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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 205 30 it is the complementary color RGB 194 50 225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 205 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 205 30 shade: RGB 66 205 25, RGB 83 223 44, RGB 100 241 63, RGB 117 255 82 and RGB 134 255 101

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 205 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 205 30 shade: RGB 61 205 30, RGB 44 187 11, RGB 27 169 0, RGB 10 151 0 and RGB 0 133 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 205 30 shade: RGB 61 204 30, RGB 108 204 30, RGB 154 204 30, RGB 201 204 30 and RGB 204 159 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 205 30 shade: RGB 61 204 30, RGB 30 204 46, RGB 30 204 93, RGB 30 204 140 and RGB 30 204 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 205 30 shade matches the following richer shades: RGB 61 204 30 and RGB 49 223 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 205 30 shade: RGB 61 204 30, RGB 73 185 49, RGB 85 166 68, RGB 98 147 87 and RGB 110 128 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 205 30 shade: RGB 154 204 30, RGB 108 204 30, RGB 62 204 30, RGB 30 204 44 and RGB 30 204 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 205 30 shade: RGB 39 132 19, RGB 50 168 25, RGB 61 204 30, RGB 81 224 51 and RGB 112 229 87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 205 30 shade: RGB 61 205 30, RGB 30 201 204 and RGB 204 30 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 205 30 shade: RGB 61 205 30, RGB 30 62 204 and RGB 204 30 62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 205 30 shade: RGB 61 205 30, RGB 30 201 204, RGB 172 30 204 and RGB 204 33 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 205 30 shade: RGB 61 205 30, RGB 30 149 204, RGB 172 30 204 and RGB 204 85 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 85 / 20

HEX #3DCD1E

RGB 61 205 30

HSL 109.37, 0.74%, 0.46%

LAB 72.73, -66.45, 67.16

 

Complementary color

CMYK 14 / 78 / 0 / 12

HEX #C232E1

RGB 194 50 225

HSL 289.37, 0.74%, 0.54%

LAB 50.91, 76.63, -59.68

 

CMYK 68 / 0 / 88 / 20

HEX #42CD19

RGB 66 205 25

HSL 106.33, 0.78%, 0.45%

LAB 72.82, -65.71, 68.32

 

CMYK 63 / 0 / 80 / 13

HEX #53DF2C

RGB 83 223 44

HSL 106.93, 0.74%, 0.52%

LAB 78.92, -67.18, 69.52

 

CMYK 59 / 0 / 74 / 5

HEX #64F13F

RGB 100 241 63

HSL 107.53, 0.86%, 0.6%

LAB 84.99, -68.21, 69.78

 

CMYK 54 / 0 / 68 / 0

HEX #75FF52

RGB 117 255 82

HSL 107.86, 1%, 0.66%

LAB 89.82, -67.52, 68.22

 

CMYK 47 / 0 / 60 / 0

HEX #86FF65

RGB 134 255 101

HSL 107.14, 1%, 0.7%

LAB 90.56, -61.32, 61.67

 

CMYK 70 / 0 / 85 / 20

HEX #3DCD1E

RGB 61 205 30

HSL 109.37, 0.74%, 0.46%

LAB 72.73, -66.45, 67.16

 

CMYK 76 / 0 / 94 / 27

HEX #2CBB0B

RGB 44 187 11

HSL 108.75, 0.89%, 0.39%

LAB 66.6, -64.34, 65.09

 

CMYK 84 / 0 / 100 / 34

HEX #1BA900

RGB 27 169 0

HSL 110.41, 1%, 0.33%

LAB 60.43, -61.44, 61.38

 

CMYK 93 / 0 / 100 / 41

HEX #0A9700

RGB 10 151 0

HSL 116.03, 1%, 0.3%

LAB 54.24, -57.67, 56.35

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 70 / 0 / 85 / 20

HEX #3DCC1E

RGB 61 204 30

HSL 109.31, 0.74%, 0.46%

LAB 72.41, -66.14, 66.88

 

CMYK 47 / 0 / 85 / 20

HEX #6CCC1E

RGB 108 204 30

HSL 93.1, 0.74%, 0.46%

LAB 73.85, -54.54, 68.7

 

CMYK 25 / 0 / 85 / 20

HEX #9ACC1E

RGB 154 204 30

HSL 77.24, 0.74%, 0.46%

LAB 76.16, -38.34, 71.6

 

CMYK 1 / 0 / 85 / 20

HEX #C9CC1E

RGB 201 204 30

HSL 61.03, 0.74%, 0.46%

LAB 79.44, -19.06, 75.66

 

CMYK 0 / 22 / 85 / 20

HEX #CC9F1E

RGB 204 159 30

HSL 44.48, 0.74%, 0.46%

LAB 67.82, 5.54, 66.22

 

CMYK 70 / 0 / 85 / 20

HEX #3DCC1E

RGB 61 204 30

HSL 109.31, 0.74%, 0.46%

LAB 72.41, -66.14, 66.88

 

CMYK 85 / 0 / 77 / 20

HEX #1ECC2E

RGB 30 204 46

HSL 125.52, 0.74%, 0.46%

LAB 72, -69.45, 62.03

 

CMYK 85 / 0 / 54 / 20

HEX #1ECC5D

RGB 30 204 93

HSL 141.72, 0.74%, 0.46%

LAB 72.4, -64.53, 43.41

 

CMYK 85 / 0 / 31 / 20

HEX #1ECC8C

RGB 30 204 140

HSL 157.93, 0.74%, 0.46%

LAB 73.13, -56.04, 20.49

 

CMYK 85 / 0 / 8 / 20

HEX #1ECCBB

RGB 30 204 187

HSL 174.14, 0.74%, 0.46%

LAB 74.22, -44.35, -3.2

 

CMYK 70 / 0 / 85 / 20

HEX #3DCC1E

RGB 61 204 30

HSL 109.31, 0.74%, 0.46%

LAB 72.41, -66.14, 66.88

 

CMYK 78 / 0 / 95 / 13

HEX #31DF0B

RGB 49 223 11

HSL 109.25, 0.91%, 0.46%

LAB 78.14, -74.22, 74.64

 

CMYK 70 / 0 / 85 / 20

HEX #3DCC1E

RGB 61 204 30

HSL 109.31, 0.74%, 0.46%

LAB 72.41, -66.14, 66.88

 

CMYK 61 / 0 / 74 / 27

HEX #49B931

RGB 73 185 49

HSL 109.41, 0.58%, 0.46%

LAB 66.78, -56.21, 56.15

 

CMYK 49 / 0 / 59 / 35

HEX #55A644

RGB 85 166 68

HSL 109.59, 0.42%, 0.46%

LAB 61.33, -43.92, 42.44

 

CMYK 33 / 0 / 41 / 42

HEX #629357

RGB 98 147 87

HSL 109, 0.26%, 0.46%

LAB 56.24, -28.61, 26.65

 

CMYK 14 / 0 / 17 / 50

HEX #6E806A

RGB 110 128 106

HSL 109.09, 0.09%, 0.46%

LAB 51.6, -11.06, 9.77

 

CMYK 25 / 0 / 85 / 20

HEX #9ACC1E

RGB 154 204 30

HSL 77.24, 0.74%, 0.46%

LAB 76.16, -38.34, 71.6

 

CMYK 47 / 0 / 85 / 20

HEX #6CCC1E

RGB 108 204 30

HSL 93.1, 0.74%, 0.46%

LAB 73.85, -54.54, 68.7

 

CMYK 70 / 0 / 85 / 20

HEX #3ECC1E

RGB 62 204 30

HSL 108.97, 0.74%, 0.46%

LAB 72.43, -65.96, 66.91

 

CMYK 85 / 0 / 78 / 20

HEX #1ECC2C

RGB 30 204 44

HSL 124.83, 0.74%, 0.46%

LAB 71.99, -69.58, 62.64

 

CMYK 85 / 0 / 55 / 20

HEX #1ECC5B

RGB 30 204 91

HSL 141.03, 0.74%, 0.46%

LAB 72.37, -64.82, 44.32

 

CMYK 70 / 0 / 86 / 48

HEX #278413

RGB 39 132 19

HSL 109.38, 0.75%, 0.3%

LAB 48.24, -47.26, 47.72

 

CMYK 70 / 0 / 85 / 34

HEX #32A819

RGB 50 168 25

HSL 109.51, 0.74%, 0.38%

LAB 60.56, -56.88, 57.39

 

CMYK 70 / 0 / 85 / 20

HEX #3DCC1E

RGB 61 204 30

HSL 109.31, 0.74%, 0.46%

LAB 72.41, -66.14, 66.88

 

CMYK 64 / 0 / 77 / 12

HEX #51E033

RGB 81 224 51

HSL 109.6, 0.74%, 0.54%

LAB 79.21, -67.54, 67.77

 

CMYK 51 / 0 / 62 / 10

HEX #70E557

RGB 112 229 87

HSL 109.44, 0.73%, 0.62%

LAB 81.93, -58.95, 57.65

 

CMYK 70 / 0 / 85 / 20

HEX #3DCD1E

RGB 61 205 30

HSL 109.37, 0.74%, 0.46%

LAB 72.73, -66.45, 67.16

 

CMYK 85 / 1 / 0 / 20

HEX #1EC9CC

RGB 30 201 204

HSL 181.03, 0.74%, 0.46%

LAB 73.81, -38.12, -13.02

 

CMYK 0 / 85 / 36 / 20

HEX #CC1E83

RGB 204 30 131

HSL 325.17, 0.74%, 0.46%

LAB 46.18, 70.36, -11.71

 

CMYK 70 / 0 / 85 / 20

HEX #3DCD1E

RGB 61 205 30

HSL 109.37, 0.74%, 0.46%

LAB 72.73, -66.45, 67.16

 

CMYK 85 / 70 / 0 / 20

HEX #1E3ECC

RGB 30 62 204

HSL 228.97, 0.74%, 0.46%

LAB 34.15, 42.48, -75.65

 

CMYK 0 / 85 / 70 / 20

HEX #CC1E3E

RGB 204 30 62

HSL 348.97, 0.74%, 0.46%

LAB 44.4, 65.23, 28.45

 

CMYK 70 / 0 / 85 / 20

HEX #3DCD1E

RGB 61 205 30

HSL 109.37, 0.74%, 0.46%

LAB 72.73, -66.45, 67.16

 

CMYK 85 / 1 / 0 / 20

HEX #1EC9CC

RGB 30 201 204

HSL 181.03, 0.74%, 0.46%

LAB 73.81, -38.12, -13.02

 

CMYK 16 / 85 / 0 / 20

HEX #AC1ECC

RGB 172 30 204

HSL 288.97, 0.74%, 0.46%

LAB 44.32, 74.19, -58.45

 

CMYK 0 / 84 / 85 / 20

HEX #CC211E

RGB 204 33 30

HSL 1.03, 0.74%, 0.46%

LAB 44.26, 63.5, 46.45

 

CMYK 70 / 0 / 85 / 20

HEX #3DCD1E

RGB 61 205 30

HSL 109.37, 0.74%, 0.46%

LAB 72.73, -66.45, 67.16

 

CMYK 85 / 27 / 0 / 20

HEX #1E95CC

RGB 30 149 204

HSL 198.97, 0.74%, 0.46%

LAB 58.16, -11.82, -37.01

 

CMYK 16 / 85 / 0 / 20

HEX #AC1ECC

RGB 172 30 204

HSL 288.97, 0.74%, 0.46%

LAB 44.32, 74.19, -58.45

 

CMYK 0 / 58 / 85 / 20

HEX #CC551E

RGB 204 85 30

HSL 18.97, 0.74%, 0.46%

LAB 51.18, 44.62, 52.35

 

Description

Color code: RGB 61 205 30 | qconv.com Color code: RGB 61 205 30 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 205 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 205 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 85 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 85% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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