 190.68, 0.61%, 0.53%

LAB 68.78, -24.6, -22.77

 

CMYK 70 / 0 / 64 / 18

HEX #3ED04B

RGB 62 208 75

HSL 125.34, 0.61%, 0.53%

LAB 73.96, -63.97, 53.45

 

CMYK 81 / 0 / 74 / 11

HEX #2AE33C

RGB 42 227 60

HSL 125.84, 0.77%, 0.53%

LAB 79.48, -74, 64.89

 

CMYK 91 / 0 / 82 / 3

HEX #17F72C

RGB 23 247 44

HSL 125.63, 0.93%, 0.53%

LAB 85.45, -82.09, 75.18

 

CMYK 70 / 0 / 64 / 18

HEX #3ED04B

RGB 62 208 75

HSL 125.34, 0.61%, 0.53%

LAB 73.96, -63.97, 53.45

 

CMYK 57 / 0 / 52 / 26

HEX #51BC5B

RGB 81 188 91

HSL 125.61, 0.44%, 0.53%

LAB 68.37, -50.88, 39.71

 

CMYK 41 / 0 / 37 / 34

HEX #64A96B

RGB 100 169 107

HSL 126.09, 0.29%, 0.53%

LAB 63.46, -35.07, 25.34

 

CMYK 20 / 0 / 18 / 41

HEX #78967B

RGB 120 150 123

HSL 126, 0.13%, 0.53%

LAB 59.19, -16.05, 10.83

 

CMYK 0 / 6 / 1 / 45

HEX #8B828A

RGB 139 130 138

HSL 306.67, 0.04%, 0.53%

LAB 55.37, 4.93, -3.09

 

CMYK 39 / 0 / 70 / 18

HEX #7FD03E

RGB 127 208 62

HSL 93.29, 0.61%, 0.53%

LAB 76.05, -48.3, 61.49

 

CMYK 58 / 0 / 70 / 18

HEX #58D03E

RGB 88 208 62

HSL 109.32, 0.61%, 0.53%

LAB 74.53, -59.72, 59.44

 

CMYK 70 / 0 / 64 / 18

HEX #3ED04A

RGB 62 208 74

HSL 124.93, 0.61%, 0.53%

LAB 73.95, -64.08, 53.86

 

CMYK 70 / 0 / 46 / 18

HEX #3ED071

RGB 62 208 113

HSL 140.96, 0.61%, 0.53%

LAB 74.4, -58.86, 36.22

 

CMYK 70 / 0 / 27 / 18

HEX #3ED098

RGB 62 208 152

HSL 156.99, 0.61%, 0.53%

LAB 75.08, -51.35, 16.9

 

CMYK 76 / 0 / 69 / 41

HEX #24972F

RGB 36 151 47

HSL 125.74, 0.61%, 0.37%

LAB 54.78, -52.11, 44.16

 

CMYK 76 / 0 / 69 / 28

HEX #2CB839

RGB 44 184 57

HSL 125.57, 0.61%, 0.45%

LAB 65.84, -60.81, 51.92

 

CMYK 70 / 0 / 64 / 18

HEX #3ED04B

RGB 62 208 75

HSL 125.34, 0.61%, 0.53%

LAB 73.96, -63.97, 53.45

 

CMYK 56 / 0 / 51 / 15

HEX #5FD86A

RGB 95 216 106

HSL 125.45, 0.61%, 0.61%

LAB 77.63, -56.19, 43.88

 

CMYK 43 / 0 / 39 / 12

HEX #80E089

RGB 128 224 137

HSL 125.63, 0.61%, 0.69%

LAB 81.68, -46.11, 33.96

 

CMYK 71 / 0 / 64 / 18

HEX #3DD04B

RGB 61 208 75

HSL 125.71, 0.61%, 0.53%

LAB 73.94, -64.14, 53.42

 

CMYK 70 / 20 / 0 / 18

HEX #3EA6D0

RGB 62 166 208

HSL 197.26, 0.61%, 0.53%

LAB 64.04, -16.28, -30.05

 

CMYK 0 / 70 / 48 / 18

HEX #D03E6C

RGB 208 62 108

HSL 341.1, 0.61%, 0.53%

LAB 49.42, 60.11, 7.15

 

CMYK 71 / 0 / 64 / 18

HEX #3DD04B

RGB 61 208 75

HSL 125.71, 0.61%, 0.53%

LAB 73.94, -64.14, 53.42

 

CMYK 64 / 70 / 0 / 18

HEX #4A3ED0

RGB 74 62 208

HSL 244.93, 0.61%, 0.53%

LAB 36.85, 47.9, -73.45

 

CMYK 0 / 64 / 70 / 18

HEX #D04A3E

RGB 208 74 62

HSL 4.93, 0.61%, 0.53%

LAB 50.28, 52.19, 35.67

 

CMYK 71 / 0 / 64 / 18

HEX #3DD04B

RGB 61 208 75

HSL 125.71, 0.61%, 0.53%

LAB 73.94, -64.14, 53.42

 

CMYK 70 / 20 / 0 / 18

HEX #3EA6D0

RGB 62 166 208

HSL 197.26, 0.61%, 0.53%

LAB 64.04, -16.28, -30.05

 

CMYK 0 / 70 / 6 / 18

HEX #D03EC4

RGB 208 62 196

HSL 304.93, 0.61%, 0.53%

LAB 52.77, 70.92, -39.99

 

CMYK 0 / 50 / 70 / 18

HEX #D0673E

RGB 208 103 62

HSL 16.85, 0.61%, 0.53%

LAB 55.54, 38.5, 41.68

 

CMYK 71 / 0 / 64 / 18

HEX #3DD04B

RGB 61 208 75

HSL 125.71, 0.61%, 0.53%

LAB 73.94, -64.14, 53.42

 

CMYK 70 / 41 / 0 / 18

HEX #3E7AD0

RGB 62 122 208

HSL 215.34, 0.61%, 0.53%

LAB 51.26, 9.1, -50.12

 

CMYK 0 / 70 / 6 / 18

HEX #D03EC4

RGB 208 62 196

HSL 304.93, 0.61%, 0.53%

LAB 52.77, 70.92, -39.99

 

CMYK 0 / 29 / 70 / 18

HEX #D0933E

RGB 208 147 62

HSL 34.93, 0.61%, 0.53%

LAB 65.46, 15.02, 52.44

 

Description

Color code: RGB 61 208 75 | qconv.com Color code: RGB 61 208 75 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 208 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 208 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 64 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 64% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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